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Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
The Woodbridge Leader an Independent Newspaper Published in the Interest of Woodbridge Township >
GRADE CROSSINGS Ml$J GO 1 t THE WOODBRIDGE LEADER AN INDEPENDENT NEWSPAPER PUBLISHED IN THE INTEREST OF WOODBRIDGE TOWNSHIP > Woodbridge, N. J., Friday AfteffloonrNoownbor 22, 1929 PRICE TWO ( LINTS ST. MARY'S AND OUT FOR VICTORY ANNUAL LEGION™- Gi™ TO DEDICATE] utmnsrms MAYORGKEtia W. H. S. CLASH Life SHOW OPENS I "Jimmy"" l.oukldet, son of Mr. AVENELCHURCH nnd Mrs. H. L. Loukldes, of James FIRST STEAMER ON TURKEY DAY street, was said to be getting along THIS EVENING very well at the Rahway Hospital 'this noon. The boy's father gave THIS SUNDAY TO DOCK HERE Annual lnter-schola*tic Grid :_ iL *• »» n .• !Rboabou"t a pint ot blood iinn « tranifu- Classic to be Played at HI the Air , KomanhC slon la*t Friday evening and "Jlmm Profra- m It Announce^; Hit- S. S. "SliiriEV6,022 f«i, Musical Comedy , Includel s <§<)ow n tltMdd yl lDlprovemei11 t o r y of drganintion 427 Fed UOI, Welcomed Cutter's Field. l C £^ The blood traqifuilon was dacld, Best Local Talent. ed upon u a result ot a sugiitRvtou Shows Great Shuffle. .1 Sh.ll <Vi Whirl. li,,. Woodbridge High Hehool ! made by Dr. Fred Albtt! of Colflnla, i,l,irrs and.the St. Mary's High "l li In the Air", a glittering, faat- eminent bone surgeop, following a The cornerstone of the first Thi> 'Shlrak", first ,,,„„! eleven, ot Perth'Amboy, will >VinR miifllcal comedy, will be pre-conference the early pert of last church In Avenel, th* Avenel Pree- fusel to tie up at a local dock' was thls evening for the first of byterlan church; will be laid with , ,1,, the local krW season with we"ek. -
Vintage Uke Music Revised 2020.Xlsx
9/20/2020 Title Folder 12 street rag !no covers a fool such as i (now and then there's) A A Lady Loves ‐ 1952 L A Man Never Marries A Wife ‐ 1951 M A Nickel Ain't Worth A Cent Today ‐ 1951 N A Picnic In The Park ‐ 1951 P A Sleepin' Bee ‐ 1954 S a very precious love !no covers a woman in love !no covers A Woman In Love ‐ 1955 W a you're adorable A abdul the bulbul ameer A Abie's Irish Nose ‐ 1925 A About A Quarter To Nine A absence makes heart grow fonder A accent on youth A ac‐cent‐tchu‐ate the positive A Across The Breakfast Table ‐ 1929 A Adam's Apple A Adelaide ‐ 1955 A Adios A Adorable ‐ 1933 A After a million dreams A after all it's you A After All You're All I'm After ‐ 1930 A After All You're All I'm After ‐ 1933 A After Business Hours ‐ 1929 A after i say i'm sorry A after i've called you sweetheart A After My Laughter Came Tears A After Tea ‐ 1925 A after you A After You Get What You Want A After You Get What You Want You Don't Want It ‐ 1920A After You've Gone A after_my_laughter_came_tears A ah but is it love A Ah But It Is Love ‐1933 A ah sweet mystery of life A Ah Wants To Die From Eatin' Possum Pie ‐ 1925 A Ah! The Moon Is Here ‐ 1933 A ah‐ha A ain't gonna rain new verses A Ain't Got A Dime To My Name ‐ 1942 A ain't it cold !no covers ain't misbehavin' A aint misbehavin vintage !no covers aint no flies on auntie A Ain't No Flies On Aunty A ain't no land like dixie A aint she sweet A Ain't That a Grand and Glorious Feeling ‐ 1927 A Ain't we carryin' on A Ain't We Got Fun A Ain't You Baby A ain't_misbehavin' A Ain't‐cha A alabama -
Dawes Scores
- Nirr PRESS RUN nUi WIATHEB J AVERAGE DAILV CIRCULATION I PoMeast kr O.' a* Weathks Barcaa, for the Month of May, 1029 "'f ' ' Vikr’Bkvdk 5,330 Showers and cooler tonight'and Membera of the A adit Bnrean oC gtste librsfy* Thnnday. Clrcolatlons . / v. <; t r r VOL. XLIII., NO. 209. (ClaMifled Advertising on Page lif) SOOTH MANCHESTER, CONN., WEDNESDAY, JUNE 19 ,1929. FOURTEEN PAGES PRICE THREE CENTS QUEER MALADY GRADUATION M ENACES SEVEN Stowaway Coming Home FESTIVITIES Three Dead and Four Seriously INUMEUGHT lU—-Fifteen Doctors Study ing the Case. AND^ETAIKS STAUTODAY ' Chicago,. June 19.— ^Three- DAWES SCORES ■\ ’ yrar-oid Lorraine Markowskl diednoagy, the third victim of a mysteribus poison that is Famous Newlyweds i Pose High School Commencement threatening to claim the lives to Great Brit of a ff^ ily of seven. Heat Wave Qontinues Program Opens With An Fifteen*, 'physicians, includ for Prctmres and Talk ing several specialists, were ain Stnick Keynote of studying the case as Lorraine With Reporters— L 0 n e All Over TTie nual Class Day; To Award qnccumbed. The other dead I Nation’s Policy Toward were Chester Kwlatkowskl, 7, and'blff sister, Agnes, 8. These Eagle Back to Work. < 1 Diplomas Tomorrow Eve. two were children of Mrs, Irv The gods of beat continued toAreported 108 and 110 qegreea re Naval Disarmament; Brit ing Markbwski by a former hurl their fireballs with relentlew spectively. Manchester High school will marriage. abandon at most of the United .The mid-west after a, scorching Mltchel Field, N. Y.. June 19.— yesterday saw no prospects of a let ish Press Unanhnons in graduate a class of 139 students to Two ' other children and States today. -
MGM 70 YEARS: REDISCOVERIES and CLASSICS June 24 - September 30, 1994
The Museum of Modern Art For Immediate Release May 1994 MGM 70 YEARS: REDISCOVERIES AND CLASSICS June 24 - September 30, 1994 A retrospective celebrating the seventieth anniversary of Metro-Goldwyn- Mayer, the legendary Hollywood studio that defined screen glamour and elegance for the world, opens at The Museum of Modern Art on June 24, 1994. MGM 70 YEARS: REDISCOVERIES AND CLASSICS comprises 112 feature films produced by MGM from the 1920s to the present, including musicals, thrillers, comedies, and melodramas. On view through September 30, the exhibition highlights a number of classics, as well as lesser-known films by directors who deserve wider recognition. MGM's films are distinguished by a high artistic level, with a consistent polish and technical virtuosity unseen anywhere, and by a roster of the most famous stars in the world -- Joan Crawford, Clark Gable, Judy Garland, Greta Garbo, and Spencer Tracy. MGM also had under contract some of Hollywood's most talented directors, including Clarence Brown, George Cukor, Vincente Minnelli, and King Vidor, as well as outstanding cinematographers, production designers, costume designers, and editors. Exhibition highlights include Erich von Stroheim's Greed (1925), Victor Fleming's Gone Hith the Hind and The Wizard of Oz (both 1939), Stanley Kubrick's 2001: A Space Odyssey (1968), and Ridley Scott's Thelma & Louise (1991). Less familiar titles are Monta Bell's Pretty Ladies and Lights of Old Broadway (both 1925), Rex Ingram's The Garden of Allah (1927) and The Prisoner - more - 11 West 53 Street, New York, N.Y. 10019-5498 Tel: 212-708-9400 Cable: MODERNART Telex: 62370 MODART 2 of Zenda (1929), Fred Zinnemann's Eyes in the Night (1942) and Act of Violence (1949), and Anthony Mann's Border Incident (1949) and The Naked Spur (1953). -
Jack Oakie & Victoria Horne-Oakie Films
JACK OAKIE & VICTORIA HORNE-OAKIE FILMS AVAILABLE FOR RESEARCH VIEWING To arrange onsite research viewing access, please visit the Archive Research & Study Center (ARSC) in Powell Library (room 46) or e-mail us at [email protected]. Jack Oakie Films Close Harmony (1929). Directors, John Cromwell, A. Edward Sutherland. Writers, Percy Heath, John V. A. Weaver, Elsie Janis, Gene Markey. Cast, Charles "Buddy" Rogers, Nancy Carroll, Harry Green, Jack Oakie. Marjorie, a song-and-dance girl in the stage show of a palatial movie theater, becomes interested in Al West, a warehouse clerk who has put together an unusual jazz band, and uses her influence to get him a place on one of the programs. Study Copy: DVD3375 M The Wild Party (1929). Director, Dorothy Arzner. Writers, Samuel Hopkins Adams, E. Lloyd Sheldon. Cast, Clara Bow, Fredric March, Marceline Day, Jack Oakie. Wild girls at a college pay more attention to parties than their classes. But when one party girl, Stella Ames, goes too far at a local bar and gets in trouble, her professor has to rescue her. Study Copy: VA11193 M Street Girl (1929). Director, Wesley Ruggles. Writer, Jane Murfin. Cast, Betty Compson, John Harron, Ned Sparks, Jack Oakie. A homeless and destitute violinist joins a combo to bring it success, but has problems with her love life. Study Copy: VA8220 M Let’s Go Native (1930). Director, Leo McCarey. Writers, George Marion Jr., Percy Heath. Cast, Jack Oakie, Jeanette MacDonald, Richard “Skeets” Gallagher. In this comical island musical, assorted passengers (most from a performing troupe bound for Buenos Aires) from a sunken cruise ship end up marooned on an island inhabited by a hoofer and his dancing natives. -
+- Vimeo Link for ALL of Bruce Jackson's and Diane
Virtual February 9, 2021 (42:2) William A. Wellman: THE PUBLIC ENEMY (1931, 83 min) Spelling and Style—use of italics, quotation marks or nothing at all for titles, e.g.—follows the form of the sources. Cast and crew name hyperlinks connect to the individuals’ Wikipedia entries +- Vimeo link for ALL of Bruce Jackson’s and Diane Christian’s film introductions and post-film discussions in the Spring 2021 BFS Vimeo link for our introduction to The Public Enemy Zoom link for all Fall 2020 BFS Tuesday 7:00 PM post-screening discussions: Meeting ID: 925 3527 4384 Passcode: 820766 Selected for National Film Registry 1998 Directed by William A. Wellman Written by Kubec Glasmon and John Bright Produced by Darryl F. Zanuck which are 1958 Lafayette Escadrille, 1955 Blood Cinematography by Devereaux Jennings Alley, 1954 Track of the Cat, 1954 The High and the Film Editing by Edward M. McDermott Mighty, 1953 Island in the Sky, 1951 Westward the Makeup Department Perc Westmore Women, 1951 It's a Big Country, 1951 Across the Wide Missouri, 1949 Battleground, 1948 Yellow Sky, James Cagney... Tom Powers 1948 The Iron Curtain, 1947 Magic Town, 1945 Story Jean Harlow... Gwen Allen of G.I. Joe, 1945 This Man's Navy, 1944 Buffalo Bill, Edward Woods... Matt Doyle 1943 The Ox-Bow Incident, 1939 The Light That Joan Blondell... Mamie Failed, 1939 Beau Geste, 1938 Men with Wings, 1937 Donald Cook... Mike Powers Nothing Sacred, 1937 A Star Is Born, 1936 Tarzan Leslie Fenton... Nails Nathan Escapes, 1936 Small Town Girl, 1936 Robin Hood of Beryl Mercer.. -
M a G a Z I N
OCTOBER VOLUME 18 2018 MAGAZINE ® ISSUE 5 Where everyone goes for scripts and writers™ InkTip Theatrical Release: Mark E. McCann’s Beautifully Broken Inspires On & Off the Screen PAGE 18 FIND YOUR NEXT SCRIPT HERE! CONTENTS Contest/Festival Winners 4 Feature Scripts – FIND YOUR Grouped by Genre SCRIPTS FAST 5 ON INKTIP! Mark E. McCann’s Beautifully Broken Inspires On & Off the Screen 18 INKTIP OFFERS: • Listings of Scripts and Writers Updated Daily Scripts Represented • Mandates Catered to Your Needs by Agents/Managers • Newsletters of the Latest Scripts and Writers 42 • Personalized Customer Service • Comprehensive Film Commissions Directory Teleplays 44 You will find what you need on InkTip Sign up at InkTip.com! Note: For your protection, writers are required to sign a comprehensive release form before they place their scripts on our site. 3 WHAT PEOPLE SAY ABOUT INKTIP WRITERS “[InkTip] was the resource that connected “Without InkTip, I wouldn’t be a produced a director/producer with my screenplay screenwriter. I’d like to think I’d have – and quite quickly. I HAVE BEEN gotten there eventually, but INKTIP ABSOLUTELY DELIGHTED CERTAINLY MADE IT HAPPEN WITH THE SUPPORT AND FASTER … InkTip puts screenwriters into OPPORTUNITIES I’ve gotten through contact with working producers.” being associated with InkTip.” – ANN KIMBROUGH, GOOD KID/BAD KID – DENNIS BUSH, LOVE OR WHATEVER “InkTip gave me the access that I needed “There is nobody out there doing more to directors that I BELIEVE ARE for writers than InkTip – nobody. PASSIONATE and not the guys trying THEY OPENED DOORS that I would to make a buck.” have never been able to open.” – DWAIN WORRELL, OPERATOR – RICKIE BLACKWELL, MOBSTER KIDS PRODUCERS “We love InkTip. -
Camera (1920-1922)
7 l Page To>o "The Digest of the Motion Picture Industry” CAM ERA A Liberal Privilege of Conversion Besides the safety of enormous assets and large and increasing earnings, besides a substantial and profitable yield, there is a very liberal privilege of conversion in the $3 , 000,000 Carnation Milk Products Company Five-Year Sinking Fund 7 % Convertible Gold Notes notes convertible at option after November I creased in past five years. These are , over 400% 1921, and until ten days prior to maturity or redemption into Total assets after deducting all indebtedness, except this note, 7% Cumulative Sinking Fund Preferred Stock on the basis of amount to more than four times principal of this issue. I 00 for these notes and 95 for the stock. With these notes Net earnings for past ten years have averaged more than four at 96J/2 this is equivalent to buying the stock at 91 /i- and one-half times interest charges, and during the past five Thus you see that at your option you have either a long- years more than seven times. term, high yielding preferred stock or a short-term, high- There is no other bonded or funded indebtedness and at yielding note. Preferred stock is subject to call at 1 1 0 and present no outstanding preferred stock. accrued dividends, and the usual features of safety. You will want to invest your savings and surplus funds in This Company is one of the largest and most successful of its this decidedly good investment. Call, write or phone for kind in America. -
“Can't Help Singing”: the “Modern” Opera Diva In
“CAN’T HELP SINGING”: THE “MODERN” OPERA DIVA IN HOLLYWOOD FILM, 1930–1950 Gina Bombola A dissertation submitted to the faculty at the University of North Carolina at Chapel Hill in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Music in the College of Arts and Sciences. Chapel Hill 2017 Approved by: Annegret Fauser Tim Carter Mark Katz Chérie Rivers Ndaliko Jocelyn Neal ©2017 Gina Bombola ALL RIGHTS RESERVED ii ABSTRACT Gina Bombola: “Can’t Help Singing”: The “Modern” Opera Diva in Hollywood Film, 1930–1950 (Under the direction of Annegret Fauser) Following the release of Columbia Pictures’ surprise smash hit, One Night of Love (1934), major Hollywood studios sought to cash in on the public’s burgeoning interest in films featuring opera singers. For a brief period thereafter, renowned Metropolitan Opera artists such as Grace Moore and Lily Pons fared well at the box office, bringing “elite” musical culture to general audiences for a relatively inexpensive price. By the 1940s, however, the studios began grooming their own operatic actresses instead of transplanting celebrities from the stage. Stars such as Deanna Durbin, Kathryn Grayson, and Jane Powell thereby became ambassadors of opera from the highly commercial studio lot. My dissertation traces the shifts in film production and marketing of operatic singers in association with the rise of such cultural phenomena as the music-appreciation movement, all contextualized within the changing social and political landscapes of the United States spanning the Great Depression to the Cold War. Drawing on a variety of methodologies—including, among others, archival research, film analysis, feminist criticisms, and social theory—I argue that Hollywood framed opera as less of a European theatrical art performed in elite venues and more of a democratic, albeit still white, musical tradition that could be sung by talented individuals in any location. -
Holding Oxygen Tent Ready for Cleveland Trip
t h e w e a t h e r ,w , followed 07 Ln l noo>, or wol«ht; proteMy to-mPirow momnii The TImei Em co)drr to-nJ«l>l' MORE THAN 8000 Etedert Eeeh Week VOL V. UO.S86 WEST END NAMES ITS FIVE hundred at CO. COMMITTEE CHOICE The Political Committee of the West Martm Speaker At Memorial Day Exercises; TOWN’S FINANCES CONCERT GIVEN BY End itepublican Club reported at a HOLDING OXYGEN meeting in Workmen’s Hall last night Order Of March Announced By legion Post WILL ALLOW NEW that petitions have been filed for the high school group following members of the County Com Order of march and itinerary of service will be conducted. Police Com i mittee: Sixth District—Wendell Perrin thus,, who will participate in the Mem- missioner Thomas E. Martin will ad-1 PAVING PROGRAM TENT READY FOR Excellent Mtule Prognun Includes and Mrs. Emma Norman. Seventh Dis °* ial Day parade here was announced dress the assemblage here, after which | Selections By SeTeral trict—-William Smith and'Mrs. Jamer yesterday by Hurden-looker Post No. the parade will disband. Debt Percentage N ew ly One Foremost Composers Rolan. Eighth District—Anton Vit Jr. &0» American Legion, under whotjr The order o f march "will be as fol-| Percent Under Limit, auspices the exercises will be held. and Mrs. Nellie Smith: Ninth District lows: Grand Marshall, John E. Trous Darby Reports CLEVELAND TRIP Stanley Weston and Mrs. Emily Assembling at Hurden-Looker School dell; Assistant Grand Marshall, Joseph ntvma bemai^ o, on Liberty avenue at !) a. -
A Tribute to Michael Curtiz 1973
Delta Kappa Alpha and the Division of Cinema of the University of Southern California present: tiz November-4 * Passage to Marseilles The Unsuspected Doctor X Mystery of the Wax Museum November 11 * Tenderloin 20,000 Years in Sing Sing Jimmy the Gent Angels with Dirty Faces November 18 * Virginia City Santa Fe Trail The Adventures of Robin Hood The Sea Hawk December 1 Casablanca t December 2 This is the Army Mission to Moscow Black Fury Yankee Doodle Dandy December 9 Mildred Pierce Life with Father Charge of the Light Brigade Dodge City December 16 Captain Blood The Private Lives of Elizabeth and Essex Night and Day I'll See You in My Dreams All performances will be held in room 108 of the Cinema Department. Matinees will start promptly at 1:00 p.m., evening shows at 7:30 p.m. A series of personal appearances by special guests is scheduled for 4:00 p.m. each Sunday. Because of limited seating capacity, admission will be on a first-come, first-served basis, with priority given to DKA members and USC cinema students. There is no admission charge. * If there are no conflicts in scheduling, these programs will be repeated in January. Dates will be announced. tThe gala performance of Casablanca will be held in room 133 of Founders Hall at 8:00 p.m., with special guests in attendance. Tickets for this event are free, but due to limited seating capacity, must be secured from the Cinema Department office (746-2235). A Mmt h"dific Uredrr by Arthur Knight This extended examination of the films of Michael Only in very recent years, with the abrupt demise of Curtiz is not only long overdue, but also altogether Hollywood's studio system, has it become possible to appropriate for a film school such as USC Cinema.