Starfarer's Handbook
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1: for Me, It Was Personal Names with Too Many of the Letter "Q"
1: For me, it was personal names with too many of the letter "q", "z", or "x". With apostrophes. Big indicator of "call a rabbit a smeerp"; and generally, a given name turns up on page 1... 2: Large scale conspiracies over large time scales that remain secret and don't fall apart. (This is not *explicitly* limited to SF, but appears more often in branded-cyberpunk than one would hope for a subgenre borne out of Bruce Sterling being politically realistic in a zine.) Pretty much *any* form of large-scale space travel. Low earth orbit, not so much; but, human beings in tin cans going to other planets within the solar system is an expensive multi-year endevour that is unlikely to be done on a more regular basis than people went back and forth between Europe and the americas prior to steam ships. Forget about interstellar travel. Any variation on the old chestnut of "robots/ais can't be emotional/creative". On the one hand, this is realistic because human beings have a tendency for othering other races with beliefs and assumptions that don't hold up to any kind of scrutiny (see, for instance, the relatively common belief in pre-1850 US that black people literally couldn't feel pain). On the other hand, we're nowhere near AGI right now and it's already obvious to everyone with even limited experience that AI can be creative (nothing is more creative than a PRNG) and emotional (since emotions are the least complex and most mechanical part of human experience and thus are easy to simulate). -
R15 Cadet Carries the Olympic Torch
R15 CADET CARRIES THE OLYMPIC TORCH 15 year old Cadet Brandon Zadel from Salem, NH, a member of the USS Tsunami in Manchester, NH, was one of the runners of the 2001 Olympic Torch in Boston, MA. Brandon took the torch over the Broadway Bridge at approximately 7:00 PM on December 27 with an escort of Boston’s finest and Tsunami crew members and family cheering him on. Way To Go Brandon!! Photos courtesy of the USS Tsunami USPS 017-671 STARFLEET SALUTES THE OLYMPIC SPIRIT AND CONGRATULATES ALL PARTICIPANTS IN THE XIX WINTER OLYMPIAD! THE STARFLEET COMMUNIQUÉ ISSUE 109 – FEBRUARY/MARCH 2002 PAGE 1 STARFLEET Communiqué Volume I, No. 109 Don’t Call Me Edwin!.................................................3 Publisher: STARFLEET, The International Star Trek From the Chief Of Staff................................................4 Fan Association, Inc. Do You Have The Right Stuff?.................................4 P.O. Box 30341 STARFLEET Treasurer Report......................................5 Winston-Salem, NC 27130-0341 2002 STARFLEET Budget.....................................6 Executive Editor Second To One............................................................7 Greg “The Tulip” Trotter STARFLEET Operations...........................................8 Editor: COMM-ING Up Next...............................................9 Kurt “Stinkweed” Roithinger Offi ce Of Graphic Design...............................................9 Assistant Editor: The Shuttlebay.............................................................10 David “Petunia” Pipgras -
Xerox University Microfilms
INFORMATION TO USERS This material was produced from a microfilm copy of the original document. While the most advanced technological means to photograph and reproduce this document have been used, the quality is heavily dependent upon the quality of the original submitted. The following explanation of techniques is provided to help you understand markings or patterns which may appear on this reproduction. 1.The sign or "target" for pages apparently lacking from the document photographed is "Missing Page(s)". If it was possible to obtain the missing page(s) or section, they are spliced into the film along with adjacent pages. This may have necessitated cutting thru an image and duplicating adjacent pages to insure you complete continuity. 2. When an image on the film is obliterated with a large round black mark, it is an indication that the photographer suspected that the copy may have moved during exposure and thus cause a blurred image. You will find a good image of the page in the adjacent frame. 3. When a map, drawing or chart, etc., was part of the material being photographed the photographer followed a definite method in "sectioning" the material. It is customary to begin photoing at the upper left hand corner of a large sheet and to continue photoing from left to right in equal sections with a small overlap. If necessary, sectioning is continued again — beginning below the first row and continuing on until complete. 4. The majority of users indicate that the textual content is of greatest value, however, a somewhat higher quality reproduction could be made from "photographs" if essential to the understanding of the dissertation. -
Region 2 Summit Attracts a Crowd!
REGION 2 SUMMIT ATTRACTS A CROWD! The 2002 Region 2 Summit was a spectacular success, with attendees coming from far and wide for a good time! Our coverage begins on page 33! Above: A groupshot of all attendees. Left: Region 2 Regional Coordinator Pete Mohney recieves a from Sandy Dolan. Right: Fleet Admiral Les Rickard shares a moment of levity with SFI Morale offi cer, Jimmy Whatley. Photos courtesy of John Adcock and Jill Rayburn USPS 017-671 A HISTORY OF STARFLEET ACADEMY, PART I BEGINS ON PAGE 20 THE STARFLEET COMMUNIQUÉ ISSUE 110 – APRIL/MAY 2002 PAGE 1 STARFLEET Communiqué Volume I, No. 110 Don’t Call Me Edwin!...................................................3 Publisher: STARFLEET, The International Star Trek STARFLEET Treasurer Report....................................5 Fan Association, Inc. Second To One...............................................................5 P.O. Box 30341 STARFLEET Operations.............................................6 Winston-Salem, NC 27130-0341 COMM-ING Up Next..................................................7 Manager: Membership Processing Update................................7 Greg Trotter STARFLEET Diplomatic Corps Update....................8 Starting Pitcher: The Shuttlebay.............................................................9 Kurt Roithinger Computer Operations................................................10 Lead-off Hitter: Ex Astra, Scientia.........................................................11 David Pipgras Bits and Pieces From Around the Academy............11 VAS Profi -
22 Tightbeam
22 TIGHTBEAM Those multiple points of connection—and favorites—indicate the show’s position of preference in popular culture, and Tennant said he’s consistently surprised by how Doctor Who fandom and awareness has spread internationally—despite its British beginnings. “Doctor Who is part of the cultural furniture in the UK,” he said. “It’s something that’s uniquely British, that Britain is proud of, and that the British are fascinated by.” Now, when Tennant is recognized in public, he can determine how much a fan of the show the person is based on what they say to him. “If someone says, ‘Allons-y!’ chances are they’re a fan,” he said. Most people say something like, “Where’s your Tardis?” or “Aren’t you going to fix that with your sonic screwdriver?” There might be one thing that all fans can agree on. Perhaps—as Tennant quipped—Doctor Who Day, Nov. 23 (which marks the airing of the first episode, “An Unearthly Child”) should be a national holiday. Regardless of what nation—or planet—you call home. Note: For a more in-depth synopsis of the episodes screened, visit https://tardis.fandom.com/ wiki/The_End_of_Time_(TV_story). To see additional Doctor Who episodes screened by Fath- om, go to https://tardis.fandom.com/wiki/Fathom_Events. And if you’d like to learn about up- coming Fathom screenings, check out https://www.fathomevents.com/search?q=doctor+who. The episodes are also available on DVD: https://amzn.to/2KuSITj. The Dark Crystal: Age of Resistance on Netflix Review by Jim McCoy (I would never do this before a book review, but I doubt that the people at Netflix would mind, so here goes: I'm geeked. -
ASFA Chesley Awards
ANNUAL I o * ASFA Chesley Awards Best Cover Illustration: Hardback Book Best Cover Illustration: Paperback Book Best Cover Illustration: Magazine Best Interior Illustration Best Gaming-Related Illustration Best Product Illustration st Art Director st Three-Dimensional Art st Monochrome Work: Unpublished st Color Work: Unpublished yard for Contribution to ASFA yard for Artistic Achievement ] ANNUAL ASFA CHESLEY AWARDS Best Cover Illustration: Hardback Book David Bowers Kinuko Y. Craft Donato Giancola Todd Lockwood Don Maitz Stephen Youll for Paladin of Souls for Wolfskin for City for Transitions: for The Fairy Rebel for Lord of Snow by Lois McMaster by Juliet Marillier by Clifford D. Simak The Artwork of by Lynne Reid and Shadows Bujold (Tor, June 2003) (SFBC, 2003) Todd Lockwood Banks by Sarah Ash (E os, October 2003) (Collin ft Brown, (Delacort, May 2003) (Bantam Spectra, May 2003) July 2003) Cove Best 2 3 4 Brom James Gurney Mark Harrison Jody Lee fo' The Moons of Mirrodin for Cowboy Feng's for Paper Mage for The Riven Shield by Will McDermott Spacebar and Grille by Leah R. Cutter by Michelle West (WoTC, September 2003) by Steven Brust (ROC, March 2003) (DAW, July 2003) (Tor, March 2003) over illustration: raperoac 6 7 8 Todd Lockwood John Jude Palencar Peter de Seve Jean Pierre Targete for Tangled Webs for Hidden Warrior for Calling on Dragons for Dragon Blood by Elaine Cunningham by Lynn Flewelling by Patricia C. Wrede by Patricia Briggs (WoTC, March 2003) (Bantam Spectra, July 2003) (Magic Carpet Books, 2003) (Ace, January 2003) HARRY POTTER 8 The Amazing Success Story 11 Cove Best Stephen Daniele Bob Eggleton Donato Giancola Stephen Hickman Gahan Wilson for Dungeon #98, for FEtSF, for Dragon #307, for Weird Tales #330 for Realms of Fantasy, May 2003 July 2003 May 2003 August 2003 Best Interior Illustration ' i X g n - Alan M. -
By Poul Anderson Change Without Notice Before, During, Or After the Convention
NEW EMPIRES Expansion Set!!! i. Four All New Empires! .A 0 Entity (ultra rare) cards found only in the first print run! r Basic Deck C - CGE1120450 nonrandom cards) $6.95 ea. 127display Expansion Packs - CGE5110 (12 random cards) $2.45 ea. 36/Display ! GALACTIC EMPIRES™ Primary Edition: The 430 card major release! First print run going, going... will beholding Fantastic Graphics and illustrations! s half hour demonstrations games of Eight different empires! Plus 9 Entity (ultra rare) cards found only in the first print run! Galactic Empires in the gaming section. The Basic Deck A & B - CGE1110 (55 cards, 50 nonrandom) demonstrations of Galactic Empires will be $8.95ea. 12/display hosted by designers C. Henry Schulte and Expansion Packs - CGE4110 (12 random) $2.45 ea. 36/Display Richard J. Rausch. Every person who partici Limited Edition Prints (500 signed & numbered) Coming Soon! pates in the demonstration games will receive CLP0001 - ‘Assault on a Clydon Bridge’ (this illustration 20x24) $39.95 Illustration © 1995 Douglas Chaffee. an ultra-rare ‘entity’ card. Call Companion Games for Details: 1-800-49-GAMES or 607-652-9038 The New York Science Fiction Society — The Lunarians, Inc. presents: Lunacon 1995 March 17 - 19 Rye Town Hilton Rye Brook, New York Writer Guest of Honor Poul Anderson Artist Guest of Honor Stephen F. Hickman Fan Guest of Honor: Mike Glyer Featured Filker: Graham Leathers I TOR SALUTES LUNACON GUEST OF HONOR POUL ANDERSON the Hugo and Nebula-award winning SF Grand Master! Don’t miss THE STARS ARE ALSO FIRE, Poul Anderson’s -
April-June 2017, Volume 18 No. 4
DIALOGUE QUARTERLY Volume-18 No. 4 April-June, 2017 Subscription Rates : For Individuals (in India) Single issue Rs. 30.00 Annual Rs. 100.00 For 3 years Rs. 250.00 For Institutions: Single Issue Rs. 60.00 in India, Abroad US $ 15 Annual Rs. 200.00 in India, Abroad US $ 50 For 3 years Rs. 500.00 in India, Abroad US $ 125 All cheques and Bank Drafts (Account Payee) are to be made in the name of “ASTHA BHARATI”, Delhi. Advertisement Rates : Outside back-cover Rs. 25, 000.00 Per issue Inside Covers Rs. 20, 000.00 ,, Inner page coloured Rs. 15, 000.00 ,, Inner full page Rs. 10, 000.00 ,, DIALOGUE QUARTERLY Editorial Advisory Board Mrinal Miri Jayanta Madhab B.B. Kumar Editor J.N. Roy Associate Editor Pranav Kumar ASTHA BHARATI DELHI The views expressed by the contributors do not necessarily represent the view-point of the journal. © Astha Bharati, New Delhi Printed and Published by Dr. Lata Singh, IAS (Retd.) Secretary, Astha Bharati Registered Office: 27/201 East End Apartments, Mayur Vihar, Phase-I Extension, Delhi-110096. Working Office: 23/203 East End Apartments, Mayur Vihar, Phase-I Extension, Delhi-110096 Phone : 91-11-22712454 e-mail : [email protected] web-site : www. asthabharati.org Printed at : Nagri Printers, Naveen Shahdara, Delhi-32 Contents Editorial Perspective 7 Kashmir Valley in Turmoil: Difficult Choices Mob Lynchings: Need to address the Deeper Malaise 1. North-East Scan Language, Culture, Communication and Identity 13 Patricia Mukhim The Manipur BJP government must now look to heal democracy 18 Pradip Phanjoubam Connectivity Improvements in Northeast India: the Role of Two Bridges 21 M. -
Memory, Time and Identity in the Novels of William Faulkner and Marcel Proust
Louisiana State University LSU Digital Commons LSU Historical Dissertations and Theses Graduate School 2000 Memory, Time and Identity in the Novels of William Faulkner and Marcel Proust. John Stephen Larose Louisiana State University and Agricultural & Mechanical College Follow this and additional works at: https://digitalcommons.lsu.edu/gradschool_disstheses Recommended Citation Larose, John Stephen, "Memory, Time and Identity in the Novels of William Faulkner and Marcel Proust." (2000). LSU Historical Dissertations and Theses. 7206. https://digitalcommons.lsu.edu/gradschool_disstheses/7206 This Dissertation is brought to you for free and open access by the Graduate School at LSU Digital Commons. It has been accepted for inclusion in LSU Historical Dissertations and Theses by an authorized administrator of LSU Digital Commons. For more information, please contact [email protected]. INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy submitted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. -
WSFA Journal 69
. »x.'N ■ •*' p. l^-> = f/M'i/ilf'if'''-. ///" fiii: It I - . ■I»'• n, ll i.^/f f •] ! i W 'i j :i m y't ) ' ' / •* ' - t *> '.■; ■ *"<* '^ii>fi<lft'' f - ■ ■//> ■ vi '' • ll. F V -: ■ :- ^ ■ •- ■tiK;- - :f ii THE WSFA journal (The Official Organ of the Washington Science Fiction Association) Issue Number 69: October/November, 1969 The JOURNAL Staff — Editor & Publisher: Don Miller, 12315 Judson Rd., Wheaton, Maryland, .•U.S.A., 20906. ! Associate Editors: Alexis & Doll Gilliland, 2126 Pennsylvania Ave,, N.W., Washington, D.C., U.S.A., 20037. Cpntrib-uting Editors:- ,1 . " Art Editor — Alexis Gilliland. - 4- , . Bibliographer— Mark Owings. Book Reviewers — Alexis Gilliland,• David Haltierman, Ted Pauls. Convention Reporter — J.K. Klein. ' : . r: Fanzine Reviewer — Doll Golliland "T Flltfl-Reviewer — Richard Delap. ' " 5 P^orzine Reviewer — Banks.Mebane. Pulps — Bob Jones. Other Media Ivor Rogers. ^ Consultants: Archaeology— Phyllis Berg. ' Medicine — Bob Rozman. Astronomy — Joe Haldeman. Mythology — Thomas Burnett Biology — Jay Haldeman. Swann, David Halterman. Chemistry — Alexis Gilliland. Physics — Bob Vardeman. Computer Science — Nick Sizemore. Psychology -- Kim West on. Electronics — Beresford .Smith. Mathematics — Ron Bounds, Steve Lewis. Translators: . French .— Steve Lewis, Gay Haldeman. Russian — Nick Sizemore, German -- Nick Sizemore. Danish ~ Gay. Haldeman, Italian ~ OPEN. Joe Oliver. Japanese. — OPEN. Swedish" -- OBBN. Overseas Agents: Australia — Michael O'Brien, 158 Liverpool St., Holaart, Tasmania, Australia, 7000. • South Africa — A.B. Ackerman, P^O.Box 6, Daggafontein, .Transvaal, South Africa, . ^ United Kingdom — Peter Singleton, 60ljU, Blodc h, Broadiiioor Hospital, Crowthome, Berks, RGll 7EG, United Kingdom. Needed for France, Germany, Italy, Scandinavia, Spain, S.America, NOTE; Where address are not listed above, send material ^Editor, Published bi-monthly. -
Crypto Anarchy, Cyberstates, and Pirate Utopias Edited by Peter Ludlow
Ludlow cover 7/7/01 2:08 PM Page 1 Crypto Anarchy, Cyberstates, and Pirate Utopias Crypto Anarchy, Crypto Anarchy, Cyberstates, and Pirate Utopias edited by Peter Ludlow In Crypto Anarchy, Cyberstates, and Pirate Utopias, Peter Ludlow extends the approach he used so successfully in High Noon on the Electronic Frontier, offering a collection of writings that reflect the eclectic nature of the online world, as well as its tremendous energy and creativity. This time the subject is the emergence of governance structures within online communities and the visions of political sovereignty shaping some of those communities. Ludlow views virtual communities as laboratories for conducting experiments in the Peter Ludlow construction of new societies and governance structures. While many online experiments will fail, Ludlow argues that given the synergy of the online world, new and superior governance structures may emerge. Indeed, utopian visions are not out of place, provided that we understand the new utopias to edited by be fleeting localized “islands in the Net” and not permanent institutions. The book is organized in five sections. The first section considers the sovereignty of the Internet. The second section asks how widespread access to resources such as Pretty Good Privacy and anonymous remailers allows the possibility of “Crypto Anarchy”—essentially carving out space for activities that lie outside the purview of nation-states and other traditional powers. The Crypto Anarchy, Cyberstates, third section shows how the growth of e-commerce is raising questions of legal jurisdiction and taxation for which the geographic boundaries of nation- states are obsolete. The fourth section looks at specific experimental governance and Pirate Utopias structures evolved by online communities. -
M a G a Z I N
OCTOBER VOLUME 18 2018 MAGAZINE ® ISSUE 5 Where everyone goes for scripts and writers™ InkTip Theatrical Release: Mark E. McCann’s Beautifully Broken Inspires On & Off the Screen PAGE 18 FIND YOUR NEXT SCRIPT HERE! CONTENTS Contest/Festival Winners 4 Feature Scripts – FIND YOUR Grouped by Genre SCRIPTS FAST 5 ON INKTIP! Mark E. McCann’s Beautifully Broken Inspires On & Off the Screen 18 INKTIP OFFERS: • Listings of Scripts and Writers Updated Daily Scripts Represented • Mandates Catered to Your Needs by Agents/Managers • Newsletters of the Latest Scripts and Writers 42 • Personalized Customer Service • Comprehensive Film Commissions Directory Teleplays 44 You will find what you need on InkTip Sign up at InkTip.com! Note: For your protection, writers are required to sign a comprehensive release form before they place their scripts on our site. 3 WHAT PEOPLE SAY ABOUT INKTIP WRITERS “[InkTip] was the resource that connected “Without InkTip, I wouldn’t be a produced a director/producer with my screenplay screenwriter. I’d like to think I’d have – and quite quickly. I HAVE BEEN gotten there eventually, but INKTIP ABSOLUTELY DELIGHTED CERTAINLY MADE IT HAPPEN WITH THE SUPPORT AND FASTER … InkTip puts screenwriters into OPPORTUNITIES I’ve gotten through contact with working producers.” being associated with InkTip.” – ANN KIMBROUGH, GOOD KID/BAD KID – DENNIS BUSH, LOVE OR WHATEVER “InkTip gave me the access that I needed “There is nobody out there doing more to directors that I BELIEVE ARE for writers than InkTip – nobody. PASSIONATE and not the guys trying THEY OPENED DOORS that I would to make a buck.” have never been able to open.” – DWAIN WORRELL, OPERATOR – RICKIE BLACKWELL, MOBSTER KIDS PRODUCERS “We love InkTip.