Old Town Chinatown Development Plan Part 1
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PLSO Iss5 2014 Web.Pdf
TheOregon SA publicationurv of the Professional Land Surveyors ofey Oregon or Vol. 37, No. 5, 2014 2014 PLSO Board & Committee Chairs CHAIR LEE SPURGEON PLSO OFFICE COMMITTEE CHAIRS 503-656-4915 | [email protected] PO Box 230548 ARCHIVES Roger Galles, [email protected] CHAIR-ELECT JOHN THATCHER Tigard, OR 97281 AWARDS [email protected] PHONE 503-303-1472 John Thatcher, [email protected] TOLL FREE 844-284-5496 EXECUTIVE SECRETARY AIMEE MCAULIFFE BYLAWS/CONSTITUTION FAX 503-303-1472 503-303-1472 | [email protected] Brent Bacon, [email protected] EMAIL www.linkedin.com/in/amcauliffe [email protected] CONFERENCE WEB www.plso.org Jered McGrath, [email protected] CHAPTER OFFICERS EDUCATIONAL GOALS & ACTIONS (EGAC) Central PRESIDENT Erik Huffman [email protected] Joe Ferguson, [email protected] PRESIDENT-ELECT Kevin Samuel [email protected] FINANCIALS SECRETARY/TREASURER 1 Kevin Samuel [email protected] Gary Johnston, [email protected] Mid-west PRESIDENT Brent Bacon [email protected] GEOCACHE PRESIDENT-ELECT Dan Nelson [email protected] Ryan Godsey, [email protected] 2 SECRETARY/TREASURER John Oakes [email protected] Dan Linscheid, [email protected] PRESIDENT Chuck Wiley [email protected] Pioneer GPS USERS GROUP PRESIDENT-ELECT James Greenman [email protected] Dave Wellman, 3 SECRETARY/TREASURER Al Hertel [email protected] [email protected] Rogue River PRESIDENT Jason Martin [email protected] HISTORIAN PRESIDENT-ELECT Herb Farber [email protected] Paul Galli, -
American Master George Carlson Between Two Worlds with Brad Overton Artists Celebrate the National Park Centennial Architecture in the West: from Texas to California
JUNE | JULY 2016 From Cowboy to Contemporary American Master George Carlson Between Two Worlds with Brad Overton Artists Celebrate the National Park Centennial Architecture in the West: From Texas to California plus:Master of Light Mark Laguё Perspective: Frida Kahlo [1907 –1954] The Ins and Outs of Absentee Bidding WESTERN VISTA WANDERINGS: ART ESCAPES IN PORTLAND, OREGON In this creative city, art isn’t just easy to find — it’s everywhere you look WRITTEN BY Marla Cimini Photo: Courtesy Portland Art Museum Offering an artistic odyssey, the city of dozens of institutions provide art education, from the Art Portland, Oregon, blends a range of art and Institute of Portland to the Le Cordon Bleu College of architectural styles, dating from thousands Culinary Arts to a recording arts school. of years ago with the tribes of the Pacific The Willamette River divides Portland across its Northwest to more contemporary offerings east and west shores, and Burnside Street splits the city that have inspired the slogan “Keep Portland north and south, respectively. Artful treasures are found Weird.” A diverse destination, the city of throughout each of Portland’s neighborhoods, from elite roughly 600,000 people attracts a melting galleries to DIY artisan festivals and splashes of public art. pot of individuals with varied interests and The city’s mild climate is best from June through earnest passions. September. But, rain or shine, wandering through Portland You’d be hard pressed to find another is delightful. As a pedestrian-friendly city, consider touring American destination with such a lengthy by bicycle on more than 300 miles of paths or travel via list of monikers: Rip City; Little Beirut; public transportation on the light rail or street car systems. -
0X0a I Don't Know Gregor Weichbrodt FROHMANN
0x0a I Don’t Know Gregor Weichbrodt FROHMANN I Don’t Know Gregor Weichbrodt 0x0a Contents I Don’t Know .................................................................4 About This Book .......................................................353 Imprint ........................................................................354 I Don’t Know I’m not well-versed in Literature. Sensibility – what is that? What in God’s name is An Afterword? I haven’t the faintest idea. And concerning Book design, I am fully ignorant. What is ‘A Slipcase’ supposed to mean again, and what the heck is Boriswood? The Canons of page construction – I don’t know what that is. I haven’t got a clue. How am I supposed to make sense of Traditional Chinese bookbinding, and what the hell is an Initial? Containers are a mystery to me. And what about A Post box, and what on earth is The Hollow Nickel Case? An Ammunition box – dunno. Couldn’t tell you. I’m not well-versed in Postal systems. And I don’t know what Bulk mail is or what is supposed to be special about A Catcher pouch. I don’t know what people mean by ‘Bags’. What’s the deal with The Arhuaca mochila, and what is the mystery about A Bin bag? Am I supposed to be familiar with A Carpet bag? How should I know? Cradleboard? Come again? Never heard of it. I have no idea. A Changing bag – never heard of it. I’ve never heard of Carriages. A Dogcart – what does that mean? A Ralli car? Doesn’t ring a bell. I have absolutely no idea. And what the hell is Tandem, and what is the deal with the Mail coach? 4 I don’t know the first thing about Postal system of the United Kingdom. -
Identity, Communities, and Technology on the Cusp of Change (Full Issue)
PSU McNair Scholars Online Journal Volume 3 Issue 1 Identity, Communities, and Technology: Article 23 On the Cusp of Change 2009 Identity, Communities, and Technology on the Cusp of Change (Full Issue) Follow this and additional works at: https://pdxscholar.library.pdx.edu/mcnair Let us know how access to this document benefits ou.y Recommended Citation (2009) "Identity, Communities, and Technology on the Cusp of Change (Full Issue)," PSU McNair Scholars Online Journal: Vol. 3: Iss. 1, Article 23. This open access Full Issue is distributed under the terms of the Creative Commons Attribution-NonCommercial- ShareAlike 4.0 International License (CC BY-NC-SA 4.0). All documents in PDXScholar should meet accessibility standards. If we can make this document more accessible to you, contact our team. I DENTITY, C OMMUNITIES AND T ECHNOLOGY O N THE C USP OF C HANGE 2009 McNair Scholars Online Journal The Ronald E. McNair Scholars Program at Portland State University (PSU) works with motivated and talented undergraduates who want to pursue PhDs. It introduces juniors and seniors who are first-generation and low-income, and/or members of under-represented groups to academic research and to effective strategies for getting into and graduating from PhD programs. The McNair Scholars Program has academic-year activities and a full-time summer research internship. Scholars take academic and skills-building seminars and workshops during the year, and each scholar works closely with a faculty mentor on original research in the summer. Scholars present their research findings at the McNair Summer Symposium and at other conferences, and are encouraged to publish their papers in the McNair Journal and other scholarly publications. -
MAX Station Optimization Consolidating Four MAX Stations in Downtown Portland Contents Context & Background
MAX Station Optimization Consolidating four MAX Stations in Downtown Portland Contents Context & Background ................................................................................................................................. 3 The Portland Metropolitan Region is Growing ........................................................................................ 3 MAX Blue Line History .............................................................................................................................. 4 Jobs & Housing Access with an Equity Lens ............................................................................................ 5 Part of a Regional Focus on Transit Speed and Reliability ..................................................................... 6 Best Practices: Stop Spacing for Travel Time and Convenience ............................................................ 7 The Proposal and Decision Criteria ............................................................................................................. 9 Criteria: Proximity .................................................................................................................................. 10 Criteria: Access & Coverage.................................................................................................................... 15 Criteria: Safety ........................................................................................................................................ 18 Criteria: Ridership ................................................................................................................................. -
Public Public of Variety a Includes Brochure *This % Friday
CL HQ DU Michael T. Hensley, Outside In Mural In Outside Hensley, T. Michael Esplanade Eastbank Katz Vera the along RIGGA, , Gate Echo , at Central Library Central at , Stair Garden Kirkland, Larry CN ! GL , at the Portland Center for the Performing Arts Performing the for Center Portland the at , Bollards Folly Otani, Valerie Park Waterfront McCall Tom , Shift River Gregoire, Mathieu in the North Park Blocks Park North the in Bao Bao Xi'an & Tung Da as well. as artworks commissioned by other agencies agencies other by commissioned artworks *This brochure includes a variety of public public of variety a includes brochure *This % Friday. through Monday 8:00-6:00, are IL GQ CN Manuel Izquierdo, Izquierdo, Manuel Ilan Averbuch, Ilan Averbuch, Dana LynnLouis, James Carpenter, Portland Building at 1120 SW 5th. Hours 5th. SW 1120 at Building Portland Art Gallery on the second floor of the of floor second the on Gallery Art www.racc.org/publicart or visit the Public the visit or www.racc.org/publicart Terra Incognita to go collection, the about more out Spectral Dome Light Metabolic Shift Metabolic Dreamer leading Percent-for-Art programs.* To find To programs.* Percent-for-Art leading County, and manages one of the country’s the of one manages and County, , Pettygrove Park , Pettygrove , Rose Quarter , Rose Multnomah and Portland of City the for art , Pearl District commissions and maintains public maintains and commissions (RACC) , PCPA Regional Arts & Culture Council Culture & Arts Regional The P ORTLAND C ULTURAL T OURS EN J. Seward Johnson, Allow Me, in Pioneer Courthouse Square. -
Skidmore/Old Town Historic District Design Guidelines
SKIDMORE/OLD TOWN HISTORIC DISTRICT DESIGN GUIDELINES ADOPTED BY ORDINANCE NO. 18738, MAY 11, 2016 EFFECTIVE JUNE 10, 2016 ACKNOWLEDGEMENTS Portland City Council Portland Bureau of Planning and Sustainability Document Production and Image Credits Charlie Hales, Mayor Charlie Hales, Mayor, Commissioner in Charge Max Brunke, Karen Karlsson, Rick Michaelson, Mark Nick Fish, Commissioner Susan Anderson, Planning Director Rabiner, Mark Raggett, Jessica Engeman, Carin Carlson Amanda Fritz, Commissioner Joe Zehnder, Principal Planner Consultants Steve Novick, Commissioner Sallie Edmunds, Central City Planning Manager KLK Consulting Dan Saltzman, Commissioner Project Staff Karen Karlsson Principal Portland Historic Landmarks Commission Nicholas Starin, City Planner, Project Manager Rick Michaelson Kirk Ranzetta, Chair Karl Lisle, City Planner, Past Project Manager Max Brunke Paul Solimano, Vice Chair Mark Raggett, City Planner Jessica Engeman Liza Mickle, City Planner Carin Carlson Amber Springberg, Community Service Aide Caroline Dao Krista Gust, Graphic Designer Kristin Minor Additional Agency Assistance In Memoriam Mattew Roman Kara Fioravanti, Bureau of Development Services Art DeMuro Tim Heron, Bureau of Development Services Jeff Joslin, Bureau of Development Services Hillary Adam, Bureau of Development Services Ross Plambeck, Portland Development Commission To help ensure equal access to City programs, services and activities, the City of Portland will provide translation, reasonably modify policies/procedures and provide auxiliary aids/ services/alternative formats to persons with disabilities. For accommodations, translations, complaints, and additional information, contact the Bureau of Planning and Sustainability at 503-823-7700, City TTY 503-823-6868, or use Oregon Relay Service: 711. Cover Image: Aerial Photo of Skidmore/Old Town Historic District Circa 2008 Funding was provided by the Portland Development Commission. -
Steam Plant Redevelopment: Request for Qualifications Summary of Submissions – June 2018
Steam Plant Redevelopment: Request for Qualifications Summary of Submissions – June 2018 Submission #1: Community Space & Arts Hub Primary contact: J. C. Geiger Key members of the proposal include John Boosinger (University of Oregon Technical Science Administration Department and Rhithwir Virtual Reality), Alan Evans (Evans, Elder, Brown, and Seubert Commercial Real Estate), J.C. Geiger (Author, Artistic Director of No Shame Theater), Joseph Moore (GMA Architects), and Liora Sponko (Lane Arts Council). Their proposal envisions a Steam Plant that is redeveloped for two core uses: 1) a community space, including a café/restaurant, public attraction and interactive gallery, and 2) an arts hub with artist living spaces, studio space, workspace, and a gallery. The team suggests that “given the non-traditional nature of this project, the funding will also be a non- traditional mix of private investments, public investments, and philanthropic contributions.” After the capital phase, the Steam Plant would be managed by a new or existing non-profit organization. If chosen for the proposals phase, the respondents intend on expanding the team to include members with relevant development experience, including adaptive re-use projects. Submission #2: deChase Miksis Development Primary Contacts: Mark Miksis, deChase Miksis Development Mark Frohnmayer, Arcimoto Key members of this response include Mark Miksis and Dean Pape of deChase Miksis Development, Mark Frohnmayer and Jesse Fittipaldi of Arcimoto, Matt Sayre of the Technology Association of Oregon, Robert Cohen of Falling Sky Brewing, John Rowell and Greg Brokaw of Rowell Brokaw Architects, Donald Peting (historic building consultant), and Jason Thompson of Catena Consulting Engineers. The team proposes forming a Limited Liability Corporation to capitalize, develop, manage, and own the property. -
Portland City Council Agenda
CITY OF OFFICIAL PORTLAND, OREGON MINUTES A REGULAR MEETING OF THE COUNCIL OF THE CITY OF PORTLAND, OREGON WAS HELD THIS 10TH DAY OF DECEMBER, 2014 AT 9:30 A.M. THOSE PRESENT WERE: Mayor Hales, Presiding; Commissioners Fish, Fritz, Novick and Saltzman, 5. OFFICERS IN ATTENDANCE: Karla Moore-Love, Clerk of the Council; Ben Walters, Chief Deputy City Attorney at 9:30 a.m.; Linly Rees at 2:03 p.m.; Jim Wood, Sergeant at Arms at 9:30 a.m. and 5:03 p.m.; and Greg Seamster, Sergeant at Arms at 2:03 p.m. Item No. 1267 was pulled for discussion and on a Y-5 roll call, the balance of the Consent Agenda was adopted. The meeting recessed at 1:30 p.m. and reconvened at 2:03 p.m. Disposition: COMMUNICATIONS 1257 Request of Eltah Brinson to address Council regarding the Young Entrepreneurs' Advocate House (Communication) PLACED ON FILE 1258 Request of Linda Birth to address Council regarding saving the Gasco Building (Communication) PLACED ON FILE 1259 Request of Nicole Brannon to address Council regarding saving the Gasco Building (Communication) PLACED ON FILE 1260 Request of Jamie Partridge to address Council regarding the City Fair Wage Policy (Communication) PLACED ON FILE 1261 Request of Scott Matley to address Council regarding spray paint fume issues at Skidmore Fountain (Communication) PLACED ON FILE TIMES CERTAIN 1262 TIME CERTAIN: 9:30 AM – Accept report from Market Street Services on a Draft Implementation Assessment: Portland Economic Development Strategy and Neighborhood Economic Development Strategy (Report introduced by Mayor Hales) 45 minutes requested ACCEPTED Motion to accept the report: Moved by Fritz and seconded by Novick. -
Portland Public
Norman Taylor Michihiro Kosuge Patti Warashina Kvinneakt John Buck Continuation City Reflections 1975 bronze Lodge Grass Lee Kelly Fernanda D’Agostino (5 artworks) 2009 bronze 2000 bronze Untitled fountain TRANSIT MALL Murals, fountains, abstract Urban Hydrology 2009 granite 1977 and representational works — many created by local artists A GUIDE TO (12 artworks) stainless steel 2009 carved granite — grace downtown Portland’s Transit Mall (Southwest Fifth and Sixth avenues). Many pieces from the original collection, Tom Hardy Bruce West installed in the 1970s, were resited in 2009 along the new MAX Running Horses Untitled PORTLAND 1986 bronze 1977 light rail and car lanes. At that time, 14 new works were added. SW 6th Ave stainless steel SW Broadway PUBLIC MAX light Artwork Artworks with 20 rail stop multiple pieces N SW College St 18 SW Hall St SW 5th Ave Melvin Schuler ART 19 Thor SW Harrison St 1977 copper on redwood Daniel Duford The Legend of SW Montgomery St Mel Katz the Green Man SW Mill St Daddy Long of Portland Legs James Lee (10 artworks along Malia Jensen 2006 painted Hansen Robert Hanson 5th and 6th) 2009 SW Market St 21 Pile aluminum Talos No. 2 Untitled bronze, cast concrete, SW Clay St 2009 bronze 1977 bronze Bruce Conkle (7 artworks) porcelain enamel Burls Will Be Burls 2009 etched on steel 26 (3 artworks) bronze 2009 bronze, SW Columbia St 22 cast concrete SW Jefferson St 25 SW Madison St 27 23 SW Main St Anne Storrs and 28 almon St Kim Stafford 24 SW S 32 Begin Again Corner 2009 etched granite SW Taylor St 29 33 30 SW -
Social/Neighborhood Technical Report
Social/Neighborhood Technical Report Multnomah County | Earthquake Ready Burnside Bridge Project Portland, OR January 29, 2021 Earthquake Ready Burnside Bridge Social/Neighborhood Technical Report Prepared for Multnomah County Transportation Division – Bridges 1403 SE Water Ave Portland, OR 97214 Prepared by HDR 1050 SW 6th Ave, Suite 1800 Portland, OR 97204 T (503) 423-3700 Parametrix 700 NE Multnomah St, Suite 1000 Portland, OR 97232 T (503) 233-2400 Contract# DCS-SVCSGEN-857-2019-conv HDR Project #10144814 The technical material and data contained in this document were prepared under the supervision and direction of the undersigned, as a professional environmental specialist and urban planner. ______________ Signature Reserved for Final Version Prepared by Justina Everhart (Environmental Planner) ______________ Signature Reserved for Final Version Checked by Jeff Heilman (NEPA Lead) ______________ Signature Reserved for Final Version Approved by Heather Catron (Consultant Project Manager) Social/Neighborhood Technical Report Multnomah County | Earthquake Ready Burnside Bridge Project Contents Executive Summary ...................................................................................................................................... 1 1 Introduction .......................................................................................................................................... 2 1.1 Project Location ........................................................................................................................ -
Elements for Vitality – Results of the Downtown Plan
Elements of Vitality RESULTS OF THE DOWNTOWN PLAN LDL CITY OF PORTLAND OFFICE OF TRANSPORTATON TABLE OF CONTENTS 1. INTRODUCTION: History of the Downtown Plan . 1 2. ELEMENTS OF THE DOWNTOWN PLAN . 4 Transportation . 4 Commerce . 6 Office . 8 Housing . 10 Historic Preservation . 12 Government Center . 14 Culture and Entertainment . 15 Open Space . 16 3. ADDITIONS TO THE DOWNTOWN PLAN . 18 University District . 18 River District . 19 Special Features . 21 4. THE PEOPLE BEHIND THE PLAN . 22 PROJECT LOCATOR MAP . 25 This is a limited draft print of this document. If you have comments or suggestions please contact Wendy Smith Novick at 503/823-7738 or FAX 503/823-7576 or e-mail [email protected] CITY of PORTLAND OFFICE of TRANSPORTATION Charlie Hales, Commissioner Victor F. Rhodes, Director Steve Dotterrer, Chief Transportation Planner ACKNOWLEDGMENTS: Special thanks to Rodney O’Hiser whose dedication to the Downtown Plan led to the City of Portland receiving the Rudy Bruner Award for Excellence in Urban Planning. Much of what is in this document came from his application for the Rudy Bruner Award. Thank you to Lloyd Lindley for allowing us to use his illustrations. PROJECT STAFF: Heather Coleman Steve Iwata Wendy Smith Novick Tim Swope Louise Tippens TECHNICAL SUPPORT STAFF: Samy Fouts Richard Bellinger Fern Anderson Claire Levine INTRODUCTION 1 The History of the Downtown Plan “I have seen a lot of scenery in my life, but I have seen nothing so tempting as a home for a man than this Oregon country. You have a basis here for civilization on its highest scale, and I am going to ask you a question which you may not like.