Britpop's Common People – National Identity, Popular Music and Young
Britpop's Common People – National identity, popular music and young people in the 1990's Claudia Lueders Doctor of Philosophy (PhD), Royal Holloway, University of London 18th November 2016 Declaration of Authorship I (Claudia Lueders) hereby declare that this thesis and the work presented in it is entirely my own. Where I have consulted the work of others, this is always clearly stated. Signed: ______________________ Date: ________________________ 2 | P a g e Britpop's Common People – National identity, popular music and young people in the 1990's Abstract: The thesis discusses the significance of Britpop’s representation of British identity for British youth and their attitude towards British identity in the 1990’s. Taking issue with the dominant academic critique of Britpop as an ‘assertion of white, male, heterosexual Englishness’ (Bennett and Stratton, 2010, p.6; Percival, 2010; Hawkins, 2010; Whiteley, 2010) the thesis argues that Britpop’s representation of national identity was more complex and ambiguous than previously suggested by academia and that Britpop’s positive attitude towards Britain and its nostalgic image of British identity needs to be interpreted as a cultural critique of social, economic and political changes in the United Kingdom in the 90s. The concepts of ‘Imagined communities’ (Anderson, 1983) and of ‘Banal nationalism’ (Billig, 1995) are used as a starting point to explore the significant role of young people and popular music for the construction and reproduction of national identity. Drawing on a qualitative textual analysis of Britpop lyrics, album reviews, and mainstream media coverage alongside data collected from qualitative interviews/surveys with musicians, PR agents, journalists, and fans, it also discusses how national identity is constructed and maintained through cultural references in popular music and related media discourses.
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