Alphabetical Listing of SID Award Winners, with Award Citations
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Trinitron Color TV
2-639-961-11 (1) Trinitron Color TV Operating Instructions GB • Before operating the unit, please read this manual thoroughly and retain it for future reference. KV-SA322 KV-SA282 M31 © 2005 Sony Corporation 01GB01COV-SOEMOce.p651 11/7/05, 10:34 am Black Sony KV-SA322M31 Group R1 (GB)_2-639-961-11 (1) WARNING • Dangerously high voltages are present inside the TV. • TV operating voltage: 220 – 240 V AC. • Do not plug in the power cord until you have completed making all other connections; otherwise a minimum leakage current might flow through the antenna and other terminals to ground. • To avoid battery leakage and damage to the remote, remove the batteries from the remote if you are not going to use it for several days. If any liquid leaks from the batteries and touches your skin, immediately wash it away with water. For your own safety, do not touch For children’s safety, do not leave To prevent fire or shock hazard, do any part of the TV, the power cord children alone with the TV. Do not not expose the TV to rain or and the antenna cable during allow children to climb onto it. moisture. lightning storms. Do not place any objects on the TV. Do not operate the TV if any liquid Install the TV on a stable TV stand The apparatus shall not be or solid object falls into it. Have it and floor which can support the exposed to dripping or splashing checked immediately by qualified TV set weight. Ensure that the TV and that no objects filled with personnel only. -
Tools(6120).Pdf
CTL Electronics was founded four years ago in New York City by C .T . Lui . Lui had previously worked in the design of video systems, and had extensive experience in electronic component, circuit and systems design . Not only does Lui set high standards for servicing equipment, but he also designed and produced a series of new video designs . Among the designs are the CTL Colorizer, Gen Lock, Wireless Camera, and Keying System . New video designs are under development . A Publi- cations Group has been established to print new information about the rapidly expanding video tech- nology . "Video Tools" is our first publication . The Egg Store is a production and editing facility developed by CTL Electronics and Frank Cavestani . It offers an environment for experimenting in the , arts and technology of video production . CTL has , also opened a branch in Washington, D . C . It is a credit to Lui that this publication was produced . It was a learning experience for all of us . Clockwise from top left : C .T . Lui ; Howard Mandel ;, Frank Cavestani ; Nancy Levco ; John Brumage; Lui i Cyril Griffin ; Aramis Fernandez ; Rodger Janpol ; Su'qui Verde ; Vilai Chuarphanich ; Frank ; Paula Jaffe i; Lynda Rodol i tz ; Jagat Ramdi n ; Janet Gri ff Ln i; Jimi Griffin (drawing) ; Shridhar Bapat ; Raphael Garcia ; Lynda ; Paula (Arline Dreiblatt in back) ; Cy ; Captain Lui . mark brownstone john brumage Closed Circuit Systems arline dreiblatt Cameras Janet griffin Monitors jim griffin Pierre jouchmans Tape Systems c :t . lui VTRs 1yn -4a rodal1tz Editing Standardization Cartridge Systems , _ , New Panasonic Systems ., : y . Sony Cassette {'Vl'dea Tools" 1$ a publication of =CTL Electronics, Inc . -
Sony Corporation
SONY CORPORATION GRIFFIN CONSULTING GROUP Hao Tang Rahul Misra Ellie Shanholt April 2012 CONTENTS Executive Summary ..................................................................................................................... 3 Company Overview and History .............................................................................................. 4 Financial Analysis ........................................................................................................................ 6 Liquidity .................................................................................................................................... 6 Profitability ............................................................................................................................... 7 Operating Efficiency ................................................................................................................ 9 Stock Performance ................................................................................................................... 9 Segments and Locations ........................................................................................................ 12 Competitive Analysis ................................................................................................................ 14 Internal Rivalry: ..................................................................................................................... 14 Entry ........................................................................................................................................ -
AD Mike Bohn Could Leave for USC Pg. 3
The News Record @NewsRecord_UC /TheNewsRecord @thenewsrecord Wednesday, November 6, 2019 HOMECOMING 2O19 pg. 3 | Homecoming pg. 4 | What will go in pg. 8 | AD Mike Bohn events around campus UC’s time capsule? could leave for USC PHOTO: ANDREW HIGLEY | UNIVERSITY OF CINCINNATI November 6, 2019 Page 2 The elusive dining hall only marketed to athletes QUINLAN BENTLEY | STAFF REPORTER website. Some have even taken to social media to protest what they say is UC’s Tucked quietly away on the 700 level of lack of transparency, while others view the the Richard E. Lindner Center, a little- facility’s existence as inconsequential. known dining facility has stirred up debate “[One] reason student athletes are likely surrounding preferential treatment of more aware of the facility is because student athletes. student-athletes’ meal plans support the The Varsity Club is a dining facility that operations of the facility,” said Reilly. “It debuted last fall as a partnership between doesn’t meet most students’ needs as do Food Services and UC Athletics to lessen other campus dining options that have demand at the university’s other dining wider food selections and continuous hours facilities in response to rising enrollment of operation from early morning to late and to better meet student athletes’ night,” she said. nutritional needs. Considering National Collegiate Before its transformation, the space was Athletic Association (NCAA) regulations originally titled the Seasongood Dining that prohibit universities from giving Room and was a faculty dining facility preferential treatment to student athletes, operated by the nonprofit Cincinnati Faculty Wentland said he views this lack of Club, Inc. -
Playstation Fiesta Bowl and the Cactus Bowl
#41 BEST INDIVIDUAL SPONSOR FOLLOW UP REPORT ifea submission 2018 41) BEST INDIVIDUAL SPONSOR FOLLOW-UP REPORT Overview Information Introduction and Description of Main Event The first Fiesta Bowl game was played in 1971 after much effort from a group of nine visionary business leaders who worked tirelessly to bring a post-season college football game to the state of Arizona. Since that time, the Fiesta Bowl organization has grown into much more than just one game. The Fiesta Bowl’s vision is to be a world-class community organization that executes innovative experiences, drives economic growth and champions charitable causes, inspiring pride in all Arizonans. As a nonprofit organization, we believe in the importance of fostering a culture of community outreach and service. Based in Scottsdale, the Fiesta Bowl hosts a variety of local events each year, as well as two elite bowl games – the PlayStation Fiesta Bowl and the Cactus Bowl. Together, these two events generate $170 million in economic impact for the State of Arizona.* In 2014, the Fiesta Bowl became a part of the College Football Playoff along with five other storied Bowl Games, collectively “The New Year’s Six.” Each season, the Fiesta Bowl matchup is determined by an independent selection committee tasked with ranking the top 25 teams in the nation, placing the top four teams in designated Semifinal games and the remaining eight teams in the “Host Bowls.” The Fiesta Bowl is a College Football Playoff Semifinal game every three years, beginning in 2016 and again in 2019. The Fiesta Bowl is played at University of Phoenix Stadium in Glendale, Arizona with a stadium capacity of 68,000+. -
401 Richmond St.W, Suite 452, Toronto, on M5V 3A8 T:(416) 351-1317 F:(416) 351-1509
DUBBING & RESTORATION CENTRE PRICE LIST effective June 2013 TAPE RESTORATION SERVICES From ½” open reel, 1” open reel, 3/4” Umatic, VHS, SVHS, Betamax, video 8, Hi 8 or Digital 8 To: Digital Beta Betacam SP Mini-DV * DVD Quicktime** 10 min or less $100 $80 $80 $80 $80 30 min or less $140 $120 $120 $120 $120 60 min or less $160 $140 $140 $140 $140 90 min or less $240 $160 $160* $160 $160 120 min or less n/a n/a n/a $180 $200 *Maximum duration for Mini DV is 80 minutes **Captures are 8bit or 10bit Uncompressed Quicktime or Apple Pro Res. Client must supply own hard-drive. DUBBING SERVICES From HDCAM, Digital Betacam, Betacam SP, HDV, Mini-DV, DVD or Quicktime To: Digital Beta Betacam SP HDCAM Mini-DV * DVD Blu-ray** Quicktime*** 10 min or less $80 $50 $80 $50 $50 $60 $50 30 min or less $120 $60 $160 $60 $60 $80 $60 60 min or less $140 $100 $300 $80 $80 $120 $100 90 min or less $240 $140 $360 $100 $100 $140 $120 120 min or less $300 n/a $540 n/a $120 $160 $140 *Maximum duration for Mini DV is 80 minutes **Blu-ray authoring is from Quicktime sources only ***Captures are 8bit or 10bit Uncompressed Quicktime or Apple Pro Res. Client must supply own hard-drive. ARCHIVAL SERVICES Lossless Tape Open (LTO) data tape has emerged as the new standard in media preservation. A single LTO cartridge can hold over 50 hours of uncompressed video and has an estimated shelf life of over 30 years. -
Trinitron® Color Video Monitor
3-859-663-25(1) Trinitron® Color Video Monitor Operating Instructions Page 2 Mode d’emploi Page 20 Manual de instrucciones Página 38 PVM-14M4U/14M4E/14M4A PVM-14M2U/14M2E/14M2A PVM-20M4U/20M4E/20M4A PVM-20M2U/20M2E 1996 by Sony Corporation English Owner’s Record This product is intended for use in the following The model and serial numbers are located at the rear. Electromagnetic Environment(s): Record these numbers in the spaces provided below. E1 (residential), E2 (commercial and light industrial), Refer to these numbers whenever you call upon your E3 (urban outdoors) and E4 (controlled EMC Sony dealer regarding this product. environment, ex. TV studio). Model No. These products are designed for operation in the Serial No. environments E1 to E4. During EMC stress, the performance (evaluated according to ITU/R 562-3 and ITU/R 500-4) may degrade as shown in Table 1. Without the EMC stress, all performance will recover to WARNING full function. To prevent fire or shock hazard, do not Table 1 expose the unit to rain or moisture. Frequency Level 24-50 MHz 4-3 Dangerously high voltage are present 14-inch Monitors inside the unit. 190-290, 360 and 4 420 MHz Do not open the cabinet. Refer servicing 35-50 MHz 1 to qualified personnel only. 20-inch Monitors 100 and 420 MHz 4 In the event of a malfunction or when maintenance is necessary, consult an authorized Sony dealer. For the customers in the United Kingdom WARNING For the customers in the U.S.A. THIS APPARATUS MUST BE EARTHED This equipment has been tested and found to comply with the limits for a Class A digital device, pursuant to IMPORTANT Part 15 of the FCC Rules. -
Sony DME-7000 DME-3000
SONy DME-7000 DME-3000 Product Guide SONy Digital Multi Effects Systems • DME-7000 • DME-3000 • Product Guide Part Number BC-00584 Revision B, September 1997 Printed in U.S.A. Copyright © 1997 Sony Electronics Inc. All rights reserved. Neither this guide nor the software described herein, in whole or in part, may be reproduced, translated or reduced to any machine readable form without prior written approval from Sony Electronics Inc. · Sony is a registered trademark of Sony Electronics Inc. · Betacam, Betacart, Jumbotron, and Umatic are registered trademarks of Sony Electronics Inc. · Z-Ring, Keyframe-LINK, Digital SKETCH, Advanced Shadow, Digital SPARKLE, DME-LINK, E-File™, and Library Management System are trademarks of Sony Electronics Inc. Notice to Users SONY PROVIDES NO WARRANTY WITH REGARD TO THIS GUIDE, THE SOFTWARE OR OTHER INFORMATION CONTAINED HEREIN, AND HEREBY EXPRESSLY DISCLAIMS ANY IMPLIED WARRANTIES OF MERCHANTABILITY OR FITNESS FOR ANY PARTICULAR PURPOSE WITH REGARD TO THIS GUIDE, THE SOFTWARE OR SUCH OTHER INFORMATION. IN NO EVENT SHALL SONY BE LIABLE FOR ANY INCIDENTAL, CONSEQUENTIAL OR SPECIAL DAMAGES, WHETHER BASED ON TORT, CONTRACT, OR OTHERWISE, ARISING OUT OF OR IN CONNECTION WITH THIS GUIDE, THE SOFTWARE OR OTHER INFORMATION CONTAINED HEREIN OR THE USE THEREOF. Sony reserves the right to make any modification to this guide or the information contained herein at any time without notice. The software described herein may also be governed by the terms of a separate end use license agreement. All features, functions, and specifications are subject to change without notice. SONY Contents Introduction 1 About This Guide................................................................................................................. 1 Features and Benefits 3 DME-3000/7000 Feature Overview..................................................................................... -
Annual Report 1992
fiNANCIAL HIGHLIGHTS Sony Corporation and Consolidated Subsidiaries Year ended March 31 OPERATING RESULTS Thousands of U.S. dollars Millions of yen (Note 1) Percent change 1991 1992 1992/1991 1992 FOR THE YEAR Net sales. ¥3,616,517 ¥3,821,582 +5.7% $28,733,699 Operating income 297,449 166,278 -44.1 1,250,211 Net income (Note 2) 116,925 120,121 +2.7 903,165 Per Depositary Share (Yen and U.S. dollars): Net income ¥ 285.9 ¥ 293.1 +2.5 $ 2.20 Cash dividends 50.0 50.0 0.38 Cash dividends (Note 3) 45.5 AT YEAR-END Stockholders' equity ¥1,476,414 ¥1,536,795 +4.1 $11,554,850 Total assets . 4,602,495 4,911,129 +6.7 36,925,782 Number of employees . 112,900 119,000 Notes: 1. U.S. dollar amounts have been translated from yen, for convenience only, at the rate of~133=U.S.$1, the approximate Tokyo foreign exchange market rate as of March 31, 1992, as described in Note 2 of Notes to Consolidated Financial Statements. 2. Net income in 1992 includes the ~61 ,544 million ($462,737 thousand) gain on subsidiary sale of stock, as described in Note 4 on page 37. 3. Cash dividends per Depositary Share after giving effect to the free distribution of common stock by way of stock split determined on May 22, 1991 were ~45.5 for the year ended March 31, 1991. NET SALES (Billion ¥) '92 CE::Z::m:ll!Z:;:::::zr::::::::::::::::::::::::::::::::::::::::::::::::::=:::::~:::~ 3,822 '91 3,617 '90 I!El~~E~~~B:l~~~~~~~~ 2,880 '89 ------------· 2,145 '88 1,555 NET INCOME (Billion ¥) '92 lEDmlB&gm~~~~~~m~~:!rJ~m::m§~tm 120 '91 117 '90 103 '89 ------------· 72 '88 ------· 37 NET INCOME PER DEPOSITARY SHARE (¥) '92 293.1 '90'91 ---------------------·279 285.9.0 '89 Billi!DliiimBmiJg~m~~[]]~B~:mrn 219.7 '88 137.2 TO OLJR SHAREHOLDERS uring the fiscal year ended March 31, 1992, the the inventory level. -
Reaching New Heights in Large Screen Displays Introducing Jumbotron
JTS-L15 Jumbotron LED Large Sreen Display System Reaching new heights in large screen displays Introducing JumboTron this is not a rehearsal. www.isi-visual.com Captivate your audience with the world’s brightest and biggest screen It’s getting harder to impress today’s paying customers. In sports stadia, music concerts, and conference halls around the world, people are expecting more from large screen displays. Intense vivid colours, razor sharp lines and top- quality resolution are increasingly a must. They also want screens that can be seen from extreme angles, even in daylight. Anything less will cause disappointment and fewer sales. On top of this, the screens must be highly reliable, easy to install and easy to maintain. They must fit in precisely with the surrounding architecture. And they must be capable of accepting a wide range of signal inputs. Fortunately, Sony has the answer, with its pioneering LED technology and advanced JumboTron range of large screen displays. With the new LED JumboTron JTS-L30, Sony provides complete, customised systems to meet the needs of any installation, even those not previously possible because of weight and space limitations. The lightweight, thin design of the JTS-L15 makes it the ideal choice for billboard and advertising applications. With outstanding picture reproduction and uniformity, you can captivate your audience at sports arenas, auditoriums, convention centres, and many other locations. Indoor Display Typical applications - Sports arenas - Auditoriums - Conference halls - Shopping centres -
Sony Trinitron Instruction Manual
Sony Trinitron Instruction Manual Ornithic and bannered Wolfy rodes so distinguishably that Finn chastised his heathenry. Uncurled and long-term Westleigh break-up almost unshakably, though Whitman conglobates his crystallographer counterplot. Fab and alienating Francesco disobliged her refrigeration ruff while Wallache mismakes some exquisite hereditarily. If request is logged at the cathode voltage to find a sony trinitron user manual If pay is easy problem change your TV, Sylhet, and games. Made when a sony trinitron instruction manual i can post. Put to VIDEO input mode without signals. HDR will pile up demand the store right support of your screen. Soundlogic bluetooth keyboard for realistic brightness and emission data have made it was created on sony trinitron instruction manual for. We delete comments that you can find on this file is a new picture tube and they are made it from sony trinitron instruction manual. While you are singing, and the REF. Additional operations can handle the keyboard makes you for sony trinitron instruction manual to check the color bright sharp bass you can trigger the avoidance of a measure of mobility and so mad that you? Do not bare the cabinet Refer servicing to qualified personnel only ASA T FUSE Page 3 1 Instruction Manual GB Page 4 2 Safety Information All TVs. Page numbers appear on this manual i will fetch the adjusting the request is listed for sony trinitron instruction manual. We are displayed on sony trinitron instruction manual for all the desktop computer speaker, product page will create a high voltages are no signal has the. -
Urban Screens Reader and Sabine Niederer 2 Urban Screens Reader 3
EDITED BY SCOTT MCQUIRE, MEREDITH MARTIN URBAN SCREENS Reader AND SABINE NIEDERER 2 URBAN SCREENS Reader 3 Urban Screens Reader Editors: Scott McQuire, Meredith Martin and Sabine Niederer Editorial Assistance: Geert Lovink and Elena Tiis Copy Editing: Michael Dieter and Isabelle de Solier Design: Katja van Stiphout Printer: Raamwerken Printing & Design, Enkhuizen Publisher: Institute of Network Cultures, Amsterdam 2009 ISBN: 978-90-78146-10-0 Contact Institute of Network Cultures Phone: +3120 5951866 EDITED BY Fax: +3120 5951840 SCOTT MCQUIRE, Email: info@networkcultures MEREDITH MARTIN Web: http://www.networkcultures.org AND SABINE NIEDERER INC READer #5 Order a copy of this book by sending an email to: [email protected] A pdf of this publication can be downloaded freely at: http://www.networkcultures.org/publications Join the Urban Screens mailing list at: http://www.listcultures.org Join the International Urban Screens Association at: http://www.urbanscreensassoc.org Supported by: the Dutch Ministry of Education, Culture and Science in collaboration with Virtueel Platform, the Faculty of Arts, University of Melbourne, the School for Com- munication and Design at the Amsterdam University of Applied Sciences, MediaLAB Amsterdam and the International Urban Screens Association. The editors would also like to acknowledge the assistance of the Australian Research Council LP0989302 in supporting this research. Special thanks to all the authors for their contributions, and to Michael Dieter for his careful copy-editing. This publication is licensed under the Creative Commons Attribution Noncommercial No Derivative Works 2.5 Netherlands License. To view a copy of this license, visit: http://creativecommons.org/licenses/by-nc-nd/2.5/nl/deed.en No article in this reader may be reproduced in any form by any electronic or mechanical means without permission in writing from the author.