Egypt and the Egtptians, Second Edition Douglas J
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Bulletin de l’Institut Français d’Archéologie Orientale Past and present members of the staff of the Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings, especially R. L. B. Moss and E. W. Burney, have taken part in the analysis of this periodical and the preparation of this list at the Griffith Institute, University of Oxford This pdf version (situation on 14 July 2010): Jaromir Malek (Editor), Diana Magee, Elizabeth Fleming and Alison Hobby (Assistants to the Editor) Clédat in BIFAO i (1901), 21-3 fig. 1 Meir. B.2. Ukh-hotep. iv.250(8)-(9) Top register, Beja herdsman. Clédat in BIFAO i (1901), 21-3 fig. 2 Meir. B.2. Ukh-hotep. iv.250(4)-(5) Lower part, Beja herdsman. Clédat in BIFAO i (1901), 21-3 fig. 3 Meir. B.2. Ukh-hotep. iv.250(8)-(9) III, Beja holding on to boat. Salmon in BIFAO i (1901), pl. opp. 72 El-Faiyûm. iv.96 Plan. Clédat in BIFAO i (1901), 88-9 Meir. Miscellaneous. Statues. iv.257 Fragment of statue of Ukh-hotep. Clédat in BIFAO i (1901), 89 [4] El-Qûs.îya. (Cusae) iv.258A Block of Djehutardais, probably Dyn. XXX. Clédat in BIFAO i (1901), 90 [top] Text El-Qûs.îya. Topographical Bibliography of Ancient Egyptian Hieroglyphic Texts, Statues, Stelae, Reliefs and Paintings Griffith Institute, Sackler Library, 1 St John Street, Oxford OX1 2LG, United Kingdom [email protected] 2 iv.258 Fragment of lintel. Clédat in BIFAO i (1901), 92-3 Cartouches and texts Gebel Abû Fôda. -
Egyptian Mythological Manuals
Egyptian Mythological Manuals Mythological structures and interpretative techniques in the Tebtunis Mythological manual, the manual of the Delta and related texts Jørgensen, Jens Kristoffer Blach Publication date: 2014 Document version Early version, also known as pre-print Citation for published version (APA): Jørgensen, J. K. B. (2014). Egyptian Mythological Manuals: Mythological structures and interpretative techniques in the Tebtunis Mythological manual, the manual of the Delta and related texts. Det Humanistiske Fakultet, Københavns Universitet. Download date: 27. sep.. 2021 Egyptian Mythological Manuals Mythological structures and interpretative techniques in the Tebtunis Mythological manual, the Manual of the Delta and related texts Jens Blach Jørgensen December 2013 Abstract This thesis consists of an analysis of two ancient Egyptian mythological manual; the Tebtunis Mythological Manual and the Mythological Manual of the Delta. The analysis is focused on the different modes of structuring and interpreting mythology found in the manuals. The first chapter is a critical overview of the different Egyptological theories on Egyptian mythology, with special emphasis on aetiological myth and etymology. Structuralist theories are drawn upon to formulate two approaches to the mythological material found in the manual and utilized by the Egyptians themselves, viz. the paradigmatic and the syntagmatic. The manuals are found to use model mythological narratives or key myths built upon the myths of the Heliopolitan Ennead to structure the wealth of local mythological traditions. This creates a redundant structure in which the mythology of the individual district becomes an echo or actualization of basic mythic patterns. The Delta manual demonstrates the heuristic nature of this system by adding an extra deity to the Ennead in the form of the female Horus. -
Michael Baigent from the Omens of Babylon
Celestial correspondence: modern invention or Egyptian epiphany? by Judy Hall Downloaded from www.astrozero.co.uk This is version 1.0 of the document (created 5 July 2005); given both the antiquity and the sheer scope of its subject-matter, it is inevitable that there will be many suggestions for improvement which readers may want to make. The author invites all such comments, which can be forwarded to her via the above website. What is below is as that which is above, and what is above is as that which is below, in order to perform the miracle of one thing only. The Emerald Tablet of Hermes Trismegistus (Trans.Lubicz quoting Huberlain, l7961) That which is above is like to that which is below, and that which is below is like to that which is above, to accomplish the miracles of (the) one thing. The Emerald Tablet of Hermes Trismegistus [Trans. Robert Steele and Dorothy Singer, 19282] ‘For this is the maxim of old Hermes, Quod est superius, est sicut id quod est inferius’ Ashmole Theatrum Chemicum Britannicum [1652]3 Heaven above, heaven below; stars above, stars below; All that is above, thus also below; understand this and be blessed 4 Kircher, Prodrom Copt. If I live or pass on, I am Osiris. I enter in and reappear through you. I decay in you, I grow in you, I fall down in you…. The gods are living in me for I live and grow in the corn that sustains the Honoured Ones. … I have entered the Order, I rely upon the Order, I become Master of the Order, I emerge in the Order. -
Chicago, Illinois
The 62nd Annual Meeting of the American Research Center in Egypt April 1-3, 2011 Chicago Marriott Downtown Chicago, Illinois Cairo Midan Simon Bolivar February 2011 PAPERS ON ARCHAEOLOGY OF THE LEIDEN MUSEUM OF ANTIQUITIES Cary J. Martin Demotic Papyri from the Memphite Necropolis In the Collections of the National Museum of Antiquities in Leiden, the British Museum and the Hermitage Museum 2 vols., 263 p., 66 b/w ills., 220 x 280 mm, 2009, PALMA 5, PB, ISBN 978-2-503-53353-7, $115.00 e Demotic texts published in this volume come from the Archives of the funerary-workers of the Memphite Necropolis. Full photographs of each papyrus are provided and detailed indexes complete the publication. Maarten J. Raven, Vincent Verschoor, Marije Vugts, René van Walsem e Memphite Tomb of Horemheb Commander-in-Chief of Tutankhamun,V: e Forecourt and the Area South of the Tomb with Some Notes on the Tomb of Tia 403 p., 220 x 280 mm, 2011, PALMA 6, PB, ISBN 978-2-503-53110-6, $123.00 is book is the rst in a series dealing with the excavations in the New Kingdom cemetery of Saqqara. e tomb of the general Horemheb is the most important monument of this cemetery. Please add 6% CT Sales Tax, $5.00 shipping for the rst book, and $2.50 for each add’l [email protected] • www.brepols.net DAVID BROWN BOOK COMPANY (orders North America) PO Box 511 (28 Main Street) • Oakville, CT 06779 (USA) T: 800 791 9354 (toll-free); 860 945 9329 • F: 860 945 9468 [email protected] • www.oxbowbooks.com ARCE Chapter Council 2011 Fundraiser in support of the EgyptBest Student in Chicago!Paper Contest The Legacy of Ancient Egypt in Chicago’s Architecture by Michael Berger Saturday, April 2, 2011 12:15pm – 1:00pm Clark, 4th Floor, Marriott Hotel $15.00 per person, tickets must be purchased in advance Museums, Monuments, and Archives: Fellowship Opportunities with ARCE Saturday April 2, 4:15 - 5:15pm Belmont Room, 4th Floor Join former ARCE fellows and the ARCE Academic Coordinator to hear first hand accounts about conducting research in Egypt as pre and post doctoral scholars. -
How Unapproachable Is a Pharaoh ?
Originalveröffentlichung in: G.B. Lanfranchi, R. Rollinger, (Hg.), Concepts of Kingship in Antiquity. Proceedings of the European Science Foundation exploratory Workshop held in Padova, November 28th – December 1st, 2007, History of the Ancient Near East Monographs XI, Padua 2010, S. 1-14 HOW UNAPPROACHABLE IS A PHARAOH ? Joachim Friedrich Quack There has been a vast amount of study on the Egyptian concept of kingship.1 The question of his divinity has been one of the principal problems. Earlier studies normally attribute a specific divinity to the Egyptian King.2 Highly influential in bringing down such an approach was a study by George Posener who presented evidence which, in his eyes, spoke against an authentic divinity of the Pha raoh.3 Nowadays, there is a strong tendency to ascribe a more differentiated approach to the Egyptians: they are supposed to have considered the office itself as divine, but not the individual king.4 While such a picture might seem reasonable, it raises, at least with me, some uneasiness. Doesn't it smack too much like making the Ancient Egyptian civilisation palatable to a modern public by demolishing such a thing as the real divinity of a living human being which is so hard to swallow for modern minds? After all, the Egyptians themselves explicitly said about the king "he is not a man" (Edfou VI 301,13) The framework of this workshop does not allow more than a relatively short discussion, but that can be turned to an advantage by focussing on one specific aspect which has not been all that much in the focus of previous scholarship, instead of making a fullscale reopening of the case on all fronts. -
The Emergence of Sekhmet-Het Heru Arit Ra
ODWIRAFO SEKHMET-HET HERU ARIT RA Sekhmet Whose Praise Name is Het Heru the Eye of Ra THE EMERGENCE OF SEKHMET Excerpt from the Book of the Heavenly Cow. Found in the tombs of Tut Ankh Amen, Seti and Ra Messu [In the language of Kamit, Ntoro (God) and Ntorot (Goddess), plural Ntorou and Ntorotu, are the Divine Spirit Forces in Creation.] Ra (rah’) is the Creator, the Ntoro (God) Who brought Himself into being. It happened that after He had assumed the sovereignty over men and women, Ntorotu and Ntorou (Goddess and Gods) and Creation, certain men and women were speaking words of complaint against Uati [The Unique One - Ra], saying: “Look, His Majesty (Life, Strength, Health) has grown old. His bones have become like silver, His members like gold and His hair is like real lapis-lazuli.” His Majesty heard the words of complaint which these men and women were speaking. His Majesty (Life, Strength, and Health) said to those who were in his following: “Call, bring to me my Arit [Eye]and Shu and Tefnut, Seb and Nut and the Fathers and Mothers who were with me when I was in Nu together with my Father, the Ntoro (God) Nu. Let Him bring His councilors with Him. Let them be brought together in secret, so that those men and women may not perceive them and therefore take to flight with their hearts in fear. 1 You come with them to the Great House, and let them declare their counsel fully, for I will go to Nu into the place wherein I brought about my own existence, so let those Ntorotu and Ntorou (Goddesses and Gods) be brought to me there.” Now, the Ntorotu and Ntorou were drawn up on both sides of Ra and they bowed down before His Majesty until their heads touched the ground. -
The Creation of the Gods According to Esna II, 163, 16-17
2018 9 Trabajos de Egiptología Papers on Ancient Egypt Trabajos de Egiptología The Tendrils of the Bat Emblem The High Priesthood of Memphis during the Old Kingdom Andrea RODRÍGUEZ VALLS and the First Intermediate Period: An Updated Study and Prosopography Workers in Perpetuity? Josep CERVELLÓ AUTUORI Notes about the mrt Workers of the Egyptian Middle Kingdom Based on the Stela CG 20516 Quelques observations sur l’écriture rétrograde Pablo M. ROSELL dans les tombes thébaines de l’époque tardive And Everything Began with Laughs and Tears… Silvia EINAUDI The Creation of the Gods According to Esna II, 163, 16-17; III 206, 8-9 (§13) and III, 272, 2-3: Interpreting Three Gold Coins from Ancient Egypt Precedents, Interpretation and the Ancient Near East at the Museo and Influences Casa de la Moneda, Madrid Josué SANTOS SAAVEDRA, Roger FORTEA BASTART Trabajos de Egiptología Miguel JARAMAGO Tabasety, the Temple Singer in Aarhus Egyptian Predynastic Lice Combs: Rogério SOUSA, Vinnie NØRSKOV Analysis of an Ancestral Tool Candelaria MARTÍN DEL RÍO ÁLVAREZ Who Painted the Tomb of Sennedjem? Gema MENÉNDEZ número 9 2018 And Everything Began with Laughs and Tears… The Creation of the Gods According to Esna II, 163, 16-17; III, 206, 8-9 (§13) and III, 272, 2-3: Precedents, Interpretation and Influences Josué SANTOS SAAVEDRA, Roger FORTEA BASTART Demiurge’s tears play a prominent role in ancient Egyptian cosmogonic traditions as far as the genesis of the human being is concerned. However, the creation of the gods as a consequence of the demiurge’s laughter seems to be a unicum of the texts of the temple of Esna. -
Emotions and Deities in Ancient Egypt D
دراﺳﺎت ﻓﻲ آﺛﺎر اﻟوطن اﻟﻌرﺑﻲ 16 Emotions and Deities in Ancient Egypt D. Randa Baligh Emotions are strong feelings which excite a great reaction in most cases. They include fear, anger, happiness, hatred, shame and pride. In this paper we shall try to examine the different terms which express emotions and see how the Egyptians and their deities dealt with them. Emotions are a main feature of living beings, not just for people, but all kinds of living beings such as animals, and even plants which have been found to show certain physiological changes when confronted by traumatic events. A scientific experiment measured great agitation in a plant when a lobster was boiled alive next to it. Plants and animals also respond negatively to loud noises and strife in an area. Although it is only natural for living beings to experience different emotions, the concepts of emotions and how to express them or even experience them, may have differed slightly in the ancient Egyptian mind. The relative differences may arise from variants such as physiological changes or cultural differences. Our knowledge of emotions in ancient Egypt comes mainly from written texts where different emotions were expressed. As for the deities, they displayed certain emotions which were recorded in written texts. The paper will attempt to see emotions and how they were recorded, particularly in relation to the gods. Fear: Fear is one of the basic emotions felt by all living beings. It is far more basic than other emotions which require complex cognitive analyses. All beings fear certain things. In most of the literary texts, fear is expressed in relation to the gods with words that either imply that the people fear them, or it may imply that gods implant the fear of others such as the king or a powerful nation, in others. -
Mysterious Tomb 63.Pdf
Eberhard Dziobek, Michael Höveler-Müller und Christian E. Loeben (Herausgeber / Editors) Das geheimnisvolle Grab 63 * * * The Mysterious Tomb 63 Grab_63.indb 1 10.11.2009 17:06:09 Grab_63.indb 2 10.11.2009 17:06:10 Das geheimnisvolle Grab 63 Die neueste Entdeckung im Tal der Könige Archäologie und Kunst von Susan Osgood * * * The Mysterious Tomb 63 The Latest Discovery in the Valley of the Kings Art and Archaeology of Susan Osgood herausgegeben von / edited by Eberhard Dziobek Michael Höveler-Müller Christian E. Loeben Mit Beiträgen von / With contributions by Marianne Eaton-Krauss, Michael Höveler-Müller, W. Raymond Johnson, Christian E. Loeben, Susan Osgood, Otto Schaden und Maria Weigel Verlag Marie Leidorf GmbH · Rahden/Westf. 2009 Grab_63.indb 3 10.11.2009 17:06:10 240 Seiten mit ??? Abbildungen Bibliografi sche Information der Deutschen Nationalbibliothek Dziobek, Eberhard ; Höveler-Müller, Michael ; Loeben, Christian E. (Hrsg.): Das geheimnisvolle Grab 63 ; von Eberhard Dziobek ... Rahden/Westf. : Leidorf, 2009 ISBN 978-3-86757-453-2 Die Deutsche Bibliothek verzeichnet diese Publikation in der Deutschen Nationalbibliografi e. Detaillierte bibliografi sche Daten sind im Internet über http://dnb.ddb.de abrufbar. Alle Rechte vorbehalten © 2009 Verlag Marie Leidorf GmbH Geschäftsführer: Dr. Bert Wiegel Stellerloh 65, D-32369 Rahden/Westf. Tel.: +49/(0)5771/ 9510-74, Fax: +49/(0)5771/ 9510-75 E-Mail: [email protected], Internet: www.vml.de ISBN 978-3-86757-453-2 Ägyptisches Museum der Rheinischen Friedrich-Wilhelms-Universität Bonn Regina-Pacis-Weg 7, D-53113 Bonn Tel. +49/(0)228/ 73 97 10, Fax +49/(0)228/ 73 73 60 [email protected], www.aegyptisches-museum.uni-bonn.de Museum August Kestner Trammplatz 3, D-30159 Hannover Tel. -
EGYPTIAN LANGUAGE. See LANGUAGES EGYPTIAN LITERATURE. Writers in Ancient
Originalveröffentlichung in: D.N.Freedman (Hrsg.), The Anchor Bible Dictionary II, New York etc. 1992, S. 377-390 EGYPT, PLAGUES IN 378 • II letters, receipts, files, and other documents that were not meant for tradition but for everyday use. A. Generalities 1. Definitions, Literaticity, and Poeticity 2. Institutional and Functional Frames 3. “Poeticity”: Formal Devices and Metrics 4. Inscriptions and Manuscripts 5. Forms of Transmission B. Genres 1. Belles-Lettres a. Wisdom Literature b. Narratives c. Poetry 2. Functional Literature a. Temple Literature b. Funerary (Mortuary) Literature c. Magical Incantations d. Codification of Knowledge 3. Monumental Literature a. Royal Inscriptions b. Biography A. Generalities 1. Definitions, Literaticity, and Poeticity. Literature in the narrow sense of aesthetic or fictional texts will be called belles-lettres. These texts are called “literary texts” in con trast to “nonliterary texts,” which constitute the body of “functional literature.” The criterion for attributing texts to one or the other corpus is their functional fixity. While some texts are meant to serve only one well-determined function, as is the case with magical spells or biographical tomb inscriptions, others, such as narratives, harpers songs, and wisdom texts, may serve several functions. The latter appear in different contexts because they are func tionally nonspecific, that is, not permanently bound to a single context. This functional nonspecificity is our main criterion for determining the “literaticity” of a text, re gardless whether it exhibits poetic form (“poeticity”) °r not (Assmann and Assmann 1983: 269-74). Poetic texts EGYPTIAN LANGUAGE. See LANGUAGES may in fact be found within both belles-lettres and “func (EGYPTIAN). -
Between Heaven and Earth: Birds in Ancient Egypt October 15, 2012–July 28, 2013
BETWEEN HEAVEN AND EARTH 1 A pied kingfisher (Ceryle rudis) among the papyrus marshes. Wall painting from the northern palace of Akhenaten, Amarna (Davies 1936, vol. 2, pl. 76) BETWEEN HEAVEN AND EARTH BIRDS IN ANCIENT EGYPT edited by ROZENN BAILLEUL-LeSUER with new photography by ANNA R. RESSMAN ORIENTAL INSTITUTE MUSEUM PUBLICATIONS 35 THE ORIENTAL INSTITUTE OF THE UNIVERSITY OF CHICAGO Library of Congress Control Number: 2012946464 ISBN-10: 1-885923-92-9 ISBN-13: 978-1-885923-92-9 © 2012 by The University of Chicago. All rights reserved. Published 2012. Printed in the United States of America. The Oriental Institute, Chicago This volume has been published in conjunction with the exhibition Between Heaven and Earth: Birds in Ancient Egypt October 15, 2012–July 28, 2013. Oriental Institute Museum Publications 35 Series Editors Leslie Schramer and Thomas G. Urban with the assistance of Rebecca Cain Lauren Lutz and Tate Paulette assisted with the production of this volume. Published by The Oriental Institute of the University of Chicago 1155 East 58th Street Chicago, Illinois, 60637 USA oi.uchicago.edu Illustration Credits Front cover: “Birds in an Acacia Tree.” Tempera on paper by Nina de Garis Davies, 1932. Catalog No. 11. Back cover: Head of an owl. Limestone and pigment. Late Period to early Ptolemaic period, 664–150 bc Catalog No. 22 Catalog Nos. 1–2, 5–15, 17–18, 20–27, 29–40: Photos by Anna R. Ressman; Catalog Nos. 3, 16, 19: Copyright the Art Institute of Chicago; Catalog No. 4: A114917d_12A, photo by John Weinstein. Reproduced with the permission of The Field Museum of Natural History, Chicago, all rights reserved; Catalog No. -
Myth of the Heavenly Cow
UCLA UCLA Encyclopedia of Egyptology Title Myth of the Heavenly Cow Permalink https://escholarship.org/uc/item/2vh551hn Journal UCLA Encyclopedia of Egyptology, 1(1) Author Guilhou, Nadine Publication Date 2010-08-12 Peer reviewed eScholarship.org Powered by the California Digital Library University of California MYTH OF THE HEAVENLY COW أرة ا ة او Nadine Guilhou EDITORS WILLEKE WENDRICH Editor-in-Chief University of California, Los Angeles JACCO DIELEMAN Editor Area Editor Religion University of California, Los Angeles ELIZABETH FROOD Editor University of Oxford JOHN BAINES Senior Editorial Consultant University of Oxford Short Citation: Guilhou 2010, Myth of the Heavenly Cow. UEE . Full Citation: Guilhou, Nadine, 2010, Myth of the Heavenly Cow. In Jacco Dieleman and Willeke Wendrich (eds.), UCLA Encyclopedia of Egyptology , Los Angeles. http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz002311pm 1004 Version 1, September 2010 http://digital2.library.ucla.edu/viewItem.do?ark=21198/zz002311pm MYTH OF THE HEAVENLY COW أرة ا ة او Nadine Guilhou Der Mythos von der Himmelskuh Le Mythe de la Vache Céleste The “Myth of the Heavenly Cow” is the conventional title of an Egyptian mythological narrative that relates how humanity once rebelled against the sun god and how thereupon the sun god reorganized the cosmos. The narrative is embedded in the so-called Book of the Heavenly Cow , which is preserved in several versions dating to the New Kingdom. It is an etiological myth explaining the origins of certain natural phenomena and religious festivals as well as legitimizing the institution of Egyptian kingship. << أرة ا ة او >> ه ا#"ان ا ي رة د ا إ* ا() وا.ي - ,"* أن أ,د إ* ا() "'& ا%ن .