Portland City Council Agenda
Total Page：16
File Type：pdf, Size：1020Kb
Load more
Recommended publications
-
PLSO Iss5 2014 Web.Pdf
TheOregon SA publicationurv of the Professional Land Surveyors ofey Oregon or Vol. 37, No. 5, 2014 2014 PLSO Board & Committee Chairs CHAIR LEE SPURGEON PLSO OFFICE COMMITTEE CHAIRS 503-656-4915 | [email protected] PO Box 230548 ARCHIVES Roger Galles, [email protected] CHAIR-ELECT JOHN THATCHER Tigard, OR 97281 AWARDS [email protected] PHONE 503-303-1472 John Thatcher, [email protected] TOLL FREE 844-284-5496 EXECUTIVE SECRETARY AIMEE MCAULIFFE BYLAWS/CONSTITUTION FAX 503-303-1472 503-303-1472 | [email protected] Brent Bacon, [email protected] EMAIL www.linkedin.com/in/amcauliffe [email protected] CONFERENCE WEB www.plso.org Jered McGrath, [email protected] CHAPTER OFFICERS EDUCATIONAL GOALS & ACTIONS (EGAC) Central PRESIDENT Erik Huffman [email protected] Joe Ferguson, [email protected] PRESIDENT-ELECT Kevin Samuel [email protected] FINANCIALS SECRETARY/TREASURER 1 Kevin Samuel [email protected] Gary Johnston, [email protected] Mid-west PRESIDENT Brent Bacon [email protected] GEOCACHE PRESIDENT-ELECT Dan Nelson [email protected] Ryan Godsey, [email protected] 2 SECRETARY/TREASURER John Oakes [email protected] Dan Linscheid, [email protected] PRESIDENT Chuck Wiley [email protected] Pioneer GPS USERS GROUP PRESIDENT-ELECT James Greenman [email protected] Dave Wellman, 3 SECRETARY/TREASURER Al Hertel [email protected] [email protected] Rogue River PRESIDENT Jason Martin [email protected] HISTORIAN PRESIDENT-ELECT Herb Farber [email protected] Paul Galli, -
American Master George Carlson Between Two Worlds with Brad Overton Artists Celebrate the National Park Centennial Architecture in the West: from Texas to California
JUNE | JULY 2016 From Cowboy to Contemporary American Master George Carlson Between Two Worlds with Brad Overton Artists Celebrate the National Park Centennial Architecture in the West: From Texas to California plus:Master of Light Mark Laguё Perspective: Frida Kahlo [1907 –1954] The Ins and Outs of Absentee Bidding WESTERN VISTA WANDERINGS: ART ESCAPES IN PORTLAND, OREGON In this creative city, art isn’t just easy to find — it’s everywhere you look WRITTEN BY Marla Cimini Photo: Courtesy Portland Art Museum Offering an artistic odyssey, the city of dozens of institutions provide art education, from the Art Portland, Oregon, blends a range of art and Institute of Portland to the Le Cordon Bleu College of architectural styles, dating from thousands Culinary Arts to a recording arts school. of years ago with the tribes of the Pacific The Willamette River divides Portland across its Northwest to more contemporary offerings east and west shores, and Burnside Street splits the city that have inspired the slogan “Keep Portland north and south, respectively. Artful treasures are found Weird.” A diverse destination, the city of throughout each of Portland’s neighborhoods, from elite roughly 600,000 people attracts a melting galleries to DIY artisan festivals and splashes of public art. pot of individuals with varied interests and The city’s mild climate is best from June through earnest passions. September. But, rain or shine, wandering through Portland You’d be hard pressed to find another is delightful. As a pedestrian-friendly city, consider touring American destination with such a lengthy by bicycle on more than 300 miles of paths or travel via list of monikers: Rip City; Little Beirut; public transportation on the light rail or street car systems. -
0X0a I Don't Know Gregor Weichbrodt FROHMANN
0x0a I Don’t Know Gregor Weichbrodt FROHMANN I Don’t Know Gregor Weichbrodt 0x0a Contents I Don’t Know .................................................................4 About This Book .......................................................353 Imprint ........................................................................354 I Don’t Know I’m not well-versed in Literature. Sensibility – what is that? What in God’s name is An Afterword? I haven’t the faintest idea. And concerning Book design, I am fully ignorant. What is ‘A Slipcase’ supposed to mean again, and what the heck is Boriswood? The Canons of page construction – I don’t know what that is. I haven’t got a clue. How am I supposed to make sense of Traditional Chinese bookbinding, and what the hell is an Initial? Containers are a mystery to me. And what about A Post box, and what on earth is The Hollow Nickel Case? An Ammunition box – dunno. Couldn’t tell you. I’m not well-versed in Postal systems. And I don’t know what Bulk mail is or what is supposed to be special about A Catcher pouch. I don’t know what people mean by ‘Bags’. What’s the deal with The Arhuaca mochila, and what is the mystery about A Bin bag? Am I supposed to be familiar with A Carpet bag? How should I know? Cradleboard? Come again? Never heard of it. I have no idea. A Changing bag – never heard of it. I’ve never heard of Carriages. A Dogcart – what does that mean? A Ralli car? Doesn’t ring a bell. I have absolutely no idea. And what the hell is Tandem, and what is the deal with the Mail coach? 4 I don’t know the first thing about Postal system of the United Kingdom. -
Housing Opportunity Program
NEW ISSUE RATINGS: 2005 Series C − Moody’s Aa2 BOOK-ENTRY ONLY 2005 Series D − Moody’s Aaa (Ambac-Insured) In the opinion of Preston Gates & Ellis LLP, Bond Counsel, interest on the 2005 Series C Bonds is included in gross income subject to federal income taxation. Interest on the 2005 Series C Bonds is exempt from Oregon personal income tax and is also exempt from personal income taxation by Multnomah County, Oregon. See “TAX MATTERS” herein. In the opinion of Preston Gates & Ellis LLP, Bond Counsel, assuming compliance with certain covenants of the City, interest on the 2005 Series D Bonds is excluded from the gross income of the owners of the 2005 Series D Bonds for federal income tax purposes under existing law. Interest on the 2005 Series D Bonds is not an item of tax preference for purposes of either individual or corporate alternative minimum tax. Interest on the 2005 Series D Bonds may be indirectly subject to corporate alternative minimum tax and certain other taxes imposed on certain corporations. Interest on the 2005 Series D Bonds is exempt from Oregon personal income tax and is also exempt from personal income taxation by Multnomah County, Oregon See “TAX MATTERS” and “OTHER FEDERAL TAX MATTERS” herein. City of Portland, Oregon $3,170,000 $6,975,000 Limited Tax Housing Limited Tax Housing Revenue Bonds Revenue Bonds 2005 Series C 2005 Series D (Federally Taxable) (Tax-Exempt) (Housing Opportunity Program) (Housing Opportunity Program) BASE CUSIP: 736704 DATED: Date of Delivery DUE: June 1, as shown on inside cover The City of Portland, Oregon, Limited Tax Housing Revenue Bonds, 2005 Series C (Federally Taxable) (Housing Opportunity Program) (the “2005 Series C Bonds”) and Limited Tax Housing Revenue Bonds, 2005 Series D (Tax Exempt) (Housing Opportunity Program) (the “2005 Series D Bonds” and, collectively with the 2005 Bonds, the “2005 Bonds”) will be issued in registered book-entry form only without coupons in denominations of $5,000 or integral multiples thereof. -
Tucker Mass and Figure
Tucker Mass and Figure Kosme de Barañano 1 This text is published under an international Attribution-NonCommercial-NoDerivs Creative Commons licence (BY-NC-ND), version 4.0. It may therefore be circulated, copied and reproduced (with no alteration to the contents), but for educational and research purposes only and always citing its author and provenance. It may not be used commercially. View the terms and conditions of this licence at http://creativecommons.org/licenses/by-ncnd/4.0/legalcode Using and copying images are prohibited unless expressly authorised by the owners of the photographs and/or copyright of the works. © of the texts: Bilboko Arte Ederren Museoa Fundazioa-Fundación Museo de Bellas Artes de Bilbao © William Tucker, 2015 © Succession Alberto Giacometti (Fondation Alberto et Annette Giacometti, Paris / ADAGP, Paris), VEGAP, Bilbao, 2015 © Man Ray Trust, VEGAP, Bilbao, 2015 © Sucesión Pablo Picasso, VEGAP, Madrid, 2015 Photography credits © Chapter of Gloucester Cathedral, 2014. Photographer: Steve Russell Studios: p. 38. © Collection Swiss Foundation for Photography: p. 29 (bottom). Courtesy McKee Galerie: pp. 34, 37 (bottom), 39, 46 (top). © Kosme de Barañano: pp. 4, 15, 37 (top), 41, 42, 61, 63. © Photo Scala, Florence - courtesy of the Ministero Beni e Att. Culturali: pp. 52, 53 (top, left). © Photographer Roman März, Courtesy of Buchmann Galerie: p. 46 (abajo). © Tate, London 2015: pp. 9-11. © The artist/Pangolin. Photographer: Steve Russell Studios: p. 57. © The British Council: p. 23. © The Estate of Alberto Giacometti (Fondation Giacometti, Paris and ADAGP, Paris), licensed in the UK by ACS and DACS, London 2015 / Bridgeman Images: p. 31. © The Museum of Modern Art, New York/Scala, Florence: p. -
The Virtual-Musical Other: Creating Unique Worlds Through
THE VIRTUAL-MUSICAL OTHER: CREATING UNIQUE WORLDS THROUGH MUSICAL SOUND IN VIDEOGAMES A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I AT MANOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN MUSIC MAY 2014 By Jeremiah Sundance French Thesis Committee: Dr. Jane Freeman Moulin, Chairperson David A.M. Goldberg Dr. Katherine McQuiston Dr. Christine Yano ii ACKNOWLEDGEMENTS First and foremost, I would like to express my gratitude and appreciation to Darren Korb and Raison Varner for sharing their experiences with me. Their openness and willingness to discuss their work with me, even through their hectic schedules, made this project both possible and extremely enjoyable. Special thanks to Varner and Gearbox Software for allowing me to visit their offices. I would also like to thank all the participants who took time out of their schedules to meet, play a game, and have a discussion. They were a wonderful group of people with which I was happy to work. Thank you to Ruben Campos, Larry Catungal, Justin Ka’upu, Chadwick Pang, Jonathan Richter, Candice Steiner, and Teri Skillman for their assistance and feedback, however large or small. Discussing ideas, receiving their edits, hearing their motivational words, and having them come through for me with small technical issues has made all the difference in the world. My work would not have been possible without their assistance. Thank you to Dr. Katherine McQuiston and David A.M. Goldberg for inspiring my research. Their knowledge helped spark my thought processes and develop my theories. I am very grateful for Dr. -
Identity, Communities, and Technology on the Cusp of Change (Full Issue)
PSU McNair Scholars Online Journal Volume 3 Issue 1 Identity, Communities, and Technology: Article 23 On the Cusp of Change 2009 Identity, Communities, and Technology on the Cusp of Change (Full Issue) Follow this and additional works at: https://pdxscholar.library.pdx.edu/mcnair Let us know how access to this document benefits ou.y Recommended Citation (2009) "Identity, Communities, and Technology on the Cusp of Change (Full Issue)," PSU McNair Scholars Online Journal: Vol. 3: Iss. 1, Article 23. This open access Full Issue is distributed under the terms of the Creative Commons Attribution-NonCommercial- ShareAlike 4.0 International License (CC BY-NC-SA 4.0). All documents in PDXScholar should meet accessibility standards. If we can make this document more accessible to you, contact our team. I DENTITY, C OMMUNITIES AND T ECHNOLOGY O N THE C USP OF C HANGE 2009 McNair Scholars Online Journal The Ronald E. McNair Scholars Program at Portland State University (PSU) works with motivated and talented undergraduates who want to pursue PhDs. It introduces juniors and seniors who are first-generation and low-income, and/or members of under-represented groups to academic research and to effective strategies for getting into and graduating from PhD programs. The McNair Scholars Program has academic-year activities and a full-time summer research internship. Scholars take academic and skills-building seminars and workshops during the year, and each scholar works closely with a faculty mentor on original research in the summer. Scholars present their research findings at the McNair Summer Symposium and at other conferences, and are encouraged to publish their papers in the McNair Journal and other scholarly publications. -
Old Town Chinatown Development Plan Part 1
OLD TOWN / CHINATOWN DEVELOPMENT PLAN (PART 1 OF 3) ADOPTED BY CITY COUNCIL DECEMBER 1999 OLD TOWN/CHINATOWN DEVELOPMENT PLAN STEERING COMMITTEE Phil Kalberer, Chair Kalberer Company Chair, Vision Committee Anna Abraham Gregg Kantor Everett Station Lofts N.W. Natural Historic Old Town Association Mona Knapp Bruce Allen Bridgeview Community Margaret Bax Portland Development Commission Denis Lachman Bureau of Planning John Beardsley Old Town/Chinatown Property Owner Louis K.C. Lee Old Town/Chinatown Property Owner Doreen Binder Old Town/Chinatown Neighborhood Association Transition Projects, Inc. Dan Lenzen Kristin Calhoun Concept Entertainment Corp. Regional Arts & Cultural Council Old Town Arts & Entertainment Committee Rich Cassidy Karen Moore Bureau of Traffic Management SERA Architects Ed Chan Old Town/Chinatown Neighborhood Association Chinese Consolidated Benevolent Association Genny Nelson Vicky Diede Sisters of the Road Cafe Bureau of Transportation Engineering Old Town/Chinatown Neighborhood Association Sue Donaldson Nancy Sanders Bureau of Parks & Recreation Resident Old Town/Chinatown Neighborhood Association Richard Harris Central City Concern John Tess Heritage Investment Corp. Emily House Historic Old Town Business Association Port of Portland Beth Irwin Association for Portland Progress PROJECT COMMITTEE Rick Gustafson Eric Hovee Shiels Obletz Johnsen ED Hovee & Company Thomas Hacker J. Hahn Lee Will Dann J. Hahn Lee & Associates Brandon Sanchez Thomas Hacker & Associates Suenn Ho Suenn Ho Design Carla White John Southgate -
EXPOSE YOURSELF to ART Towards a Critical Epistemology of Embarrassment
EXPOSE YOURSELF TO ART Towards a Critical Epistemology of Embarrassment Gwyneth Siobhan Jones Goldsmiths University of London PhD Thesis 2013 1 I declare that the work presented in this thesis is my own. Gwyneth Siobhan Jones 2 ABSTRACT This thesis investigates the negative affect of ‘spectatorial embarrassment’, a feeling of exposure and discomfort sometimes experienced when looking at art. Two particular characteristics of embarrassment figure in the methodology and the outcome of this enquiry; firstly that embarrassment is marginal, of little orthodox value, and secondly, it is a personal experience of aversive self-consciousness. The experiential nature of embarrassment has been adopted throughout as a methodology and the embarrassments analysed are, for the most part, my own and based on ‘true’ experience. Precedent for this is drawn from ‘anecdotal theory’, which uses event and occasion in the origination of a counter-theory that values minor narratives of personal experience in place of the generalising and abstract tendencies of theory-proper. The context is a series of encounters with artworks by Gilbert & George, Jemima Stehli, Franko B, Adrian Howells, and Sarah Lucas. They are connected by their contemporaneity, their ‘British-ness’, and that they allow the spectator no comfortable position to look from. This enquiry engages with theories of ‘the gaze’ (as both aesthetic disinterest and a dubious sign of cultural competence) and the challenge to aesthetic disinterest made by ‘transgressive art’ which may provoke a more engaged, even embodied response. Each encounter sparks consideration of differing causes and outcomes of embarrassment that resonate beyond art to broader sociocultural territories particularly in terms of gender and class. -
CITY of PORTLAND, OREGON $163,500,000 $93,080,000 First Lien Sewer System First Lien Sewer System Revenue Bonds Revenue Refunding Bonds 2004 Series a 2004 Series B
NEW ISSUECOMPETITIVE via PDXAuction.com RATINGS: Moody’s Aaa BOOK-ENTRY ONLY Standard & Poor’s AAA (FSA-Insured) In the opinion of Preston Gates & Ellis LLP, Portland, Oregon, Bond Counsel, assuming compliance with certain covenants of the City, interest on the 2004 Bonds is excluded from the gross income of the owners of the 2004 Bonds for federal income tax purposes under existing law, as currently enacted and construed. Interest on the 2004 Bonds is not an item of tax preference for purposes of either individual or corporate alternative minimum tax. Interest on the 2004 Bonds may be indirectly subject to corporate alternative minimum tax and certain other taxes imposed on certain corporations as more fully described under the caption “TAX EXEMPTION” herein. Under the laws of the State of Oregon, as currently enacted and construed, the interest on the 2004 Bonds is exempt from Oregon personal income tax. Under the laws of the State of Oregon and current ordinances of Multnomah County, the interest on the 2004 Bonds is also exempt from personal income taxation by Multnomah County, Oregon. City of Portland Oregon $163,500,000 $93,080,000 First Lien Sewer System First Lien Sewer System Revenue Bonds Revenue Refunding Bonds 2004 Series A 2004 Series B BASE CUSIP: 736742 DATED: Date of Delivery DUE: As shown on inside cover The First Lien Sewer System Revenue Bonds, 2004 Series A (the “2004 Series A Bonds”) and the First Lien Sewer System Revenue Refunding Bonds, 2004 Series B (the “2004 Series B Bonds”), (collectively, the “2004 Bonds”) will be issued in registered book-entry form only, in denominations of $5,000 or integral multiples thereof. -
MAX Station Optimization Consolidating Four MAX Stations in Downtown Portland Contents Context & Background
MAX Station Optimization Consolidating four MAX Stations in Downtown Portland Contents Context & Background ................................................................................................................................. 3 The Portland Metropolitan Region is Growing ........................................................................................ 3 MAX Blue Line History .............................................................................................................................. 4 Jobs & Housing Access with an Equity Lens ............................................................................................ 5 Part of a Regional Focus on Transit Speed and Reliability ..................................................................... 6 Best Practices: Stop Spacing for Travel Time and Convenience ............................................................ 7 The Proposal and Decision Criteria ............................................................................................................. 9 Criteria: Proximity .................................................................................................................................. 10 Criteria: Access & Coverage.................................................................................................................... 15 Criteria: Safety ........................................................................................................................................ 18 Criteria: Ridership ................................................................................................................................. -
Public Public of Variety a Includes Brochure *This % Friday
CL HQ DU Michael T. Hensley, Outside In Mural In Outside Hensley, T. Michael Esplanade Eastbank Katz Vera the along RIGGA, , Gate Echo , at Central Library Central at , Stair Garden Kirkland, Larry CN ! GL , at the Portland Center for the Performing Arts Performing the for Center Portland the at , Bollards Folly Otani, Valerie Park Waterfront McCall Tom , Shift River Gregoire, Mathieu in the North Park Blocks Park North the in Bao Bao Xi'an & Tung Da as well. as artworks commissioned by other agencies agencies other by commissioned artworks *This brochure includes a variety of public public of variety a includes brochure *This % Friday. through Monday 8:00-6:00, are IL GQ CN Manuel Izquierdo, Izquierdo, Manuel Ilan Averbuch, Ilan Averbuch, Dana LynnLouis, James Carpenter, Portland Building at 1120 SW 5th. Hours 5th. SW 1120 at Building Portland Art Gallery on the second floor of the of floor second the on Gallery Art www.racc.org/publicart or visit the Public the visit or www.racc.org/publicart Terra Incognita to go collection, the about more out Spectral Dome Light Metabolic Shift Metabolic Dreamer leading Percent-for-Art programs.* To find To programs.* Percent-for-Art leading County, and manages one of the country’s the of one manages and County, , Pettygrove Park , Pettygrove , Rose Quarter , Rose Multnomah and Portland of City the for art , Pearl District commissions and maintains public maintains and commissions (RACC) , PCPA Regional Arts & Culture Council Culture & Arts Regional The P ORTLAND C ULTURAL T OURS EN J. Seward Johnson, Allow Me, in Pioneer Courthouse Square.