2Nd Infantry Division
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H3200 HEARTBREAK RIDGE (USA, 1986) (Other Titles: Gunny; Le Maitre De Guerre)
H3200 HEARTBREAK RIDGE (USA, 1986) (Other titles: Gunny; Le maitre de guerre) Credits: director, Clint Eastwood ; writer, James Carabatsos. Cast: Clint Eastwood, Martha Mason, Everett McGill, Moses Gunn. Summary: War melodrama set in 1983 in the U.S. and Grenada. There are no more wars to fight, but Gunnery Sergeant Tom Highway (Eastwood) still has a lot of fight left in him. He is on his last tour of duty before retirement, a battle- scarred veteran of Korea (Medal of Honor winner) and Vietnam going nose- to-nose with irreverent recruits and eyeball-to-eyeball with incompetent officers. He is also a closet romantic hoping to rekindle a relationship with his ex-wife (Mason). He is tested one final time as he leads his recon platoon in the 1983 U.S. invasion of Grenada. Adair, Gilbert. Hollywood’s Vietnam [GB] (p. 171) Ansen, David. “The arts: Movies: A new beach for an old leatherneck” Newsweek 108 (Dec 15, 1986), p. 83. [Reprinted in Film review annual 1987] Arnold, Christine. “Eastwood’s foul-mouthed Marine land” Miami herald (Dec 6, 1986), p. 1D. Attanasio, Paul. “Movies: Man o’ war: Eastwood’s troubled ‘Heartbreak ridge’” Washington post (Dec 5, 1986), p. C1. Benson, Sheila. “Movie review: Eastwood reworks misfits formula in routine ‘Ridge’” Los Angeles times (Dec 5, 1986), Calendar, p. 1. [Reprinted in Film review annual 1987] Blowen, Michael. Eastwood gets back to basic mayhem” Boston globe (Dec 5, 1986), Arts and film, p. 42. Canby, Vincent. “Film: Clint Eastwood in ‘Heartbreak ridge’” New York times 136 (Dec 5, 1986), p. -
The Graybeards Presidential Envoy to UN Forces: Kathleen Wyosnick the Magazine for Members and Veterans of the Korean War
Staff Officers The Graybeards Presidential Envoy to UN Forces: Kathleen Wyosnick The Magazine for Members and Veterans of the Korean War. P.O. Box 3716, Saratoga, CA 95070 The Graybeards is the official publication of the Korean War Veterans Association, PH: 408-253-3068 FAX: 408-973-8449 PO Box, 10806, Arlington, VA 22210, (www.kwva.org) and is published six times Judge Advocate: Sherman Pratt per year for members of the Association. 1512 S. 20th St., Arlington, VA 22202 PH: 703-521-7706 EDITOR Vincent A. Krepps 24 Goucher Woods Ct. Towson, MD 21286-5655 Dir. for Washington, DC Affairs: J. Norbert Reiner PH: 410-828-8978 FAX: 410-828-7953 6632 Kirkley Ave., McLean, VA 22101-5510 E-MAIL: [email protected] PH/FAX: 703-893-6313 MEMBERSHIP Nancy Monson National Chaplain: Irvin L. Sharp, PO Box 10806, Arlington, VA 22210 16317 Ramond, Maple Hights, OH 44137 PH: 703-522-9629 PH: 216-475-3121 PUBLISHER Finisterre Publishing Incorporated National Asst. Chaplain: Howard L. Camp PO Box 12086, Gainesville, FL 32604 430 S. Stadium Dr., Xenia, OH 45385 E-MAIL: [email protected] PH: 937-372-6403 National KWVA Headquarters Korean Ex-POW Associatiion: Elliot Sortillo, President PRESIDENT Harley J. Coon 2533 Diane Street, Portage, IN 56368-2609 4120 Industrial Lane, Beavercreek, OH 45430 National VA/VS Representative: Norman S. Kantor PH: 937-426-5105 or FAX: 937-426-8415 2298 Palmer Avenue, New Rochelle, NY 10801-2904 E-MAIL: [email protected] PH: 914-632-5827 FAX: 914-633-7963 Office Hours: 9am to 5 pm (EST) Mon.–Fri. -
The Squad Leader Makes the Difference
The Squad Leader Makes the Difference Readings on Combat at the Squad Level Volume I Lieutenant M.M. Obalde and Lieutenant A.M. Otero United States Marine Corps Marine Corps Warfighting Lab Marine Corps Combat Development Command Quantico, Virginia 22134 August 1998 1 United States Marine Corps Marine Corps Warfighting Lab Marine Corps Combat Development Command Quantico, Virginia 22134 May 1998 FOREWORD In combat, the actions of individual leaders affect the outcome of the entire battle. Squad leaders make decisions and take actions which can affect the operational and strategic levels of war. Well-trained squad leaders play an important role as combat decisionmakers on the battlefield. Leaders who show initiative, judgment, and courage will achieve decisive results not only at the squad level, but in the broader context of the battle. Without competent squad leaders, capable of carrying out a commander’s intent, even the best plans are doomed to failure. This publication illustrates how bold, imaginative squad leaders impact the outcome of a battle or campaign. The historical examples here represent some of the cases in which squad leaders were able to change the course of history. In each case, the squad leader had to make a quick decision without direct orders, act independently, and accept responsibility for the results. Short lessons are presented at the end of each story. These lessons should help you realize how important your decisions are to your Marines and your commander. In combat, you must think beyond the squad level. You must develop opportunities for your commander to exploit. Your every action must support your commander’s intent. -
Clint Eastwood
Kültür ue Sanat SPAGETT› WESTERNLERDEN OSCAR'LI YÖNETMENL›–E CLINT EASTWOOD 31 Mayıs 1930 / San Francisco doumlu olan ve çocukluunun büyük bir kısmını California'da geçiren aktör, liseyi bitirdikten sonra Oragon'da kerestecilikle ura˛tı, hatta bir ara orduda yüz- me öretmenlii bile yaptı. Los Angeles fiehir Kolejinde eitim gören aktör, Universal ile an- la˛arak 1955 yılında "Francis in the Navy" adlı filmde rol aldı. Pek çok B-tipi filmde rol alan aktör, New York'a geçti ve 1959-1966 yılları ara- sında western TV dizisi "Rawhide"da oynadı. Televizyonda edindii tecrübeyle birlikte oyun- culuunda minimalist bir üslup yakalayan East- wood, Avrupa'ya geçti ve spagetti western türü- nün unutulmaz yönetmeni Sergio Leone'nin spagetti üçlüsünde oynadı. 1964 yılında "Bir Avuç Dolar ›çin" (A Fistful of Dollars) ile "her- kes ya zengin olur ya da ölür" temasından yola çıkarak kanlı kovboy filmleri serisine ba˛layan aktör, ba˛ı bo˛ gezen ve acımasız Amerikalı kovboy portresiyle dünyaca üne kavu˛tu. ›ki yıl sonra "Birkaç Dolar ›çin" (For A Few Dollars More) ve efsane "›yi, Kötü ve Çirkin" (The Go- od, The Bad and The Ugly) filmlerinde oynayan Oyunculua televizyondaki western filmleriyle aktör, revizyonist western türünün klasiklerine ba˛layan Clint Eastwood, kısa zamanda dünyaca imza attı. Seyirciler bu filmlerde yaratılan sessiz ünlü bir yıldız haline geldi. Kariyeri boyunca kahramanı sevdiler, ne kadar az konu˛ursa etki- oyunculuun yanı sıra yapımcı ve yönetmen si de o kadar güçlü oluyordu sanki... Clint'in yönleriyle de ön plana çıkan aktör, uzun boylu, sessiz ama anlamlı duru˛ları Leone'nin de gör- sessiz ve kaba kovboy tiplemesiyle 1960'lı yılla- sel üslubuyla birle˛erek Eastwood'un ilk sine- rın sinemasında bir ikon haline geldi. -
The 2Nd Infantry Division's Assault on Korea's
United States Military Academy USMA Digital Commons USMA Research Papers 10-2018 Fire and Maneuver: The 2nd nfI antry Division’s Assault on Korea’s “Punchbowl” Bryan Gibby United States Military Academy, [email protected] Follow this and additional works at: https://digitalcommons.usmalibrary.org/ usma_research_papers Part of the Asian History Commons, Military History Commons, and the United States History Commons Recommended Citation Gibby, Bryan, "Fire and Maneuver: The 2nd nfaI ntry Division’s Assault on Korea’s “Punchbowl”" (2018). USMA Research Papers. 51. https://digitalcommons.usmalibrary.org/usma_research_papers/51 This Article is brought to you for free and open access by USMA Digital Commons. It has been accepted for inclusion in USMA Research Papers by an authorized administrator of USMA Digital Commons. For more information, please contact [email protected]. Fire and Maneuver: The 2nd Infantry Division’s Assault on Korea’s “Punchbowl,” August–October 1951 Colonel Bryan R. Gibby “Fire without movement is indecisive. Exposed movement without fire is disastrous. There must be effective fire combined with skillful movement.”1 In war there may not be authoritative rules to follow, but there are nuggets of wisdom, and the lead sentences of this chapter comprise one of them—commanders disregard the synergy between fire and combined- arms maneuver at their (and their Soldiers’) peril. An attacker advancing against a prepared enemy resorts to various expedients to dislocate or degrade defensive fires. Obfuscation by darkness, smoke, or fog is one effective method, as is the exploitation of surprise, or the utilization of covered and concealed avenues of approach. -
The Korean War
N ATIO N AL A RCHIVES R ECORDS R ELATI N G TO The Korean War R EFE R ENCE I NFO R MAT I ON P A P E R 1 0 3 COMPILED BY REBEccA L. COLLIER N ATIO N AL A rc HIVES A N D R E C O R DS A DMI N IST R ATIO N W ASHI N GTO N , D C 2 0 0 3 N AT I ONAL A R CH I VES R ECO R DS R ELAT I NG TO The Korean War COMPILED BY REBEccA L. COLLIER R EFE R ENCE I NFO R MAT I ON P A P E R 103 N ATIO N AL A rc HIVES A N D R E C O R DS A DMI N IST R ATIO N W ASHI N GTO N , D C 2 0 0 3 United States. National Archives and Records Administration. National Archives records relating to the Korean War / compiled by Rebecca L. Collier.—Washington, DC : National Archives and Records Administration, 2003. p. ; 23 cm.—(Reference information paper ; 103) 1. United States. National Archives and Records Administration.—Catalogs. 2. Korean War, 1950-1953 — United States —Archival resources. I. Collier, Rebecca L. II. Title. COVER: ’‘Men of the 19th Infantry Regiment work their way over the snowy mountains about 10 miles north of Seoul, Korea, attempting to locate the enemy lines and positions, 01/03/1951.” (111-SC-355544) REFERENCE INFORMATION PAPER 103: NATIONAL ARCHIVES RECORDS RELATING TO THE KOREAN WAR Contents Preface ......................................................................................xi Part I INTRODUCTION SCOPE OF THE PAPER ........................................................................................................................1 OVERVIEW OF THE ISSUES .................................................................................................................1 -
Big Bear Back Country Off-Highway Vehicle
Travel Analysis Report United States Department of Big Bear Back Country Place Agriculture Off-Highway Vehicle Use Forest Service November 2015 Mountaintop Ranger District, San Bernardino National Forest San Bernardino County, California For More Information Contact: Tasha Hernandez, Environmental Coordinator San Bernardino National Forest [email protected] 909-382-2905 In accordance with Federal civil rights law and U.S. Department of Agriculture (USDA) civil rights regulations and policies, the USDA, its Agencies, offices, and employees, and institutions participating in or administering USDA programs are prohibited from discriminating based on race, color, national origin, religion, sex, gender identity (including gender expression), sexual orientation, disability, age, marital status, family/parental status, income derived from a public assistance program, political beliefs, or reprisal or retaliation for prior civil rights activity, in any program or activity conducted or funded by USDA (not all bases apply to all programs). Remedies and complaint filing deadlines vary by program or incident. Persons with disabilities who require alternative means of communication for program information (e.g., Braille, large print, audiotape, American Sign Language, etc.) should contact the responsible Agency or USDA’s TARGET Center at (202) 720-2600 (voice and TTY) or contact USDA through the Federal Relay Service at (800) 877-8339. Additionally, program information may be made available in languages other than English. To file a program discrimination complaint, complete the USDA Program Discrimination Complaint Form, AD-3027, found online at http://www.ascr.usda.gov/complaint_filing_cust.html and at any USDA office or write a letter addressed to USDA and provide in the letter all of the information requested in the form. -
XXIV:9) Clint Eastwood, the OUTLAW JOSEY WALES (1976, 135 Min.)
Please turn off cellphones during screening March 20, 2012 (XXIV:9) Clint Eastwood, THE OUTLAW JOSEY WALES (1976, 135 min.) Directed by Clint Eastwood Screenplay by Philip Kaufman and Sonia Chernus Based on the novel by Forrest Carter Produced by Robert Daley Original Music by Jerry Fielding Cinematography by Bruce Surtees Film Editing by Ferris Webster Clint Eastwood…Josey Wales Chief Dan George…Lone Watie Sondra Locke…Lee Bill McKinney…Terrill John Vernon…Fletcher Paula Trueman…Grandma Sarah Sam Bottoms...Jamie Geraldine Keams…Little Moonlight Woodrow Parfrey…Carpetbagger John Verros…Chato Will Sampson…Ten Bears John Quade…Comanchero Leader John Russell…Bloody Bill Anderson Charles Tyner…Zukie Limmer John Mitchum…Al Kyle Eastwood…Josey's Son Richard Farnsworth…Comanchero 1996 National Film Registry 1983 Sudden Impact, 1982 Honkytonk Man, 1982 Firefox, 1980 Bronco Billy, 1977 The Gauntlet, 1976 The Outlaw Josey Wales, 1975 The Eiger Sanction, 1973 Breezy, 1973 High Plains Drifter, Clint Eastwood (b. Clinton Eastwood Jr., May 31, 1930, San 1971 Play Misty for Me, and 1971 The Beguiled: The Storyteller. Francisco, California) has won five Academy Awards: best He has 67 acting credits, some of which are 2008 Gran Torino, director and best picture for Million Dollar Baby (2004), the 2004 Million Dollar Baby, 2000 Space Cowboys, 1999 True Irving G. Thalberg Memorial Award (1995) and best director and Crime, 1997 Absolute Power, 1995 The Bridges of Madison best picture for Unforgiven (1992). He has directed 35 films, County, 1993 A Perfect -
FEATURE DIRECTOR POSITION the POST Steven Spielberg Military
FEATURE DIRECTOR POSITION THE POST Steven Spielberg Military Technical Advisor THE 15:17 TO PARIS Clint Eastwood Senior Military Technical Advisor THE KILL TEAM Dan Krauss 1 Force, Inc Technical Advisors THE WEEK OF Robert Smigel Military Technical Advisor THE LAST FULL MEASURE Todd Robinson Senior Military Technical Advisor AMERICAN ASSASSIN Michael Cuesta Reshoot Military Advisor SICARIO: DAY OF THE SOLDADO Stefano Sollima Military Technical Advisor JACOB’S LADDER David Rosenthal Military Technical Advisor BLOOD BROTHERS (short) Max Chernov Military Technical Advisor MEGAN LEAVEY Gabriela Cowperthwaite Senior Military Technical Advisor ARRIVAL Denis Villeneuve Military Technical Advisor CAPTAIN AMERICA: CIVIL WAR Anthony & Joe Russo Military Consultant WAR DOGS Todd Phillips Military Technical Advisor AMERICAN SNIPER Clint Eastwood Senior Military Technical Advisor SPECTRAL Nic Mathieu Senior Military Technical Advisor TERMINATOR: GENESIS Alan Taylor Senior Military Technical Advisor BATMAN VS SUPERMAN Zack Snyder Military Technical Advisor UNBROKEN Angelina Jolie Military Technical Advisor GODZILLA (2014) Gareth Edwards Military Technical Advisor IRON MAN 3 (2nd Unit) Shane Black Military Technical Advisor EMPEROR Peter Webber ADR Military Consultant AFTER EARTH M. Night Shyamalan Military Technical Advisor MAN OF STEEL Zack Snyder Military Technical Advisor X-MEN: FIRST CLASS (2nd Unit) Matthew Vaughn Military Technical Advisor THE LUCKY ONE Scott Hicks Senior Military Technical Advisor SUPER 8 J. J. Abrams Senior Military Technical -
There's a Theremin on the Radio!
A monthly guide to your community library, its programs and services Issue No. 244, July 2009 Library schedule The library will be closed Saturday, There’s a Theremin on July 4. Beginning July 11, the library will be open 9 a.m. to 1 p.m. on Satur- days. The library will be open Satur- the Radio! days from 9 a.m. to 5 p.m. beginning September 19. The library is closed on Guess what? “There’s a Ther- Theremin on the Radio! Sundays during the summer. emin on the Radio!” Everyone knows Thereminist Kip Rosser ap- what a radio is, but have you ever plies his delightful blend of music heard of the theremin? and madness to a twisted history of Derek Smith at Gala Invented between 1919 and the incredible relationship between The Library Foundation’s Sixth In- 1920, the theremin was the world’s the theremin and the radio . and spiration Gala, at the library on Sep- first fully electronic musical instru- himself. He tells it all through child- tember 12, will feature entertainment ment. Most astonishing, though, is hood musings and music, from clas- by Derek Smith. London-born Smith that it remains the only musical in- sic sci-fi movies to top 10 radio hits got his start in jazz with Johnny strument ever invented that is played like the Beach Boys’ classic, Good Dankworth’s fabled British big band. without being touched (trust us; you Vibrations. Described by critics as “fiery,” “pas- have to see it to believe it). Join us for a night of amazing sionate” and “having an evil left hand,” On July 15 at 8 p.m., Sound- sounds, as the theremin makes the Smith has performed with a roster of Swap presents Kip Rosser: There’s a jump from the radio to our stage. -
Clint Eastwood Heartbreak Ridge and Vets of a Forgotten
Clint . ~as1wood, Hear;tb~E{ak Ridge.~ allP 'yets. Qf a forgOifE!n wqr - :· '' f>: _:_ ' ' ---·-· ~-'~'· ..:..· __.._ . ....;:;-~ t:.,..' · _· ..:..';·:_/· _;,:~·.;;.: ·~-·: _. · _. ·._ .;,;: . ~:.~!;': .: . :.? : .,:. j . <~~ ;: '·. ·.' ·; - . Korean War army_ veterans · are · · ~; ·;.;.: · .,~ . ·· ,.. removed, are "shooting from the. hip.'' Filming began at the Marine base of fighting mad at the mayor of Carmel, 1 . Smith Hemps,one :,s . They say th·e movie is a character study, Camp Pendleton in.California, and in calif_ . r <~·. , .' · -- ~ ·r:: · · .·not a war movie, and that the "heart- theCaribbean . rt seems that Clint Eastwood, the DirtY: ~· Koto-ri and T.any ano~h~. forgotten_ (ex- ~ break" involved is 91d gunney's lbss of There the matter stood until July, 26, Harry of Califomi<J politics - he occal" cept by those who we~e there) battles-. ..::. his woman. .. · - - ~,'f· when Mr. Temple and some of his bud- sionally undertakes an ..acti~g role - is' there were -no Mari_ne un}ts in~olved in :~'' But that's not good enough for Bill dies wrote to the Commandant of the playmg the male lead ·in a ·bazooka · the month - l~ng struggle _.for Hil.ts 931, ··. lemple," a twice-wounded Second In- · Marines, Gen: p'.x. -Kelley, who had open cal.led "Heartbreak Ridge," which · 894 and 851 , the Heartoreak R1dge of fantry Division veteran, who fought in served in Korea a5 a -shavetail second Warner Brothers will •. release this real fife: ._.( . · . · · - ,. ·. · Korea as an 18-year-old. ~ ~·, lieutenant. Ceo:· ~elley, who knows a Christma:S ~ · '<: :; : ':· :l ;· Sure, Marine pilots flew · ·ground- ·. · "This.is a visual age," says Mr.~Tem- firestorm brewing' ~hen he begins to support sorties for the Army. -
Professor Thomas Schatz (WWH 415; [email protected]) Office Hours: TTH, 3:30‐5:00Pm Or by Appointment
RTF 370 Film Analysis and Criticism Topic: Eastwood (Spring 2011) Instructor: Professor Thomas Schatz (WWH 415; [email protected]) Office hours: TTH, 3:30‐5:00pm or by appointment Assistant: Annie Petersen ([email protected]) Office Hours: 1:00‐2:00pm or by appointment (in CMA lobby) Requirements: • attendance and class participation [25% of grade] • blog posts [25% of grade] – assignment on separate handout • research paper (10‐12 pages) [25% of grade] – assignment on separate handout • Final essay exam [25% of grade] Readings: Books (available at the University Coop): • Clint Eastwood: Interviews, Robert E. Kapsis, Kathie Coblentz, eds. (Univ. of Mississippi Press, 1999) • Clint Eastwood, Actor and Director: New Perspecitves, Leonard Engel, ed. (Univ. of Utah Press, 2007) Reading Packet (available at Jenn’s on 26th and Guadalupe) • Additional required readings are included in a reading packet Other miscellaneous readings, etc., will be posted on the course blog (see below). Screenings: • Required "lab" (CinemaTexas) screenings in CMA 3.116 on Wednesdays at 7:30pm. • Recommended screenings: Note that there are a number of recommended screenings (one per week) throughout the semester. While these are not required, they will be covered in lectures. All are readily available via Netflix, VOD, etc. You are encouraged to screen these films on your own. Course blog: A website for the course has been created at http://rtfeastwood.wordpress.com. This blog will be utilized for a range of course‐related activities and assignments, including a least four posts in the course of the semester – “thought pieces” of 400‐600 words responding to a specific film or reading or issue raised in class lectures and discussions.