Revolting Cocks Linger Ficken' Good

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Revolting Cocks Linger Ficken' Good... And Other Barnyard Oddities mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Linger Ficken' Good... And Other Barnyard Oddities Country: US Released: 1993 Style: Industrial MP3 version RAR size: 1708 mb FLAC version RAR size: 1345 mb WMA version RAR size: 1780 mb Rating: 4.7 Votes: 627 Other Formats: AC3 VQF MOD APE FLAC AHX MP4 Tracklist Hide Credits A1 Gila Copter 5:58 A2 Creep 8:50 A3 Mr. Lucky 4:39 A4 Crackin' Up 6:26 A5 Sergio 6:32 Da Ya Think I'm Sexy? B1 5:34 Written-By – Carmine Appice, Duane Hitchings, Rod Stewart B2 The Rockabye 7:19 B3 Butcher Flower's Woman 4:57 B4 Dirt 5:07 B5 Linger Ficken' Good 9:12 Companies, etc. Mastered At – Future Disc Marketed By – Reprise Records Copyright (c) – Sire Records Company Phonographic Copyright (p) – Sire Records Company Credits Artwork [Cover Art] – Rick Buscher Engineer – Critter*, Paul Manno, Steve Spapperi Engineer [Assistant (Uncredited)] – Bill Garcelon, Mike Tholen Management – Jon Zazula, Marsha Zazula Mastered By – Tom Baker Performer [The Revolting Cocks] – Al Jourgensen, Chris Connelly, Luc Van Acker, Paul Barker, William Rieflin Performer [The Revolting Pussies] – Kim Assaley, Patty Jourgensen Performer [The Revolving Cocks] – Timothy Leary*, Duane Buford, Duane Denisen*, Louis Svitek, Mike Scaccia, Roland Barker Producer – The Revolting Cocks* Written-By – The Revolting Cocks* (tracks: A1 to A5, B2 to B5) Notes Produced for Luxa/Pan Productions Recorded in Chicago, Illinois R.I.P. Jeff Ward Louis Svitek appears courtesy of Megaforce Entertainment Management for Crazed Management, Inc. "REV CO: Reflecting your family values" © 1993 Spurburn Music/Warner-Tamerlane Publishing Corp. BMI except track 6 published by Rod Stewart/Music For Unicef (Admin. by EMI-April Music Inc.)/Full Keel Music/Warner Chappell Music/Windswept Pacific Music Ascap. Marketed by Reprise Records, a Time Warner Company. ©℗ 1993 Sire Records Company for the U.S. and WEA International Inc. for the world outside the U.S. Made in U.S.A. Barcode and Other Identifiers Barcode (Text For Humans): 0 9362-45407-4 8 Barcode (Scanned For Machines): 093624540748 Other versions Category Artist Title (Format) Label Category Country Year Linger Ficken' Good... Revolting Sire, Reprise 9 45407-2 And Other Barnyard 9 45407-2 US 1993 Cocks Records Oddities (CD, Album) Linger Ficken' Good... Revolting Sire, Reprise WPCP-5693 And Other Barnyard WPCP-5693 Japan 1993 Cocks Records Oddities (CD, Album) Linger Ficken' Good Revolting CDW 45462 ...And Other Barnyard Sire CDW 45462 Canada 1993 Cocks Oddities (CD, Album) Linger Ficken' Good... Not On Label Revolting And Other Barnyard A0106 (Revolting A0106 Russia Unknown Cocks Oddities (CD, Album, Cocks) Unofficial) Linger Ficken' Good... Revolting Sire, Reprise 4-45407 And Other Barnyard 4-45407 US 1993 Cocks Records Oddities (Cass, Promo) Related Music albums to Linger Ficken' Good... And Other Barnyard Oddities by Revolting Cocks Lou Reed - What's Good Rock Donald D - Let The Horns Blow Hip hop Revolting Cocks - Crackin' Up-Stainless Steel Providers Electronic / Rock Revolting Cocks - Beers, Steers & Queers - The Album Electronic / Rock Ministry - Greatest Fits Electronic Dopper Cocks - Dopper Cocks Rock Revolting Cocks - You Often Forget Electronic / Rock Bloodfiend - Revolting Death Other Ministry - ΚΕΦΑΛΗΞΘ Electronic / Rock Revolting Cocks - Beers, Steers & Queers (Remixes) Electronic / Rock.

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Page 1I ·-916--Anrrla~Is~·Tr~8~~11~4~~
Vol. XVII No.8 The University's Late Night Feature Paper January 29, 1996 { Page 1I ·-916--anrRla~is~·tr~8~~11~4~~ 0STATET EMP lSSIREA I By Chris Sorochin ing, hockey-playing nuts are just similar enough to have previously done so. One CNN commentator us culturally to provide what Noam Chomsky calls on the Russian Duma elections was typically Well, its another New Year and the anniversary the "threat of a good example": they're what we Orwellian: "They've voted to reject democracy." of the January 1 rebellion of the Zapatistas in could be if we got our act together and that realiza- Figure that one out. I always thought democracy Chiapas, Mexico. Unwilling to see their centuries- tion might give folks here some funny ideas. was supposed to reflect the will of the people and old communal agrarian way of life destroyed so Wouldn't it be great if instead of Gingrich and the how they're governed and how their economy agribusiness could move in, and unwilling to rest of the Dickensian knaves shutting down the runs. I guess the "demo" must refer exclusively to become part of the impoverished masses of excess government to inflate their egos, the American the people on Wall St. and their equivalents in labor swelling the shantytowns of Mexico City, people got together and stopped the music, just to London, Tokyo and other financial centers. Mayan peasants supported the uprising, which let'em know we won't be trifled with? No, I don't think anybody wants to see the return began on the day NAFTA went into effect.
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Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition.
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Release New Album After Their Reunion Ministry
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Too Loud in ‘Ere
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““II ttrryy eevveerryytthhiinngg aatt mmyy ddiissppoossaall:: ddiiffffeerreenntt gguuiittaarrss,, aammppss,, pprroocceessssoorrss,, ddiissttoorrttiioonn bbooxxeess.. II ttrryy nneevveerr ttoo ssttiicckk ttoo oonnee bbaassiicc ssoouunndd..”” ––––MMiikkee SSccaacccciia a channel guitar and left-channel guitar,” explains Jourgensen. Jourgensen and Scaccia share a longstanding passion for “They double each other, usually with a different guitar and another raw sound: vintage country music. “Basically,” says amp setting on each side. If there’s a lead, we just pan it up Al, “all I listen to is old country: Ferlin Husky, George Jones, When guitarist Mike Scaccia heard Al Jourgensen’s ground - for space only with bass and drums, Jourgensen and Scaccia the center.” Buck Owens.” Adds Mike, “I listen to Buck Owens, Johnny breaking industrial rock band Ministry in 1986, it was love at must grapple with those instruments as well as dense layers Cash, and old bluegrass on a daily basis, and I’ve always first stun. “They blew me away,” recalls Scaccia. “I’d come of synths, samples, and machine beats. Another surprise: While they occasionally drop their low E been a huge Chet Atkins fan.” from a punk and metal background, and what Al was doing strings to D, Al and Mike rarely lower their entire tunings. “We was like nothing I’d ever heard.” “It’s hard making the guitars sound heavy in the context of so don’t go down to C, where these nü metal guys like to spend Jourgensen has good news and bad news for Ministry fans. much other mayhem,” notes Jourgensen. “It’s a lot of work their time,” says Al.
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im Auftrag: medienAgentur Stefan Michel T 040-5149 1467 F 040-5149 1465 [email protected] ENJOY THE QUIET - LIVE AT WACKEN 2012 MINISTRY veröffentlichen "ENJOY THE QUIET - LIVE AT WACKEN 2012" im August 2013 MINISTRY melden sich mit einem großartigen Live-Album von ihrer letzten Show der 2012er „RELAPSE“ Tour zurück. Es war der perfekte Anlass für Ministry um ihre finale Live-DVD aufzunehmen. Der Frontmann Al Jourgensen kämpfte immer noch gegen eine schwere Magenerkrankung, als er am 3. August 2013 die Bühne des Wacken Open Air Festivals vor 75000 schreienden Fans betrat. Trotzdem absolvierte er den Wacken-Auftritt sehr souverän, zusammen mit einer spielfreudigen Band aus talentierten Musikern und zugleich engen Freunden. Tragischerweise starb Ministrys langjähriger Gitarrist und Jourgensens bester Freund Mike Scaccia knapp 5 Monate später nachdem er für Ministrys letztes Album From Beer to Eternity seine Tracks eingespielt hatte. Die Veröffentlichung des Albums ist für den 6. September 2013 geplant. „Mikey spielte göttlich in Wacken“, sagt Jourgensen. „ Sein Gitarrenspiel war das Herz und die Seele von Ministry und er liebte die Band mehr als jeder andere – mich eingeschlossen. Er war derjenige, der mich überzeugte weiter zu machen, als ich aufhören wollte.“ Das Album ist dem Gedenken an Scaccia gewidmet, genau wie Ministry: Enjoy the Quiet – Live at Wacken, das pünktlich zum bereits ausverkauften Wacken Open Air Festival in Deutschland Anfang August 2013 erscheinen wird. Dieses Projekt ist eine Kollaboration zwischen 13th Planet Records und UDR/Wacken Records GmbH. Jourgensen sagt dazu: „Diese DVD ist nicht nur eine großartige Aufnahme von Mikey in Höchstform, in seinem Element, wie er die schönste Zeit seines Lebens genießt, sondern es ist eine der letzten offiziellen Liveaufnahmen der Band überhaupt.
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Ministry - from Beer to Eternity
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