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News from the Library of Congress: MOUG/MLA 2007
NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2007 Special Materials Cataloging Division Music Division Cataloging Policy and Support Office American Folklife Center General Library News Copyright Office Office of Strategic Initiatives Compiled by Joe Bartl, MSR1, SMCD Feb. 26, 2007 SPECIAL MATERIALS CATALOGING DIVISION (SMCD) Top of the Document (Joe Bartl. MSR1, SMCD) CATALOGING ACCOMPLISHMENTS Bibliographic Production Arrearage Accomplishments Bibliographic Maintenance WORKFLOW SIMPLIFICATION Introduction CD Brief Workflow Leased Metadata (AMG) CD Sorter & CD Add OTHER INITIATIVES New Sound Recording Formats Guidelines Series and collected works (new treatment) CD Multivolume Project Choral Music Octavos Elimination of Book Backlog Card Catalogs Inventory Project Music Division Special Collections records added to Voyager OvOp Sound Recordings Popular Sheet Music Project NEW PROJECTS Ethnic Sound Recordings M1508 Sheet Music Secure Storage Facilities Telework ONGOING PROJECTS All Media Guide (AMG) Workflow Nijinska Collection SR Foreign Language Project COOPERATION/OUTREACH Advisory Groups International Groups LC Divisions LC Junior Fellows Music Division Reference Services Music Division Strategic Planning NACO/SACO Network Development and MARC Standards Office CATALOGING ACCOMPLISHMENTS Bibliographic production: New bibliographic records added to the database consisted of 3,517 scores, 16,561 sound recordings, and 2,730 books/ERs/Microforms. This totals 22,847 new bibliographic records added to the database. Arrearage accomplishments: A total of 35,395 items were removed from the arrearage as follows: CDs (33,984); LPs (348); 78s (38); 45s (125); 10” reels (224); and cassettes (676). Bibliographic maintenance and auxiliary statistics: 9,078 bibliographic records were modified. 7,577 authority records were added to the database and 3,607 authority records were modified. -
Åpopulaty Musics and Globalization
}ÅPopulatY Musics and Globalization Foreign Music is where all the hipsters are. —Stanley Goman. Head of Retail Operations. Tower Records. 1995 1 HASN'T WOR1.n MUSIC.BF.FN AROUND FOR THOUSANDS OF YEARS? One of the most notable trends in the music industry since the 1980shas been the rise in popularity of new music genres: world music, world beat, world fusion; in Germany, Weltbeat and Weltmusik2; in other parts of the world, ethnopop, Afropop, Afrobeat. Offshoots of these genres include: tribal, techno-tribal, and cybertribal, as well as ambient, trance, and new age. All of these categories overlap to some degree and with other categories I haven't men- tioned. In 1988, Tower Records' international buyer told Newsweekthat his sec- tion was "definitely the fastest growing part of the store," more than tripling in the previous three years. 3 By 1991 the market share of world music was equal to clas- sical music and jazz,4 two very small categories (accordingto the Recording Industry Association of America, in 1995, the market share of classical music was writing).5 2.9% and for jazz, 3.0%; they had no category for world music as of this sales are of "foreign A report in Forbes says that only about 2% of Tower Records' music."6 ofworld music is grow- Two percent isn't much, but the visibility (audibility?) Nusrat Fateh Ali Khan sang a ing fast. For example, the Pakistani Qawwali singer to Tim Robbins'sfilm Dead duet with Eddie Vedder of Pearl Jam for the soundtrack 2 Global Pop Alan IValking, which raised Khan's fame to the extent that he was recently signed by Rick Rubin's Atnerican Recordings, an eclectic label that records, among 0th. -
Moving Away from Silence: Music of the Peruvian Altiplano and the Experiment of Urban Migration / Thomas Turino
MOVING AWAY FROM SILENCE CHICAGO STUDIES IN ETHNOMUSICOLOGY edited by Philip V. Bohlman and Bruno Nettl EDITORIAL BOARD Margaret J. Kartomi Hiromi Lorraine Sakata Anthony Seeger Kay Kaufman Shelemay Bonnie c. Wade Thomas Turino MOVING AWAY FROM SILENCE Music of the Peruvian Altiplano and the Experience of Urban Migration THE UNIVERSITY OF CHICAGO PRESS Chicago & London THOMAS TURlNo is associate professor of music at the University of Ulinois, Urbana. The University of Chicago Press, Chicago 60637 The University of Chicago Press, Ltd., London © 1993 by The University of Chicago All rights reserved. Published 1993 Printed in the United States ofAmerica 02 01 00 99 98 97 96 95 94 93 1 2 3 4 5 6 ISBN (cloth): 0-226-81699-0 ISBN (paper): 0-226-81700-8 Library of Congress Cataloging-in-Publication Data Turino, Thomas. Moving away from silence: music of the Peruvian Altiplano and the experiment of urban migration / Thomas Turino. p. cm. - (Chicago studies in ethnomusicology) Discography: p. Includes bibliographical references and index. I. Folk music-Peru-Conirna (District)-History and criticism. 2. Folk music-Peru-Lirna-History and criticism. 3. Rural-urban migration-Peru. I. Title. II. Series. ML3575.P4T87 1993 761.62'688508536 dc20 92-26935 CIP MN @) The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences-Permanence of Paper for Printed Library Materials, ANSI 239.48-1984. For Elisabeth CONTENTS List of Illustrations ix Acknowledgments xi Introduction: From Conima to Lima -
News from Library of Congress: 2007
1 BCC2007/LC2007 NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2007 Special Materials Cataloging Division Music Division Cataloging Policy and Support Office American Folklife Center General Library News Copyright Office Office of Strategic Initiatives Compiled by Joe Bartl, MSR1, SMCD Feb. 26, 2007 SPECIAL MATERIALS CATALOGING DIVISION (SMCD) Top of the Document (Joe Bartl. MSR1, SMCD) CATALOGING ACCOMPLISHMENTS Bibliographic Production Arrearage Accomplishments Bibliographic Maintenance WORKFLOW SIMPLIFICATION Introduction CD Brief Workflow Leased Metadata (AMG) http://bcc.musiclibraryassoc.org/BCC-Historical/BCC2007/LC2007.html[6/6/2014 2:52:43 PM] 1 CD Sorter & CD Add OTHER INITIATIVES New Sound Recording Formats Guidelines Series and collected works (new treatment) CD Multivolume Project Choral Music Octavos Elimination of Book Backlog Card Catalogs Inventory Project Music Division Special Collections records added to Voyager OvOp Sound Recordings Popular Sheet Music Project NEW PROJECTS Ethnic Sound Recordings M1508 Sheet Music Secure Storage Facilities Telework ONGOING PROJECTS All Media Guide (AMG) Workflow Nijinska Collection SR Foreign Language Project COOPERATION/OUTREACH Advisory Groups International Groups LC Divisions LC Junior Fellows Music Division Reference Services Music Division Strategic Planning NACO/SACO Network Development and MARC Standards Office CATALOGING ACCOMPLISHMENTS Bibliographic production: New bibliographic records added to the database consisted of 3,517 scores, 16,561 sound recordings, and 2,730 books/ERs/Microforms. This totals 22,847 new bibliographic records added to the database. Arrearage accomplishments: A total of 35,395 items were removed from the arrearage as follows: CDs (33,984); LPs (348); 78s (38); 45s (125); 10” reels (224); and cassettes (676). Bibliographic maintenance and auxiliary statistics: 9,078 bibliographic records were modified. -
Obituary: David Mcallester Attracting Attention As the First Female World Dance Alliance-Americas
SEM Newsletter Published by the Society for Ethnomusicology Volume 40 Number 4 September 2006 Becoming Ethnomusi- Barbara Smith_ Hon- 2006 Charles Seeger cologists ored by UH Manoa Lecturer: Adrienne L. By Philip V. Bohlman, SEM President Music Department Kaeppler, Smithso- In this column (p.4-5), I turn from Saturday, April 29, 2006. Friends, nian Institution colleagues and supporters of the arts my concern with the issues forming the _ By Ricardo D. Trimillos, University of gathered at the UH Manoa Music De- _ context of ethnomusicology to its meth- Hawai‘i at Manoa ods. At first glance, that turn might partment as the Amphitheatre and Eth- seem like a shift from external to inter- nomusicology Wing of the complex is nal issues. We do, in fact, become dedicated in the name of Emeritus Pro- ethnomusicologists by studying it as a fessor Barbara B. Smith. discipline. Interdisciplinarity, however, Smith’s tenure as a faculty member is not so much a concept of internal and researcher has spanned virtually workings as it is of the bigger picture. It the entire life of the department—from poses questions about how we join her arrival in Hawai‘i in 1949, through together and how we recognize our her official “retirement” in 1982, and to differences before transcending them. the present day in which she remains an Interdisciplinarity, moreover, is a con- active contributor to the university and cept that ethnomusicologists hold as department as a mentor and through very precious. Many, if not most, of us fieldwork and advocacy research. feel it distinguishes our field from oth- “This is a wonderful opportunity to ers, which, so we believe, are narrower recognize the life’s work of an outstand- ing teacher, researcher and performer,” in scope and more limited in their claim _ on knowledge. -
15,000 Witness the Enthronement of Ugyen Tendzin Jigme Lhundrup
PO Box 6483, Ithaca, NY 14851 607-273-8519 WINTER 1998 NEWSLETTER & CATALOG SUPPLEMENT THE SIX 15,000 Witness the Enthronement PERFECTIONS by Geshe Sonam Rinchen of Ugyen Tendzin Jigme Lhundrup translated and edited by Ruth Sonam ■ 185pp., 5 + x 8 +" #SIPE On December 5, 1997, the En- $14.95 Available in Mar. thronement of Ugyen Tendzin Jigme Lhundrup, the Reincarnation or "Yangsi" of Dilgo Khyentse Rinpoche The Six Perfections of generosity, was celebrated at Shechen Monastery ethical discipline, patience, enthusi- in Baudha, Nepal. Dilgo Khyentse astic effort, concentration, and wis- Rinpoche (1910-1991) was one of the dom are practised by Bodhisattvas most remarkable Buddhist teachers who have the supreme intention of of this century, an accomplished mas- attaining enlightenment for the sake ter in the rimey or non-sectarian tra- of all living beings. These six are dition, who had a deep knowledge of called perfections because they give the teachings of all schools of Tibetan rise to complete enlightenment—the Buddhism. liberation from disturbing attitudes For two days- proceeding the ac- and emotions and the removal of the ions. Enthusiastic effort endows us tual enthronement ceremony, obstructions to complete knowledge with the ability to complete what we Trulshik Rinpoche, Dilgo Khyentse of all phenomena. undertake, concentration makes the Rinpoche's close friend and disciple, Practicing the six perfections in- mind invulnerable to distraction, and performed a long-life ceremony in the sures that we will have an excellent through the growth of wisdom we will upper temple which contains a star- body and mind in the future and leads be capable of discriminating between tlingly lifelike statue of Khyentse Rin- to even more favorable conditions for what should be cultivated and dis- poche and a small golden stupa con- development than we experience at carded. -
Tibet Chic: Myth, Marketing, Spirituality and Politics in Musical
“TIBET CHIC”: MYTH, MARKETING, SPIRITUALITY AND POLITICS IN MUSICAL REPRESENTATIONS OF TIBET IN THE UNITED STATES by Darinda J. Congdon BM, Baylor, 1997 MA, University of Pittsburgh, 2002 Submitted to the Graduate Faculty of the School of Arts and Sciences in partial fulfillment of the requirements for the degree of Doctor of Philosophy University of Pittsburgh 2007 UNIVERSITY OF PITTSBURGH FACULTY OF ARTS AND SCIENCES This dissertation was presented by Darinda Congdon It was defended on April 18, 2007 and approved by Dr. Nicole Constable Dr. Evelyn S. Rawski Dr. Deane L. Root Dr. Andrew N. Weintraub Dr. Bell Yung Dissertation Director ii Copyright © by Darinda Congdon 2007 iii “TIBET CHIC”: MYTH, MARKETING, SPIRITUALITY AND POLITICS IN MUSICAL REPRESENTATIONS OF TIBET IN THE UNITED STATES Darinda Congdon, PhD University of Pittsburgh, 2007 This dissertation demonstrates that Tibetan music in the United States is directly related to multiple Western representations of Tibet in the United States, perpetuated from the 1800s to the present, and that these representations are actively utilized to market Tibetan music. These representations have also impacted the types of sounds most often used to musically represent Tibet in the United States in unexpected ways. This study begins with the question, “What is Tibetan music in the United States?” It then examines Tibetan music in the United States from a historical, political, spiritual and economic perspective to answer that question. As part of this investigation, historical sources, marketing sources, New Age religion, the New York Times, and over one hundred recordings are examined. This work also applies marketing theory to demonstrate that “Tibet” has become a term in American culture that acts as a brand and is used to sell music and other products. -
No News from Nixon, Claim Political Profs
SpartanServing the San Jose State Dallis University 1934 - Community Since Its 1 ni- Volume 68, Number 60 Friday, May 6, 1977 Phone: V7-3181 )r- iU on No news from Nixon, he -nt )Id at claim political profs ) 2 By David Koenig Prof. Theodore Norton said, aggressively." for Richard Nixon hasn't changed "Nixon was a little more humble "He's a good interrogator," said nd That was the general reaction by than I expected, but he still didn't Prof. Frederic Weed. he SJSU Political Science professors to confess anything." Much of the professors' reaction -es the nationally televised Nixon-David Very boring was ho-hum. Frost interview Wednesday night, Stephan Cohen, lecturer, thought "I've seen Nixon on television so the first of four 90-minute chats the first half hour was "very often that it's not a great novelty." between the ex-President and the boring," but "I was interested in the Weed said. "There's an ingredient onetime British talk show host. way Nixon carried himself." missing." he said of Nixon, "He's "I had exactly the same reaction Cohen said the ex-President too slick." I I had during the Watergate events," appeared tired, played on the Comfort was also reminded of said William McCraw, associate sympathies of the American public prefious Nixon speeches, such as the professor. "Why did he put himself and "still doesn't realize the fine "Checkers speech" and his "You experience Mariachis playing traditional songs, stroll Ninth St. Fitchard lohf through this painful distinction between a technical won't have Dick Nixon to kick again? crime as it relates to the presidency, around any more" swan song after "He had nothing new to offer." and an abuse of power. -
Understanding Our Neighbors to the South: a Teaching Manual for K-3 Teachers. INSTITUTION Indiana Univ., Bloomington
DOCUMENT RESUME ED 290 644 SO 018 180 AUTHOR D'Amico, Linda TITLE Understanding Our Neighbors to the South: A Teaching Manual for K-3 Teachers. INSTITUTION Indiana Univ., Bloomington. Center for Latin American and Caribbean Studies. SPONS AGENCY Indiana Committee for the Humanities, Indianapolis.; National Endowment for tie Humanities (NFAH), Washington, D.C. PUB DATE Feb 87 NOTE 74p. PUB TYPE Guides - Classroom Use - Guides (For Teachers) (052) EDRS PRICE MF01/PC03 Plus Postage. DESCRIPTORS Activity Units; Archaeology; *Elementary School Curriculum; Foreign Countries; Geography; *Latin American Culture.; Learning Activities; Lesson Plans; Primary Education; Resource Units; *Social Studies; Teaching Guides I ITTIFIERS *Andean Countries; *South America ABSTRACT This teaching guide describes a specific learning activities approach in teaching K-3 students about the Andes region of South America. The guide is divided into three units which focus on geography, archaeology, and current Andean customs. The geography unit introduces: (1) map reading skills;(2) map symbols; (3) political boundaries; and (4) topographical zones and the physical geography of South America. The archaeology unit considers: (1) prehistory; (2/ an archaeological dig; and (3) Incan history, civilization, writing and counting systes, irrigation systems, communication processes, and pre-Columbian art and stone masonry. The present day Andean customs unit includes materials on: (1) languages; (2) food; (3) llamas; and (4) weaving. The units are followed by a resource guide to books, films, records, and other materials available from publishers, embassies, consulates, and national organizations. Charts, maps. activity and study sheets, games, and an evaluation form are included. (JHP) *******g******x******************************************************** Reproductions supplied by EDRS are the best that can be made from the original ocument. -
Foundation Grants for Preservation in Libraries, Archives, An
Foundation Grants for Preservation in Libraries, Archives, and Museums 2010 Edition Foundation Grants for Preservation in Libraries, Archives, and Museums 2010 Edition CONTENTS Introduction ____________________________________________________ iii Statistical Analysis __________________________________________ vii Foundation Center Cooperating Collections ______________________xv Section One: Grant Listings _______________________________________ 1 Section Two: Indexes ___________________________________________ 65 Index to Grants by Recipient Name ____________________________ 65 Index to Grants by Recipient Location __________________________ 71 Index to Grants by Subject ____________________________________ 77 Section Three: Foundation Addresses and Limitations _______________ 97 The Library of Congress, Preservation Directorate, Conservation Division The Foundation Center Foundation Grants for Preservation in Libraries, Archives, and Museumsis a joint project of the Library of Congress and the Foundation Center CONTRIBUTORS The Library of Congress Deanna Marcum _________________Associate Librarian for Library Services Michael Handy ___________________Deputy Associate Librarian for Library Services Dianne van der Reyden ___________Director for Preservation Diane Vogt-O’Connor ______________Chief of Conservation The Foundation Center Joyce Infante ____________________Vice President for Business and Strategic Services Jeff Falkenstein __________________Vice President for Data Acquisition and Architecture Sherry Seward ___________________Consultant -
January / February
CD REVIEWS • CALENDAR OF EVENTS • INTERVIEWS FREE BI-MONTHLY Volume 4 Number 1 January-February 2003 THESOURCE FOR FOLK/TRADITIONAL MUSIC, DANCE, STORYTELLING & OTHER RELATED FOLK ARTS IN THE GREATER LOS ANGELES AREA “Don’t you know that Folk Music is illegal in Los Angeles?” — WARREN C ASEY of the Wicked Tinkers African Roots Peruvian Soul PERU NEGRO BY ENRICO DEL ZOTTO AlsoAlso inside:inside: hen we think of Peruvian music, most of us think of the music of Andean flute groups, but Bess Hawes Peru, like all of Latin America, has a diverse Bess Hawes culture. Part of this diversity is the Afro- Peruvian experience, which will be shared with InterviewInterview Los Angeles this February 8th as Peru Negro W performs at UCLA’s Royce Hall. Peru Negro was founded by Ronaldo Campos de la Colona in 1969. AA MusicalMusical Originally a made-up of a dozen family members it now has grown to over 30 members who perform music and dance from the African tradition in Peru. JourneyJourney Although similar in some ways to the Afro-Latin tradi- tions we might recognize from Brazil and Cuba, Afro- Peruvian culture developed under the gaze of the Spanish FolkFolk AllianceAlliance Viceroyalty seated in Peru. Consequently, some of the oppor- tunities for preserving African culture that existed in the more remote parts of the empire, like the Caribbean, did not exist for Africans in Peru. Where Cuban musicians play many per- cussion instruments from African origins, drums were banned PLUSPLUS outright in Peru. Instead of African drums we hear the tithing box from the Catholic Church (played by opening and clos- KeysKeys toto thethe HighwayHighway ing the lid with one hand and slapping the side with the other) and the quijada de burro (a donkey’s jaw) and the cajon (orig- inally a crate for produce, which is also used in some Cuban CDCD ReviewsReviews music). -
Of 66 RECORDINGS COLLECTED by DEBRA
Page 1 of 66 RECORDINGS COLLECTED BY DEBRA JAN BIBEL Current Date September 1, 2021 The personal preferential ratings (* to ****) are continually revised with repeated hearings over the years. Sequence of albums here does not match the sequence on the shelves, which is in correct order. International Musique du No: *** Ocora C 559005 Gagaku and Beyond **** Tokyo Gakuso Celestial Harmonies 13179 Gems from Foreign Lands *** Tokyo Gakuso Celestial Harmonies 13217 Tegoto ** Tomoko Sunazaki Fortuna 17068 Koto Music. Tadao Sawai Plays Michio Miyagi *** Playasound PS 65180 The Soul of the Koto *** Musicians of Ikuta-Ryu Lyrichord 7218 Japan. Splendor of the Koto *** Playasound PS 65131 Koto Music of Japan ** Zumi-Kai Group LaserLIght 12 184 Koto Classics **** Shinichi Yuize Nonesuch 511729 L’ Epopee des Heike ** Junko Ueda VDE CD-650 Sankyoku *** Ensemble Yonin No Kai Ocora C 560070 Japan/Traditional Vocal & Instrumental Music **** Ensemble Nipponia Nonesuch 72072 Kabuki & Other Traditional Music **** Ensemble Nipponia Nonesuch 72084 Kabuki and Jiuta-Mai Music *** Ethnic B 6809 Nagauta [Kabuki concert music] *** Ensemble Kineya Ocora C 560144 Melody of Japan/ Brightness of Summer *** King KICH 2128 Melody of Japan/Pathos of Autumn ** King KICH 2129 Melody of Japan/Stillness of Winter *** King KICH 2130 Melody of Japan/Joy of Spring *** King KICH 2127 Japanese Traditional Music Gagaku *** King KICH 2001 Nagaku (No) *** King KICH 2002 Kabuki *** King KICH 2003 Biwa *** King KICH 2004 Shakuhachi *** King KICH 2005 So (Koto) *** King KICH 2006 Sankyoku (ensemble) *** King KICH 2007 Shamisen I *** King KICH 2008 Shamisen II *** King KICH 2009 Percussion *** King KICH 2010 Japanese Dance Music *** King KICH 2022 Japanese Work Songs ** King KICH 2023 Music of Japanese Festivals ** King KICH 2028 Eternal Songs *** Agatsuma Domo 73049 En **** Agatsuma Domo 73072 Yasouemaki ** WagakkiBand Avex Music [.mp3] Spirit of Samurai.