Katakana-English in a World of Englishes: Identification and Recognition
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The Japanese Writing Systems, Script Reforms and the Eradication of the Kanji Writing System: Native Speakers’ Views Lovisa Österman
The Japanese writing systems, script reforms and the eradication of the Kanji writing system: native speakers’ views Lovisa Österman Lund University, Centre for Languages and Literature Bachelor’s Thesis Japanese B.A. Course (JAPK11 Spring term 2018) Supervisor: Shinichiro Ishihara Abstract This study aims to deduce what Japanese native speakers think of the Japanese writing systems, and in particular what native speakers’ opinions are concerning Kanji, the logographic writing system which consists of Chinese characters. The Japanese written language has something that most languages do not; namely a total of three writing systems. First, there is the Kana writing system, which consists of the two syllabaries: Hiragana and Katakana. The two syllabaries essentially figure the same way, but are used for different purposes. Secondly, there is the Rōmaji writing system, which is Japanese written using latin letters. And finally, there is the Kanji writing system. Learning this is often at first an exhausting task, because not only must one learn the two phonematic writing systems (Hiragana and Katakana), but to be able to properly read and write in Japanese, one should also learn how to read and write a great amount of logographic signs; namely the Kanji. For example, to be able to read and understand books or newspaper without using any aiding tools such as dictionaries, one would need to have learned the 2136 Jōyō Kanji (regular-use Chinese characters). With the twentieth century’s progress in technology, comparing with twenty years ago, in this day and age one could probably theoretically get by alright without knowing how to write Kanji by hand, seeing as we are writing less and less by hand and more by technological devices. -
Writing As Aesthetic in Modern and Contemporary Japanese-Language Literature
At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Washington 2021 Reading Committee: Edward Mack, Chair Davinder Bhowmik Zev Handel Jeffrey Todd Knight Program Authorized to Offer Degree: Asian Languages and Literature ©Copyright 2021 Christopher J Lowy University of Washington Abstract At the Intersection of Script and Literature: Writing as Aesthetic in Modern and Contemporary Japanese-language Literature Christopher J Lowy Chair of the Supervisory Committee: Edward Mack Department of Asian Languages and Literature This dissertation examines the dynamic relationship between written language and literary fiction in modern and contemporary Japanese-language literature. I analyze how script and narration come together to function as a site of expression, and how they connect to questions of visuality, textuality, and materiality. Informed by work from the field of textual humanities, my project brings together new philological approaches to visual aspects of text in literature written in the Japanese script. Because research in English on the visual textuality of Japanese-language literature is scant, my work serves as a fundamental first-step in creating a new area of critical interest by establishing key terms and a general theoretical framework from which to approach the topic. Chapter One establishes the scope of my project and the vocabulary necessary for an analysis of script relative to narrative content; Chapter Two looks at one author’s relationship with written language; and Chapters Three and Four apply the concepts explored in Chapter One to a variety of modern and contemporary literary texts where script plays a central role. -
Legacy Character Sets & Encodings
Legacy & Not-So-Legacy Character Sets & Encodings Ken Lunde CJKV Type Development Adobe Systems Incorporated bc ftp://ftp.oreilly.com/pub/examples/nutshell/cjkv/unicode/iuc15-tb1-slides.pdf Tutorial Overview dc • What is a character set? What is an encoding? • How are character sets and encodings different? • Legacy character sets. • Non-legacy character sets. • Legacy encodings. • How does Unicode fit it? • Code conversion issues. • Disclaimer: The focus of this tutorial is primarily on Asian (CJKV) issues, which tend to be complex from a character set and encoding standpoint. 15th International Unicode Conference Copyright © 1999 Adobe Systems Incorporated Terminology & Abbreviations dc • GB (China) — Stands for “Guo Biao” (国标 guóbiâo ). — Short for “Guojia Biaozhun” (国家标准 guójiâ biâozhün). — Means “National Standard.” • GB/T (China) — “T” stands for “Tui” (推 tuî ). — Short for “Tuijian” (推荐 tuîjiàn ). — “T” means “Recommended.” • CNS (Taiwan) — 中國國家標準 ( zhôngguó guójiâ biâozhün) in Chinese. — Abbreviation for “Chinese National Standard.” 15th International Unicode Conference Copyright © 1999 Adobe Systems Incorporated Terminology & Abbreviations (Cont’d) dc • GCCS (Hong Kong) — Abbreviation for “Government Chinese Character Set.” • JIS (Japan) — 日本工業規格 ( nihon kôgyô kikaku) in Japanese. — Abbreviation for “Japanese Industrial Standard.” — 〄 • KS (Korea) — 한국 공업 규격 (韓國工業規格 hangug gongeob gyugyeog) in Korean. — Abbreviation for “Korean Standard.” — ㉿ — Designation change from “C” to “X” on August 20, 1997. 15th International Unicode Conference Copyright © 1999 Adobe Systems Incorporated Terminology & Abbreviations (Cont’d) dc • TCVN (Vietnam) — Tiu Chun Vit Nam in Vietnamese. — Means “Vietnamese Standard.” • CJKV — Chinese, Japanese, Korean, and Vietnamese. 15th International Unicode Conference Copyright © 1999 Adobe Systems Incorporated What Is A Character Set? dc • A collection of characters that are intended to be used together to create meaningful text. -
Japanese Language and Culture
NIHONGO History of Japanese Language Many linguistic experts have found that there is no specific evidence linking Japanese to a single family of language. The most prominent theory says that it stems from the Altaic family(Korean, Mongolian, Tungusic, Turkish) The transition from old Japanese to Modern Japanese took place from about the 12th century to the 16th century. Sentence Structure Japanese: Tanaka-san ga piza o tabemasu. (Subject) (Object) (Verb) 田中さんが ピザを 食べます。 English: Mr. Tanaka eats a pizza. (Subject) (Verb) (Object) Where is the subject? I go to Tokyo. Japanese translation: (私が)東京に行きます。 [Watashi ga] Toukyou ni ikimasu. (Lit. Going to Tokyo.) “I” or “We” are often omitted. Hiragana, Katakana & Kanji Three types of characters are used in Japanese: Hiragana, Katakana & Kanji(Chinese characters). Mr. Tanaka goes to Canada: 田中さんはカナダに行きます [kanji][hiragana][kataka na][hiragana][kanji] [hiragana]b Two Speech Styles Distal-Style: Semi-Polite style, can be used to anyone other than family members/close friends. Direct-Style: Casual & blunt, can be used among family members and friends. In-Group/Out-Group Semi-Polite Style for Out-Group/Strangers I/We Direct-Style for Me/Us Polite Expressions Distal-Style: 1. Regular Speech 2. Ikimasu(he/I go) Honorific Speech 3. Irasshaimasu(he goes) Humble Speech Mairimasu(I/We go) Siblings: Age Matters Older Brother & Older Sister Ani & Ane 兄 と 姉 Younger Brother & Younger Sister Otooto & Imooto 弟 と 妹 My Family/Your Family My father: chichi父 Your father: otoosan My mother: haha母 お父さん My older brother: ani Your mother: okaasan お母さん Your older brother: oniisanお兄 兄 さん My older sister: ane姉 Your older sister: oneesan My younger brother: お姉さ otooto弟 ん Your younger brother: My younger sister: otootosan弟さん imooto妹 Your younger sister: imootosan 妹さん Boy Speech & Girl Speech blunt polite I/Me = watashi, boku, ore, I/Me = watashi, washi watakushi I am going = Boku iku.僕行 I am going = Watashi iku く。 wa. -
C0G Dielectric, 10 – 250 VDC (Commercial Grade)
Surface Mount Multilayer Ceramic Chip Capacitors (SMD MLCCs) C0G Dielectric, 10 – 250 VDC (Commercial Grade) Overview KEMET’s C0G dielectric features a 125°C maximum circuit applications or those where Q and stability of operating temperature and is considered “stable.” capacitance characteristics are required. C0G exhibits no The Electronics Components, Assemblies & Materials change in capacitance with respect to time and voltage and Association (EIA) characterizes C0G dielectric as a boasts a negligible change in capacitance with reference to Class I material. Components of this classification are ambient temperature. Capacitance change is limited to temperature compensating and are suited for resonant ±30 ppm/ºC from −55°C to +125°C. Benefits • −55°C to +125°C operating temperature range • Lead (Pb)-free, RoHS, and REACH compliant • EIA 0201, 0402, 0603, 0805, 1206, 1210, 1808, 1812, 1825, 2220, and 2225 case sizes • DC voltage ratings of 10 V, 16 V, 25 V, 50 V, 100 V, 200 V, and 250 V • Capacitance offerings ranging from 0.5 pF up to 0.47 μF • Available capacitance tolerances of ±0.10 pF, ±0.25 pF, ±0.5 pF, ±1%, ±2%, ±5%, ±10%, and ±20% • No piezoelectric noise • Extremely low ESR and ESL • High thermal stability • High ripple current capability Ordering Information C 1206 C 104 J 3 G A C TU Rated Case Size Specification/ Capacitance Capacitance Failure Rate/ Termination Packaging/ Ceramic Voltage Dielectric (L" x W") Series1 Code (pF) Tolerance2 Design Finish3 Grade (C-Spec) (VDC) 0201 C = Two significant digits B = ±0.10 pF 8 = 10 G = C0G A = N/A C = 100% Matte Sn See 0402 Standard and number of zeros. -
JFP Reference Manual 5 : Standards, Environments, and Macros
JFP Reference Manual 5 : Standards, Environments, and Macros Sun Microsystems, Inc. 4150 Network Circle Santa Clara, CA 95054 U.S.A. Part No: 817–0648–10 December 2002 Copyright 2002 Sun Microsystems, Inc. 4150 Network Circle, Santa Clara, CA 95054 U.S.A. All rights reserved. This product or document is protected by copyright and distributed under licenses restricting its use, copying, distribution, and decompilation. No part of this product or document may be reproduced in any form by any means without prior written authorization of Sun and its licensors, if any. Third-party software, including font technology, is copyrighted and licensed from Sun suppliers. Parts of the product may be derived from Berkeley BSD systems, licensed from the University of California. UNIX is a registered trademark in the U.S. and other countries, exclusively licensed through X/Open Company, Ltd. Sun, Sun Microsystems, the Sun logo, docs.sun.com, AnswerBook, AnswerBook2, and Solaris are trademarks, registered trademarks, or service marks of Sun Microsystems, Inc. in the U.S. and other countries. All SPARC trademarks are used under license and are trademarks or registered trademarks of SPARC International, Inc. in the U.S. and other countries. Products bearing SPARC trademarks are based upon an architecture developed by Sun Microsystems, Inc. The OPEN LOOK and Sun™ Graphical User Interface was developed by Sun Microsystems, Inc. for its users and licensees. Sun acknowledges the pioneering efforts of Xerox in researching and developing the concept of visual or graphical user interfaces for the computer industry. Sun holds a non-exclusive license from Xerox to the Xerox Graphical User Interface, which license also covers Sun’s licensees who implement OPEN LOOK GUIs and otherwise comply with Sun’s written license agreements. -
Introduction to the Special Issue on Japanese Geminate Obstruents
J East Asian Linguist (2013) 22:303-306 DOI 10.1007/s10831-013-9109-z Introduction to the special issue on Japanese geminate obstruents Haruo Kubozono Received: 8 January 2013 / Accepted: 22 January 2013 / Published online: 6 July 2013 © Springer Science+Business Media Dordrecht 2013 Geminate obstruents (GOs) and so-called unaccented words are the two properties most characteristic of Japanese phonology and the two features that are most difficult to learn for foreign learners of Japanese, regardless of their native language. This special issue deals with the first of these features, discussing what makes GOs so difficult to master, what is so special about them, and what makes the research thereon so interesting. GOs are one of the two types of geminate consonant in Japanese1 which roughly corresponds to what is called ‘sokuon’ (促音). ‘Sokon’ is defined as a ‘one-mora- long silence’ (Sanseido Daijirin Dictionary), often symbolized as /Q/ in Japanese linguistics, and is transcribed with a small letter corresponding to /tu/ (っ or ッ)in Japanese orthography. Its presence or absence is distinctive in Japanese phonology as exemplified by many pairs of words, including the following (dots /. / indicate syllable boundaries). (1) sa.ki ‘point’ vs. sak.ki ‘a short time ago’ ka.ko ‘past’ vs. kak.ko ‘paranthesis’ ba.gu ‘bug (in computer)’ vs. bag.gu ‘bag’ ka.ta ‘type’ vs. kat.ta ‘bought (past tense of ‘buy’)’ to.sa ‘Tosa (place name)’ vs. tos.sa ‘in an instant’ More importantly, ‘sokuon’ is an important characteristic of Japanese speech rhythm known as mora-timing. It is one of the four elements that can form a mora 1 The other type of geminate consonant is geminate nasals, which phonologically consist of a coda nasal and the nasal onset of the following syllable, e.g., /am. -
Japanese Input Method Independent of Applications
JAPANESE INPUT METHOD INDEPENDENT OF APPLICATIONS By Takahide Honma, Hiroyoshi Baba, and Kuniaki Takizawa ABSTRACT The Japanese input method is a complex procedure involving preediting operations. An application that accepts Japanese from an input device must have three systems for the input method: a keybinding system, a manipulator for preediting, and a kana-to-kanji conversion system. Various keybinding systems and manipulators accelerate input operations. Our implementation separates an application from the Japanese input method in three layers. An application can use a front-end input processor to perform all operations including I/O. An application can use the henkan (conversion) module and implement I/O operation itself. An application can execute all operations except keybinding, which is handled by an input method library. INTRODUCTION In this paper, we first present an overview of the technical environment of the Japanese input method implementation. Based on this overview, we briefly describe the critical engineering issues for conversion of Digital's products for the Japanese user. Our most critical engineering issue was the reduction of similar (but slightly different) work to localize products. Another issue was to satisfy customers' requests for the ability to use the many input styles familiar to them. We describe our approach to the development of a Japanese input method that overcomes these issues by separating the input method from an application in three layers. OVERVIEW OF THE JAPANESE INPUT METHOD In this section, we describe Japanese input and string manipulation from the perspective of both the user and the application. Based on these descriptions, we present a brief overview of reengineering a product for Japanese users and a summary of the industry's complex techniques developed for Japanese input methods. -
Iso/Iec Jtc1/Sc2/Wg2 N3422r3 2008-05-02
Doc No.: Korea JTC1/SC2 K1647-1C (.hwp) K1647-2C (.pdf) ISO/IEC JTC1/SC2/WG2 N3422R3 2008-05-02 Universal Multiple Octet Coded Character Set International Organization for Standardization Organisation internationale de normalisation Международная организация по стандартизации Doc Type: Working Group Document Title: An introduction of Korean Standard KS X 1026-1:2007, Hangul processing guide for information interchange Source: Kim, Kyongsok, Head of delegation Status: Korea National Body Action: For consideration by JTC1/SC2/WG2 and UTC Date: 2008-05-02 1. Background Ÿ Some confusion as to representing Hangul in UCS. Ÿ Also a discrepancy between ISO/IEC 10646 and Unicode in representing Hangul. Ÿ Clarify these points and establish guidelines so that Hangul can be processed and interchanged without confusion --> KS X 1026-1 2. Title and scope of KS X 1026-1 Ÿ Title: Information Technology - Universal Multiple Octet Coded Character Set - Hangul - Part 1 Hangul Processing Guide for Information Interchange Ÿ Scope: ... the representation format and processing method of Hangul used for interchanging information ... 3. Two major types of Hangul blocks 1) Wanseong (Precomposed) Hangul Syllable block (UAC00 ~ D7A3) 2) Johab Hangul Jamo block (U11xx + more letters in Amd5) Ÿ some confusion as to how these code positions can be concatenated -1 4. KS X 1026-1 1) Modern Hangul Syllable Blocks - Only code positions of Wanseong (Precomposed) Hangul Syllable block (UAC00 ~ D7A3) 2) Old Hangul Syllable Blocks - Only code positions of Johab Hangul Jamo block (U11xx) 3) Two or more code positions of simple letters cannot be concatenated to represent a complex letter. -
Japanese Typing Tutorial (For Mac): コンピュータで日本語
JPN_Typing_Tutorial_Mac.doc Japanese Typing Tutorial (for Mac): コンピュータで日本語 1. Enable Japanese language features 1) In the Microsoft Office 2004 folder on your hard disk, open the Additional Tools folder, and then open the Microsoft Language Register folder. 2) Drag the Microsoft Word icon on top of the Microsoft Language Register utility. 3) In the Select the language to enable for pop-up menu, click Japanese. Note After running the Microsoft Language Register program, you should select the Japanese keyboard layout provided with the Apple OS, or a third-party keyboard layout of your choice. To do so, open System Preferences, click International, and then click the Input Menu tab. 4) In the menu bar at the top of the screen do you see American flag icon or “A” in the black box? Click the icon, and choose [あ] Hiragana. 2. How to Type ひらがな 2.1 Romaji Typing System When you type Japanese, you have to use Romanization because HIRAGANA or KATAKANA is not listed on your keyboard. But the Romanization you are supposed to use for the word processor is not quite the same as the one you learned in class. You have to interpret Romanization as a mere substitution for the written syllables, HIRAGANA. You first have to consider how the word you want to type is written in HIRAGANA and then transcribe each HIRAGANA character into corresponding romaji. After typing in the Romanization, hit ‘Enter’ key (do not hit ‘Space’ key before hitting ‘Enter’ key, that will convert HIRAGNA into Kanji). Hit space key after each word if you want to have a space. -
Kodiak Native Wellness News Kodiak Area Native Association
Qik’rtarmiut Asiitmen Kodiak Native Wellness News Kodiak Area Native Association Promoting wellness & knowledge for Kodiak’s Native People SPRING - UGNERKAQ 2013 KANA Clinic Reception Area Remodel Complete! KANA is continually seeking ways to improve the quality of care and service our Beneficiaries receive. Through venues like our Community Forums, Patient Experience Survey Cards, and Board Meetings, we have had the opportunity to hear from our Beneficiaries concerning areas identified as needing improvement. In response to feedback from our Beneficiaries and staff, the KANA Main Clinic lobby and front desk area recently underwent a significant remodel. Instead of separate Registration and Scheduling areas, we now have a centralized registration desk. In addition to our new sleek appearance, we have made improvements to the functionality of the space to increase Beneficiary privacy and confidentiality. With this central registration desk, we have streamlined the Praznick Celebrations Fun For All Ages! process for patients by providing a single point of contact for those checking in for There were over 200 people in attendance to Afognak, with door prizes donated by many appointments, scheduling appointments, and ring in the Russian New Year at the Masquerade local businesses.Thank you to all who donated updating patient information. Ball! Live music was provided by the Bethel gifts and their time in making this a memorable Band at the Sun’aq Tribal Hall, hosted by the evening. Special thanks to Meta Carlson and We appreciate your feedback and hope you Sun’ami Elders Council. Participants of all ages Bertha Malutin for preparing a wonderful like the changes we are making to improve enjoyed dancing, door prizes, adult and kids meal! Congratulations to all the winners of the your experiences here at KANA. -
Table of Hiragana Letters Pdf
Table of hiragana letters pdf Continue Hiragana is one of three sets of characters used in Japanese. Each letter of Hiragana is a special syllable. The letter itself doesn't make sense. Hiragan is widely used to form a sentence. You can download/print the Hiragan chart (PDF) of all Hiragana's letters. The origin of Hiragan あ か た ま や the original 安 加 太 末 也 of Hiragan was developed in the 8th-10th century by simplifying the shape of specific kanji symbols. Compared to Katakana, Hiragana's letters have more curved lines. Number of letters In modern Japanese 46 basic letters of Hiragana. In addition to these 46 main letters, called gojon, there are modified forms to describe more time - 20 dakun, 5 handakuon, 36 y'on, 1 sokuon and 6 additional letters. Frequently asked questions: What are the letters with the bar on top ( Yap.) ? Gojaon 【五⼗⾳】 Goyon-【五⼗⾳図】 In Japanese, syllables are organized as a table (5 x 10). This table is called goj'on-zu (literally means a table of 50 sounds). The alphabets of Hiragan and Katakana are used to describe these sounds. Letters い, う and え appear more than once in the table. These 5 duplicates (grey) are usually missed or ignored. It includes ん syllable. It does not belong to any row or column. In total, 46 letters (45'1) are considered goj'on (50 sounds). You can learn the goj'on letters on the Hiragan course: Part 1-10. The structure of table First row - あ, い, う, え and お - five vowels of Japanese.