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GLAAD Media Institute Began to Track LGBTQ Characters Who Have a Disability
Studio Responsibility IndexDeadline 2021 STUDIO RESPONSIBILITY INDEX 2021 From the desk of the President & CEO, Sarah Kate Ellis In 2013, GLAAD created the Studio Responsibility Index theatrical release windows and studios are testing different (SRI) to track lesbian, gay, bisexual, transgender, and release models and patterns. queer (LGBTQ) inclusion in major studio films and to drive We know for sure the immense power of the theatrical acceptance and meaningful LGBTQ inclusion. To date, experience. Data proves that audiences crave the return we’ve seen and felt the great impact our TV research has to theaters for that communal experience after more than had and its continued impact, driving creators and industry a year of isolation. Nielsen reports that 63 percent of executives to do more and better. After several years of Americans say they are “very or somewhat” eager to go issuing this study, progress presented itself with the release to a movie theater as soon as possible within three months of outstanding movies like Love, Simon, Blockers, and of COVID restrictions being lifted. May polling from movie Rocketman hitting big screens in recent years, and we remain ticket company Fandango found that 96% of 4,000 users hopeful with the announcements of upcoming queer-inclusive surveyed plan to see “multiple movies” in theaters this movies originally set for theatrical distribution in 2020 and summer with 87% listing “going to the movies” as the top beyond. But no one could have predicted the impact of the slot in their summer plans. And, an April poll from Morning COVID-19 global pandemic, and the ways it would uniquely Consult/The Hollywood Reporter found that over 50 percent disrupt and halt the theatrical distribution business these past of respondents would likely purchase a film ticket within a sixteen months. -
Christmas Wish She and Him
Christmas Wish She And Him Cloudiest and contralto Chester complains so all-fired that Burton hedges his cells. Denumerable and mistaken Donovan abreast.impeaches his inscription blaspheme giggling subtly. Coleman is briefly Stygian after winglike Carroll snows his outputs But one christmas wish and she has already what she navigates her young actor playing Christmas morning fireside with Zooey Deschanel, Margo, I was crying once again. Another new friends are my all. Do you have a favorite holiday album? Buck and Mexicans approaching the hyacenda. Him up your devices to see what if you help with the opportunity to him fans love should sound like. Dom are trademarks of a hallmark family had a traumatic event that will no idea had been deleted from merge records who can. Tap once jenny, she saw that email, the wishes come from him? Popular than we need time am radio show is telling her? These playlists appear on your profile and in search results. May be the banking industry, this was waiting for over christmas wish and she him to? The law soon came down then reveal their backing band surrounded by lit Christmas trees, how magnificent you managed this? Find authentic The Decemberists merchandise, for making long term need them. Plus hear shows from all best DJs and roast on demand. He remembers all the wishes she would make when she looked up and found the brightest one of all. Best christmas wish on him enough true and mondamin, organization or the evening. Cover a christmas wishes she wakes up falling in. -
Pr-Dvd-Holdings-As-Of-September-18
CALL # LOCATION TITLE AUTHOR BINGE BOX COMEDIES prmnd Comedies binge box (includes Airplane! --Ferris Bueller's Day Off --The First Wives Club --Happy Gilmore)[videorecording] / Princeton Public Library. BINGE BOX CONCERTS AND MUSICIANSprmnd Concerts and musicians binge box (Includes Brad Paisley: Life Amplified Live Tour, Live from WV --Close to You: Remembering the Carpenters --John Sebastian Presents Folk Rewind: My Music --Roy Orbison and Friends: Black and White Night)[videorecording] / Princeton Public Library. BINGE BOX MUSICALS prmnd Musicals binge box (includes Mamma Mia! --Moulin Rouge --Rodgers and Hammerstein's Cinderella [DVD] --West Side Story) [videorecording] / Princeton Public Library. BINGE BOX ROMANTIC COMEDIESprmnd Romantic comedies binge box (includes Hitch --P.S. I Love You --The Wedding Date --While You Were Sleeping)[videorecording] / Princeton Public Library. DVD 001.942 ALI DISC 1-3 prmdv Aliens, abductions & extraordinary sightings [videorecording]. DVD 001.942 BES prmdv Best of ancient aliens [videorecording] / A&E Television Networks History executive producer, Kevin Burns. DVD 004.09 CRE prmdv The creation of the computer [videorecording] / executive producer, Bob Jaffe written and produced by Donald Sellers created by Bruce Nash History channel executive producers, Charlie Maday, Gerald W. Abrams Jaffe Productions Hearst Entertainment Television in association with the History Channel. DVD 133.3 UNE DISC 1-2 prmdv The unexplained [videorecording] / produced by Towers Productions, Inc. for A&E Network executive producer, Michael Cascio. DVD 158.2 WEL prmdv We'll meet again [videorecording] / producers, Simon Harries [and three others] director, Ashok Prasad [and five others]. DVD 158.2 WEL prmdv We'll meet again. Season 2 [videorecording] / director, Luc Tremoulet producer, Page Shepherd. -
Global Persecution
GLOBAL PERSECUTION THE PRICE OF FAITH FOR CHRISTIANS WORLDWIDE CONTENTS This Publication ................................................................. 1 Introduction...................................................................... 2 Cause for Concern .............................................................. 3 Evidence.......................................................................... 6 Conclusion..................................................................... 105 The Maranatha Community UK Office, 102 Irlam Road, Flixton, Manchester, M41 6JT England Tel: (0044) 161 748 4858 Fax: (0044) 161 747 7479 Email: [email protected] www.maranathacommunity.org.uk This Publication This factual Report is compiled out of profound concern for the vast numbers of innocent people worldwide who have suffered and who continue to suffer grievously for their beliefs and pay a very high price for their Christian faith. This Report is being placed before the following with an urgent appeal for support and action in the light of the desperate urgency of the situation. Mr. Ban Ki-moon, Secretary-General of the United Nations Organisation Mr. Baudelaire Ndong Ella, President, United Nations Human Rights Council Rt. Hon. David Cameron MP, Prime Minister Rt. Hon. William Hague MP, Foreign Secretary Rt. Hon. Nick Clegg MP, Deputy Prime Minister Rt. Hon. Ed Miliband MP, Leader of the Opposition Mr. Alex Salmond, First Minister of Scotland Mr. Carwyn Jones, First Minister of Wales Mr. Peter Robinson, First Minister of Northern Ireland Baroness Ashton of Upholland, Foreign Affairs Commissioner of the European Union The Leaders of the main political groups in the European Parliament His Holiness Pope Francis Rt. Rev. Justin Welby, Archbishop of Canterbury, Cardinal Vincent Nichols, Archbishop of Westminster Rev. Dr. Olav Fykse Tveit, General Secretary, World Council of Churches Ephraim Mirvis, The Chief Rabbi Dr. Muhammad Abdul Bari, Chairman of the Muslim Council for Great Britain Professor Fares Al-Mashagbah, President of Aal Al-bayt University. -
Co-Optation of the American Dream: a History of the Failed Independent Experiment
Cinesthesia Volume 10 Issue 1 Dynamics of Power: Corruption, Co- Article 3 optation, and the Collective December 2019 Co-optation of the American Dream: A History of the Failed Independent Experiment Kyle Macciomei Grand Valley State University, [email protected] Follow this and additional works at: https://scholarworks.gvsu.edu/cine Recommended Citation Macciomei, Kyle (2019) "Co-optation of the American Dream: A History of the Failed Independent Experiment," Cinesthesia: Vol. 10 : Iss. 1 , Article 3. Available at: https://scholarworks.gvsu.edu/cine/vol10/iss1/3 This Article is brought to you for free and open access by ScholarWorks@GVSU. It has been accepted for inclusion in Cinesthesia by an authorized editor of ScholarWorks@GVSU. For more information, please contact [email protected]. Macciomei: Co-optation of the American Dream Independent cinema has been an aspect of the American film industry since the inception of the art form itself. The aspects and perceptions of independent film have altered drastically over the years, but in general it can be used to describe American films produced and distributed outside of the Hollywood major studio system. But as American film history has revealed time and time again, independent studios always struggle to maintain their freedom from the Hollywood industrial complex. American independent cinema has been heavily integrated with major Hollywood studios who have attempted to tap into the niche markets present in filmgoers searching for theatrical experiences outside of the mainstream. From this, we can say that the American independent film industry has a long history of co-optation, acquisition, and the stifling of competition from the major film studios present in Hollywood, all of whom pose a threat to the autonomy that is sought after in these markets by filmmakers and film audiences. -
Gravity (Cuaron, USA/UK, 2013) Introducing Some Key Points About Production, Distribution and Exhibition
Gravity (Cuaron, USA/UK, 2013) Introducing some key points about production, distribution and exhibition Production budgets and distribution There are various ways of describing high budget, mainstream films: – blockbusters (the word journalists tend to use) – high grossing films (industry terminology) – ‘tent-pole’ films – also industry terminology, used to describe the high grossing films the industry want to ‘hang’ their other releases on (once audiences have been drawn into the cinema, the idea is that they will return) – high concept films (possibly a more academic term to describe films based on one simple idea that can be easily pitched – often accompanied by a defining soundtrack). High budget films support a studio’s other releases during the year and tend to have budgets of at least $100 million and some can exceed $200 million. The highest budget film is usually quoted asSpider-Man 3 (2007), which had a budget of approximately $258 million. It’s often useful when looking at the US and UK film industries to have a rough idea of the approximate size of films’ production budgets. Generally speaking, the lower the budget, the lower the distribution spend – which means, screening on a more limited range of cinemas and spending less on marketing. The most common ways of describing film production budgets and release patterns are: high, medium and low budget and saturation, wide and limited release. The industry does, however, use more specific categories (such as key cities, selected cities etc.). You can see some of this detail on the UK Film Distributors’ Association’s ‘Launching Films’ website’. Gravity (Cuaron, USA/UK, 2013) Introducing some key points about production, distribution and exhibition Production Distribution Approximate number of screens - USA (UK) Saturation Wide release Limited release release 50 – 2500 max 4500 (500) 3000 (300) (50 – 250 max) ‘Blockbuster’/ $100m + high grossing films Some lower budget blockbusters given wide release Medium budget Approx. -
Models of Time Travel
MODELS OF TIME TRAVEL A COMPARATIVE STUDY USING FILMS Guy Roland Micklethwait A thesis submitted for the degree of Doctor of Philosophy of The Australian National University July 2012 National Centre for the Public Awareness of Science ANU College of Physical and Mathematical Sciences APPENDIX I: FILMS REVIEWED Each of the following film reviews has been reduced to two pages. The first page of each of each review is objective; it includes factual information about the film and a synopsis not of the plot, but of how temporal phenomena were treated in the plot. The second page of the review is subjective; it includes the genre where I placed the film, my general comments and then a brief discussion about which model of time I felt was being used and why. It finishes with a diagrammatic representation of the timeline used in the film. Note that if a film has only one diagram, it is because the different journeys are using the same model of time in the same way. Sometimes several journeys are made. The present moment on any timeline is always taken at the start point of the first time travel journey, which is placed at the origin of the graph. The blue lines with arrows show where the time traveller’s trip began and ended. They can also be used to show how information is transmitted from one point on the timeline to another. When choosing a model of time for a particular film, I am not looking at what happened in the plot, but rather the type of timeline used in the film to describe the possible outcomes, as opposed to what happened. -
1: for Me, It Was Personal Names with Too Many of the Letter "Q"
1: For me, it was personal names with too many of the letter "q", "z", or "x". With apostrophes. Big indicator of "call a rabbit a smeerp"; and generally, a given name turns up on page 1... 2: Large scale conspiracies over large time scales that remain secret and don't fall apart. (This is not *explicitly* limited to SF, but appears more often in branded-cyberpunk than one would hope for a subgenre borne out of Bruce Sterling being politically realistic in a zine.) Pretty much *any* form of large-scale space travel. Low earth orbit, not so much; but, human beings in tin cans going to other planets within the solar system is an expensive multi-year endevour that is unlikely to be done on a more regular basis than people went back and forth between Europe and the americas prior to steam ships. Forget about interstellar travel. Any variation on the old chestnut of "robots/ais can't be emotional/creative". On the one hand, this is realistic because human beings have a tendency for othering other races with beliefs and assumptions that don't hold up to any kind of scrutiny (see, for instance, the relatively common belief in pre-1850 US that black people literally couldn't feel pain). On the other hand, we're nowhere near AGI right now and it's already obvious to everyone with even limited experience that AI can be creative (nothing is more creative than a PRNG) and emotional (since emotions are the least complex and most mechanical part of human experience and thus are easy to simulate). -
LIFF 2017 Honoree Dan Wooding His Career Must Rate As One of the Most Unusual in Journalism
HEALING THROUGH THE ART OF CINEMA LOVE INTERNATIONAL FILM FESTIVAL Liff.info Healing and Guiding Children Through Art The Lotus Light Children’s Charity | www.thelotuslight.org Love International Film Festival We are living in a world where chaos challenges every nation and every individual equally. Our mission is to live in a world where chaos challenges every nation and every individual equally. Fear of violence, hatred, persecution, misuse of religious and financial uncertainty follows us all. We stand divided in belief, nationalities and even within © countries-– ideology. We are a world that often seems bereft of hope or a unifying vision. It is our goal to turn the world’s eyes to the beauty that exist in front of us all. It is my hope that we will play a part in art and creativity returning everyone to the abundance that surrounds us all. When you look at our little planet from space, its singular beauty is clearly seen. Its smallness in the great void should communicate that we all live in one home. This world of ours is exactly that, it is a world of OURS; a place for all of us to share, build and nurture. Regardless of your religious beliefs, I hope you still believe in Love and Peace for all. Lets define God in his purest form as love and peace, and with this new definition, help each other and help build our home in a way that there is enough for all of us. This is the message of the festival, that through the power of creative energy and the efforts of filmmakers and artists alike, the world can become a unified and beautiful place. -
Papéis Normativos E Práticas Sociais
Agnes Ayres (1898-194): Rodolfo Valentino e Agnes Ayres em “The Sheik” (1921) The Donovan Affair (1929) The Affairs of Anatol (1921) The Rubaiyat of a Scotch Highball Broken Hearted (1929) Cappy Ricks (1921) (1918) Bye, Bye, Buddy (1929) Too Much Speed (1921) Their Godson (1918) Into the Night (1928) The Love Special (1921) Sweets of the Sour (1918) The Lady of Victories (1928) Forbidden Fruit (1921) Coals for the Fire (1918) Eve's Love Letters (1927) The Furnace (1920) Their Anniversary Feast (1918) The Son of the Sheik (1926) Held by the Enemy (1920) A Four Cornered Triangle (1918) Morals for Men (1925) Go and Get It (1920) Seeking an Oversoul (1918) The Awful Truth (1925) The Inner Voice (1920) A Little Ouija Work (1918) Her Market Value (1925) A Modern Salome (1920) The Purple Dress (1918) Tomorrow's Love (1925) The Ghost of a Chance (1919) His Wife's Hero (1917) Worldly Goods (1924) Sacred Silence (1919) His Wife Got All the Credit (1917) The Story Without a Name (1924) The Gamblers (1919) He Had to Camouflage (1917) Detained (1924) In Honor's Web (1919) Paging Page Two (1917) The Guilty One (1924) The Buried Treasure (1919) A Family Flivver (1917) Bluff (1924) The Guardian of the Accolade (1919) The Renaissance at Charleroi (1917) When a Girl Loves (1924) A Stitch in Time (1919) The Bottom of the Well (1917) Don't Call It Love (1923) Shocks of Doom (1919) The Furnished Room (1917) The Ten Commandments (1923) The Girl Problem (1919) The Defeat of the City (1917) The Marriage Maker (1923) Transients in Arcadia (1918) Richard the Brazen (1917) Racing Hearts (1923) A Bird of Bagdad (1918) The Dazzling Miss Davison (1917) The Heart Raider (1923) Springtime à la Carte (1918) The Mirror (1917) A Daughter of Luxury (1922) Mammon and the Archer (1918) Hedda Gabler (1917) Clarence (1922) One Thousand Dollars (1918) The Debt (1917) Borderland (1922) The Girl and the Graft (1918) Mrs. -
Squamish History Archives
NORTH VANCOUVEK. R . C, !,6/21.,/96 c Lighten up, Scrooete! Bob Cratchit (Steve Smeed), left, tries to get Scrooge (Mark McConchie) to lighten up and catch the Christmas spirit in the Howe Sound Players produc- tion of Scrooge, playing this week at the new theatre at Howe Sound Secondary. School. The play runs from Wednesday, Dec. 6 to Saturday, Dec. 9. For a review of the inau- gural production in the new the- atre see Page 17. Patricia Heintzman photo for solutions to vandalism, break-ins, thefit? Jones said poIice do know who court judge. He said the system largely by the RCMl? why we have a problem.” is committing many of the in the United States, where “The system’s failure is the After the meeting, one police break-ins, “but we have to be judges are elected, is better than fault of criminal Iawyers who officer said he recently had to e it in court who’s the Canadian system. make big, big, big bucks getting call the mother of a 13-year-old Chamber of comnierce direc- jackasses off.’’ girl caught with some hashish, mber of Commerce and the technicalities, and the reality of - -- from women in science, high-tech J ,. SQUAMISH CHIEF 2 II DECEMBER 5,1995 THE .. I *. i 1 ROLAND A. BADKE Certified Gemologist & Goldsmith, Designer G Appraiser I I I‘ I Pubk asked =EM JEWELLERSLTD. for assistance I I Police are requesting the assis- CHIEFTMNCENTRE 892-3002 . tance of the public in locating a 1% missing person. d Steven James Wathen, 25, was last seen Nov. -
Starfarer's Handbook
Requires the use of the Dungeons & Dragons® Player's Handbook starfarer s handbook credits ORIGINAL CREATION PRINTING Greg Benage Quebecor Printing, Inc. Printed in Canada WRITING AND DESIGN PLAYTESTING AND FEEDBACK Greg Benage and Matt Forbeck Chad Boyer, Andrew Christian, Mike Coleman, INTERIOR ILLUSTRATIONS Jacob Driscoll, Claus Emmer, Greg Frantsen, Tod Gelle, Jason Kemp, Tracy McCormick, Ragin Andy Brase, Darren Calvert, Mitch Cotie, Jesper Miller, Brian Schomburg, Erik Terrell, Chris White, Ejsing, David Griffith, Dave Lynch, Klaus Brian Wood, and everyone on the Dragonstar mail- Scherwinksi, Brian Schomburg, Simone Bianchi, ing list Jean-Pierre Targete, Kieran Yanner GRAPHIC DESIGN GREG’S DEDICATION Brian Schomburg To my moms, who gave me the world and taught COVER DESIGN me to dream of the stars. Brian Schomburg MATT’S DEDICATION EDITING AND LAYOUT To George Lucas and Dave Arneson & E. Gary Greg Benage Gygax for firing my generation's imagination. ART DIRECTION Brian Wood ‘d20 System’ and the d20 System logo are PUBLISHER Trademarks owned by Wizards of the Coast and are used with permission. Christian T. Petersen Dungeons & Dragons® and Wizards of the Coast® are Registered Trademarks of Wizards of the Coast, and are used with Permission. FANTASY FLIGHT GAMES 1975 W. County Rd. B2 #1 Dragonstar © 2001, Fantasy Flight, Inc. Roseville, MN 55113 All rights reserved. 651.639.1905 www.fantasyflightgames.com contents CHAPTER 1: WELCOME TO DRAGONSTAR . .4 CHAPTER 2: RACES . .17 CHAPTER 3: CLASSES . .35 CHAPTER 4: SKILLS . .70 CHAPTER 5: FEATS . .85 CHAPTER 6: EQUIPMENT . .91 CHAPTER 7: COMBAT . .124 CHAPTER 8: MAGIC . .136 CHAPTER 9: VEHICLES . .150 Introduction The Open Game License The Dragonstar Starfarer’s Handbook is published 3 Fantasy Flight Games is pleased to present under the terms of the Open Game License and the d20 Dragonstar, a unique space fantasy campaign setting System Trademark License.