Dr. VP Franklin, Chairperson Dr. Molly Mcgarry Dr
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
The Negro Press and the Image of Success: 1920-19391 Ronald G
the negro press and the image of success: 1920-19391 ronald g. waiters For all the talk of a "New Negro," that period between the first two world wars of this century produced many different Negroes, just some of them "new." Neither in life nor in art was there a single figure in whose image the whole race stood or fell; only in the minds of most Whites could all Blacks be lumped together. Chasms separated W. E. B. DuBois, icy, intellectual and increasingly radical, from Jesse Binga, prosperous banker, philanthropist and Roman Catholic. Both of these had little enough in common with the sharecropper, illiterate and bur dened with debt, perhaps dreaming of a North where—rumor had it—a man could make a better living and gain a margin of respect. There was Marcus Garvey, costumes and oratory fantastic, wooing the Black masses with visions of Africa and race glory while Father Divine promised them a bi-racial heaven presided over by a Black god. Yet no history of the time should leave out that apostle of occupational training and booster of business, Robert Russa Moton. And perhaps a place should be made for William S. Braithwaite, an aesthete so anonymously genteel that few of his White readers realized he was Black. These were men very different from Langston Hughes and the other Harlem poets who were finding music in their heritage while rejecting capitalistic America (whose chil dren and refugees they were). And, in this confusion of voices, who was there to speak for the broken and degraded like the pitiful old man, born in slavery ninety-two years before, paraded by a Mississippi chap ter of the American Legion in front of the national convention of 1923 with a sign identifying him as the "Champeen Chicken Thief of the Con federate Army"?2 In this cacaphony, and through these decades of alternate boom and bust, one particular voice retained a consistent message, though condi tions might prove the message itself to be inconsistent. -
Fair Treatment? African-American Presence at International Expositions in the South, 1884 – 1902
FAIR TREATMENT? AFRICAN-AMERICAN PRESENCE AT INTERNATIONAL EXPOSITIONS IN THE SOUTH, 1884 – 1902 BY SARA S. CROMWELL A Thesis Submitted to the Graduate Faculty of WAKE FOREST UNIVERSITY GRADUATE SCHOOL OF ARTS AND SCIENCES in Partial Fulfillment of the Requirements for the Degree of MASTER OF ARTS IN LIBERAL STUDIES December 2010 Winston-Salem, North Carolina Approved By: Anthony S. Parent, Ph.D., Advisor Jeanne M. Simonelli, Ph.D., Chair John Hayes, Ph.D. ACKNOWLEDGMENTS Many thanks to my friends, family, and coworkers for their support, encouragement, and patience as I worked on my thesis. A special thank you to the Interlibrary Loan Department of the Z. Smith Reynolds Library for their invaluable assistance in my research. And finally, thanks to Dr. Parent, Dr. Simonelli, and Dr. Hayes for their helpful advice throughout the process. ii TABLE OF CONTENTS LIST OF FIGURES ............................................................................................... iv ABSTRACT .......................................................................................................... v INTRODUCTION ................................................................................................. 1 CHAPTER ONE WORLD‘S INDUSTRIAL AND COTTON CENTENNIAL EXPOSITION AT NEW ORLEANS, 1884-85 .............................................................................. 17 CHAPTER TWO A DECADE OF CHANGES .................................................................................. 40 CHAPTER THREE COTTON STATES AND INTERNATIONAL EXPOSITION -
Colonel Allensworth State Historic Park 4011 Grant Drive Earlimart, CA 93219 (661) 849-3433
Our Mission The mission of California State Parks is Colonel to provide for the health, inspiration and education of the people of California by helping n 1908 a group of to preserve the state’s extraordinary biological I Allensworth diversity, protecting its most valued natural and African Americans cultural resources, and creating opportunities State Historic Park for high-quality outdoor recreation. led by Colonel Allen Allensworth founded a town that would combine pride of ownership, California State Parks supports equal access. Prior to arrival, visitors with disabilities who equality of opportunity, need assistance should contact the park at (661) 849-3433. If you need this publication in an and high ideals. alternate format, contact [email protected]. CALIFORNIA STATE PARKS P.O. Box 942896 Sacramento, CA 94296-0001 For information call: (800) 777-0369 (916) 653-6995, outside the U.S. 711, TTY relay service www.parks.ca.gov Colonel Allensworth State Historic Park 4011 Grant Drive Earlimart, CA 93219 (661) 849-3433 © 2007 California State Parks (Rev. 2017) I n the southern San Joaquin Valley, music teacher, and the colony of Allensworth a modest but growing assemblage of gifted musician, began to rise from the flat restored and reconstructed buildings marks and they raised two countryside — California’s the location of Colonel Allensworth State daughters. In 1886, first town founded, financed, Historic Park. A schoolhouse, a Baptist church, with a doctorate of and governed by businesses, homes, a hotel, a library, and theology, Allensworth African Americans. various other structures symbolize the rebirth became chaplain to The name and reputation of one man’s dream of an independent, the 24th Infantry, one of Colonel Allensworth democratic town where African Americans of the Army’s four inspired African Americans could live in control of their own destiny. -
News Deserts and Ghost Newspapers: Will Local News Survive?
NEWS DESERTS AND GHOST NEWSPAPERS: WILL LOCAL NEWS SURVIVE? PENELOPE MUSE ABERNATHY Knight Chair in Journalism and Digital Media Economics Will Local News Survive? | 1 NEWS DESERTS AND GHOST NEWSPAPERS: WILL LOCAL NEWS SURVIVE? By Penelope Muse Abernathy Knight Chair in Journalism and Digital Media Economics The Center for Innovation and Sustainability in Local Media School of Media and Journalism University of North Carolina at Chapel Hill 2 | Will Local News Survive? Published by the Center for Innovation and Sustainability in Local Media with funding from the John S. and James L. Knight Foundation and the University of North Carolina at Chapel Hill Office of the Provost. Distributed by the University of North Carolina Press 11 South Boundary Street Chapel Hill, NC 27514-3808 uncpress.org Will Local News Survive? | 3 TABLE OF CONTENTS Preface 5 The News Landscape in 2020: Transformed and Diminished 7 Vanishing Newspapers 11 Vanishing Readers and Journalists 21 The New Media Giants 31 Entrepreneurial Stalwarts and Start-Ups 40 The News Landscape of the Future: Transformed...and Renewed? 55 Journalistic Mission: The Challenges and Opportunities for Ethnic Media 58 Emblems of Change in a Southern City 63 Business Model: A Bigger Role for Public Broadcasting 67 Technological Capabilities: The Algorithm as Editor 72 Policies and Regulations: The State of Play 77 The Path Forward: Reinventing Local News 90 Rate Your Local News 93 Citations 95 Methodology 114 Additional Resources 120 Contributors 121 4 | Will Local News Survive? PREFACE he paradox of the coronavirus pandemic and the ensuing economic shutdown is that it has exposed the deep Tfissures that have stealthily undermined the health of local journalism in recent years, while also reminding us of how important timely and credible local news and information are to our health and that of our community. -
Schomburg 2021 Program
25th Arturo A. Schomburg Symposium Thank You Sponsors Covid-19: A Color Canvas of Inequality THE ANDREW W. MELLON FOUNDATION Saturday, February 27th 2021 9:30 pm to 4:30 pm Taller Puertorriqueño 2600 N. 5th Street, Philadelphia, PA 19133 Arturo A. Schomburg(1874-1938) was born in Santurce, Puerto Rico Special Thanks to all the individuals who helped us put this event to María Josefa, a freeborn black midwife from St. Croix, and Carlos together Federico Schomburg, a merchant of German heritage. Schomburg was Committee educated at Puerto Rico’s Instituto Popular, and at St. Thomas College, Edgardo Gonzalez in the Danish ruled Virgin Islands, where he studied Negro Literature. Evelyne Laurent-Perrault Laura Sandez One of his teachers claimed that blacks had no history, heroes or María E. Mills Torres accomplishments. This claim inspired Schomburg’s life long quest to Amber Henry find the truth and to document the accomplishments of Afro-Latinos. In Carmen Febo San Miguel- Executive Director & CEO 1911 Schomburg co-founded with John Edward Bruce the Negro Society for Historical Accomplishments. Today, Schomburg’s Taller Staff collection of literature, artifacts, music, and art is housed in New York Carmen Febo San Miguel Manuel Berrios Rafael Damast City at the Schomburg Center for Research in Black Culture, a component of the New York’s Public Library system. Aida Devine Daniel de Jesús Katerina Lydon Albania Martes Carlos Pardo Marilyn Rodriguez Arturo A. Schomburg (1874-1938) nació en Santurce, Puerto Rico en el 1874. Sus padres fueron María Josefa, una comadrona de raza negra Adela Rivera-Rodríguez Dora Viacava Lisa Moser nacida libre en la isla de Santa Cruz, y Carlos Federico Schomburg, un Taller Board of Directors comerciante de ascendencia alemana. -
Annotated Bibliography -- Trailtones
Annotated Bibliography -- Trailtones Part Three: Annotated Bibliography Contents: Abdul, Raoul. Blacks in Classical Music. New York: Dodd, Mead and Company, 1977. [Mentions Tucson-born Ulysses Kay and his 'New Horizons' composition, performed by the Moscow State Radio Orchestra and cited in Pravda in 1958. His most recent opera was Margeret Walker's Jubilee.] Adams, Alice D. The Neglected Period of Anti-Slavery n America 1808-1831. Gloucester, Massachusetts: Peter Smith, 1964. [Charts the locations of Colonization groups in America.] Adams, George W. Doctors in Blue: the Medical History of the Union Army. New York: Henry Schuman, 1952. [Gives general information about the Civil War doctors.] Agee, Victoria. National Inventory of Documentary Sources in the United States. Teanack, New Jersey: Chadwick Healy, 1983. [The Black History collection is cited . Also found are: Mexico City Census counts, Arizona Indians, the Army, Fourth Colored Infantry, New Mexico and Civil War Pension information.] Ainsworth, Fred C. The War of the Rebellion Compilation of the Official Records of the Union and Confederate Armies. General Index. [Volumes I and Volume IV deal with Arizona.] Alwick, Henry. A Geography of Commodities. London: George G. Harrop and Co., 1962. [Tells about distribution of workers with certain crops, like sugar cane.] Amann, William F.,ed. Personnel of the Civil War: The Union Armies. New York: Thomas Yoseloff, 1961. [Gives Civil War genealogy of the Black Regiments that moved into Arizona from the United States Colored troops.] American Folklife Center. Ethnic Recordings in America: a Neglected Heritage. Washington: Library of Congress, 1982. [Talks of the Black Sacred Harping Singing, Blues & Gospel and Blues records of 1943- 66 by Mike Leadbetter.] American Historical Association Annual Report. -
The Ground of Empowerment
THE GROUND OF EMPOWERMENT W. E. B. Du Bois and the Vision of Africa’s Past by Tracey Lynn Thompson A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of History University of Toronto © Copyright by Tracey Lynn Thompson 2011 The Ground of Empowerment W. E. B. Du Bois and the Vision of Africa’s Past Tracey Lynn Thompson Doctor of Philosophy Department of History University of Toronto 2011 Abstract Scholars have examined many aspects of W. E. B. Du Bois’s project of empowering oppressed peoples in the United States and around the world. However they have treated in only a fragmentary way one of the principal strategies that he used to counter hegemonic ideologies of African and African American inferiority. That strategy was to turn to the evidence of history. Here I argue that Du Bois, alerted by Franz Boas to Africans’ historical attainments, confronted claims made by European Americans that Africans and a fortiori African Americans lacked any achievement independent of European or other foreign influence. Du Bois linked African Americans to Africa and laid out repeatedly and in detail a narrative of autonomous African historical accomplishment. I demonstrate that his approach to the history of Africa constituted a radical departure from the treatment of Africa presented by scholars located in the mainstream of contemporary anglophone academic thought. I argue that while his vision of Africa’s history did not effect any significant shift in scholarly orthodoxy, it played a crucial role, at a grave juncture in race relations in the United States, in helping to equip young African Americans with the psychological resources necessary to challenge white supremacist systems. -
Southern Style Militancy: the Atlanta Independent
THE NEGRO PRESS - SOUTHERN STYLE MILITANCY: THE ATLANTA INDEPENDENT AND SAVANNAH TRIBUNE, 19OZ~-1928 A THESIS SUBNITTED TO THE FACULTY OF ATLANTA UNIVERSITY IN PARTIAL FULFILUV1ENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS BY WILLIAM ROBERT AUTREY DEPARTMENT OF HIS TORY ATLANTA, GEORGIA AUGUST 1963 TABLE OF CONTENTS Chapter Page I • INTRODUCTION . • . • . • • • • • • • • • • • • • • i II. THESOUTHOURNATIJRALHONE •.... o.o. 90•••• 6 A Philosophy of Racial Friendship • . • • • . • • 6 Appeals to the Conscience of the South • • . • • 8 InDefenseoftheSouth. • •• • • • • •• * ~*O 1)4 MaverickPoliticians,..........,..... 23 ill, NEGRODISCONTENT—-SOtJTHERNSTyLE.....,.0.0... 313 DjssjdentNavericlcs, • . • • • • • •~ • • •60 •I 313 Southern Way and Uneasy Negroes • • . • • • • • leO Journalistic Ambivalence • • • • • • • • • 1414 The Moton—DuBois Period • • • • • • • • • • , • 147 “- IV. THESOTJTHERNCONSCIENCEQ,..9....,.O... 9. 51 0 O The New Negro and the South . • • . • • . 5]. Crusaders in the Bib1~ Belt . • . • • . • . 55 V. CONCLUSION . • 0 0 0 • • • • • • 4 • 4 0 0 • • • • • • 68 z BIBLIOGRAPHY . • • . • • . • • , • • • • • • 0 0 71 -I z 0 z w I. >- z 0 ii CHAPTER I INTRODUCTION The story of the southern Negro press has never been told, in so far as its reaction to the age of demagoguery in the South, l9OL~—l928, is concerned. The birth of Jim Crow and all of its concommitants produced interesting reactions in the Negro community. In the North, the papers of Robert S. Abbott and Monroe Trotter, militant Negro editors of Chicago and Boston respectively, preached radical defiance of lynch law, Jim Crow,and demagoguery. A favorite tar et of the Trotter and Abbott school was the South in general. While the Negro press in the South was different and in many ways peculiar, contrary to Robert S. -
Building Networks: Cooperation and Communication Among African Americans in the Urban Midwest, 1860-1910
Building Networks: Cooperation and Communication Among African Americans in the Urban Midwest, 1860-1910 Jack S. Blocker Jr.* In the dramatic narrative of African-American history, the story of the post-Emancipation years begins in the rural South, where the rights won through postwar constitutional amendments gradually yield to the overwhelming forces of segregation and disfranchisement. During the First World War, the scene shifts to the metropolitan North, where many members of the rapidly growing southern-born migrant population develop a new, militant consciousness. Behind this primary narrative, however, lies another story. An earlier, smaller migration flow from South to North had already established the institutional and cultural foundations for the emergence of a national racial consciousness in postbellum America. Much of this crucial work took place in small and mid-size towns and cities. Some interpreters have seen the creation of a national racial consciousness as a natural and normal product of African heritage. This view, however, neglects the diverse origins and experiences of African Americans during the slavery years. “Alternatively,”writes historian Harold Forsythe, “we should consider that a distinctive national community developed from local roots during emancipation. Local associations of freedpeople, organized in families, neighborhood groupings, churches, [and] benevolent and fraternal orders, slowly developed into regional, statewide, and ultimately national consociations. This process of unification involved not only consciousness, but [also] institutional and power connections. It matured between 1909 and about 1925.”’The process of community-building can be seen clearly in the three states of Ohio, Indiana, and Illinois, which I call the Lower Midwest. On the eve of the Civil War, about 56,000 African Americans lived in the Lower Midwest. -
Weekly Anglo-African the Pine and Palm
Weekly Anglo-African and The Pine and Palm Excerpts from 1861–1862 Edited and Introduction by Brigitte Fielder, Cassander Smith, and Derrick R. Spires for Just Teach One–Early African American Print Introduction subscription agents) coalesce against a common enemy: James Brigitte Fielder, Cassander Smith, and Derrick R. Spires Redpath (1833-1891) and Haitian emigration. At the same time, this transition speaks to the precariousness of newspaper funding, as Thomas Hamilton (1823-1865) was forced to sell Resolved, That we firmly, flatly, uncompromisingly the Weekly Anglo-African to James Redpath, who then oppose, condemn and denounce as unfair and unjust, as unwise rebranded the Weekly for a new purpose. It speaks to the and as unchristian, the fleeing, colonizing efforts urged by interracial and international character of the newspaper James Redpath, the white, seconded by George Lawrence, Jr., business more broadly and the importance of tracing financing. the black, who is employed by him. Hamilton, for instance sought funding for the Weekly Anglo- Resolved, That we do not deny the right of Mr. James African from a wide range of sources: white abolitionist Redpath and a Boston firm of white gentlemen to give eleven supporters such as John Jay, Jr, black activists such as James hundred dollars for the “Anglo-African,” and for Mr. Redpath McCune Smith, selling books out of his offices, and borrowing to bind Mr. Thomas Hamilton, the late proprietor thereof, not against a life insurance policy he took out on himself for that 1 to issue another paper for circulation among the colored purpose. Throughout these efforts, no one questioned people; but we do declare that he is not justified in the Hamilton’s status as the paper’s proprietor or the paper’s status deceptive policy of placing at the head of the paper, like the as a black newspaper. -
Oral History Interview with John Davis Hatch, 1964 June 8
Oral history interview with John Davis Hatch, 1964 June 8 Contact Information Reference Department Archives of American Art Smithsonian Institution Washington. D.C. 20560 www.aaa.si.edu/askus Transcript Interview JH: John Davis Hatch WW: H. Wade White WW: Mr. Hatch, I understand that you were appointed director of the first district, the New England states, for the Federal Art Project from its beginning, and we hope very much that you can give us your reminiscences of the project and how it developed under your directorship. JH: Thank you, Mr. White. I'll do what I can. First of all, I think we have to go back and say that it was Region I, which is the New England states of the Public Works of Art Project. My connection with it, and all the government art projects, except for later work in connection with murals in post offices in competitions of that kind, and stopping in at the headquarters in Washington under both Mr. Bruce and Mr. Cahill, was entirely with the Public Works of Art Project. This was only of short duration and then we later broke it up into states and under states it became the Federal Art Projects - WPA, I think, actually was the title of it. WW: What did that stand for? JH: Works Progress Administration. Thus - it became a part of a bureaucratic set-up. Earlier under PWAP it was completely artist inspired. The beginning of this project, as you probably know, was that Edward Bruce, who had been a banker in the Philippines and had made plenty of wherewithal, had retired. -
Hubert H. Harrison Papers, 1893-1927 MS# 1411
Hubert H. Harrison Papers, 1893-1927 MS# 1411 ©2007 Columbia University Libraries SUMMARY INFORMATION Creator Harrson, Hubert H. Title and dates Hubert H. Harrison Papers, 1893-1927 Abstract Size 23 linear ft. (19 doucument boxes; 7 record storage cartons; 1 flat box) Call number MS# 1411 Location Columbia University Butler Library, 6th Floor Rare Book and Manuscript Library 535 West 114th Street New York, NY 10027 Hubert H. Harrison Papers Languages of material English, French, Latin Biographical Note Born April 27, 1883, in Concordia, St. Croix, Danish West Indies, Hubert H. Harrison was a brilliant and influential writer, orator, educator, critic, and political activist in Harlem during the early decades of the 20th century. He played unique, signal roles, in what were the largest class radical movement (socialism) and the largest race radical movement (the New Negro/Garvey movement) of his era. Labor and civil rights activist A. Philip Randolph described him as “the father of Harlem radicalism” and historian Joel A. Rogers considered him “the foremost Afro-American intellect of his time” and “one of America’s greatest minds.” Following his December 17, 1927, death due to complications of an appendectomy, Harrison’s important contributions to intellectual and radical thought were much neglected. In 1900 Harrison moved to New York City where he worked low-paying jobs, attended high school, and became interested in freethought and socialism. His first of many published letters to the editor appeared in the New York Times in 1903. During his first decade in New York the autodidactic Harrison read and wrote constantly and was active in Black intellectual circles at St.