Cents and Sensibility General: Pretending to Represent One Discipline Or School When Actually Acting According to the Norms of Another
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Barbara Herrnstein Smith Publications Books 1968 Poetic Closure
Barbara Herrnstein Smith Publications Books AUTHORED 1968 Poetic Closure: A Study of How Poems End. Chicago: University of Chicago Press. Reissued, 2007. 1978 On the Margins of Discourse: The Relation of Literature to Language. Chicago: University Chicago Press. 1988 Contingencies of Value: Alternative Perspectives for Critical Theory. Cambridge, MA: Harvard University Press. 1997 Belief and Resistance: Dynamics of Contemporary Intellectual Controversy. Cambridge, MA: Harvard University Press. 2005/6 Scandalous Knowledge: Science, Truth and the Human. Edinburgh UK: University of Edinburgh Press/ Durham, NC: Duke U Press. 2009 Natural Reflections: Human Cognition at the Nexus of Science and Religion. New Haven, CT: Yale University Press. EDITED 1964 Discussions of Shakespeare's Sonnets; edited. Boston: D.C. Heath and Company. 1969 Shakespeare's Sonnets; edited and introduced. New York: Avon Books; NYU Press. 1991 The Politics of Liberal Education; co-edited with Darryl Gless and introduced. Durham, NC: Duke University Press. 1997 Mathematics, Science, and Postclassical Theory; co-edited with Arkady Plotnitsky and introduced. Durham, NC: Duke University Press. Articles, Reviews, and Chapters in Collections 1966 “‘Sorrow's Mysteries’: Keats's ‘Ode on Melancholy’.” Studies in English Literature, 1500-1900 vol.6, no. 4, 679-91. 1969 “The New Imagism,” Midway: A Magazine of Discovery in the Arts & Sciences vol. 9, no. 3, 27-44. 1973 Review of Paul Hernadi, Beyond Genre: New Directions in Literary Classification (Ithaca, NY 1973). Journal of Aesthetics and Art Criticism vol. 32, no. 2, 296-98. 1974 “Poetic Closure,” art. The Princeton Encyclopedia of Poetry and Poetics, ed. Alex Preminger et al (Princeton, NJ: Princeton University Press) 964-65 and revised, The New Princeton Encyclopedia of Poetry and Poetics eds. -
Economies of Russian Literature 1830-1850 by Jillian
Money and Mad Ambition: Economies of Russian Literature 1830-1850 By Jillian Elizabeth Porter A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in Slavic Languages and Literatures in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Harsha Ram, chair Professor Irina Paperno Professor Luba Golburt Professor Victoria Bonnell Spring 2011 Money and Mad Ambition: Economies of Russian Literature 1830-1850 © 2011 by Jillian Elizabeth Porter 1 Abstract Money and Mad Ambition: Economies of Russian Literature 1830-1850 by Jillian Elizabeth Porter Doctor of Philosophy in Slavic Languages and Literatures University of California, Berkeley Professor Harsha Ram, chair This dissertation offers a sustained examination of the economic paradigms that structure meaning and narrative in Russian literature of the 1830s-1840s, the formative years of nineteenth-century Russian prose. Exploring works by Alexander Pushkin, Nikolai Gogol, Fyodor Dostoevsky, and Faddei Bulgarin, I view tropes such as spending, counterfeiting, hoarding, and gambling, as well as plots of mad or blocked ambition, in relation to the cultural and economic history of Nicholas I’s reign and in the context of the importation of economic discourse and literary conventions from abroad. Furthermore, I consider the impact of culturally and economically conditioned affects—ambition, avarice, and embarrassment—on narrative tone. From the post-Revolutionary French plot of social ambition to -
Michael Valdez Moses Professor of Literature and the Humanities Smith
Michael Valdez Moses Professor of Literature and the Humanities Smith Institute for Political Economy & Philosophy Argyros School of Business & Economics Chapman University One University Drive Orange, CA 92866 Ph: (714) 516-4561 (919) 724-9468 Beckett Building 131 [email protected] Associate Emeritus Professor Duke University [email protected] Academic Positions 2019- Professor of Literature and the Humanities, Smith Institute for Political Economy and Philosophy and Argyros School of Business & Economics, Chapman University Associate Emeritus Professor, Duke University 1994-2019 Associate Professor of English & Affiliated Member of the Faculty in the Program in Literature, Duke University 1988-94 Andrew W. Mellon Assistant Professor of English, Duke University 1987 Assistant Professor of English, Duke University 1986-87. Instructor, Department of English, University of Virginia Visiting Appointments 2018-19 Visiting Professor of Literature and the Humanities, Smith Institute for Political Economy and Philosophy & Argyros School of Business and Economics, Chapman University, Orange, CA 2010 Maclean Distinguished Visiting Professor, Colorado College, CO 2000-01. Duke Endowment Fellow, National Humanities Center, NC 1994 Visiting Fellow, Humanities Research Centre, Australian National University USIA Visiting Professor, Universitat Autónoma de Barcelona 1992 Research Associate, University of Virginia 1990 USIA Visiting Professor, Université Cadi Ayyad, Marrakech, Morocco Visiting Scholar, English Studies Research Centre, University of -
Bakhtin's Theory of the Literary Chronotope: Reflections, Applications, Perspectives
literary.chronotope.book Page 3 Tuesday, May 4, 2010 5:47 PM View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Hochschulschriftenserver - Universität Frankfurt am Main BAKHTIN'S THEORY OF THE LITERARY CHRONOTOPE: REFLECTIONS, APPLICATIONS, PERSPECTIVES Nele Bemong, Pieter Borghart, Michel De Dobbeleer, Kristoffel Demoen, Koen De Temmerman & Bart Keunen (eds.) literary.chronotope.book Page 4 Tuesday, May 4, 2010 5:47 PM © Academia Press Eekhout 2 9000 Gent T. (+32) (0)9 233 80 88 F. (+32) (0)9 233 14 09 [email protected] www.academiapress.be The publications of Academia Press are distributed by: Belgium: J. Story-Scientia nv Wetenschappelijke Boekhandel Sint-Kwintensberg 87 B-9000 Gent T. 09 255 57 57 F. 09 233 14 09 [email protected] www.story.be The Netherlands: Ef & Ef Eind 36 NL-6017 BH Thorn T. 0475 561501 F. 0475 561660 Rest of the world: UPNE, Lebanon, New Hampshire, USA (www.upne.com) Nele Bemong, Pieter Borghart, Michel De Dobbeleer, Kristoffel Demoen, Koen De Temmerman & Bart Keunen (eds.) Bakhtin's Theory of the Literary Chronotope: Reflections, Applications, Perspectives Proceedings of the workshop entitled “Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives” (27-28 June 2008) supported by the Royal Flemish Academy for Sciences and the Arts. Gent, Academia Press, 2010, v + 213 pp. ISBN 978 90 382 1563 1 D/2010/4804/84 U 1414 Layout: proxess.be Cover: Steebz/KHUAN No part of this publication may be reproduced in print, by photocopy, microfilm or any other means, without the prior written permission of the publisher. -
Dostoevsky's Religion
Dostoevsky Studies, New Series, Vol. XIII (2009), pp. 23-35 CAROL APOLLONIO Duke University Dostoevsky’s Religion: Words, Images, and the Seed of Charity To write and then go and dump it all on a passage from the Gospels is awfully theological. Resolving everything with a passage from the Gospels is just as arbitrary as dividing the prisoners into five categories. Why five and not ten? Why a passage from the Gospels and not from the Koran? First you have to make people believe in the Gospels, make them believe that they are the truth, and then you can resolve everything with a passage from them. (Anton Chekhov)1 Fyodor Dostoevsky was a Russian Orthodox believer for whom the image of Christ was a “symbol of faith” so powerful that he would choose it over proven truth.2 So it would seem surprising that neither Orthodox symbols, dogma, and ritual, nor the iconic image of Christ figure prominently in the writer’s great novels.3 At key moments, the verifiable markers of the Orthodox faith recede and give way to more dangerous elements: Maria Timofeevna Lebiadkina’s occult obsessions, for exam- ple, or the pagan motifs surrounding Alyosha Karamazov’s fall to the 1 Anton Chekhov, writing about Lev Tolstoy’s novel Resurrection in a letter to Mikhail O. Menshikov, 28 January 1900. Anton Chekhov and his Times, ed. Andrei Turkov; tr. Cynthia Carlile and Sharon McKee (Little Rock: University of Arkansas Press, 1995), p. 313 (Original in Polnoe sobranie sochinenii i pisem, Pis’ma, vol. 9 [Moscow: Nauka, 1980], p. -
The Aphorism: Fragments from the Breakdown of Reason
The Aphorism: Fragments from the Breakdown of Reason Gary Saul Morson I. Genre and Short Forms 1. aphorism, dictum, maxim, slogan, witticism, hypothesis, thought, and many other terms for short expressions have no clear definition and are used in contradictory or overlapping ways. A book of aphorisms often contains expressions that in another classification would be called witticisms and maxims. Moreover, some of these terms are often used to refer to any short expression (broad definition) and to a particular type (narrow). 2. Vagueness serves the anthologizer. In The Oxford Book of Aphorisms, editor John Gross begins by reminding us that the earliest aphorisms to go by that name were a collection of medical sayings by Hippocrates; that when the term was revived in the Renaissance it first referred to such essentially mnemonic statements, but that by the eighteenth century it had come to denote “the formulation of a moral or philo- sophical principle,” a comment on some aspect of experienced life, and so had completely changed its meaning. So Dr. Johnson could define aphorism as “a maxim; a precept contracted in a short sentence; an unconnected position.” It must stand by itself (unconnected), be brief, and treat a moral topic—but so do most short expressions. Johnson is evidently formulating the broad definition, which would include witti- cisms and maxims.1 Gross at first offers a narrower definition that might distinguish the aphorism from other short expressions. Yet his constant qualifications defeat the attempt, which is perhaps his point. The aphorism, he tells us, is often malicious, but sometimes consoling. -
The Long and Short of It : from Aphorism to Novel / Gary Saul Morson
THE LONG AND SHORT O F I T THE L O N G A N D SHORT OF I T FROM APHORISM TO NOVEL GARY SA U L MO R S O N STA NFO R D UNI VERSITY P RESS STA NFO R D , CAL I F O R N I A Stanford University Press Stanford, California © by the Board of Trustees of the Leland Stanford Junior University. All rights reserved. No part of this book may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying and recording, or in any information storage or retrieval system without the prior written permission of Stanford University Press. Printed in the United States of America on acid-free, archival-quality paper Library of Congress Cataloging-in-Publication Data Morson, Gary Saul, – author. The long and short of it : from aphorism to novel / Gary Saul Morson. pages cm Includes bibliographical references and index. ---- (cloth : alk. paper) — ---- (pbk. : alk. paper) . Aphorisms and apothegms—History and criticism. Wit and humor—History and criticism. Epigram. Literary form. I. Title. . '.—dc Typeset by Bruce Lundquist in / Minion FOR KATIE They were arguing about something complex and important, and neither one of them could convince the other. They did not agree about anything, and that made their dispute all the more engaging and endless. —Mikhail Bulgakov, The Master and Margarita ACK NOWL E DGM E N T S Some thirty years ago, my former teacher, the late Martin Price, commenting on my first book, remarked that my style tended to the aphoristic and sug- gested that I might someday examine the form systematically. -
Studies in 20Th & 21St Century Literature Reviews
Studies in 20th & 21st Century Literature Volume 14 Issue 2 Article 11 May 2014 Reviews Follow this and additional works at: https://newprairiepress.org/sttcl Part of the French and Francophone Literature Commons, German Language and Literature Commons, Modern Literature Commons, and the Spanish and Portuguese Language and Literature Commons This work is licensed under a Creative Commons Attribution-Noncommercial-No Derivative Works 4.0 License. Recommended Citation (1990) "Reviews," Studies in 20th & 21st Century Literature: Vol. 14: Iss. 2, Article 11. https://doi.org/ 10.4148/2334-4415.1259 This Book Review is brought to you for free and open access by New Prairie Press. It has been accepted for inclusion in Studies in 20th & 21st Century Literature by an authorized administrator of New Prairie Press. For more information, please contact [email protected]. Reviews Abstract Michael Issacharoff. Discourse as Performance. Stanford: Stanford University Press, 1989. vii + 161 pp. Reviewed by Gerald Prince, University of Pennsylvania Thomas M. Kavanagh, ed. The Limits of Theory. Stanford: Stanford University Press, 1989. 254 pp. Reviewed by André J.M. Prévos, Pennsylvania State University, Worthington Scranton Campus Wendy B. Faris. Labyrinths of Language: Symbolic Landscape and Narrative Design in Modern Fiction. Baltimore and London: The Johns Hopkins Press, 1988. 242 pp. Reviewed by Carol Rigolot, Princeton University Eve Tavor Bannet. Structuralism and the Logic of Dissent: Barthes, Derrida, Foucault, Lacan. Urbana and Chicago: University of Illinois Press, 1989. 299 pp. Reviewed by Andrew J. McKenna, Loyoyla University of Chicago Gary Saul Morson and Caryl Emerson, eds. Rethinking Bakhtin: Extensions and Challenges. Evanston: Northwestern University Press, 1989. -
CV Emerson May2020
Caryl Emerson (May 2020) -1- CARYL EMERSON A. Watson Armour III University Professor of Slavic Languages and Literatures, Emeritus Princeton University 67 Dempsey Avenue Department of Slavic Languages Princeton, NJ 08540-3464 and Literatures phone: (609) 683-5227 249 East Pyne Princeton University [email protected] Princeton, NJ 08544-5264 Employment Professor of Slavic Languages and Literatures and of Comparative Literature ....................................................................... Princeton University (1988-2015) Professor of Slavic Language and Literatures ............................................... Princeton University (1987-88) Associate Professor of Russian Literature ......................................................... Cornell University (1986-87) Assistant Professor of Russian Literature .......................................................... Cornell University (1980-86) Assistant Professor in Russian Area Studies ............................... Windham College, Putney, VT (1972-76) Instructor in Russian Area Studies .................................................................... Windham College (1970-71) Teacher, American History, Lawrenceville High School .................................. Lawrenceville, NJ (1968-70) Education Ph.D. in Comparative Literature ............................................ University of Texas at Austin, 1980 M.A.T. in Russian Language Teaching ................................................. Harvard University, 1968 M.A. in Russian Studies ........................................................................ -
Bakhtin's Theory of the Literary Chronotope: Reflections, Applications, Perspectives
literary.chronotope.book Page 3 Tuesday, May 4, 2010 5:47 PM BAKHTIN'S THEORY OF THE LITERARY CHRONOTOPE: REFLECTIONS, APPLICATIONS, PERSPECTIVES Nele Bemong, Pieter Borghart, Michel De Dobbeleer, Kristoffel Demoen, Koen De Temmerman & Bart Keunen (eds.) literary.chronotope.book Page 4 Tuesday, May 4, 2010 5:47 PM © Academia Press Eekhout 2 9000 Gent T. (+32) (0)9 233 80 88 F. (+32) (0)9 233 14 09 [email protected] www.academiapress.be The publications of Academia Press are distributed by: Belgium: J. Story-Scientia nv Wetenschappelijke Boekhandel Sint-Kwintensberg 87 B-9000 Gent T. 09 255 57 57 F. 09 233 14 09 [email protected] www.story.be The Netherlands: Ef & Ef Eind 36 NL-6017 BH Thorn T. 0475 561501 F. 0475 561660 Rest of the world: UPNE, Lebanon, New Hampshire, USA (www.upne.com) Nele Bemong, Pieter Borghart, Michel De Dobbeleer, Kristoffel Demoen, Koen De Temmerman & Bart Keunen (eds.) Bakhtin's Theory of the Literary Chronotope: Reflections, Applications, Perspectives Proceedings of the workshop entitled “Bakhtin’s Theory of the Literary Chronotope: Reflections, Applications, Perspectives” (27-28 June 2008) supported by the Royal Flemish Academy for Sciences and the Arts. Gent, Academia Press, 2010, v + 213 pp. ISBN 978 90 382 1563 1 D/2010/4804/84 U 1414 Layout: proxess.be Cover: Steebz/KHUAN No part of this publication may be reproduced in print, by photocopy, microfilm or any other means, without the prior written permission of the publisher. literary.chronotope.book Page i Tuesday, May 4, 2010 5:47 PM I CONTENTS Preface . -
Prosaics and Other Provocations Empathy, Open Time, and the Novel Ars Rossica
Prosaics and Other Provocations Empathy, Open Time, and the Novel Ars rossica Series Editor: David BETHEA (University of Wisconsin — Madison) Prosaics and Other Provocations Empathy, Open Time, And The Novel Gary Saul MOrSOn BOSTOn /2013 Library of Congress Cataloging-in-Publication Data: A catalog record for this book as available from the Library of Congress. Copyright © 2013 Academic Studies Press All rights reserved ISBN 978-1-61811-161-6 (hardback) ISBN 978-1-61811-183-8 (electronic) Cover design by Ivan Grave On the cover: “Harvest at Black Walnut Inn,” photograph by Steven Blumenkranz, 2008. Published by Academic Studies Press in 2013 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com Effective December 12th, 2017, this book will be subject to a CC-BY-NC license. To view a copy of this license, visit https://creativecommons.org/licenses/by-nc/4.0/. Other than as provided by these licenses, no part of this book may be reproduced, transmitted, or displayed by any electronic or mechanical means without permission from the publisher or as permitted by law. The open access publication of this volume is made possible by: This open access publication is part of a project supported by The Andrew W. Mellon Foundation Humanities Open Book initiative, which includes the open access release of several Academic Studies Press volumes. To view more titles available as free ebooks and to learn more about this project, please visit borderlinesfoundation.org/open. Published by Academic Studies Press 28 Montfern Avenue Brighton, MA 02135, USA [email protected] www.academicstudiespress.com For Jonathan and Fran Table of Contents Acknowledgements VIII Preface (by David Bethea) X Abbreviations XXI Introduction 1 Part One. -
2. Seeing Backwards: Raphael’S Portrait of Nikolai Vasil’Evich Gogol1 Ilya Vinitsky
M Reading Backwards An Advance Retrospective on Russian Literature READING BACKWARDS EDITED BY MUIREANN MAGUIRE AND TIMOTHY LANGEN An Advance Retrospective This book outlines with theoretical and literary historical rigor a highly innovative approach to the writing of Russian literary history and to the reading of canonical Russian texts. on Russian Literature AGUI —William Mills Todd III, Harvard University Russian authors […] were able to draw their ideas from their predecessors, but also from their successors, R testifying to the open-mindedness that characterizes the Slavic soul. This book restores the truth. E AND —Pierre Bayard, University of Paris 8 This edited volume employs the paradoxical notion of ‘anticipatory plagiarism’—developed in the 1960s L by the ‘Oulipo’ group of French writers and thinkers—as a mode for reading Russian literature. Reversing established critical approaches to the canon and literary influence, its contributors ask us to consider how ANGEN reading against linear chronologies can elicit fascinating new patterns and perspectives. Reading Backwards: An Advance Retrospective on Russian Literature re-assesses three major nineteenth- century authors—Gogol, Dostoevsky and Tolstoy—either in terms of previous writers and artists who ( plagiarized them (such as Raphael, Homer, or Hall Caine), or of their own depredations against later writers EDS (from J.M. Coetzee to Liudmila Petrushevskaia). ) R ) Far from suggesting that past authors literally stole from their descendants, these engaging essays, contributed by both early-career and senior scholars of Russian and comparative literature, encourage us to identify the contingent and familiar within classic texts. By moving beyond rigid notions of cultural heritage and literary canons, they demonstrate that inspiration is cyclical, influence can flow in multiple directions, and no idea is ever truly original.