Panel -Approved

Total Page:16

File Type:pdf, Size:1020Kb

Panel -Approved 02.09.96 Issue #459 $6.95 FIRST CLASS MAIL U.S. POSTAGE PAID PHILADELPHIA, PA PERMIT #3852 THE INDUSTRY'S SOURCE FOR PROGRAMMER OPINION RECORD OF THE WEEK ZZ Top, "She's Just Killing Me," Epic/Los Hooligans Say what you will, but #1 Most Added two weeks in a row says plenty. 42 adds later and not far from a certified COR killer, "She's Just Killing Me" is working to convert that sleepy Classic Rock factor into a vital target heart rate for those looking for big name value, broad demo sweep, and a song that doesn't sound like an out -take from one of their earlier albums. KQRC's Doug Sorensen sees it in the big picture. "Finally, it's where ZZ Top ought to be. All the elements to be a good record." And KIOZ's Greg Stevens notes,"Good reaction from the people who like that type of sound and are pretty vocal about the fact that they don't hear enough of it." PANEL -APPROVED m U J W O Silverchair Dog's Eye View Bush Goo Coo Dolls "Israel's Son" "Everything Falls Apart" "Machine Head" "Naked" Rough for all -day play but Is there a music format any- Tell KBPI, KIOZ, KUPD, WBZX and Closed out, moving up, making a clear artist automatic. where that won't do the Dog? WXTB they're not working it. 'em more of a household name. BAD RELIGION zI- Bad Religion Limblifter Rust Foo Fighters "A Walk" "Screwed It Up" 'Not Today" 'Big Me" KBPI, KLOS, KNRX, KROQ, Live Could this be Mercury's KLOS, KBPI, WAAF, WBZX, and This little big song could become 105, and Q101. Need more? 7 Mary 3 style success story? WZTA lead this week's charge. the largest from them yet. Voice: 609 G54-7272 7 MUSIC DIRECTOR Fax: 609 654-6852 WBRU 88 BENEVOLENT ST E-Mail: [email protected] PROVIDENCE RI 02906-2039 NJ 708 Stokes Road Medford, 08055 III 111111111111111111111 111111111111111111111 "Uptight" is already alright on: KIOZ KISW KLOS KNRX KSJO RAN WIN VVKLQ Z -ROCK and more. 708 Stokes Road The Hard List Medford, NJ JODY'S HEADBONK rio,055 CHRIS MAYS NANCY STEIN V THE MARTINI BAR 54.7272 ALAN OREMAN NORM WINER SUITE AHMET 54.6852 JENNIFER POLLENBANI PAGING BRIAN PHILLIPS E-Mail: BRIAN LANDAU [email protected]. THANKS, LEA BILL MCGATHY LIMED WEEKLY BY: SUZANNE WHITE YEAH, RIGHT R/PUBLISHER HARD 'M IN 1229 CHRIS BACA OM PTROLLER COLLIE HARD THE ZIMMERMEN RICHARD SARBIN MANAGING EDITOR DAVE MAC SHE'S NOT RAY DAVES HARD ROCK EDITOR LLY MCCORMACK PAUL HEINE JIM ROBINSON RT DIRECTOR TIMOTHY MCCAFFREY LISA RIEGEL REINVENT THE WHEEL SSISTANT EDITOR PAUL YESKEL JODIE FABRICUS JUDY'S TOOTHLESS PIG ASSISTANT EDITOR HAPPY BIRTHDAZE LLI SNIVELY DAVID LEACH EXEC. DATA SYSTEMS DAVID HALL KEN SUBRAMANIAN PATTI MARTIN FLASH KISSINGER CONTRIBUTING EDITORS: WHERE'S THE DRIVER? Mike Cooper DAVID EINSTEIN Jonathan Wrigl SEMISONIC Jason Parke' JOE BABKA'S BUS EDITORIAL ASSISTANTS: LADY MISS PAMELA Julie Cao., ! DUBIN Rob Lauks SHEILA Carrie Long THIS IS WHAT I GET? Klnf Madise ROLAND WEST Rob Re, er JARS OF CLAY on E. Zito BILL MILLER SEPULTURA within may not be reproduced without permission. ports are due: Monday & Tuesday 10 AM-5PM EDT RAOUL HEADS TO ATLANTA ONE GRAPHICS GUY IN HELL - Hnr 9 1 q'gr, THE HARD REPORT 3 BY BILL HARD As had been widely anticipated, the Telecommunications reform bill has been approved by Congress. Certain portions of the legislation will affect cable rates, local phone service, high definition television, and sexually explic- it materials on the Internet. But changes in radio ownership rules are the aspects of the bill that will most directly affect the American public, and our industry. Those provisions include: 1. No limit on how many radio stations a group can own across the country. 2. In the largest markets (with 45 or more signals) one owner can have up to 8 radio sta- tions, with no more than five on one band (FM or AM). 3. Markets with 30 to 44 signals: one entity can own up to seven signals, with no more than four on one band. 4. Markets with 15-29 signals: six stations is the ceiling with no more than four on one band. 5. In the smallest markets (with less than 14 signals) one owner can have no more than five stations or no more than 50% of the stations in his community, and no more than three on one band. That's the new reality in theory. This week the overview..."If you look at the way Jacor's new com- always -aggressive Jacor Broadcasting Corporation bo lays out, each station has its own little 5 year, 6 year was the first major group to make the new rules niche. KBPI has the 18-23's and the Fox has the 24- and regs radio reality, with their announced $152 mil- 30's and KBCO has the 30+. They now have 8 stations: lion purchase of the Noble Broadcast Group. The 12 4 AM's and 4 FM's. One of the newspapers today said station deal includes three properties in St. Louis that the word on the street is that they're going to and in Toledo, as well as three significant Denver sig- spin off the weaker AM, at 1190, and pick up KTCL. nals and 91X in San Diego. Then they'll have 5 FM's and 3 AM's. The AM's they have are the 50,000 watt monster KOA, KHOW, The scenario in San Diego will be interesting to which is the second best AM signal in Denver (and is watch, as Jacor has been basically sitting on KHTS-FM, KOA's fierce competitor), and then KTLK which is the which they purchased last fall. Since then they've been third best AM signal, and the outlet with many of the simulcasting beautiful music from WDUV ('The Dove') major talk personalities. Jacor will now control the in Tampa. Obviously, some sort of logical pairing with three news/talk operations, the three best AM signals 91X is in store. and they have the four best FM signals on the dial. They have built themselves an incredible empire, and But the industry talk this week is all about the virtual when and if they pick up KTCL, all of a sudden they vice grip the acquisition of KBCO, KHOW and KHIH in have young Alternative, they have older Alternative, Denver gives Randy Michaels and Co. in the Mile they have Classic Rock, they have Triple A KBCO, High City. Consultant Dennis Constantine provides this and then they have NAC. They have it covered." THE HARD REPORT 4 February 9 1996 noise continued You can't cover Randy: I think it depends on the tenacity of the indi- this story without vidual operator and, to some extent, their patience. a few words from the man with the Is this the time to sell? master plan...Jacor President Randy Randy: Maybe, maybe not. I think that the people who Michaels. hold out, the guy with the last piece in the market, has a total sellers market and is going to be able to hold a How much more delicious auction. I think, unfortunately and sadly, impactful than the days of a Frank Wood starting up a WEBN with his deregulation dad in the garage are over. The days of the great will the effect of operators, the major market single -owner stations like this bill's pas- WXRT, are gone. You can count those stations on sage be? one hand. They've been an endangered species long RANDY MICHAELS before the days of Telecom. Speaking of Frank Wood, how long before you two Randy: It is a couple of orders of magnitude bigger. officially tie the knot? It's bigger in a number of ways. First of all, what the duopoly bill did is make all the markets twice the size, Randy: Anything's possible, and clearly - right or because if you're in an $80 million market and now you've wrong - our whole country is marching toward con- got twice as many stations it's just like being in a $160 solidation of all kinds of mass marketing with the million market, perhaps with some synergies. It real- emergence of specialized boutiques to take care of the ly made the markets twice as big. Obviously they've just rest. You don't go downtown anymore and shop at a doubled again. That's exciting in and of itself. But I think dozen little stores. You're not even going to the mall there are many other subtleties and not -so -subtleties anymore. You've got a category killer for computers, to the Telecom bill that most broadcasters haven't for furniture, for appliances, for hardware. Small town by Sam's and Wal-Mart. I'm thought through yet. I certainly haven't thought stores have been replaced through all of the implications. We'll be thinking not judging the Telecom bill right or wrong. I'm just about it for a long time. Clearly the elimination of nation- telling you it's changing radio forever. Since I'm going al caps is going to mean regionalization is much more to be in the radio business I'm going to figure out attractive. Jacor would never have wanted to be in Toledo how to play and not grumble about it. prior to Telecom reform. But now Toledo's got relatively few signals.
Recommended publications
  • With LOWELL's Real Cre a 'Blueberrybb Naatural And•N T Flavored ISSUES I I I I , I I · , I I· W*E N Ee*
    I I with LOWELL'S real cre a 'BlueberryBB NaAtural and•n t Flavored ISSUES I I I I , I I · , I I· _ W*e n ee* By Norman Solomon * This daily satellite-TV feed has a captive audi- * While they're about 25 percent of the U.S. pop- To celebrate the arrival of summer, here's an all- ence of more than 8 million kids in classrooms. ulation, a 1997 survey by the American Society of new episode of "Media Jeopardy!" While it's touted as "a tool to educate and engage Newspaper Editors found that they comprise You probably remember the rules: First, listen young adults in world happenings," the broad- only 11.35 percent of the journalists in the news- carefully to the answer. Then, try to come up with cast service sells commercials that go for nearly rooms of this country's daily papers. the correct question. $200,000 per half-minute -- pitched to advertisers What are racial minorities? as a way of gaining access to "the hardest to reach The first category is "Broadcast News." teen viewers." We're moving into Media Double Jeopardy with What is Channel One? our next category, "Fear and Favor." * On ABC, CBS and NBC, the amount of TV net- work time devoted to this coverage has fallen to * During the 1995-96 election cycle, these corpo- * While this California newspaper was co-spon- half of what it was during the late 1980s. rate parents of major networks gave a total of $3.2 soring a local amateur sporting event with Nike What is internationalnews? million in "soft money" to the national last spring, top editors at the paper killed a staff Democratic and Republican parties.
    [Show full text]
  • Page 1I ·-916--Anrrla~Is~·Tr~8~~11~4~~
    Vol. XVII No.8 The University's Late Night Feature Paper January 29, 1996 { Page 1I ·-916--anrRla~is~·tr~8~~11~4~~ 0STATET EMP lSSIREA I By Chris Sorochin ing, hockey-playing nuts are just similar enough to have previously done so. One CNN commentator us culturally to provide what Noam Chomsky calls on the Russian Duma elections was typically Well, its another New Year and the anniversary the "threat of a good example": they're what we Orwellian: "They've voted to reject democracy." of the January 1 rebellion of the Zapatistas in could be if we got our act together and that realiza- Figure that one out. I always thought democracy Chiapas, Mexico. Unwilling to see their centuries- tion might give folks here some funny ideas. was supposed to reflect the will of the people and old communal agrarian way of life destroyed so Wouldn't it be great if instead of Gingrich and the how they're governed and how their economy agribusiness could move in, and unwilling to rest of the Dickensian knaves shutting down the runs. I guess the "demo" must refer exclusively to become part of the impoverished masses of excess government to inflate their egos, the American the people on Wall St. and their equivalents in labor swelling the shantytowns of Mexico City, people got together and stopped the music, just to London, Tokyo and other financial centers. Mayan peasants supported the uprising, which let'em know we won't be trifled with? No, I don't think anybody wants to see the return began on the day NAFTA went into effect.
    [Show full text]
  • For a Lark the Poetry of Songs
    UNIVERSIDADE DE LISBOA FACULDADE DE LETRAS PROGRAMA EM TEORIA DA LITERATURA FOR A LARK THE POETRY OF SONGS Telmo Rodrigues DOUTORAMENTO EM ESTUDOS DE LITERATURA E DE CULTURA TEORIA DA LITERATURA 2014 Universidade de Lisboa Faculdade de Letras Programa em Teoria da Literatura FOR A LARK THE POETRY OF SONGS Telmo Rodrigues Dissertação orientada por: PROFESSOR DOUTOR ANTÓNIO M. FEIJÓ PROFESSOR DOUTOR MIGUEL TAMEN Doutoramento em Estudos de Literatura e de Cultura Teoria da Literatura 2014 Acknowledgments The work for this thesis was done under a fellowship granted by the Foundation for Science and Technology (FCT): the time granted to think is priceless, and I am indeed thankful for being allowed to benefit from it. During this period I have also benefited from the resources put at my disposal by my host institution, the Nova Institute of Philosophy (IFILNOVA). Professor António Feijó has been teaching me since my first year of undergraduate studies and Professor Miguel Tamen since I started graduate studies: I am still to this day amazed at the luck I have for being given the opportunity to work with both of them, and my gratitude for their efforts and enthusiasm in crafting this thesis is immeasurable. As a student of the Program in Literary Theory I must extend my thanks to Professor João Figueiredo, who is an integral part of the Program and with whom I have learnt many valuable things about art. When writing a thesis, a friend who enjoys editing is a blessing one must always be thankful for; in any case, I would gladly dismiss Helena’s editing skills for the friendship which has shaped this work beyond recognition and, necessarily, beyond any written acknowledgment.
    [Show full text]
  • Revolting Cocks Linger Ficken' Good
    Revolting Cocks Linger Ficken' Good... And Other Barnyard Oddities mp3, flac, wma DOWNLOAD LINKS (Clickable) Genre: Electronic / Rock Album: Linger Ficken' Good... And Other Barnyard Oddities Country: US Released: 1993 Style: Industrial MP3 version RAR size: 1708 mb FLAC version RAR size: 1345 mb WMA version RAR size: 1780 mb Rating: 4.7 Votes: 627 Other Formats: AC3 VQF MOD APE FLAC AHX MP4 Tracklist Hide Credits A1 Gila Copter 5:58 A2 Creep 8:50 A3 Mr. Lucky 4:39 A4 Crackin' Up 6:26 A5 Sergio 6:32 Da Ya Think I'm Sexy? B1 5:34 Written-By – Carmine Appice, Duane Hitchings, Rod Stewart B2 The Rockabye 7:19 B3 Butcher Flower's Woman 4:57 B4 Dirt 5:07 B5 Linger Ficken' Good 9:12 Companies, etc. Mastered At – Future Disc Marketed By – Reprise Records Copyright (c) – Sire Records Company Phonographic Copyright (p) – Sire Records Company Credits Artwork [Cover Art] – Rick Buscher Engineer – Critter*, Paul Manno, Steve Spapperi Engineer [Assistant (Uncredited)] – Bill Garcelon, Mike Tholen Management – Jon Zazula, Marsha Zazula Mastered By – Tom Baker Performer [The Revolting Cocks] – Al Jourgensen, Chris Connelly, Luc Van Acker, Paul Barker, William Rieflin Performer [The Revolting Pussies] – Kim Assaley, Patty Jourgensen Performer [The Revolving Cocks] – Timothy Leary*, Duane Buford, Duane Denisen*, Louis Svitek, Mike Scaccia, Roland Barker Producer – The Revolting Cocks* Written-By – The Revolting Cocks* (tracks: A1 to A5, B2 to B5) Notes Produced for Luxa/Pan Productions Recorded in Chicago, Illinois R.I.P. Jeff Ward Louis Svitek appears courtesy of Megaforce Entertainment Management for Crazed Management, Inc.
    [Show full text]
  • Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996
    SSStttooonnnyyy BBBrrrooooookkk UUUnnniiivvveeerrrsssiiitttyyy The official electronic file of this thesis or dissertation is maintained by the University Libraries on behalf of The Graduate School at Stony Brook University. ©©© AAAllllll RRRiiiggghhhtttsss RRReeessseeerrrvvveeeddd bbbyyy AAAuuuttthhhooorrr... Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 A Dissertation Presented by Jason James Hanley to The Graduate School in Partial Fulfillment of the Requirements for the Degree of Doctor of Philsophy in Music (Music History) Stony Brook University August 2011 Copyright by Jason James Hanley 2011 Stony Brook University The Graduate School Jason James Hanley We, the dissertation committee for the above candidate for the Doctor of Philosophy degree, hereby recommend acceptance of this dissertation. Judith Lochhead – Dissertation Advisor Professor, Department of Music Peter Winkler - Chairperson of Defense Professor, Department of Music Joseph Auner Professor, Department of Music David Brackett Professor, Department of Music McGill University This dissertation is accepted by the Graduate School Lawrence Martin Dean of the Graduate School ii Abstract of the Dissertation Metal Machine Music: Technology, Noise, and Modernism in Industrial Music 1975-1996 by Jason James Hanley Doctor of Philosophy in Music (Music History) Stony Brook University 2011 The British band Throbbing Gristle first used the term Industrial in the mid-1970s to describe the intense noise of their music while simultaneously tapping into a related set of aesthetics and ideas connected to early twentieth century modernist movements including a strong sense of history and an intense self-consciousness. This model was expanded upon by musicians in England and Germany during the late-1970s who developed the popular music style called Industrial as a fusion of experimental popular music sounds, performance art theatricality, and avant-garde composition.
    [Show full text]
  • PRESSEMITTEILUNG 04.02.2020 Suede Im Rahmen Der
    FKP Scorpio Konzertproduktionen GmbH Große Elbstr. 277 a ∙ 22767 Hamburg Tel. (040) 853 88 888 ∙ www.fkpscorpio.com PRESSEMITTEILUNG 04.02.2020 Suede im Rahmen der Jumbiläumstour zu „Coming Up“ exklusiv in Berlin Die britische Band Suede steht seit den neunziger Jahren für einen großen Aufbruch, einen neuen Stil – und tut das bis heute. Nach ihrer Reunion Anfang der Zehner-Jahre haben Suede nahtlos da weitergemacht, wo sie 2003 aufgehört hatten. Die Musik, den Brit-Pop revolutionieren. Niemals still stehen. Sich selbst ständig fordern. Oder wie die Band es selbst ausdrückt: „Getting the energy of what you used to do without becoming a self-parody is the holy grail“. Dabei blicken Suede ruhig zurück und stellen das in den Mittelpunkt, was prägend war. 1996 erschien mit „Coming Up“ das kommerziell erfolgreichste Album der Karriere und gleichzeitig das erste, das in der heute noch gültigen Besetzung eingespielt wurde: die Gründungsmitglieder, Sänger Brett Anderson und Bassist Mat Osman, und der kurz darauf dazustoßende Schlagzeuger Simon Gilbert bilden bis heute das Gerüst, Gitarrist Richard Oakes hatte Bernard Butler ersetzt, und Keyboarder Neil Coding war gerade frisch dabei. „Coming Up“ erreichte den ersten Platz der britischen Charts, wurde mit Platin ausgezeichnet und als zweite Suede-Platte für den Mercury Prize nominiert. In diesem Jahr feiert das erfolgreiche Album 25-Jähriges. Wenn man sich dieses Werk heute anhört, fragt man sich ein wenig, wo eigentlich der Britpop darin versteckt ist, zu sehr haben Blur und Pulp und natürlich Oasis den Genrebegriff geprägt. Aber wenn man genau hinhört, bemerkt man, warum sie die Engländer das große Vorbild für die anderen waren – und wie wenig sie sich um Einordnungen und Schubladen gekümmert haben.
    [Show full text]
  • Brit Pop Mania, Il Fascino Agrodolce Della Leggerezza
    Brit pop mania, il fascino agrodolce della leggerezza - Vilmo Modoni, 01.05.2015 Anni Novanta/Dopo i Sixties, le band inglesi tornavano a dominare. Sulla scia del successo delle band dei fratelli Gallagher e del duo Albarn/Coxon, si impose una lunga sfilza di emuli. Solo pochi sono sopravvissuti. Ecco i nomi da ricordare Brit pop, fu vera gloria? Fu davvero un movimento da includere nel novero dei generi musicali storici, accanto a beat, folk, psichedelia, hard rock, punk, grunge ecc.? Oppure può essere catalogato tra le grandi truffe del rocknroll, rappresentando solo una colossale macchinazione mediatica per rilanciare la moribonda industria musicale britannica dopo anni di incontrastata egemonia statunitense? Probabilmente non si giungerà mai a una parola definitiva. Erano giorni, quelli dellesplosione del brit pop a metà anni Novanta, in cui un pimpante ragazzetto poteva avvicinarsi a un giornalista incrociato per caso al festival di Reading, consegnargli un demo e trovarsi mesi dopo a Top of the Pops senza aver inciso una sola nota, unico caso nella storia della trasmissione. Il ragazzo si chiamava Johnny Dean e Menswear il suo gruppo. Durarono un anno scarso, finirono sulle prime pagine del Melody Maker e del New Musical Express come «band meglio vestita del Regno Unito» e rappresentarono il culmine di una faraonica isteria collettiva: tutti ebbero un ritaglio di giornale, 15 minuti di celebrità, un 45 giri definito memorabile. Trainati dal chiacchiericcio Oasis contro Blur, decine di gruppi (Sleeper, Speedy, DexDexTer, My Life Story, Marion, Orlando, solo per citarne alcuni) vivranno una sola estate finendo a ingolfare gli scaffali dei negozi dellusato.
    [Show full text]
  • Imsicweek for Everyone in the Business of Music 18 SEPTEMBER 1993 £2.8!
    imsicweek For Everyone in the Business of Music 18 SEPTEMBER 1993 £2.8! Mercury set for TV The 1994 Mercury Music Pria gural prize. In the London ar ofset this tobetelevised year's awards. folk Télévisiondays in a row. carried It was features broadcast for live three on deremyfearcesaystnetwowinsvmdi-cate what his division has been trying judgesfour favoi wl Senior BBC2 MtionM^ewspapers 0Veret* ^ SeVeral the^eam Tindcp'end^nt ch^^Simon^rith^Iyf of Su^deî way that you just Bookeryear, neiping Prize and put the it on Brits. a par witn tne signedimm; 5S SSSâsssl Managers tackle MMC inquiry dfyTsundayUo fînentuneea submïfon "The movf coïncides with the count- •Without doubt this is the most impor- evidence to the Office Of Pair Trading Music Week goes daily at In The City GQWES AfterNude winningact Suede the donated 1993 Mercurv the £25,000 Music prize Prize money for their to Cancer self-titled Research. first album, Acceptingpoint of the the prize award is not singer the money Brett Andersonat ail, it's the(pictured honour above) of being said, nominated." "The PRS votes vétéran THE NEW SINGLE reformer to board hotly contested for S ► ► WHY POLYGRAM RECKONS SIZE ISNT EVERYTHING, SEE PAGE 3 ► ► ► When they play music in the Netheriands, to which you contrlbuted, you'SB benefit from it. Music is the sum of many différent talents, songwriters, composers, pro- tions is SENA, the Dutch Foundation for the Exploitation of Neigh- ducers, vocalists and instrumentalists ail play their part. And they are ail bouring Rights. But... SENA can only fulfill its task, when we know to cntitled to a fair rémunération when their création is used.
    [Show full text]
  • Suede Tickets for 2011 London Residency on Sale Now at Getmein.Com Submitted By: Propellernet Friday, 28 January 2011
    Suede Tickets for 2011 London Residency on Sale Now at GetMeIn.com Submitted by: Propellernet Friday, 28 January 2011 Fresh from their glorious December show at London’s The O2 Arena, Britpop pioneers Suede continue their comeback with a 3-night residency at the O2 Brixton Academy in London on 19th, 20th and 21st May, with tickets available for fans through Ticketmaster’s GET ME IN! ticket marketplace. Fronted by Brett Anderson with Richard Oakes, Simon Gilbert, Neil Codling and Matt Osman, Suede dedicate each night to one of their influential first 3 albums; 1993’s eponymous titled debut “Suede,” 1994’s majestic “Dog Man Star” and the chart-storming Britpop classic, “Coming Up.” Each night the band will play an album in its entirety, including single b-sides from each era. Suede arrived in 1992 when US Grunge bands dominated the airwaves. The band’s unmistakably British style quickly found new fans and with a little help from the NME, Suede were set for stardom. Their self-titled debut “Suede” was winning blend of classic British songwriting in the vein of The Smiths with influences of Marc Bolan/T Rex and Ziggy-era Bowie. The ambitious follow-up, “Dog Man Star” failed to match sales of the debut but has since been widely regarded as a pop masterpiece. Differences between the band and guitarist and founding member, Bernard Butler led to an acrimonious split. Many believed Butler’s departure would signal the end for Suede, but like Phoenix, Suede re-emerged with new members. Then 16-years old guitar prodigy, Richard Oakes and multi-instrumentalist, Neil Codling helped Suede achieve their biggest hit to date.
    [Show full text]
  • Release New Album After Their Reunion Ministry
    New Release Information uu March Price Code: CD04 NB 4275-2 CD MINISTRY Release Date Pre-Order Start AmeriKKKant uu 09/03/2018 uu 11/12/2017 uu advertising in many important music magazines DEC/JAN/FEB 2018 uu album reviews, interviews in all important Metal magazines in Europe’s DEC/JAN/FEB 2018 issues uu song placements in European magazine compilations uu spotify playlists in all European territories uu retail marketing campaigns uu instore decoration: flyers, poster A1 Price Code: LP15 uu Facebook, YouTube, Twitter, Google+ organic promotion NB 4275-1 LP uu Facebook ads and promoted posts + Google ads in both the search (black in gatefold) and display networks, bing ads and gmail ads (tbc) uu Banner advertising on more than 60 most important Metal & Rock websites all over Europe uu additional booked ads on Metal Hammer Germany and UK, and in the Fixion network (mainly Blabbermouth) uu Tracklists: uu video and pre-roll ads on You tube uu ad campaigns on iPhones for iTunes and Google Play for Androids CD: uu banners, featured items at the shop, header images and a back- 01. I Know Words ground on nuclearblast.de and nuclearblast.com 02. Twilight Zone 03. Victims Of A Clown uu features and banners in newsletters, as well as special mailings 04. TV5-4 Chan to targeted audiences in support of the release 05. We’re Tired Of It 06. Wargasm 07. Antifa 08. Game Over RELEASE NEW ALBUM 09. AmeriKKKa Line up: Al Jourgensen| vocals l Tony Campos| bass l Thomas Holtgreve| drums Sinhue Quirin| guitars l Monte Pittman| guitars l John Bechdel| keyboard LP: AFTER THEIR REUNION Side A MINISTRY’s Al Jourgensen, the acclaimed pioneer of industrial music, doesn’t muck around, doesn’t sugar-coat, doesn’t pull punches.
    [Show full text]
  • Too Loud in ‘Ere
    1 Too Loud In ‘Ere A Tale of 20 Years of Live Music Jonny Hall, June 2017 (c) Jonny Hall/DJ Terminates Here, 2017. Some rights reserved. This work is licensed under a Creative Commons Attribution-NonCommercial-ShareAlike 4.0 International License. 2 Introduction Every live gig I’ve ever been to has given me some kind of story to tell. You could ask me about any of them and I could come up with at least one occurrence that captured the spirit of the night. But not every live show has been truly ‘special’. I’ve seen excellent performances by bands with crowds numbering in their thousands that were simply ‘very good nights out’. No more, no less. No, it’s those gigs that leave you buzzing all the way home that count, the ones where you really felt part of something special and years later, need only think of that occasion to be right back there, in soul if not in body. Sometimes the whole gig doesn’t have to be brilliant, a single ‘magic moment’ is all you need. And it’s those events that have kept me coming back for more. Most people just settle for a few favourites and watch them every time they come round. I’m not like that. I’ve rolled the dice on catching relatively unknown bands plenty of times (especially at festivals). You never know what you might discover. It doesn’t always work. I’ve had my share of dead nights, shitty soundsystems and line-ups that seem to shift every time you look at them.
    [Show full text]
  • “I Try Everything at My Disposal: Different Guitars, Amps, Processors
    ““II ttrryy eevveerryytthhiinngg aatt mmyy ddiissppoossaall:: ddiiffffeerreenntt gguuiittaarrss,, aammppss,, pprroocceessssoorrss,, ddiissttoorrttiioonn bbooxxeess.. II ttrryy nneevveerr ttoo ssttiicckk ttoo oonnee bbaassiicc ssoouunndd..”” ––––MMiikkee SSccaacccciia a channel guitar and left-channel guitar,” explains Jourgensen. Jourgensen and Scaccia share a longstanding passion for “They double each other, usually with a different guitar and another raw sound: vintage country music. “Basically,” says amp setting on each side. If there’s a lead, we just pan it up Al, “all I listen to is old country: Ferlin Husky, George Jones, When guitarist Mike Scaccia heard Al Jourgensen’s ground - for space only with bass and drums, Jourgensen and Scaccia the center.” Buck Owens.” Adds Mike, “I listen to Buck Owens, Johnny breaking industrial rock band Ministry in 1986, it was love at must grapple with those instruments as well as dense layers Cash, and old bluegrass on a daily basis, and I’ve always first stun. “They blew me away,” recalls Scaccia. “I’d come of synths, samples, and machine beats. Another surprise: While they occasionally drop their low E been a huge Chet Atkins fan.” from a punk and metal background, and what Al was doing strings to D, Al and Mike rarely lower their entire tunings. “We was like nothing I’d ever heard.” “It’s hard making the guitars sound heavy in the context of so don’t go down to C, where these nü metal guys like to spend Jourgensen has good news and bad news for Ministry fans. much other mayhem,” notes Jourgensen. “It’s a lot of work their time,” says Al.
    [Show full text]