Securing Okinawa for Miscegenation: a Historical and Literary Discourse Analysis of Amerasians in Okinawa, 1945-2000
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Mead Library Listing As of December 2019 MEAD QUILTERS LIBRARY Page 2 of 14
MEAD QUILTERS LIBRARY Page 1 of 14 Surname Forename Title Publisher ISBN Date Adams Pauline Quiltmaking Made Easy Little Hills Press 1-86315-010-2 1990 Alderman Betty Precious Sunbonnet Quilts American Quilters Society 978-1-57432-951-3 2008 Alexander Karla Stack A New Deck Martindale 1-56477-537-2 Anderson Charlotte Warr Faces & Places C & T Publishing 1-57120-000-2 1995 Anderson F. Crewel Embroidery Octopus Books Ltd. 0-7064-0319-3 1974 Asher & Shirley & Beginner's Guide To Feltmaking Search Press 1-84448-004-6 2006 Bateman Jane Austin Mary Leman American Quilts Primedia Publications 1999 Baird Liliana The Liberty Home Contemporary Books 0-80922-988-9 1997 Balchin Judy Greetings Cards to Make & Treasure Search Press 978-1-84448-394-5 2010 Bannister & Barbara & The United States Patchwork Pattern Book Dover Publications Ltd. 0-486-23243-3 1976 Ford Edna Barnes Christine Colour- the Quilters Guide That Patchwork Place 1-56477-164-4 1997 Bell Louise 201 Quilt Blocks, Motifs, Projects & Ideas Cico Books London 0-19069-488-1 2008 Berg & Alice & Little Quilts All Through The House That Patchwork Place 1-56477-033-8 1993 Von Holt Mary Ellen Berlyn Ineke Landscape in Contemporary Quilts Batsford 0-7134-8974-X 2006 Berlyn Ineke Sketchbooks & Journal Quilts Ineke Berlyn 2009 Besley Angela Rose Windows for Quilters Guild of Master Craftsman 1-86108-163-4 2000 Bishop & Robert & Amish Quilts Laurence King 1-85669-012-1 1976 Safandia Elizabeth Bonesteel Georgia Lap Quilting Oxmoor House Inc. 0-8487-0524-6 1982 Mead Library Listing as of December 2019 MEAD QUILTERS LIBRARY Page 2 of 14 Surname Forename Title Publisher ISBN Date Bonesteel Georgia Bright Ideas for Lap Quilting Oxmoor House Inc. -
Textile Periods in Ancient Peru: Ii Paracas Caverns and the Grand Necropolis
TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M O';EALE- UNRERSITY OF CFORNIA PUBLTICATIONS IN EwasN AROOY AND ETENOLOG#Y Volnme 39, No. 2, pp. 14>202, plates 1-6, 20 figures in text ,, ,, .. vE \ . # :. UNIVERSITY 0t CALIP6RNIA PRESS BERKELEY AND tOS ANGBLES 1942 TEXTILE PERIODS IN ANCIENT PERU: II PARACAS CAVERNS AND THE GRAND NECROPOLIS BY LILA M. O'NEALE UNIVERSITY OF CALIFORNIA PRESS BERKELEY AND LOS ANGELES 1942 UNIVERSITY Or CALIFORNIA PUBLICATIONS IN AMERICAN ARCHAEOGY AND ETHNOLOGY EDITORS: A. L. KRoEBER, R. H. LoWIE, T. D. MCCowN, R. L. OLSON Volume 39, No. 2, pp. 143-202, plates 1-5, 20 figures in text Submitted by editors March 12, 1941 Issued October 23, 1942 Price, 75 cents UNIVESITY OF CALIFORNIA PRESS BERKELEY, CALIFORNIA CAM1BRDGE UNIVERSITY PRESS LONDON, ENGLAND PRINTED IN THE UNITED STATES OF AMERIOA CONTENTS PAGE METHOD AND MATERIAL ..................................................... 143 Revisions . ............................................................... 144 Paracas time periods: Caverns and Necropolis ................................ 145 TRAITS COMMON TO ALL PERIODS .............................................. 148 Paracas yarns . .......................................................... 149 Paracas loom types ....................................................... 151 Technical processes at Paracas ............................................. 152 Warp-weft techniques ................................................... 152 Plain weaves ................. ...................................... -
Japan Studies Review
JAPAN STUDIES REVIEW Volume Nineteen 2015 Interdisciplinary Studies of Modern Japan Steven Heine Editor Editorial Board John A. Tucker, East Carolina University Yumiko Hulvey, University of Florida Matthew Marr, Florida International University Ann Wehmeyer, University of Florida Hitomi Yoshio, Florida International University Copy and Production María Sol Echarren Rebecca Richko Ian Verhine Kimberly Zwez JAPAN STUDIES REVIEW VOLUME NINETEEN 2015 A publication of Florida International University and the Southern Japan Seminar CONTENTS Editor’s Introduction i Re: Subscriptions, Submissions, and Comments ii ARTICLES Going Postal: Empire Building through Miniature Messages on German and Japanese Stamps Fabian Bauwens 3 Old, New, Borrowed, and Blue: Hiroshi Senju’s Waterfall Paintings as Intersections of Innovation Peter L. Doebler 37 Delightfully Sauced: Wine Manga and the Japanese Sommelier’s Rise to the Top of the French Wine World Jason Christopher Jones 55 “Fairness” and Japanese Government Subsidies for Sickness Insurances Yoneyuki Sugita 85 ESSAYS A “Brief Era of Experimentation”: How the Early Meiji Political Debates Shaped Japanese Political Terminology Bradly Hammond 117 The Night Crane: Nun Abutsu’s Yoru No Tsuru Introduced, Translated, and Annotated Eric Esteban 135 BOOK REVIEWS Scream from the Shadows: The Women’s Liberation Movement in Japan By Setsu Shigematsu Reviewed by Julia C. Bullock 169 Critical Buddhism: Engaging with Modern Japanese Buddhist Thought By James Mark Shields Reviewed by Steven Heine 172 Banzai Babe Ruth: Baseball, Espionage, & Assassination During the 1934 Tour of Japan By Robert K. Fitts Reviewed by Daniel A. Métraux 175 Supreme Commander: MacArther’s Triumph in Japan By Seymour Morris Reviewed by Daniel A. Métraux 177 CONTRIBUTORS/EDITORS i EDITOR’S INTRODUCTION Welcome to the nineteenth volume of the Japan Studies Review (JSR), an annual peer-reviewed journal sponsored by the Asian Studies Program at Florida International University Seminar. -
Omori Sogen the Art of a Zen Master
Omori Sogen The Art of a Zen Master Omori Roshi and the ogane (large temple bell) at Daihonzan Chozen-ji, Honolulu, 1982. Omori Sogen The Art of a Zen Master Hosokawa Dogen First published in 1999 by Kegan Paul International This edition first published in 2011 by Routledge 2 Park Square, Milton Park, Abingdon, Oxon, OX14 4RN Simultaneously published in the USA and Canada by Routledge 711 Third Avenue, New York, NY 10017 Routledge is an imprint of the Taylor & Francis Group, an informa business © The Institute of Zen Studies 1999 All rights reserved. No part of this book may be reprinted or reproduced or utilised in any form or by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying and recording, or in any information storage or retrieval system, without permission in writing from the publishers. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 10: 0–7103–0588–5 (hbk) ISBN 13: 978–0–7103–0588–6 (hbk) Publisher’s Note The publisher has gone to great lengths to ensure the quality of this reprint but points out that some imperfections in the original copies may be apparent. The publisher has made every effort to contact original copyright holders and would welcome correspondence from those they have been unable to trace. Dedicated to my parents Contents Acknowledgements Introduction Part I - The Life of Omori Sogen Chapter 1 Shugyo: 1904–1934 Chapter 2 Renma: 1934–1945 Chapter 3 Gogo no Shugyo: 1945–1994 Part II - The Three Ways Chapter 4 Zen and Budo Chapter 5 Practical Zen Chapter 6 Teisho: The World of the Absolute Present Chapter 7 Zen and the Fine Arts Appendices Books by Omori Sogen Endnotes Index Acknowledgments Many people helped me to write this book, and I would like to thank them all. -
Japan In2050
JapaneseJapaneseSociety Society ofCulturalof Cultural Anthropology 2010 Japanese Society of Cultural Anthropology Award Lecture Japan in 2050: An Anthropological Imagination of Japan's Future through the Dreams of Filipina Migrants YAMAsHITA Shinji Graduate Sehool ofArts and Sciences, The University of Tbkyo [[lrranslated by John ERTTi Kanazawa University and TANAKA Maki University of Califbrnia, Berkeley What will Japan look like in 2050? By 2050, Japan's current population of a27 million will decline to 9" million, due to its ]ow birth rate. The number of people aged 65 or older will increase to 40.5 percent of the total population by 2055. This is an ultra-aged society never experienced before in human history. Within such a "import" demographic framework, Japan may be forced to foreign labor for the survival of its economy. Thus, some foresee that Japan will have 1O million foreign residents by 2050, accounting for 1ri percent of the total population, a$ compared with 2.2 mirlion, or 1.7 percent, as of 2008. That necessarily leads to the scenario of Japan becoming multicultura[. Agai,nst the background of such a future soc[o-demographic change in Japanese soc[ety, thi$ paper examines transnational migration into Japan and the Japanese way of IMng together in a multicultural environment, Particularly focusing on the dreams of Filipina migrants, the paper discusses the culturai po[itics of migration, including the issues of citizenship and human rights, and seeks the possibility of establishing a public anthropology directed toward the future Japanese society. Key words: Japan's future, aged society with a low birth rate, transnational migration, multioulturalism, publicanthropology Introduction My career as an anthropolegist began in 1970, fbrty years ago, as an undeTgraduate student at the University of [Ibkyo, As a graduate student at [[bkyo Metropolitan UniversitM my dissertation was an ethnographic study of rituals of the [[braja in Sulawesi, Indonesia, which was later published as a book (YAMAsHITtrt 1988). -
Visual and Material Culture at Hōkyōji Imperial Convent: the Significance of “Women’S Art” in Early Modern Japan
Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in History of Art in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Gregory P. A. Levine, Chair Professor Patricia Berger Professor H. Mack Horton Fall 2010 Copyright by Sharon Mitsuko Yamamoto 2010. All rights reserved. Abstract Visual and Material Culture at Hōkyōji Imperial Convent: The Significance of “Women’s Art” in Early Modern Japan by Sharon Mitsuko Yamamoto Doctor of Philosophy in History of Art University of California, Berkeley Professor Gregory Levine, Chair This dissertation focuses on the visual and material culture of Hōkyōji Imperial Buddhist Convent (Hōkyōji ama monzeki jiin) during the Edo period (1600-1868). Situated in Kyoto and in operation since the mid-fourteenth century, Hōkyōji has been the home for women from the highest echelons of society—the nobility and military aristocracy—since its foundation. The objects associated with women in the rarefied position of princess-nun offer an invaluable look into the role of visual and material culture in the lives of elite women in early modern Japan. Art associated with nuns reflects aristocratic upbringing, religious devotion, and individual expression. As such, it defies easy classification: court, convent, sacred, secular, elite, and female are shown to be inadequate labels to identify art associated with women. This study examines visual and material culture through the intersecting factors that inspired, affected, and defined the lives of princess-nuns, broadening the understanding of the significance of art associated with women in Japanese art history. -
Your Name Is John Luke Matthews. Shouldn't Mark Feel Slighted?
Your name is John Luke Matthews. Shouldn’t Mark feel slighted? Well actually Luke’s not a legal name. John Matthews was the name given to me by my father when he adopted me a long time ago. I started out with a fully Japanese Okinawan name. I became John Matthews. And then in high school because I don’t have a middle name a friend of mine named Mark decided it would be a hoot to call me Luke. And so I became Luke. This was before Star Wars. It was a very rare name at the time. So I was the only Luke around. And then 1977 rolls around and every rugrat in the world is named Luke. And so I always say it’s a great name for a Buddhist kid, isn’t it? John Luke Matthews. You’re Buddhist? I adopted Zen Buddhism a little later, around high school or so. I’m not Buddhist now. I always describe myself as a flaming materialist. I’m not particularly religious anymore. You’re born Okinawan? Yes, I’m born Okinawan. I lived there til I was two months shy of 18 years old. Then we moved to the States. We moved to my dad’s little hometown in rural southern Georgia. We went from relatively urban Japan to rural southern Georgia, a town of about 800 people. I lived there for probably six months until the culture shock really freaked me out. I joined the Army as a way of getting out. Since then I’ve bounced around the country. -
Regional and Historical Variations in Suburban Poverty in the United States
PATCHWORK PLACES: REGIONAL AND HISTORICAL VARIATIONS IN SUBURBAN POVERTY IN THE UNITED STATES by Christa Rachel Lee-Chuvala B.A., Taylor University (1999) M.U.P., Harvard University (2005) Submitted to the Department of Urban Studies and Planning in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Urban and Regional Studies MASSACHUSETTS INSTITUTE OF TECHNOLOGY September 2015 © 2015 Massachusetts Institute of Technology. All rights reserved. The author hereby grants to MIT permission to reproduce and to distribute publicly paper and electronic copies of this thesis document in whole or in part in any medium now known or hereafter created. Signature of author: …………………………………………………………………………….. Department of Urban Studies and Planning August 26, 2015 Certified by: ………………………………………………………………………………………. Amy Glasmeier Professor of Economic Geography and Regional Planning, Thesis Supervisor Accepted by: …………………………………………………………………………………….. Lawrence Vale Ford Professor of Urban Chair, Ph.D. Program in Urban Studies and Planning 2 Patchwork Places: Regional and Historical Variations in Suburban Poverty in the United States by Christa Lee-Chuvala Submitted to the Department of Urban Studies and Planning on August 26, 2015 in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Urban and Regional Studies. Abstract The majority share of metropolitan poverty in the United States has shifted from cities to suburbs through the effects of employment losses and the movement of lower-income populations. However, varied histories of suburban development, class and racial/ethnic divisions within and among suburbs, and widening suburban inequality all suggest that understanding suburban poverty requires moving beyond a simplified view of low- income suburbs as a uniform set. -
ZEN BUDDHISM TODAY -ANNUAL REPORT of the KYOTO ZEN SYMPOSIUM No
Monastic Tradition and Lay Practice from the Perspective of Nantenb6 A Response of Japanese Zen Buddhism to Modernity MICHEL MOHR A !though the political transformations and conflicts that marked the Meiji ..fiRestoration have received much attention, there are still significant gaps in our knowledge of the evolution that affected Japanese Zen Buddhism dur ing the nineteenth century. Simultaneously, from a historical perspective, the current debate about the significance of modernity and modernization shows that the very idea of "modernity" implies often ideologically charged presup positions, which must be taken into account in our review of the Zen Buddhist milieu. Moreover, before we attempt to draw conclusions on the nature of modernization as a whole, it would seem imperative to survey a wider field, especially other religious movements. The purpose of this paper is to provide selected samples of the thought of a Meiji Zen Buddhist leader and to analyze them in terms of the evolution of the Rinzai school from the Tokugawa period to the present. I shall first situ ate Nantenb6 lff:Rtf by looking at his biography, and then examine a reform project he proposed in 1893. This is followed by a considerarion of the nationalist dimension of Nantenb6's thought and his view of lay practice. Owing to space limitations, this study is confined to the example provided by Nantenb6 and his acquaintances and disciples. I must specify that, at this stage, I do not pretend to present new information on this priest. I rely on the published sources, although a lot remains to be done at the level of fun damental research and the gathering of documents. -
The Independence Movement on Okinawa, Japan. a Study on the Impact of US Military Presence
STOCKHOLM UNIVERSITY Department of Asian, Middle Eastern and Turkish Studies The independence movement on Okinawa, Japan. A study on the impact of US military presence. Bachelor Thesis in Japanese studies Spring 2017 Anton Lövgren Supervisor: Ingemar Ottosson Abstract Ryūkyū independence movement has ever since WWII been an actor working towards independence for the Ryūkyū islands. Since the Okinawa Reversion Agreement 1971 the military bases has been a topic for debate. In this research the influence of the American military bases and its personnel's behavior have on the independence movement is examined using a qualitative analysis method. Further, this research argues that the military bases have influenced independence movement to gain more momentum for autonomy on Okinawa between 2004-2017. Keywords Ryūkyū, Identity, Ryūkyū independence movement, American military bases, Collective identity. Acknowledgement I am so glad for all the encouragement and assistance I’ve been given by the department of Asian, Middle eastern and Turkish studies. Especially by my supervisor Ingemar Ottosson and course coordinator Christina Nygren. Romanisation of Japanese words and names Japanese words and names will be written with the Hepburn romanization system. Long vowels such as a e i o u will be written with a macron (ā ē ī ō ū). For example Ryūkyū (琉球) would otherwise be written with long vowels as ryuukyuu. Japanese names are traditionally written with family name and given name subsequently. This thesis will use the western standard i.e. given name first and family name second. For example Takeshi Onaga the governor of Okinawa Prefecture in Japan (In tradtional Japanese standard 翁 長 雄志 Onaga Takeshi). -
November 2011 Issue of AJET Connect
November 2011 image via shutterstock.com October Photo Contest Winner Welcome to Connect The monthly e-zine produced for JETs, by JETs, featuring the best inside news and articles from all over Japan. We are currently looking for writers, editors, photographers, and artists who want to create con- tent for this national publication! November, 2011 02 The Prez We need YOU, the JET community, to get involved. 04 JET Effect Send us your short stories, news articles, photographs, comics… whatever it is that you do best…to [email protected]. 08 Life After JET We’re waiting to see what you’ve got! 12 Culture Corner Make your voice heard! 24 AJET Volunteer - Japan 30 AJET Volunteer 38 Travel AJET Connect Workplace 52 Cooking Safety Advisory System 60 Workplace Tips 68 Haiku NSFW4 70 Fashion and Beauty SEVERE RISK OF TRAUMA 74 The Art of Manliness CANNOT EVER BE UN-SEEN 84 Women Abroad 88 Japanese Study Tips NSFW3 96 Sports MAY SURPRISE OR OFFEND EVEN 102 In my View SEASONED INTERNET VETERANS 108 Photo Contest NSFW2 AS PORNOGRAPHIC AS ANY OF THOSE RIDICULOUS EVONY ADS NSFW1 SOME PAGES NOT SAFE FOR PEOPLE WITH SCREENS SEEN BY COWORKERS Signup for AJET Connect Not signed up to receive SFW AJET Connect, then you PROBABLY HARMLESS, SAFE FOR PEOPLE 50+ YEARS OLD can signup HERE! CEO Matthew Cook PR/MEDIA Cailin Arena ART DIRECTOR Rob Maxwell EDITORIAL Sarah Blenkhorn CONTRIBUTING EDITORS Cailin Arena (News) Annabella Massey (Fashion & Beauty) Amelia Hagen (Travel) Simon Daly (Food) .. (Entertainment) Adam Chludzinski (Sports) Lisa Cross & Sarah Blenkhorn (Events) Bryan Darr & Sarah Blenkhorn (Education) Sarah Blenkhorn (Culture) Simon Bender (Short Stories) Miriam Rollason (Volunteering) ADVERTISING Amelia Hagen & Miriam Rollason ADMINISTRATION/ACCOUNTING Mark Noizumi IT Kevin Mitchell for JETs, by JETs Harry Stoneley www.ajet.net [email protected] Secluded Shinto shrine, near Kaiyo-cho, sourthern Tokushima prefecture, Shikoku. -
Embroidered Patchwork Pillow: Janome America
Published on Sew4Home Embroidered Patchwork Pillow: Janome America Editor: Liz Johnson Wednesday, 01 April 2015 1:00 It's the classic special touch: adding a little something on top. For instance, pie is great. Pie with whipped cream is awesome. A beautiful blend of fabrics in a simple patchwork pattern is always good. Overlaying that patchwork with embroidery can be great. It's a simple way to make a stunning statement. We chose four prints from the Indelible collection by Art Gallery Fabrics, then incorporated one coordinating solid to bring it all together. The patchwork itself is super simple – just a modified nine-patch but with eight blocks rather than the traditional nine. 1 The back features an easy envelope opening. We added a binding strip accent in the coordinating solid to the overlap panel. The icing on the cake is the dramatic embroidery. It stretches across five of the patchwork blocks. By selecting a large, open design, then stitching it out in just one color, you add texture, dimension and flair without distracting from the background beauty of the fabrics. You'll also notice the embroidery is slightly offset; this heightens the juxtaposition and creates a more interesting look than placing it exactly in the center. 2 We used the amazing Janome Horizon Memory Craft 15000 for both the sewing and embroidery on this project. The machine's built-in design library is fantastic, but that doesn't mean you can't also browse for even more options. This pillow's design came from an embroidery website, which was no problem at all thanks to how easy the MC15000 makes it to bring in and work designs from all types of sources.