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Tailwind® 500 TV programming for Russia Russia 147-1151-000 Revision 03/10 BUS © Copyright Rockwell Collins, Inc. All rights reserved. All logos, trademarks or service marks used herein are the property of their respective owners. ® Russian Programming For Tailwind 500 39 Animal Planet 91 Comedy TV 143 Sport 40 TDK 92 Cinema route 144 Our cinema Free-to-air 41 Discovery Science 93 Cinema route 145 Info Channel Eutelsat W4 - Encrypted 42 Discovery World 94 3-rd channel 146 Blue Hustler (Night TV) 43 Discovery Travel & Living 95 Cinema Home 147 Cinema Plus 96 TV SALE 148 Premier The following channel list is effective February 1, 44 Mezzo (Music) 2010. Channels listed are subject to change 45 Jetix 97 Rusiya Al-Yaum 149 Who is who without notice. 46 Jetix 98 VH-1 Russia 150 Cinema club 47 MUSIC 99 Bibigon 151 1-st Meteo channel 48 Eurosport 100 TV nanny 152 REN-TV 49 Eurosport 2 101 TVC 153 NTV+Football Channel Channel 50 MUSIC 102 RBK-TV 154 Music TV Number Name 51 Zone Romantica 103 RBK-TV 155 TV channel 52 National Geographic Channel 104 Ptersburg 1 TV3 53 Jetix Play 105 First Some channels may not be available due to the 2 BIZ TV 54 Hallmark 106 Music aircraft location and/or weather conditions. 3 Che-Pre_IN 55 MUSIC 107 Peace/World 4 Expert 56 CNN International 108 Time:near and far 5 First Auto 57 Cartoon Network 109 First channel 6 CHANSON 58 Zone Reality 110 RTR plan 7 K+ 59 Zone Reality 111 Top Secret 8 TOPSHOP 60 Euronews 112 5-th channel 9 ÐÐÐÐ 61 Jim Jam 113 CCTV9 10 A-ONE 62 MCM Top 114 CCTV4 11 BRIDGE TV 63 Discovery 115 MTV TWO 12 7ÐÐ 64 MGM 116 InfoChannel TV 13 Radio third 65 MTV Dance 117 NTN 14 Auto plus 66 VH1 Classic 118 Entertainment Park 15 365 days TV 67 Extreme Sports 119 Nickelodelon 16 Interesting TV 68 Nat Geo Wild 120 Chldren's world 17 India TV 69 Discovery 121 Russia Today 18 La-minor 70 Euronews 122 Our new cinema 19 Laws-TV 71 Engineer_ 123 NTV world channel 20 Comedy TV 72 Sport 2 124 TV5 21 Fighter TV 73 TBI 125 Eurosport 22 Cuisine TV 74 Sport 1 126 BBC World 23 Boulevard TV 75 Tone TV 127 World Fas 24 MultiSerial TV 76 Fighter TV 128 Chldren's world 25 Russian Night 77 Cinemashow 129 Bloomberg 26 Russia 2-nd channel 78 India TV 130 Eurosport 27 24 Doc 79 STS 131 Cinema's hit 28 NTV 80 Home TV 132 Nostalgie 29 Cinema Union 81 Zoo TV 133 Russia 24 30 Russia Culture 82 Cinema route 134 NBA TV 31 Star 83 Gameland TV 135 NTV+Our football 32 MTV Russia 84 TiJi TV 136 Russian 33 TNT 85 Gulli 137 NTV+Sport 34 Russia 1-st channel 86 RU.TV 138 NTV+Sport Classic 35 Fashion TV 87 AXN Sci Fi 139 NTV+Sport On-line 36 Salvation (religious channel) 88 Universal channel 140 NST 37 Sport plus 89 Sci Fi 141 NTV+Tennis 38 STS-Moscow 90 Home TV 142 Music TV.

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Where Are the Audiences?
WHERE ARE THE AUDIENCES? Full Report Introduction • New Zealand On Air (NZ On Air) supports and funds audio and visual public media content for New Zealand audiences. It does so through the platform neutral NZ Media Fund which has four streams; scripted, factual, music, and platforms. • Given the platform neutrality of this fund and the need to efficiently and effectively reach both mass and targeted audiences, it is essential NZ On Air have an accurate understanding of the current and evolving behaviour of NZ audiences. • To this end NZ On Air conduct the research study Where Are The Audiences? every two years. The 2014 benchmark study established a point in time view of audience behaviour. The 2016 study identified how audience behaviour had shifted over time. • This document presents the findings of the 2018 study and documents how far the trends revealed in 2016 have moved and identify any new trends evident in NZ audience behaviour. • Since the 2016 study the media environment has continued to evolve. Key changes include: − Ongoing PUTs declines − Anecdotally at least, falling SKY TV subscription and growth of NZ based SVOD services − New TV channels (eg. Bravo, HGTV, Viceland, Jones! Too) and the closure of others (eg. FOUR, TVNZ Kidzone, The Zone) • The 2018 Where Are The Audiences? study aims to hold a mirror up to New Zealand and its people and: − Inform NZ On Air’s content and platform strategy as well as specific content proposals − Continue to position NZ On Air as a thought and knowledge leader with stakeholders including Government, broadcasters and platform owners, content producers, and journalists.
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Organisational Structure, Programme Production and Audience
OBSERVATOIRE EUROPÉEN DE L'AUDIOVISUEL EUROPEAN AUDIOVISUAL OBSERVATORY EUROPÄISCHE AUDIOVISUELLE INFORMATIONSSTELLE http://www.obs.coe.int TELEVISION IN THE RUSSIAN FEDERATION: ORGANISATIONAL STRUCTURE, PROGRAMME PRODUCTION AND AUDIENCE March 2006 This report was prepared by Internews Russia for the European Audiovisual Observatory based on sources current as of December 2005. Authors: Anna Kachkaeva Ilya Kiriya Grigory Libergal Edited by Manana Aslamazyan and Gillian McCormack Media Law Consultant: Andrei Richter The analyses expressed in this report are the authors’ own opinions and cannot in any way be considered as representing the point of view of the European Audiovisual Observatory, its members and the Council of Europe. CONTENT INTRODUCTION ...........................................................................................................................................6 1. INSTITUTIONAL FRAMEWORK........................................................................................................13 1.1. LEGISLATION ....................................................................................................................................13 1.1.1. Key Media Legislation and Its Problems .......................................................................... 13 1.1.2. Advertising ....................................................................................................................... 22 1.1.3. Copyright and Related Rights .........................................................................................
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Legal Response to Propaganda Broadcasts Related to Crisis in and Around Ukraine, 2014–2015
International Journal of Communication 9(2015), Feature 3125–3145 1932–8036/2015FEA0002 Legal Response to Propaganda Broadcasts Related to Crisis in and Around Ukraine, 2014–2015 ANDREI G. RICHTER1 Lomonosov Moscow State University, Russia Organization for Security and Co-operation in Europe (OSCE) Keywords: freedom of expression, freedom of the media, propaganda for war, incitement to hatred, international standards, rule of law, national regulators, Russia, Ukraine, UK, Latvia, Lithuania, Moldova The conflict in and around Ukraine in 2014–2015 has brought about the spread of propaganda for war and hatred, especially on television and on the Internet. Research on the national laws and resolutions made by courts and independent media regulators that adjudicated complaints on Russian TV propaganda in Latvia, Lithuania, Moldova, the UK, and Ukraine shows that the national courts and regulators made few references to international norms, resting, rather, on domestically developed standards. As a result, there was a lack of solid grounds for stopping, blocking, and banning programs emanating from Russian media. In particular, there was no clear line between propaganda for war and hatred, proscribed under international norms, and legally protected Kremlin interpretation of the events in Ukraine. The comparative analysis of case law attempts to provide a modern rationale for regulation of propaganda for war and hatred and through it to offer relevant recommendations. Introduction The year 2014 marked the 100th anniversary of the beginning of World War I. It is worthwhile to recall that the Austro-Hungarian ultimatum to Serbia, which precipitated the start of the hostilities, included a major demand to stop nationalistic propaganda, as it flared the existing controversies.
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(Stop a Douchebag) Vigilantes in Russia
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The Children's Television Act and Program-Length Commercials
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Producing ”European” News. The Case of the Pan-European News Channel Euronews Olivier Baisnée, Dominique Marchetti To cite this version: Olivier Baisnée, Dominique Marchetti. Producing ”European” News. The Case of the Pan-European News Channel Euronews. 2010, pp.1-32. halshs-00665816 HAL Id: halshs-00665816 https://halshs.archives-ouvertes.fr/halshs-00665816 Submitted on 2 Feb 2012 HAL is a multi-disciplinary open access L’archive ouverte pluridisciplinaire HAL, est archive for the deposit and dissemination of sci- destinée au dépôt et à la diffusion de documents entific research documents, whether they are pub- scientifiques de niveau recherche, publiés ou non, lished or not. The documents may come from émanant des établissements d’enseignement et de teaching and research institutions in France or recherche français ou étrangers, des laboratoires abroad, or from public or private research centers. publics ou privés. Working Paper Series e 2010/I Meenakshi Thapan and Maitrayee Deka : South Asian Migrants in Europe : Heterogeneity, Multiplicity and the Overcoming of Difference. Producing "European" m 2010/II Eric Fassin : The Sexual Politics of Immigration and National Identities in Contemporary Europe. News m 2010/III Case of the Pan-European Johan Heilbron : Transnational Cultural Exchange and Globalization. a 2011/IV r News Channel Euronews Bertrand Reau : Making a Utopia? An Ethnography of Club Med Resorts in the 1950s. g o r P s e i d Olivier Baisnée Dominique Marchetti u t Translated From The French by : S Chandrika Mathur n a e University of Delhi p Working Paper Series o r 2010/V u (The project is funded by the European Union) www.europeanstudiesgroupdu.org E Working Paper Series 2010/V Working Paper Series 2010/V Translated by: Chandrika Mathur [email protected] Producing "European" News © Olivier Baisnée Case of the Pan-European News Channel Euronews © Dominique Marchetti Olivier Baisnée, is associate professor of political science at the Institute for Political Studies in Toulouse.
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Telecoms & Media 2021
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