The London Suede? bum quiet. Never heard of them? Well, you There was a lot of paranoia going on should have. Not only is Suede one of with the second album [Dog Man Star]. the most seductively fascinating British Breaking 'Em in There was a lot of shit going on. ... We pop bands since the Smiths, but singer were in the public eye so much... every­ Brett Anderson has the kind of Euro­ Jolie Lash and Kate Lauer discover a softer side to Suede thing we did. It was kind of a strange pean good looks that would make his time because it was before alternative career, even if he couldn’t sing. A rtsweek: A lot of your lyrics, like chedelic. No, it just happened, really.... music became mainstream in Britain, The London Suede was one of the /% in “Beautiful Ones” (from the al- I don’t believe anyone goes into a studio and now it’s mainstream. When we first first British bands to be championed JL JL bum Coming Up,), are sarcastic with a kind of a predetermined idea of started, bands like us didn’t get in the royallystateside. Over the lastfewyears, and ironic. How come? exactly how the album’s going to be, ’cos charts. You just didn’t. It was kept com­ though, their glamourous introduction Brett Anderson: It's supposed to be a that’s nonsense. You just go into it and pletely within the sphere of the NME in to America all but faded. But with then- bit of fun — it’s not supposed to be so make a record and the record is kind of those days and we were the first band to latest release, Coming Up, the band is serious. like that year of your life and the year of kind of like break into the mainstream. beginning to make headway again into Not Artsweek: Coming Up sounds how you’ve been feeling... and Coming The alternative music press was so radio-favor. The album’s magnetic me­ more psychedelic, to me, than your Up is us getting back into the studio and obsessed with us 'cos they saw us as lodies swarm through the air only to in­ previous efforts. Was this change getting back into the studio and playing someone that could go that step further, fect those susceptible to its brilliance conscious? as a band. It was quite a natural thing. so it was like even though we weren’t in with an almost sickly kind of devotion Brett: I don’t know if it’s more psy­ We just kind of wanted to make the al- the tabloids everyday, the NME used to to the band. camp outside the fucking studio when We here at Artsw eek are still baffled we were making the album. We had by the chain of events that led to us journalists running after us to ask how it hooking up with Suede for an interview was going and we were trying to get on last Thursday at the El Rey theater in with it and that’s how it happened. With Los Angeles. We were led in a haze, with this album, we kind of just like went off college reporters from other UC A&E on our own and everyone thought we mags behind the venue where we came were over, and we’d split up or we'd be­ face to face with the jaw-droppingly come obese drug addicts just about to handsome frontman Brett Anderson die in the toilet. and the intriguingly mysterious drum­ Artsweek: How has the hand mer Simon Gilbert. Rather than fashion changed since you added guitaristt some story about them by pulling out pianists Neil Codling and Richard select quotes, we thought you should Oakes? read a transcript of the interview Brett: Simon can answer that. yoursfJf,k;y7 -See-SUEDE, it .4 A 2A Thursday, May 29,1997 Daily Nexus

’/y/r/r/Ty/y/y/y/yj image/songs/lyrics encourages interest in the celeb or if it substitutes for interest in them,” said Joan Furilla, designer of a Bee Gees site (http://geocities.com/SunsetStrip/Club/7434). “Stars don’t want their entire works to be placed on the Web for Hmmm//Bop anyone to download but they should be willing to let a $9.99 CD bit of copyright infringement if it encourages interest in them.” Sell Us Your Used CPs! In the “old” days as a music aficionado, you might Pet Shop Boys fan Matt Guzy said use of Get up to $4.50 in cash or have shown your admiration and respect for your favo­ copyrighted material on his site rite band through fan mail, autograph hunting or just (http://www.igateway.com/clients/petshop/) may en­ $6.00 in credit for each CD! screaming at the top of your lungs at a concert courage interest in the British pop group. Now, with the advent of the Internet and the World “I think those efforts are counterproductive for the re­ Wide Web, a n6w avenue of star worship has opened up cord companies. While fan Web pages do violate copyr­ morninglory ] for anyone with a computer and Net access. ight laws they provide free promotion for the bands,” he For fans of all musical genres, from disco to techno, said. “For example, I keep sound clips on my page, I have u s ic —/ jazz to rock, the Web offers a plethora of fan-maintained one for every song. It’s possible people may decide to buy Isla Vista sites showcasing photos, sound files and updated news the newest single because of a clip they heard.” Sant* Barbara 910 Emb. del Norte Lompoc on the latest goings-on in the world of your favorite Page creators are constantly looking for feedback and 1014 State S t 968-4665 1512 North H. artists. ways to improve their sites, but sometimes in the process 4 y ri\ 966-0266 Across from the ATM* 736-7676 For those who put up the pages — from 11 Hanson of gathering information with fellow fans, site designers m m m z m z m z m sites to nearly 100 U2 Web destinations — a common get unexpected responses from page visitors. goal, aside from paying homage to their favorite artists, is “The most common thing is people thinking that I’m to offer a place where other interested fans can access in­ one of the Pet Shop Boys,” Guzy said. “I’ve gotten e-mail the alternative copy shop formation on the acts. 6556 pardall rd. • iv • 9 6 8-1 0 55 “Actually, it started as a way for me to learn HTML and it grew from there,” said Won Tchoi, who has created a site for Bjork fans (http://www.xnet.com/ "wtchoi/bjork/bjork.html). “The thing I like about the Web page is to give ‘new* fans a place to find the informa­ Dissertations tion I wanted when I first got interested.” Web pages may be a sign of an extremely dedicated fan. Besides requiring a basic knowledge of the Hyper­ Text Markup Language utilized by Web browsers, more 9 1 advanced sites may necessitate learning other skills such as Java programming, graphic design and photo manipu­ lation. Time is also needed to maintain a Web site. “Before, I used to spend maybe an hour or two every 8.5”x 11”•• 100% Cotton Paper other day, but that was when I still had to find more info from people telling me how much they love me, how • No Limit • on them, now probably 2V4 hours total weekly,” said great they think my music is, etc. Recently I got an e-mail offer expires 6-1-97 Wesley Davis, who maintains a Republica Web site lo­ from someone asking me to take my pants off during the cated at http://home.rica.net/weasle/Republica. next tour.” copying • binding * laminating • computer rentals Because many of the sites found throughout the Web For fans looking to track down sites dedicated to their full color print & copy * scanning • typesetting contain images and sound clips taken from sources such favorite music acts, the Web offers many tools to hunt film processing • passport photos • & more... as magazines and albums, one of the debates currently down pages. Yahoo (http://www.yahoo.com) offers an being waged on the Internet is over the right of record index of musical artists, broken down my genre, while companies to crack down on the use of these files on fan- Rolling Stone magazine’s latest venture onto the Web run sites. Earlier this month Oasis’ label EMI issued a (http://www.rockguide.com) is a Search engine for fans warning to Web page maintainers about the use of copyr­ seeking music resources including band Web sites, con­ Attention EOP Students! ighted material relating to the band. cert dates and record label information. “It all comes down to whether the use of the —Michael Ball Educational Opportunity P ro g ra m EOP Surveys were mailed to your local Dance-alicious address. The Originals Please complete and return your survey. What domes mind the dancers and dboreog- ASAP. when Mom Says you’te vi*fol0i34,the performance havingscasscrolc tor din­ wmhve.nplo its name. Could the next Arthur Miller, Tennessee Williams or Your returned survey will enter you in a ner? Well, maybe bad William Shakespeare be lurking about UCSB? Next ^ ^ Ä e | ^ ^ ^ Ä 8 :dJvi>i- week is the time to find out when UCSB’s Dramatic Art drawing for a $100 gift certificate donated things depending I dm dual pieces,with themes how bizarre your mother ranging from abandon Dept, presents “Original Scripts.” by the UCSB Bookstore. w, but there Is no doubt­ ment to dm relationship “Original Scripts” is a series of six short plays written ing that, conceptually, between reality and re­ by UCSB students from the Dramatic Art Dept, script Questions? Call 893-3235 writing class. Die six scripts were chosen for their quality casserole screams “vari­ produced reality,” she ety” packed into one said. and the ease with which they could be staged, said Andy Cuk, directing teaching assistant for the department. compact entity. If you’re |il||e movement afi­ one Who craves diversity cionados haveput* great In selecting the plays for the show, particular atten­ Miniature Mastadons. Nexus Classifieds work. tion was paid to a range of dramatic themes and styles, from your entertainment, deal of work into their Cuk said. then look no further he«: pieces, C a n n M ^ ^ t t cause "Dante Casserole” “It has been a quarter- “ The plays are so diverse,” he said. “[The audience] will see six very different shows. One deals with a lesbian Is coming out of the oven long choreography pro­ next week, , - ject, with dancers who love relationship. Another is a very avant garde piece of work, another is about two guys who work in a subway 11“Dance Casserole" are either in the major pr station.” LET’S PARTY! consists of dance pieces not, she explained“ o I by juniors in the Dance The performances for the plays begin Monday, June 2, Division and will offer , “Dance Casserole“ with “Chance in a Million,” “The Courage to Feel” and audience members' a f |||J b e served up on June “Chicken Fiction.” The three remaining plays, “Z St. Sta­ glimpse at thefirstpieces 4 and'(pit 8 p,n£ in the tion,” “Dinner Guests (Where do we go from here?) ” and HSSB performing arts “Heading For Labhamash” will follow on Tuesday, June wing. Bon appetifl 3. Monday’s show is repeated on Wednesday, June 4, According to All- —Tony. .nteatloafin’ and Tuesday* son Thursday, June 5. All performances are chacla Cannon, and of-' Bogdanovslti free and showtime is at 8 p.m. in the Studio Theatre. —William Banks

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FILM If Jeff Goldblum were to star in a re* anything audiences had seen before and make of “Ishtar,” would it make $300 there was an element of surprise around million at the box office? Just something every comer. With “The Lost World,” to think about „ ' ' , ' Monty Python In “The Lost World," Steven Spiel- j But despite d lack of surprise, a slug­ berg’s highly anticipated sequel to "fsxt~ gish beginning (which Goldblum saves asste;Park," Goldblum reprises the role with his witty one-liners), and a ridicul­ of chaos theorist Dr. Ian Malcolm,'the ous bit involving gymnastics— which is only interesting human character from about as plausible as Kerri Strug is ob­ the first film. This time around Malcolm noxious ~~ “The Lost World” ¡6 still a and the H o ly G ra il reluctantly joins a team to visit lsta ride worth taking. Soma (AKA Site B), where dinosaurs Once again Spielberg shows us thathe Just happen to roam freely., Malcolm’s ' j is a master at staging action sequences team, which includes Vince “Swingers” when he has a pair of t-rexes push a Vaughn, has to get documented evi­ trailer off a cliffy and especially when he dence of the dinosaurs before another has a pack of hungtySfeiociraptors hunt* group, which ¡6 out to capture and ex­ lif^ ifw dinner. With Spielberg’s direc­ ploit the dinos, gets its hands on them. tion and Goldblum’fe ' But like any island full of dinosaurs, formance, they things don’t go exactly as planned, and ' f^stW<*tfd" u fun movie, even though all hell breaks loose. Then a lot of run­ audiences have been there and done mat ning, rain and chomping ensues until the film’s climax. As for the film’s grand | As 1 was leaving the theater I heard ab- finale, let’s just say that suburban San outa half a dozen pCbple say “it wasn’t as Diego suffers a catastrophe 100 limes good as Jurassic Parle” Bul let me ask scarier than Junior Seau on PCP. Well, you this: If “The Lost World” had come maybe only 10 times scarier. - „ out first, and “Jurassic Park" were its se­ When all is said and done, “The Lost quel, would you still say that “Jurassic World" is essentially a remake of d ie . | Park* wa$ a better movie? first film. What made “Jurassic Park" ¡&T^iick Reardon is lost in his own such a great movie was that it was unlike HI ' . I - world. Thursday, May 291 8 & 10 PM Campbell Hall In Need of Rehab A zany, hysterically funny, brilliant send-up of eveery medeival movie ever made, Monty Python and the Holy Grail follows King Arthur and his knights in their It is becoming all too who have fallen in love able styles of typecast wit, search for the legendary Holy Grail. What happens in the next 90 minutes is clear that movies these with each other and live in producing two terribly un­ vritually impossible to describe. By far the best Monty Python film, Monty Python New York. Sam and Mag­ believable and pathetic days are written by com­ and the Holy Grail benefits from the keen direction of Terry Gilliam(/2 Monkeys). mittees of stockholders gie then join forces to characters. To the film’s and brokers instead of ar­ enact some type of revenge credit, however, there is General Admission: $4 tistically minded directors upon their former love in­ actually a small spark of and producers. Holly­ terests. While Sam and chemistry between Tickets at the door only wood’s latest offering, Maggie stake out the cou- Broderick and Ryan that “Addicted To Love” — when set against some starring Matthew Broder­ cheesy sight gags actually ick and Meg Ryan — is yet produces some moments another bottom-line- of genuine comedy. Unfor­ oriented excuse for tunately, these few laughs celluloid. are just too little, too late. For those who haven’t The overall vibe is like a lived in a cave for the past lame fusion between six weeks, the media blitz “Can’t Buy Me Love” and that has preceded this flick “Stakeout” — a couple of will have most filmgoers pathetic lovesick fools and well prompted on every as­ ple’s home, they foster a a few pairs of binoculars. It Came From Outer Space pect of this film long be­ relationship of their own Check this one out if fore they see it. The plot is amongst their close quar­ you came too late to get a Don’t miss your chance to see the best 3-D film ever made. When 3-D films fairly simple — Sam ters and lack of contact seat for “The Lost World.” became a fad in the early 1950’s, only a few of them were ever considered good. (Broderick) and Maggie with the outside world Otherwise, as with most It Came From Outer Space, a film adapted from a book by Ray Bradbury, is the (Ryan) are both dumped (kind of like people do in movies these days, wait for by their respective lovers prison). one film that garndered both critical praise and popular success. In the film a this one on video. spaceship lands in a cave near a small town in Arizona. Aliens tgake on the form Linda (Kelly Preston) and Broderick and Ryan —Robert Hanson, Anti­ Anton (Tcheky Karyo), both bring in their predict­ christ Superstar of local humans to repair their spacecraft. Considered by many the best science fiction film of the 1950’s, this cult classic features outstanding performances and wonderful 3-D images. 3-D Glasses will be provided for this film. Each week, a senior art stuck student will Friday, May 30/ 10:30PM dsptay ther work h { UCSB's Isla Vista Theater the CCS Gallery. Each Admission: $4 (including 3-D glasses) week, Artsweek wi 11 And Short film Festival dart over there I ike a I Kristin Stiff: not thinking about being cool and Live Musical Performances hyena to a wounded Artsweek: Why do so word to complete a sen-1 many people in Santa tence. Do you consult a\ 6:30-10:00 at Anisq’Oyo Park yak to ask questions, Barbara have goatees? thesaurus or try and fig­ Kristin Stiff: Because ure it out? Kristin Stiff is a senior in they want to look like I’d watch T.V. -Musical Performances start at 6:30 the College of Creative goats. What’s worse, a lie or Studies whose sculptures Is It cool to n o t be cool brutal honesty? -Short Film Festival starts at 8:30 and paintings will be on anymore? Playing dumb. display in the CCS Gallery It’s cool to be not think­ Can you juggle? Free. Drinking allowed if you are of 21. from now until Saturday, ing about being cool. I leave that to the May 31. Go now. You’re looking for a clowns. /

4 A Thursday, May 29,1997 Daily Nexus

nce upon a time, a few years ago, a man, a drummer Wha by trade, (Matt James) walked up to a mildly young, I’m 1 O Welsh-born Martin Rossiter in a club and asked wherea: Boogie Woogie him if he could sing. The young “Rozzer,” baffled at how one dies anc could ask him such a stupid question replied, “Why of ized the course you silly oaf.” much £ Rabia Shirazi keeps on picking with Snot Awe-struck at having found one so bold in words, Matt Wha “the Hat” convinced the young Martin to become the front­ Americ man for his fledgling London-based pop group. Having al­ Well Last week A rtsw eek ready secured the powers of bass from his upstairs neighbor, Yeah, y gave you a little sniffle of Kevin Miles, the trio secured the guitar dramatics of one looking our Snot interview with finely mopped Steve Mason, who had just returned from that the vocalist Lynn Strait. The Hong Kong. haps, ar following is the continua­ After careful planning sessions the group members de­ want, r tion of what we started cided they would call themselves Gene. As they practiced Wed with the frontman to the day and night in a dingy London flat, the honed their skills (mimic: hardcore lounge act. and took inspiration from the world around them. After re­ yeah,G leasing some successful independent singles, the band there’s i Artsweek: What do you signed with A&M Recordings, where they released their first “We ha' think of Santa Barbara record, Olympian. cept] w becoming more of a local The record was full of inspiration, passion and a depth of hopeful band hub, like a mini- emotion. After touring and interviews the band made a little gest cu Seattle? bit of money that allowed them to take a break and recreate grateful Lynn Straight: I think it their magic. Eventually the four men returned to the studio, Well has been for a long tim e... where they generated a second burst of wizardy that manif­ That There were all kinds of ested itself in drawn to the deep end. Excelle punk-rock bands coming One day a little arts and entertainment section in Santa It sot out of the eighties, coming Barbara found out the phone number of the young Rossiter, on the i out of Santa Barbara. It re­ who had flown into New York to begin a tour. The Artsw eek Yeah minds me more of Carmel writer asked Rossiter a few questions to find out more about right, I than Seattle. Seattle has his magical band Gene. , much; k bullshit like grunge and Artsweek: So how are you doing? tuallyci MTV. What I mean by Martin Rossiter A little bit tired, a tiny, tiny, touch of the needed more like Carmel is th at... sore throat, but that’s about it. is actua we just have different So what do you think are the main differences between Enquir. types of artists and musi­ the new album drawn to the deep end and your first re­ tually e cians. There’s a little bit of cord Olympian? played competition among the Well there’s a few. The obvious ones are the fact that we’re You bands here — everybody’s a little older and hopefully therefore a little better at what we . No, 1 a little competitive, but we do.... We’ve learned how to let go a bit in the studio. There’s Can all really love, like hon­ also a great sense of adventure.... We wanted to show off for estly love, other people each other ... “Look what I can do,” and obviously with and other bands. Summer- Olympian it was successful enough to allow us the luxury of camp, Spank, all those time, really, on this album — to muck about and to take - bands are bros of ours and songs and split them into different outfits and see how they they’re all great, you some good shouting too — we fight like we’re supposed to be 100 per­ sound. So that also helped a great deal. know. We have more cool matches. But really, as of brothers. cent fun. Have you gotten to be a better songwriter since the last bands than Seattle does. before getting signed to do What’s it like touring? album ? What did you guys do What is your inspira­ the album, we all lived in It’s really hard, I mean, tion for your lyrics? Oh I hope so. Yeah. for a living before the the same house out of pov­ it really reaffirms the no­ band? I do all the lyrics. I’d erty, you know, and we got tion that being in a band have to say the television I was a furniture car­ used to each other. We got for a living is fun. Basi­ JÊmfflË penter [and] did a lot of set — that .sounds bad, preconi» used to living with each cally, it’s a lot of driving. [but] that would be the SUEDE shipping/receiving, truck other and realizing what We really love hotel rooms Continued from p.l much i driving. I worked for Bud- majority — a good half of | | Simon Gilbert: The averagqage has gone down.J' JDenma each other’s buttons were and not having to clean up where I get stuff. When we weiser. Mike did that too and how not to push them after ourselves—that is re- ,, JBnHfr Which is always a good CygfLy'S m fáoii —Mike worked for Coors. get a tune together, I’ll sit '' Artsweek: And since teen bands are so popular now. I worked at the Indepen­ down with the tune and dent. When he moved out write it. I write funny — Brett: We're virtually a teen band, j $ ■ ' * 4 m here, John, the bass player, not the way I hold my pen, Simon: Next we’re going to kick them out and get some needed a job, so I got him a but most musicians sit ar­ 4*year*olds. 4 , / ound and write stuff. I job at the furniture shop I Brett: [To] have an average age of 14 —» that would be don’t sit around and write great ||||j| 1 ' ‘ - v ', , ' , m % used to work at. Sonny’s a stuff. When we have a vet, veterinary tech, and Simon: I’d love tobe 14 again. I don’t know, it’s good. I t's song, I can spill out any­ more of agag we’re all together again. Jamie has been playing thing I want because I own drums since he was four, '' Brett: There’s no ego problems and shit like that » and he played in a couple it all — they’re all in me. I Artsweek: What kind of stuff do they add to it— to your bands with his dad since have all this shit stored up relationships as u band? he was three or four years in my head, you know, and Brett: I think the musicianship has improved since old, then he played in the it’s a constant flow, so it’s they’ve come into thebabd because the way bqjb Neil and never a loss of what to high school band, then he write. I’ve gone through Richard write is in a really unselfish way. They both wantthe got out and played with trails in life — drugs and band to be writing good stuff. Neither of them have an ego bands— that’s all he does. incarceration, stuff like problem, neither of them have a thing about their things or Are there any problems that. Basically, anything anything like that. " ' ' , y + ting per or hostilities within the that pisses me off or makes There's so many different ways in which we work now. I’m ih L band, b e tw e e n each me laugh, nothing in Songs are written m such different ways. Like Neil will come kind oft other? between. up with some riff or Richard will and they’ll both work with m m m We get along. I think we — when they’ve been in a ally tun. Love, love, love to That’s about it for my each other and stuff Eke that, and they’ll both egg each other ~you, Br get along really well com­ van for a few days and they meet new people. We play questions, but is there on and they’re both in competition with each other, which is !; Brett pared to other bands. We haven’t showered. We a lot in LA and when you anything you want to good, it's healthy having competition in a band. jp Arisi have our arguments, but have our problems, our get out of LA and into the add? 4 Artsweek: What’s it tike being small again in Am erica \ m tiiém . nothing — we’ve never disagreements, but basi­ world, people really love Um, buy the album so ’cos you’re so bigin England? g | tionJKl drawn blood, never struck cally, I love all my band seeing new people and we can put cheese on our ■ Brett: it’s totally fine actually, 1 haven’t really got an ego m m each other, but we get in members and they love me places. It’s a job. It’s not Whoppers. éjttfelem with it It's weird ’cos America is fire biggest single í Simo

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-..a n p s h b m i, . e x c u s e mb , KM, Birrm 'Re CWCreVBN UARNEP NOTeXACWTROLLING IN ábtubp AFFORPTD WUABOUT BUCKS OURSELVES NOW. UE'VE T h e On ly FEEPHBRSELf; wrmyOU 60TA NEW BUSINESS ANP MUCH ¿SSS HER M&TTFiNR. OUR OWN FAMILY TO PEEP.' T r a d it io n a l MMPT! l a l l P u b in l.v. $1SPECIAL OFF with this comic limit one per customer not valid with any other offer WÁÁ 6 5 4 3 P A R D A LL R d . IS L A V IS T A • 6 8 5 -0 9 2 9 ^| Daily Nexus Thursday, May 29,1997 5A » n e -io u s ►se with superior genes What have you learned about writing lyrics? I’m might actually consider that I now write lyrics whereas on Olympian I think I was probably writing melo­ dies and words. What I mean by that is that in a way I’ve real­ ized the power of how a certain melody can break hearts as much as [words], or mend them. What do you think of the reaction you get front fans in America — it’s very much a strong devotion. Well it’s pretty much the same thing everywhere we go. Yeah, you know we have very, veiy loyal, loving and good- looking, I’m afraid, fans and I think they see something in us that they don’t see in many bands — a sense of honesty per­ haps, and that’s wonderful. We need that and that’s what we want, really. We don’t want to be just liked — people come and see us, (mimics the voice of a happy-go-lucky sort of fan) “Oh yeah, Gene, they’re OK." “Oh yeah let’s go see them tonight, there’s nothing else on.” I want people to come out and say, “We have to go and see Gene,” ... and I think to a point, [ex­ cept] with a few people that happens [with our fans] and hopefully that’ll grow. We want to become the world's big­ gest cult band and if you could organize it I’d be most No, I don’t think so, I mean hopefully I’ll have a little bell categorization? grateful. in my head that will say Martin, now’s the time to see if We’re starting to but it’s not us that really have changed. I Well I’ll handle the West Coast chapter, how’s that? you’re becoming an embarrassment and I think there’s one think we’ve gotten better, but we’ve never written with that That would be great. Yeah. Well, that’s one bit sorted out coming out made by the Jagger corporation. But you know, in mind. Excellent. beyond that no, I don’t think I’ll ever get bored doing this. What do you thipk about music as art and would you consider your music art? It sounded like you made an album you wanted to take You’ve managed to skirt the whole Smiths comparison on the road. It’s got a uplay-me-live” kind of quality to it Yeah, of course I would. You know, I mean I’m not neces­ that plagued foum alist reviews of your band when Gene sarily saying it’s good art but pop music is art. Definitely. Yeah. I think one of the things that we didn’t get quite first came out— why do you think you’ve been able to do right, I mean don’t get me wrong we love Olympian very Eveiybody from Jewel to the Spice Girls and from Nirvana that? to Mozart— I mean it’s all art. It’s just whether you actually much; we didn’t get it quite right in the fret that it didn’t ac­ I’m glad you think we have, most people think we haven’t. tually capture what we sound like live. And I think when we think it’s any good. But yes, of course it’s art—what else is it I thought this record, I mean if people thought that the if it isn’t? needed to we managed to do it on this record. And so yeah, it first one sounded like the Smiths, well this one is like you is actually. You can see the headlines now in the N ational Well I don’t know. Some bands just argue against that guys finding your own voice. notion. Enquirer, you know, “Gene in Fun Shocker!" But we do ac­ Well I don’t think the first one [sounded like the Smiths] tually enjoy playing. It does lend itself actually to being Yeah I know, that’s ’cos they’re afraid of the word. ’Cos to be honest with you. they’re afraid people will think, “Oh they’re really preten­ played night after night. Right, but some people do. You can’t get bored then, so that’s good. tious you know."... Yeah, I mean of course it’s art, that’s un­ No, I mean if you get bored in this job then you’re dead. And some people are wrong. Period. deniable. It should be treated as such to a point as well. MCan you ever see yourself getting bored? So you don’t think you’ve managed to escape that How would you treat something as art? People go and look at art Would you want people to go and stare at you? No, because it’s like literature, which is art ora painting or theater. You can have wonderfully extreme reactions. ... Modem people’s view of art now is something middle- and upper-class. The real roots of art were a working-class thing It was, you know, people painting to tell stories. It was peo­ ple traveling theaters, going to village after village after vil­ lage, telling stories. That was art and pop music — why on earth shouldn’t pop music be the same? Steve: finely mopped

*natket in the world id terms of country and like we sell more that were watching us that day. not a blueprint or a mode! for anyone else to live. 1 just see records in Italy than we do here. All over Europe we sell so Artsweek: KROQ picked Up on you guys for a little drugs in fives I use a lot o f drug metaphors and stuff like much more man in America, like 100,000 in fucking while and then dropped you. that. Most o f the people l know are drug addicts o f some Denmark. Simon: Yeah, they did. Apparently they changed their kind. r 1 don’t mind it it doesn’t bother me. i'll teil yon what is poacy— that’s why they didn’t play us any more, j 'Cos it’s real, for me and it’s not kind ofbying tofce cool, I Cjdtenice-Jk^^ Artsweek: Why do you think that happened? just see it around me. Artsweek: What do you think of people who take your words way too seriousfy? Ik Brett: I think it’s great % Artsweek: Grpeople who take yourpolitical beliefs and BSP then make them their own? ¡ ■ ■ H B t Brett: 1 don’tknow anyone does. There’s a human poli-

it’s good. Simon: We don’t preach, we just observe, anyway. It’s just observations. ' , '' '*4*' ' 11 Not Artsweek: How does it make you feel when people lunge over each other to reach you at shows and after shows? : Brett: Itisbettertogetafineofcokc down after the shows that helps- i t certainly isr fta flattery. Yon get very, very tfredj Very quickly. It’s flattering for about two seconds and tmg permanently lucking hassled. That’s quite nice. When BrettiThere’s something about bur sound that doesn’t sit then itgets quite boring. Sometime!ft gets quite scary' ' j Tm m London It can get a pain in the ass sometimes. You do well with America. There’s something inherent about our fe Artsweek: D o you think there is a p la ce fo r the kind o f ,jkmdof alter yourpersonality because of it Hove California sound. The kind of records that get played to death in music that you play with electronic music becoming the (Some kids standing outside the gtg start yelling *I lave America are these rhythm, driving records:, that’s what it is n e x tbig thing? '' ,f';4 C ,, - you, Brett, ” or som ething like that.} It’s music you can kind of imagine drivuigdown the road to Brett: 1 don’t think we’re the only band in the world that & Brett: I'm trying to do an interview. Shut up. And there's not really very much Suede music to drive to, or Jplayguitars, bass anddfums. So the: answer to that is yes. I | Artsweek: Did you think you were going to break if it is driving music, it’s not kind of like driving down the think there’s always a place for Suede because I think we oc­ America when JLJL-baSed mega-influential radio Sta­ freeway on a steady road. cupy a place that po one else occupies. I think we’re quite tion] KROQplay listed you and headlined you at their first Artsweek: Brett, you write about drugs u to t Why9 unique m a way. Without wishing to sound conceited—«! Weenie Roast in 1993? Brett: Because they exist in mylife and in the lives I see ar­ don’t want to sound conceited at all>—as an observational * Simon: Yeah, that was strange, i remember the two fans ound me. Like all of my songs are just observational. They’re bystander 1 think we’re quite unique. Emerald Video Non M r C l AA A n Unie Rental Free Self-Esteem Boost 6545 Partial! Road with Is la Vista. CA 93117 bresents^jE - » W i h Y . ■■**** ■ with this comic 80S.968.S059 ^ j I Void with other offer Good ot time of rental only most every car wash at V J = K l f ...4 o 1AY 4UPERV14oR, WUo'4 NoW EXECUTIVE DALEE VICE PRE4IDENT, 4AY4, I C A R E *YoU DON’T GET M-IEAD IN TU14 BU4INE44 BY BATE PLAYING IT 4AFE; AND TUEN PCOM14ED I’D GET FULL CREDIT Self-Service Car Washing FoR TUE PROJECT... At Its Finest 527 Anacapa St. (at Cota) Santa Barbara • Open 24 Hours Daily 6A Thursday, May 29,1997 Daily Nexus

and you’re likely to find No Doubt, followed by Sublime, followed by No Doubt, followed by Bush, followed by No Doubt.... If you have even half a brain you’re prob­ ably going to have to switch off the channel at some point. But in Britain, the diversity rarely contributes to boredom. In fact, even indie lovers will be able to handle

★ SAT / SUN / EVES / W K DAYS §1 a Whitney Houston song or two if they know that Per- fume is next on the play list. ★ 5 MINUTES FROM CAMPUS || ★ GREAT TEACHERS!!! || (805) 527-9130 || GET AN EXTRA $5.00 OFF WITH COMPETITOR’S AD rVS#u0462 EiiftEiniy FREE ADMISSION 11-6 • 1/2 PRICE 6:30-2:00 SANTA MARIA'S ONLY ADULT CABARET SPEARMINT RHINO ADULT CABARET At the London Suede/Longpigs show in Los Angeles 505 S. Broadway last Thursday, Arts week found itself amid young adults n Santa Maria in skinny-fit tees, mod suits, blur boy hairdos and fash­ 349-9535 ionable used-ish black leather jackets. They mingled ar­ People aren’t so “arsed" about sticking to one category 11:00am -2:00am ound strutting their thin frames as they drank cans of of music — it’s not considered being a sellout to say you 7 DAYS A WEEK Heineken and took thick puffs from their Kamel Red like dance music and still sing along to Seal. Not being ALWAYS HIRING DANCERS Lights. Although they mirrored their cross-Atlantic pigeonholed into just one category, and thus becoming Santa Baifcara the equivalent of a SoCal scenester, allows people free­ 22 E. Montecito St. 568-1620 counterparts, these kids were as American as apple pie. Why is it that thousands of stateside concert-goers are dom to like a variety of music. The diversity of music JJTHE _LEADERJ N AD U L ^C A B £^ E T ^ so influenced to adorn themselves in mod gear and Euro­ propagated via radio and magazines allows the Brits to boy haircuts instead of Baywatch beehives and Miami foster and promote a sense of national pride in the musi­ ★★★★★★★★★★★★★★★★ Vice suits? The British, it seems, aren’t just coming; cal acts scattered across their tiny little island. they’re taking over. From Oasis to Suede, from Kula So while America is embracing British bands and their dressing savior-faire we should take note. No, the Brits aren’t cooler than we are. Hell, we were the ones who in­ vented rock ‘n’ roll. We’re just looking for a bit of diver­ sity and Britain seems to be offering it now. ★ But perhaps, if we can learn anything from this British monopoly of MTV, we can learn to look inward and take ★ p R E S E H T S pride in the diversity found within our own community. What, you don’t see any? Well, look again. Santa Bar­ bara certainly has its share of ripe musical acts to take Î VOW MILU JI0M 0MÎ notice of. Summercamp, Nerfherder, Spank, Snot, Dis- ★ UV UHM (. ILI (H * Shaker to the Spice Girls, from Bush to Prodigy, Jamiro- hwalla, Henchmyn, the Goodkind, Kid Power, Cool Water Canyon, Timmy Two Times, Beth Waters, Jennifer ★ To get the advantage, check the day's rating: 10 is the easiest day, 0 the ★ quai to the Sneaker Pimps, British acts are going over to this side of the Atlantic in a big way. ★ most challenging. ★ Aries (March 21-Aprü 19) - Today is an 8 - There’s a bit of confusion Perhaps it’s just the backlash to the ease with which ★ this morning, but nothing you can’t handle Your roommate or some­ ★ beer-bellied blowfish conquered the charts a year ago. ★ body in your family may have a change in plans that will mess up your ★ Or the way in which a certain young Canadian held MTV normal routine. No biggie The money you've been thinking about and hostage for so long that has made us look to die other ★ waiting for could finally show up. ★ side of the Atlantic for something a little more interesting Taurus (April 20-May 20) -Today is an 8 - You and your friends can get ★ a lot accomplished with very little money. If you pool your talents and ★ than backwater schmuck. Isn’t it ironic? ★ your resources, you'll have plenty. If you want mote, that's simple. All ★ you have to do is figure out what you have that other people need. ★ Gemini (May 21-Junc 21) - Today is a 6 - You could be in for a bit of a ★ ★ confrontation this morning An older person, possibly your bees or teacher, ★ may not go along with your suggestions. In order to get this person on ★ your side, you’ll really have to show you know your stuff. This is good for ★ you, actually. ★ Cancer (June 22-July 22) - Today is a 7 - You shouldn’t be stuck in a ★ ★ regular job. A person of your talents needs to be free to create. It’s pos­ ★ sible to make a fortune while you’re working for somebody else, but it ★ sure is rare. Instead, you ought to be an entrepreneur. Plan something ★ ★ special for this weekend. ★ t y jTerran, Toad the Wet Sprocket, Mad Caddies, Joystick, Leo (July 23-Aug. 22) - Today is a 6 - There’s lots of flexibility today. In M k Mic.edu, Fidget, the Leftovers, the UCSB Gospel Choir, ★ other words, you won't know what’s going to happen until it already has. ★ _J I The Spice Giirls Point Conception, Superslick, DJ Jasen, and Creature ★ Up until that point, a change is not only possible, it’s likely. So don’t make ★ Over in the UK the national music press comes out Feature are just a few of the local acts you might keep any assumptions. Wait and see each week, touting new musical promises from across your eye out for. ★ Virgo (Aug. 23-Sept. 22)-Today isa 7 -Thete are lots of changes going ★ on, and you're right in die middle of them. Your boss wants to do one the country and the world. Although many British bands It would be great if we could seize the same kind of ★ thing and your partner wants to do another. Your career demands more ★ that achieved some level of success over here are more musical cultural momentum coming from the place that ★ attention, but so does your home life. Are you moving, or what? The an­ ★ than happy to denounce music magazines NME or Me­ used to refer to us as its colonies. Maybe if we concen­ swer is yes, in more ways than one. lody M aker as bandwagon connoisseurs, they have to trated more on appreciating different types of music in­ ★ Libra (Sept. 23-OcL 23) - Today is an 8 - You’re better with visual or ★ admit that these musical sources are very powerful in the audio than with words today. That's not usually the case, as you well know. stead of limiting ourselves to phases consisting of one ★ You're a very verbal person. The last couple of days you've been awesome. ★ promotion of British acts. genre of music at a time we could spread the wealth of ★ Today, it’s as if that part of your brain is exhausted. Do something else. ★ In addition to the magazines, the national radio sta­ corporate rock. Scorpio (Oct. 24-Nov. 21) -Todayisa6 - No matter what you tell some tion, Radio One, offers a true melting pot of musical gen­ Artszoeek thinks the world would be much happier, ★ people, they want to argue about ¡L A little of that goes a long way with ★ res. If you could tune in this very second you might near don’t you? ★ you. Today, some people will comply and some will reject your ideas ★ Oasis followed by Celine Dion, followed by the Wu Tang This has been a public service announcement from without even listening to them. Surround yourself with the former. Clan, followed by Linoleum, followed by Supergrass, Artszoeek, who encourages you to broaden your hori­ ★ Sagittarius (Nov. 22-D ec 21) -Today is a 6 - It looks like there's some­ ★ thing you need to discuss with your partner. Your career doesn’t demand followed by Take That followed by Josh Wink. zons and your wardrobe as well. ★ much attention right now, so maybe you can figure out how to get a little ★ Turn on any local radio station in the Tri-County area ★ midweek time off for good behavior. Schedule your meeting for as early ★ in the evening as possible ★ Capricorn (D ec 22-Jan. 1 9 )-Today is a7-You11find your imagination ★ ★ taires off in unexpected directions. That ought to be kind of fun. There’s ★ Hey you! Everything must go! Artsweek has got its greedy little hands on Longpigs also a lot of work to do. That’s not a problem. You’re certainly not afraid posters, CD singles and more Ben Harper stuff. We’re practically giving ’em away. ★ of a little work, or even a lot of it You look forward to the challenge! ★ Heck, we are giving ’em away! Just write down what your favorite part of this ★ Aquarius (Jan. 20-Feb. 18)-Today is an8-If you’re in love, you may be ★ Artsweek is and drop it off under Storke Tower or e-mail us at worrying about money. That’s unusual for you. Normally, you can take it [email protected] ★ or leave it. You’re more interested in other things, like saving the world. ★ This evening, do something special for that special person. Even if it coits. ★ Pisces (Feb. 19-March 20) - Today is an 8 - You have a tendency to let ★ l®> presented by ★ other people walk all over you. Don’t do that today. You have a lot to ★ offer, so don’t be afraid to speak up. That’s especially important if the CheAPÌM &CbBìWe ★ changes being proposed are going to affect your life. Better pay attention. ★ •* H SSP* ★ Today’s Birthday (May 29). Expect changes in your career this year. You're ★ Blackened S har^^falapeno f #1806 WeaklwftOM Iboi Writ«» Crwy very charming in June, but it's hard to make a choice. You want both. Move C o r o ’s ★ ★ or remodel in September. A legal matter finally settles in December, leading /vtarinate two Goz. to g e ther) \ y ro t| o n In ITbsp of butter;/ Simmer ★ to a new opportunity. Finalize a financial agreement in January and launch a ★ half- inch shark r a c k Sâute : ITbsp of and new endeavor in February. You'll be tested in March for a career advance. 2-tsp crushed 4'm.from •fillets (*V»n : ^ 7 ) chopped fresh pour over I ★ Part of the test is nonverbal, so pay dose attention. Stick to the rules in ★ black pepper heat fo r •fish April. A friendly bureaucrat can get you through the maze in May. |2Tbsp lime juice cilantro and ★ ★ l tsp fennel seeds'. , 5 -7 m in. ' sliced medium ITbsp dried oregano'1 Itsp jalapeno ★ ★ onion I tsp ground cumin overnight in ^Coat-fish V i i l e t s ★ ★ l tsp ground coriander' Vri+n v s h o u ld Wants Your Feedback refrigerator. Vz tsp minced garlic 1 L blackening I ITbsp ★ b e I ★ 1/2. tsp chili powder, i paste. ^flakyc lime \fbsp lime juice_v ] juice. ★ Come eat, fill out a ★ tsp salt _ - , a v \d C vCrwsty. Serves 2. ★ comment card, and ★ ITbsp Olive oi with rice. ★ you may win a free ★ ★ Half and Half meal! ★ ★ ★ C O JO ’S means ★ This week’s winner ★ Custom Turkey Sandwich ★ ★ AND MEDIUM SODA O N LY $ 2 . 9 9 Stacey Willows WITH THIS CARTOON ONLY ^ ★ ★ BIG SAVINGS valid from 5-29-97 until 6-4-97 ★ ★ 915 Embarcadero Del Mar • 968-1316 TellerQuick In-Store ATM * . «Open Daily fram-7am to Midnight • • • • . « ATM and.Major Credit,Cards.Accepted. Daily Nexus Thursday, May 29,1997 7 A

On the Record ~k Celebrate Life!+ All the albums you've never wanted ... The Foo Fighters / The lounge act,” a mix of funky blowing, but it has a fusion Colour And The Shape / bass-line grooves and ge­ of New Orleans “brass Make It to Your Future. •• Capitol nuine heavy guitar riffs, drifting in ‘n’ out of daily Poor Dave Grohl. No frustrations (“Joyride”) to Safely Celebrate Your matter how hard he tries, dissing record company he always seems to be un­ executives (“Mr. Brett”) to Graduation!!! able to shake off the legacy fun-core instrumentals. of Nirvana. And how he Overall, the album is tight, Choose a Sober but definitely not overpro­ duced or too clean, and Before You Start to features plenty of music band jazz.” The coolest Co-Sponsored by: STAR (Students Teaching Alcohol and other drug Responsibility), Community Affairs Board, for a diehard rocker to be A S . Finance Board, Vice Chancellor for Student Affairs, UCen Programming Committee, proud of. —jqaz Escobar thing is that the tracks are and Student Health Service. all original music. The Coolbone / brass-hop / eight-piece band plays ev­ Hollywood erything from trombone to tries. Despite being an i drums, with seven horns FILM most all-Grohl project, somewhere in the middle. many of the tunes on the Sometimes I feel like I’m in junior high, writing The drums are the real Foo Fighters self-titled de­ skins, too. but echoed Cobain in ev­ for a creative writing class, when it’s embarrassing to “Layin’ It Down” is re­ WiCCy Wonha an<£ the erything from those oh-so- speak in front of the class ally the only slow song, a wrenching lyrics to the subtle tribute to the horn structure of the songs and your tongue gets all big and in the way. This masters like Miles and themselves. Coltrane. Besides that, On the new The Colour aside, let’s talk about the hip-hop music genre be­ there are a couple of “sick ChocoCate Factory And The Shape CD, a new duck” romps that accom­ democratic Foo Fighters cause it’s groovy and hap­ pening and makes you feel pany the New Orleans (meaning not 99 percent sound. Grohl like last time) bash like a cool cat. 2STH ANNIVERSARY EDITION* If you like rap, New Or­ Coolbone’s brass-hop their way through an al­ is a well-produced album, bum full of whisper-to- leans jazz and repetitious beats, you’d do well to get so play it loud, play it soft, roar music. The presence but dig those horns, man. of ex-Germ Pat Smear on yourself a copy of Cool- bone’s brass-hop. —Jesse Bellinger — New guitar picks up the tempo Guy with Old Tricks quite a bit, but in this case, The album is not mind- a n d especially on “Monkey Wrench” and “Everiong," fast + loud + PICK v THE WEEK I distortion = power pop. Ben Lee / Something to Remember Me By / Grand That’s not a bad thing, since this band could take on any modem-rock radio foo matty artists seem to M victim to the group and rip it to shreds, J “sophomore slump." Whether It he Vanilla but does that really mean Ice’s Mind Blozoin’or It Won*t Be the Last by Billy Ray much anymore? Cyrus, Second albums usuaflydonotfrveup to the stan­ —Keir DuBois dard set by the first, ^ I Sunday, June 1/ 3 & 7PM | | Thankfully, Beu Lee, the 18-year-old Australian Snot / Get Some / Geffen ninderkid, avoided the aforementioned trap on omething to Remember Me By, die follow-up to his UCSB's Isla Vista Theater Let’s face it — making a 3995 debut Gratidpam Would. successful metal album A number of tracks on Som ething evoke memories $3 Matinee at 3PMJ these days is close to im­ youthful, innocent loVe sOftgs on his first album, possible. As exemplified 7 “How to Survive a Broken Heart” and “Daisy,” Everybody remembers Willy Wonka, the hermit of all hermits, the king of all by the soft-ass sellout te same time, however, jMtvLee shatters all im~ chocolates. Come take a break from studying and watch this classic “kids” film. sounds of such ’80s hesher ’the pubescent, fun-loving Aussie Me legion of Adapted from the book “Charlie and the Chocolate Factory”, Willy Wonka and tlw pointers as Metallica and Chocolate Factory features the famous five golden tickets, the oornpa loompas, and the “new” Iron Maiden, as well as wanna-be punkers senseless / then I’d ask you where you’ve been” on Charlie and his grandpa Joe. A brand new print is being shown in commemoration Bad Religion and The ■^Tfctk in the Bha!-:; M of the 25th anniversary of the.film. (Mel Stuart, 1971, 100 min.) Offspring, more and more .nd.” Equally star- good hard bands are tak­ references toBr- Film Society Members: $3 General Admission: $5 ing the easier route of suicide:; toned-down, chum ,”w|aM tjfea« compromising-consumer dreary violin sOl0.f blah rock. jpalgp developed Then came Pantera, side, as evident who kicked the asses of all reer Choice" and trendy Lollapa-losers and hold Name^lpi Hungry straight-wrecked metal or he justifies his shop. Then came all those to “strum ongul- Pantera posers. Then we stead of Opting for] were given a band called Hunter Snot. while the latter is Actually, Snot has been rous reminiscence The Weekend Connection. around for about two ■ ftm '80s years, playing what they eonmars. —Ben Alkaly In Friday’s Daily Nexus. like to call “a hardcore 8 A Thursday, May 29,1997 Daily Nexus

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