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Phil Mcminn and Lashings of Festive Gigs, Previews, Reviews and Releases
[email protected] nightshift.oxfordmusic.net Free every month NIGHTSHIFT Issue 209 December Oxford’s Music Magazine 2012 All aboard for photo: Jamie Beeden Raving, not drowning, with Oxford’s brightest electro-pop stars plus The Top 25 Oxford songs of the year Introducing Phil McMinn and lashings of festive gigs, previews, reviews and releases. NIGHTSHIFT: PO Box 312, Kidlington, OX5 1ZU. Phone: 01865 372255 DHP Concerts Presents TUE 27 NOV JUAN ZELADA £8 ADV | 18+ WED 06 FEB NEWS THE JERICHO LEDDRA CHAPMAN Nightshift: PO Box 312, Kidlington, OX5 1ZU Phone: 01865 372255 email: [email protected] TUE 29 NOV £7 ADV | 18+ O2 Academy2 MICHELE STODART THE JERICHO Oxford Online: nightshift.oxfordmusic.net £8 ADV | 18+ THU 14 (AVAILABLE) & FRI 15 FEB (SOLD OUT) SPRING OFFENSIVE were ALCOPOP! RECORDS release a THE JERICHO Friday 22nd named BBC Oxford’s Band Of new compilation album this month. STORNOWAY The Year for 2012 last month. `Alcopopular 5: A Hit Hiker’s Guide February Previous winners of the award To The UK’ is out on December FRI 30 NOV £15 ADV | ALL AGES th OXFORD TOWN HALL include Stornoway, Fixers and Little 10 and features 20 acts, including Fish. The award was announced Oxford’s Cellar Family. In typically THE MILK on the same night the band played inventive style the local label ALL AGES • £10 ADV £10 ADV | ALL AGES THU 21 FEB a sold-out show at East Oxford releases the album as a CD with an O 2 ACADEMY2 OXFORD ALT-TICKETS.CO.UK • 0844 871 8819 Conservative Club on James Street, ordnance survey map of Britain, so the location of the show having JAKE BUGG 'ALL OUR FAVOURITE STORIES' Debut album out now on iTunes & in all good record shops listeners can follow the tracklisting been made known to ticket-holders geographically, from Glasgow to FRI 30 NOV SOLD OUT | ALL AGES the day before. -
Downloads.Gigl.Org.Uk/Website/Parks People and Nature1.Pdf 8 Flores, T
AN ABSTRACT OF THE DISSERTATION OF Michelle Lee Talal for the degree of Doctor of Philosophy in Environmental Science presented on May 7, 2019 Title: Exploring Urban Parks: Plant Communities, Visitor Experiences, and Manager Perspectives in Portland, Oregon Abstract approved: ______________________________________________________ Mary V. Santelmann Urban parks are biodiversity hotspots within cities and have the potential to provide a range of socio-cultural benefits for people, but may not always meet the needs and desires of park visitors. A variety of land use practices and environmental factors affect urban park biodiversity and vegetation structure, composition, and ecological function, but more studies are needed to compare plant taxonomic composition, biodiversity patterns, and species traits across different types of urban green spaces. Additionally, there is a lack of research that explores park user experiences, vegetation perceptions, and accessibility issues in a range of urban park types interspersed throughout Portland using qualitative methods to observe and interview visitors on-site. More research is also needed that focuses on interviewing park managers about their perspectives on park benefits and management. The findings of my interdisciplinary dissertation may assist managers in their aims to achieve various ecological goals, as well as meet the needs and desires of park visitors within increasingly developed urban areas. The purpose of this research is three-fold, and includes examining: 1) The relationships between plant community composition, biodiversity patterns, environmental variables, and species traits in a range of urban parks in Portland, Oregon; 2) how the vegetation in these urban parks currently meets the needs and desires of visitors; and 3) how park managers currently manage vegetation in the parks to meet the needs and desires of visitors. -
Cymraeg at Pontio's Heart
Bangor University Students’ Union August 2013 English Language Issue No. 233 Newspaper FREE @SerenBangor Seren.Bangor.ac.uk - COMMUNITY EDITION - BOYCOTT OLYMPICS? INTERVIEW: NOODLE ONE FEELING THE HEAT Cymraeg at Pontio’s heart Main: e Pontio Centre is starting to come together Inset: Artistic Director, Elan ap Robert, at the Eisteddfod First Welsh language production announced By LJ TAYLOR the opening in September next year. ber of 2012, has nally started to take Deiniol Road in Lower Bangor, was said Ms ap Robert. ‘Chwalfa’ was published in 1946 shape in the last six months. home to the University’s Students’ Running up to the opening of the angor’s Pontio project will team and is now considered a Welsh liter- “ e cinema has a roof on it and the Union and eatr Gwynedd before building the Pontio Project will con- up with eatr Cymru to stage ary classic. Whilst set in the ctional metal frame of the building is clear. being knocked down to make way for tinue to organise a number of events the rst Welsh language perfor- quarry town Llechfaen, the story is e size and extent of it is also becom- the state-of-the-art building. Pontio, in Bangor for students and the local Bmance in the upcoming centre. actually based on the ‘Great Strike’ ing apparent” said Elen ap Robert, the when nished, will house a new Stu- community alike. e production, which was an- of Penrhyn Quarry in Bethesda some Artistic Director, at the Eisteddfod’s dents’ Union as well as lecture thea- eir next event, Grand Convert - nounced at this year’s Eisteddfod, forty years earlier, between 1900 and announcement. -
National Register of Historic Places J Registration Form I -S
NFS Form 10-900 OMB No. 1024-0018 (Rev. 10-90) r———— ————————, , ' "• ^ o-->~^ i United States Department of the Interior ^ i National Park Service i 9 : j National Register of Historic Places j Registration Form i_——— ~————--... — ..„ . „ • , -. ';; -,....T_- _si_il | This form is for use in nominating or requesting determinations for individual properties and districts. See instructions in How to Complete the National Register of Historic Places Registration Form (National Register Bulletin 16A). Complete each item by marking "x" in the appropriate box or by entering the information requested. If any item does not apply to the property being documented, enter "N/A" for "not applicable." For functions, architectural classification, materials, and areas of significance, enter only categories and subcategories from the instructions. Place additional entries and narrative items on continuation sheets (NPS Form 10-900a). Use a typewriter, word processor, or computer, to complete all items. 1. Name of Property______________________________________________________ historic name Laurelhurst Park other names/site number Ladd Park 2. Location street & number 3554 SE Ankeny Street_______________ rj not for publication city or town Portland________________________ Q vicinity state Oregon________ code OR county Multnomah_______ code 051 zip code 97204 3. State/Federal Agency Certification As the designated authority under the National Historic Preservation Act of 1986, as amended, I hereby certify that this X nomination __ request for determination of eligibility meets the documentation standards for registering properties in the National Register of Historic Places and meets the procedural and professional requirements set forth in 36 CFR Part 60. In my opinion, the property X meets __ does not meet the National Register Criteria. -
Idaho Interment Data Arranged Alphbetically
Idaho Interment Data Arranged Alphbetically copyright 2021 Jerry Olson 9/7/2021 Surveyor Age Burial Tombstone St. City Cemetery Adair, 1872-1964 Interred in Fresh NY Middle Fresh Pond Arthur Pond Crematory and Village Crematory Prentiss Columbarium, and Middle Village, New Columbariu York m Adams, 1877-1910 Fairmount Cemetery, Photo CO Denver Fairmount Wilbur Denver, Colorado, Cemetery Edward block 23, shares a "Edward" monument with his mother and stepfather. Alexander, J. H. Alley, 1861-1950 Buried in Odessa No Marker TX Odessa Odessa William G. Cemetery, Odessa, Cemetery Texas Almond, 1853-1926 Buried in Morris photo ID Boise Morris Hill Frank Hill Cemetery, Cemetery William Boise, Idaho, E 181 Gps of tombstone "William" 2 from Cemetery Rd Anderson, 1858-1929 Buried with his wife, photo ID Rexburg Rexburg Andrew Emily, in Rexburg Cemetery Smith Cemetery, Rexburg, Idaho Anderson, 1875-1953 Buried in Melrose CA Anaheim Melrose Edward S. Abbey Memorial Abbey Park, Anaheim, Memorial California Park Anderson, 1868-1927 Buried in Salt Lake photo UT Salt Lake Salt Lake Frank City Cemetery, Salt City City Lake City, Utah, B- Gps of gravestone Cemetery 10-8-3-W by Billion Graves from Google Earth: 40°46'31.1" 111°51'45.6" ± 10 ft. copyright 2020 Jerry Olson Idaho Interment Data A 1 copyright 2021 Jerry Olson 9/7/2021 Surveyor Age Burial Tombstone St. City Cemetery Anderson, 1851-1924 Buried in Nine Mile photo ID Wallace Nine Mile General Cemetery, Wallace, Cemetery Scott "Scott" Idaho Anderson, James H. Anderson, 1872-1941 Buried in Little photo ID Annis Little Butte Neil Butte Cemetery, Cemtery Alexander Annis, Idaho Angell, 1875-1968 Portland Memorial Photo OR Portland Portland Homer D. -
American Master George Carlson Between Two Worlds with Brad Overton Artists Celebrate the National Park Centennial Architecture in the West: from Texas to California
JUNE | JULY 2016 From Cowboy to Contemporary American Master George Carlson Between Two Worlds with Brad Overton Artists Celebrate the National Park Centennial Architecture in the West: From Texas to California plus:Master of Light Mark Laguё Perspective: Frida Kahlo [1907 –1954] The Ins and Outs of Absentee Bidding WESTERN VISTA WANDERINGS: ART ESCAPES IN PORTLAND, OREGON In this creative city, art isn’t just easy to find — it’s everywhere you look WRITTEN BY Marla Cimini Photo: Courtesy Portland Art Museum Offering an artistic odyssey, the city of dozens of institutions provide art education, from the Art Portland, Oregon, blends a range of art and Institute of Portland to the Le Cordon Bleu College of architectural styles, dating from thousands Culinary Arts to a recording arts school. of years ago with the tribes of the Pacific The Willamette River divides Portland across its Northwest to more contemporary offerings east and west shores, and Burnside Street splits the city that have inspired the slogan “Keep Portland north and south, respectively. Artful treasures are found Weird.” A diverse destination, the city of throughout each of Portland’s neighborhoods, from elite roughly 600,000 people attracts a melting galleries to DIY artisan festivals and splashes of public art. pot of individuals with varied interests and The city’s mild climate is best from June through earnest passions. September. But, rain or shine, wandering through Portland You’d be hard pressed to find another is delightful. As a pedestrian-friendly city, consider touring American destination with such a lengthy by bicycle on more than 300 miles of paths or travel via list of monikers: Rip City; Little Beirut; public transportation on the light rail or street car systems. -
0X0a I Don't Know Gregor Weichbrodt FROHMANN
0x0a I Don’t Know Gregor Weichbrodt FROHMANN I Don’t Know Gregor Weichbrodt 0x0a Contents I Don’t Know .................................................................4 About This Book .......................................................353 Imprint ........................................................................354 I Don’t Know I’m not well-versed in Literature. Sensibility – what is that? What in God’s name is An Afterword? I haven’t the faintest idea. And concerning Book design, I am fully ignorant. What is ‘A Slipcase’ supposed to mean again, and what the heck is Boriswood? The Canons of page construction – I don’t know what that is. I haven’t got a clue. How am I supposed to make sense of Traditional Chinese bookbinding, and what the hell is an Initial? Containers are a mystery to me. And what about A Post box, and what on earth is The Hollow Nickel Case? An Ammunition box – dunno. Couldn’t tell you. I’m not well-versed in Postal systems. And I don’t know what Bulk mail is or what is supposed to be special about A Catcher pouch. I don’t know what people mean by ‘Bags’. What’s the deal with The Arhuaca mochila, and what is the mystery about A Bin bag? Am I supposed to be familiar with A Carpet bag? How should I know? Cradleboard? Come again? Never heard of it. I have no idea. A Changing bag – never heard of it. I’ve never heard of Carriages. A Dogcart – what does that mean? A Ralli car? Doesn’t ring a bell. I have absolutely no idea. And what the hell is Tandem, and what is the deal with the Mail coach? 4 I don’t know the first thing about Postal system of the United Kingdom. -
Cultural Landscapes: an Argument for a Revised Cultural Landscape Selection Process
PRIORITIZING PLACE An Argument for a Revised Cultural Landscape Selection Process. A Portland, Oregon Case Study. Kelly Stoecklein June 2016 PRIORITIZING PLACE: An Argument for a Revised Cultural Landscape Selection Process. A Portland, Oregon Case Study. Submitted in partial fulfillment for the Master of Landscape Architecture Department of Landscape Architecture, University of Oregon APPROVAL PAGE STUDENT: Kelly Stoecklein PROJECT TITLE: CULTURAL LANDSCAPES: An Argument for a Revised Cultural Landscape Selection Process. A Portland, Oregon Case Study PROJECT CHAIR: Roxi Thoren PROJECT COMMITTEE MEMBErs: David Hulse and Dr. Chris Enright Roxi Thoren Date David Hulse Date Dr. Chris Enright Date ACKNOWLEDGMENTS I would like to thank my committee chair, Roxi Thoren, for her mentorship, guidance and support through the master’s project process. I would also like to thank my committee members, David Hulse and Dr. Chris Enright, for their dedication, structure and nurturing steadfastness throughout the project. A special thanks to Matthew Traucht and Charles Birnbaum from The Cultural Landscape Foundation, Thaisa Way from the Society of Architectural Historians, and Robert Melnick from the National Park Service for their cooperation and for offering an inside look into cultural landscape preservation practices. Thank you to the many experts I have turned to for information, feedback and suggested resources along the way. To our cohort, for being there through thick and thin along this wild three-year ride we have taken together. To my mother and sisters, for their continued reassurance and support throughout this experience. And to my father, for instilling in me all that he knew and loved about plants, people, and the landscape. -
Identity, Communities, and Technology on the Cusp of Change (Full Issue)
PSU McNair Scholars Online Journal Volume 3 Issue 1 Identity, Communities, and Technology: Article 23 On the Cusp of Change 2009 Identity, Communities, and Technology on the Cusp of Change (Full Issue) Follow this and additional works at: https://pdxscholar.library.pdx.edu/mcnair Let us know how access to this document benefits ou.y Recommended Citation (2009) "Identity, Communities, and Technology on the Cusp of Change (Full Issue)," PSU McNair Scholars Online Journal: Vol. 3: Iss. 1, Article 23. This open access Full Issue is distributed under the terms of the Creative Commons Attribution-NonCommercial- ShareAlike 4.0 International License (CC BY-NC-SA 4.0). All documents in PDXScholar should meet accessibility standards. If we can make this document more accessible to you, contact our team. I DENTITY, C OMMUNITIES AND T ECHNOLOGY O N THE C USP OF C HANGE 2009 McNair Scholars Online Journal The Ronald E. McNair Scholars Program at Portland State University (PSU) works with motivated and talented undergraduates who want to pursue PhDs. It introduces juniors and seniors who are first-generation and low-income, and/or members of under-represented groups to academic research and to effective strategies for getting into and graduating from PhD programs. The McNair Scholars Program has academic-year activities and a full-time summer research internship. Scholars take academic and skills-building seminars and workshops during the year, and each scholar works closely with a faculty mentor on original research in the summer. Scholars present their research findings at the McNair Summer Symposium and at other conferences, and are encouraged to publish their papers in the McNair Journal and other scholarly publications. -
Old Town Chinatown Development Plan Part 1
OLD TOWN / CHINATOWN DEVELOPMENT PLAN (PART 1 OF 3) ADOPTED BY CITY COUNCIL DECEMBER 1999 OLD TOWN/CHINATOWN DEVELOPMENT PLAN STEERING COMMITTEE Phil Kalberer, Chair Kalberer Company Chair, Vision Committee Anna Abraham Gregg Kantor Everett Station Lofts N.W. Natural Historic Old Town Association Mona Knapp Bruce Allen Bridgeview Community Margaret Bax Portland Development Commission Denis Lachman Bureau of Planning John Beardsley Old Town/Chinatown Property Owner Louis K.C. Lee Old Town/Chinatown Property Owner Doreen Binder Old Town/Chinatown Neighborhood Association Transition Projects, Inc. Dan Lenzen Kristin Calhoun Concept Entertainment Corp. Regional Arts & Cultural Council Old Town Arts & Entertainment Committee Rich Cassidy Karen Moore Bureau of Traffic Management SERA Architects Ed Chan Old Town/Chinatown Neighborhood Association Chinese Consolidated Benevolent Association Genny Nelson Vicky Diede Sisters of the Road Cafe Bureau of Transportation Engineering Old Town/Chinatown Neighborhood Association Sue Donaldson Nancy Sanders Bureau of Parks & Recreation Resident Old Town/Chinatown Neighborhood Association Richard Harris Central City Concern John Tess Heritage Investment Corp. Emily House Historic Old Town Business Association Port of Portland Beth Irwin Association for Portland Progress PROJECT COMMITTEE Rick Gustafson Eric Hovee Shiels Obletz Johnsen ED Hovee & Company Thomas Hacker J. Hahn Lee Will Dann J. Hahn Lee & Associates Brandon Sanchez Thomas Hacker & Associates Suenn Ho Suenn Ho Design Carla White John Southgate -
MAX Station Optimization Consolidating Four MAX Stations in Downtown Portland Contents Context & Background
MAX Station Optimization Consolidating four MAX Stations in Downtown Portland Contents Context & Background ................................................................................................................................. 3 The Portland Metropolitan Region is Growing ........................................................................................ 3 MAX Blue Line History .............................................................................................................................. 4 Jobs & Housing Access with an Equity Lens ............................................................................................ 5 Part of a Regional Focus on Transit Speed and Reliability ..................................................................... 6 Best Practices: Stop Spacing for Travel Time and Convenience ............................................................ 7 The Proposal and Decision Criteria ............................................................................................................. 9 Criteria: Proximity .................................................................................................................................. 10 Criteria: Access & Coverage.................................................................................................................... 15 Criteria: Safety ........................................................................................................................................ 18 Criteria: Ridership ................................................................................................................................. -
Public Public of Variety a Includes Brochure *This % Friday
CL HQ DU Michael T. Hensley, Outside In Mural In Outside Hensley, T. Michael Esplanade Eastbank Katz Vera the along RIGGA, , Gate Echo , at Central Library Central at , Stair Garden Kirkland, Larry CN ! GL , at the Portland Center for the Performing Arts Performing the for Center Portland the at , Bollards Folly Otani, Valerie Park Waterfront McCall Tom , Shift River Gregoire, Mathieu in the North Park Blocks Park North the in Bao Bao Xi'an & Tung Da as well. as artworks commissioned by other agencies agencies other by commissioned artworks *This brochure includes a variety of public public of variety a includes brochure *This % Friday. through Monday 8:00-6:00, are IL GQ CN Manuel Izquierdo, Izquierdo, Manuel Ilan Averbuch, Ilan Averbuch, Dana LynnLouis, James Carpenter, Portland Building at 1120 SW 5th. Hours 5th. SW 1120 at Building Portland Art Gallery on the second floor of the of floor second the on Gallery Art www.racc.org/publicart or visit the Public the visit or www.racc.org/publicart Terra Incognita to go collection, the about more out Spectral Dome Light Metabolic Shift Metabolic Dreamer leading Percent-for-Art programs.* To find To programs.* Percent-for-Art leading County, and manages one of the country’s the of one manages and County, , Pettygrove Park , Pettygrove , Rose Quarter , Rose Multnomah and Portland of City the for art , Pearl District commissions and maintains public maintains and commissions (RACC) , PCPA Regional Arts & Culture Council Culture & Arts Regional The P ORTLAND C ULTURAL T OURS EN J. Seward Johnson, Allow Me, in Pioneer Courthouse Square.