Vergil and Philosophy
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A History of Cynicism
A HISTORY OF CYNICISM Downloaded from https://www.holybooks.com Downloaded from https://www.holybooks.com A HISTORY OF CYNICISM From Diogenes to the 6th Century A.D. by DONALD R. DUDLEY F,llow of St. John's College, Cambrid1e Htmy Fellow at Yale University firl mll METHUEN & CO. LTD. LONDON 36 Essex Street, Strand, W.C.2 Downloaded from https://www.holybooks.com First published in 1937 PRINTED IN GREAT BRITAIN Downloaded from https://www.holybooks.com PREFACE THE research of which this book is the outcome was mainly carried out at St. John's College, Cambridge, Yale University, and Edinburgh University. In the help so generously given to my work I have been no less fortunate than in the scenes in which it was pursued. I am much indebted for criticism and advice to Professor M. Rostovtseff and Professor E. R. Goodonough of Yale, to Professor A. E. Taylor of Edinburgh, to Professor F. M. Cornford of Cambridge, to Professor J. L. Stocks of Liverpool, and to Dr. W. H. Semple of Reading. I should also like to thank the electors of the Henry Fund for enabling me to visit the United States, and the College Council of St. John's for electing me to a Research Fellowship. Finally, to• the unfailing interest, advice and encouragement of Mr. M. P. Charlesworth of St. John's I owe an especial debt which I can hardly hope to repay. These acknowledgements do not exhaust the list of my obligations ; but I hope that other kindnesses have been acknowledged either in the text or privately. -
Select Epigrams from the Greek Anthology
SELECT EPIGRAMS FROM THE GREEK ANTHOLOGY J. W. MACKAIL∗ Fellow of Balliol College, Oxford. PREPARER’S NOTE This book was published in 1890 by Longmans, Green, and Co., London; and New York: 15 East 16th Street. The epigrams in the book are given both in Greek and in English. This text includes only the English. Where Greek is present in short citations, it has been given here in transliterated form and marked with brackets. A chapter of Notes on the translations has also been omitted. eti pou proima leuxoia Meleager in /Anth. Pal./ iv. 1. Dim now and soil’d, Like the soil’d tissue of white violets Left, freshly gather’d, on their native bank. M. Arnold, /Sohrab and Rustum/. PREFACE The purpose of this book is to present a complete collection, subject to certain definitions and exceptions which will be mentioned later, of all the best extant Greek Epigrams. Although many epigrams not given here have in different ways a special interest of their own, none, it is hoped, have been excluded which are of the first excellence in any style. But, while it would be easy to agree on three-fourths of the matter to be included in such a scope, perhaps hardly any two persons would be in exact accordance with regard to the rest; with many pieces which lie on the border line of excellence, the decision must be made on a balance of very slight considerations, and becomes in the end one rather of personal taste than of any fixed principle. For the Greek Anthology proper, use has chiefly been made of the two ∗PDF created by pdfbooks.co.za 1 great works of Jacobs, -
Fantasy and Metaphor in Meleager
TAPA 145 (2015) 233–251 PRESIDENTIAL ADDRESS 2015 New Orleans, Louisiana Fantasy and Metaphor in Meleager KATHRYN GUTZWILLER University of Cincinnati MELEAGER OF GADARA IS ONE OF THOSE INCREASINGLY RARE GREEK AUTHORS whose works are somewhat known to many classicists but whose influence on ancient and later literature remains underappreciated. Meleager’s anthol- ogy of Greek epigrams called the Garland produced Latin imitations shortly after its creation in the early first century B.C.E., and allusions to Meleager’s own, mostly erotic poems are found in prominent programmatic passages of Latin poetry. Examples include the first three poems and the last poem of the Catullan liber, the opening of Propertius’s Monobiblos, the first speech in Vergil’s Eclogue 1, and the opening lines of Tibullus 1.2.1 I would assert that as a model for Latin erotic poetry Meleager rivals Callimachus in both direct allusions and as a source of topoi and imagery. Alessandro Barchiesi has spo- ken of the Garland as a model for elegant poetry books because of its careful arrangements,2 but what was it about Meleager’s own poetry that appealed to Roman poets? Pointing toward an answer to that question, I here examine 1 Catull. 1 and 116, the beginning and end of the liber as we have it, contain a com- plicated and interrelated series of allusions to the proem and concluding epigram of Meleager’s Garland (Anth. Pal. 4.1, 12.257). The paired sparrow poems (Catull. 2–3) owe much to Meleager’s paired insect epigrams (Anth. Pal. 7.195–96), while Verg. -
The Sophistic Roman: Education and Status in Quintilian, Tacitus and Pliny Brandon F. Jones a Dissertation Submitted in Partial
The Sophistic Roman: Education and Status in Quintilian, Tacitus and Pliny Brandon F. Jones A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2015 Reading Committee: Alain Gowing, Chair Catherine Connors Alexander Hollmann Deborah Kamen Program Authorized to Offer Degree: Classics ©Copyright 2015 Brandon F. Jones University of Washington Abstract The Sophistic Roman: Education and Status in Quintilian, Tacitus and Pliny Brandon F. Jones Chair of Supervisory Commitee: Professor Alain Gowing Department of Classics This study is about the construction of identity and self-promotion of status by means of elite education during the first and second centuries CE, a cultural and historical period termed by many as the Second Sophistic. Though the Second Sophistic has traditionally been treated as a Greek cultural movement, individual Romans also viewed engagement with a past, Greek or otherwise, as a way of displaying education and authority, and, thereby, of promoting status. Readings of the work of Quintilian, Tacitus and Pliny, first- and second-century Latin prose authors, reveal a remarkable engagement with the methodologies and motivations employed by their Greek contemporaries—Dio of Prusa, Plutarch, Lucian and Philostratus, most particularly. The first two chapters of this study illustrate and explain the centrality of Greek in the Roman educational system. The final three chapters focus on Roman displays of that acquired Greek paideia in language, literature and oratory, respectively. As these chapters demonstrate, the social practices of paideia and their deployment were a multi-cultural phenomenon. Table of Contents Acknowledgements ........................................................................... 2 Introduction ....................................................................................... 4 Chapter One. -
Between the Commemorative Games and the Descent to the Underworld
ORBIT-OnlineRepository ofBirkbeckInstitutionalTheses Enabling Open Access to Birkbeck’s Research Degree output Between the commemorative games and the descent to the Underworld in Books 5 and 6 of Vergil’s Aeneid: a study of structure and narrative technique in the transition https://eprints.bbk.ac.uk/id/eprint/40202/ Version: Full Version Citation: Powell„ David John (2017) Between the commemorative games and the descent to the Underworld in Books 5 and 6 of Vergil’s Aeneid: a study of structure and narrative technique in the transition. [Thesis] (Unpublished) c 2020 The Author(s) All material available through ORBIT is protected by intellectual property law, including copy- right law. Any use made of the contents should comply with the relevant law. Deposit Guide Contact: email Between the commemorative games and the descent to the Underworld in Books 5 and 6 of Vergil’s Aeneid: a study of structure and narrative technique in the transition Thesis submitted in September 2016 by: David John Powell awarded the degree of Master of Philosophy February 2017 Powell, D J September 2016 Declaration I hereby certify that the work presented in this thesis is my own work. …………………………………….. David John Powell ***** DEDICATIO Hunc librum dedico: et memoriae mulieris amatae Mariae et filio dilecto Antonio. Acknowledgments I wish to thank my supervisor, Professor Catharine Edwards, for her prudent suggestions throughout. Also my son, Anthony, and daughter-in-in-law, Julia, both Cambridge classics graduates, for their consistent encouragement. Any and all shortcomings are my own. 2 Powell, D J September 2016 Abstract Book 5 of Vergil’s Aeneid is known for the games commemorating the first anniversary of Anchises’ death; Book 6 for Aeneas’ visit to the Underworld. -
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES
Early Greek Alchemy, Patronage and Innovation in Late Antiquity CALIFORNIA CLASSICAL STUDIES NUMBER 7 Editorial Board Chair: Donald Mastronarde Editorial Board: Alessandro Barchiesi, Todd Hickey, Emily Mackil, Richard Martin, Robert Morstein-Marx, J. Theodore Peña, Kim Shelton California Classical Studies publishes peer-reviewed long-form scholarship with online open access and print-on-demand availability. The primary aim of the series is to disseminate basic research (editing and analysis of primary materials both textual and physical), data-heavy re- search, and highly specialized research of the kind that is either hard to place with the leading publishers in Classics or extremely expensive for libraries and individuals when produced by a leading academic publisher. In addition to promoting archaeological publications, papyrolog- ical and epigraphic studies, technical textual studies, and the like, the series will also produce selected titles of a more general profile. The startup phase of this project (2013–2017) was supported by a grant from the Andrew W. Mellon Foundation. Also in the series: Number 1: Leslie Kurke, The Traffic in Praise: Pindar and the Poetics of Social Economy, 2013 Number 2: Edward Courtney, A Commentary on the Satires of Juvenal, 2013 Number 3: Mark Griffith, Greek Satyr Play: Five Studies, 2015 Number 4: Mirjam Kotwick, Alexander of Aphrodisias and the Text of Aristotle’s Meta- physics, 2016 Number 5: Joey Williams, The Archaeology of Roman Surveillance in the Central Alentejo, Portugal, 2017 Number 6: Donald J. Mastronarde, Preliminary Studies on the Scholia to Euripides, 2017 Early Greek Alchemy, Patronage and Innovation in Late Antiquity Olivier Dufault CALIFORNIA CLASSICAL STUDIES Berkeley, California © 2019 by Olivier Dufault. -
HICKS-DISSERTATION-2013.Pdf
Copyright by Benjamin Vines Hicks 2013 The Dissertation Committee for Benjamin Vines Hicks Certifies that this is the approved version of the following dissertation: The Satiric Effect in Horace’s Sermones in the Light of His Epicurean Reading Circle Committee: L. Michael White, Supervisor David Armstrong, Co-Supervisor Thomas Hubbard Timothy Moore Kirk Freudenburg The Satiric Effect in Horace’s Sermones in the Light of His Epicurean Reading Circle by Benjamin Vines Hicks, B.A., M.A. Dissertation Presented to the Faculty of the Graduate School of The University of Texas at Austin in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy The University of Texas at Austin May 2013 The Satiric Effect in Horace’s Sermones in the Light of His Epicurean Reading Circle Benjamin Vines Hicks, Ph.D The University of Texas at Austin, 2013 Supervisors: L.Michael White and David Armstrong Scholarship on Roman satire has been dominated for nearly fifty years by a rhetorical approach that emphasizes the artifice of the poet. Consequently, it has been unsure what to do with the philosophical material in Horace’s Sermones. In my dissertation, I argue for the importance of Epicurean philosophy in the interpretative scheme of Horace’s satiric oeuvre. Epicurean ideas appear prominently and repeatedly, mostly in a positive light, and respond to the concerns and philosophical prejudices of Horace’s closest friends. In the prologue, I explore how Horace himself inscribes the process of interpreting and responding to a satire into S. 2.8. He frames his reading circle as key observers in the satiric scene that unfolds before them, suggesting the importance of the audience to satire. -
{1899-19611 Moschus Lca
+ HELLENISTIC MONARCHIES Julius Caesar and then wife of Mark An· The lasting importance of the thony. Even members of the lower classes Hellenistic monarchies lies in the inter began to marry their sisters, but many in face which they created between Judaic vast city slums and in the countryside andHellenic cultures; thissettingfostered were doubtless too poor to marry: like the new syncretistic religion of Christian slaves unable to secure regular access to ity which was destined to embrace the women they must have often turned to entire Greco-Roman world-with tragic homosexuality. Poets such as Theocritu8 consequences for homosexuality. and Callimachus, scholars at the Library of Alexandria, testify to the ready availa BIBLIOGRAPHY. Claude Preaux, Le Monde HelJenistique, 2 vols., Paris: bility of boys. Pederasty was a subject for Presses Universitaires de France, 1978. Alexandrian as it had been for Athenian Wimam A. Percy tragedians. Beginning with Rhianus of Crete (floruit ca. 275 B.C.), Aristides of Miletus (ca. lODB.C.), Apollonius of Rhodes HEMINGWAYlERNEST (ca. 295 B.C.), Diotimus (third centuryB.C.), {1899-19611 Moschus lca. 150 B.C.}, Bion (ca. 100 B.C.), Americannovelist and shortstory and Meleager of Gadara (ca. 100 B.C.) writer. Hemingway first achieved fame as numberarnongthe pederastic poets. Phan a member of the "Lost Generation" in oeles (ca. 250 B.C.) composed his garland of Paris in the 192Os. His trademark, a lean, elegies entitled Love Stories of Beautiful almost laconic style, was widely imitated. Boys (ca. 250 B.C.). The Musa Paidike, Noted for his exploration of "supermas BookXllof theGreek Anthology, contains culine" subject matter-war, bullfighting, poems mostly composed in this era exhib safaris, deep-sea fishing-Hemingway iting a frankly sensual pederasty without became a vcrital>le icon of heterosexu even a pretext of paideia (education). -
The Aesthetics of Dialect in Hellenistic Epigram
The Aesthetics of Dialect in Hellenistic Epigram A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics by Taylor S. Coughlan B.A. Carleton College M.A. University of Wisconsin—Madison March 18, 2016 Committee Chair: Kathryn Gutzwiller, Ph.D. Alex Sens, Ph.D. Lauren Ginsberg, Ph.D. i Abstract This dissertation is a study of dialect choice and dialect mixture in Hellenistic book epigram. The aims of the project are not only linguistic, but also literary; indeed, what motivates the study is an overarching interest in understanding how specific dialect choices can enrich the meaning of the poem in which they appear. Scholars have only recently started to include dialect in their readings of individual epigrams, but no one has systematically studied the entire corpus. In order to more fully understand Hellenistic book epigram and its flourishing during a period of great social, cultural, and literary change, we must confront the genre’s use of dialect or otherwise miss out on an important component in this self-conscious genre’s production of poetic meaning. Following an introduction that sets out the interpretive framework for the dissertation and explores issues of dialect transmission in the manuscript tradition, the study falls into two parts, each comprising three chapters. In the first part, I attempt to situate dialect choice and mixture in its poetic and literary-critical contexts. In the first chapter, I investigate dialect usage in pre- Hellenistic Greek poetry, not including inscribed epigram, arguing that dialect mixture for poetic effect existed in Archaic and Classical poetry. -
Poets and Poetics in Greek Literary Epigram
Poets and Poetics in Greek Literary Epigram A dissertation submitted to the Graduate School of the University of Cincinnati in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Classics by Charles S. Campbell B.A. Grinnell College M.A. University of Cincinnati November, 2013 Committee Chair: Dr. Kathryn J. Gutzwiller, Ph.D. 1 Abstract This dissertation offers a new analysis of the treatment of poets and poetics in Greek literary epigram from the early Hellenistic Period (3rd century BCE) down to the early Roman Imperial Period (1st century CE). In their authorial self-representations (the poetic ego or literary persona), their representation of other poets, and their thematization of poetry more generally, literary epigrammatists define, and successively redefine, the genre of epigram itself against the background of the literary tradition. This process of generic self-definition begins with the earliest literary epigrammatists’ fusion of inscriptional epigram with elements drawn from other genres, sympotic and erotic poetry and heroic epic, and their exploitation of the formal and conceptual repertoire of epigram to thematize poetic discourse. With the consolidation of the epigrammatic tradition in the 2nd and 1st centuries BCE, the distinctively epigrammatic poetic discourse that had evolved in the 3rd century BCE was subsumed into the persona of the poet himself, who is now figured as the very embodiment of the epigrammatic tradition and genre. In the first century BCE, as epigram was transplanted from Greece to the new cultural context of Roman Italy, the figure of the epigrammatist served to articulate the place of both poetry and the poet in this new world. -
Life and Works by the Middle of the First Century BCE a Flouris
FRANK SPEECH, FLAITERY, AND FRIENDSHIP IN PHILODEMUS CLARENCE E. GLAD Philodemus: life and Works By the middle of the first century BCE a flourishing Epicurean com munity existed at Naples under the leadership of the Greek teacher Siro. At nearby Herculaneum the Syrian Epicurean, Philodemus of Gadara, the house-philosopher of the influential patron Calpurnius Piso, father-in-law of Julius Caesar, was attracting a wide circle of students. Epicureanism also had its contemporary exponents in Latin-Catius Insuber, Rabirius, C. Amafinius, whose prose tracts enjoyed popularity in Rome and in various Italian towns, and the poet Lucretius. The relationship among the Epicurean groups in Italy is not clear but apparently Siro's group in Naples and that of Philodemus at Herculaneum had an open exchange of views. I Both Philodemus and Siro were former pupils of Zeno of Sidon, the scholarch of the Epicurean school in Athens, and one would expect a certain co-ordination in their efforts in promoting Epicurean views in southern Italy. Both groups cultivated interest in literary and philosophical study, thus escaping the charge traditionally levelled at Epicureans that they maintained a deliberate disregard for ge~eral learning; Cicero, for example, refers to both Siro and Philodemus as the "excellent and learned friends" of Torquatus.2 Philodemus' scholarly interest is evident from the number of pa pyrus rolls recovered from Piso's suburban villa at Herculaneum. I We know that the poets of Siro's group, L. Varius Rufus and Quintilius Varus, and possibly Virgil and Plotius Tucca, associated with Philodemus as well, and that the discussion between Philodemus and his fellow Epicureans at Naples extended also to philosophical matters (pHerc. -
University of London Thesis
REFERENCE ONLY UNIVERSITY OF LONDON THESIS Degree pWo Year 'Loo'S' j Name of Author F COPYRIGHT This is a thesis accepted for a Higher Degree of the University of London. It is an unpublished typescript and the copyright is held by the author. All persons consulting the thesis must read and abide by the Copyright Declaration below. COPYRIGHT DECLARATION I recognise that the copyright of the above-described thesis rests with the author and that no quotation from it or information derived from it may be published without the prior written consent of the author. LOANS Theses may not be lent to individuals, but the Senate House Library may lend a copy to approved libraries within the United Kingdom, for consultation solely on the premises of those libraries. Application should be made to: Inter-Library Loans, Senate House Library, Senate House, Malet Street, London WC1E 7HU. REPRODUCTION University of London theses may not be reproduced without explicit written permission from the Senate House Library. Enquiries should be addressed to the Theses Section of the Library. Regulations concerning reproduction vary according to the date of acceptance of the thesis and are listed below as guidelines. A. Before 1962. Permission granted only upon the prior written consent of the author. (The Senate House Library will provide addresses where possible). B. 1962 - 1974. In many cases the author has agreed to permit copying upon completion of a Copyright Declaration. C. 1975 - 1988. Most theses may be copied upon completion of a Copyright Declaration. D. 1989 onwards. Most theses may be copied. This thesis comes within category D.