Obituary: David Mcallester Attracting Attention As the First Female World Dance Alliance-Americas

Total Page:16

File Type:pdf, Size:1020Kb

Obituary: David Mcallester Attracting Attention As the First Female World Dance Alliance-Americas SEM Newsletter Published by the Society for Ethnomusicology Volume 40 Number 4 September 2006 Becoming Ethnomusi- Barbara Smith_ Hon- 2006 Charles Seeger cologists ored by UH Manoa Lecturer: Adrienne L. By Philip V. Bohlman, SEM President Music Department Kaeppler, Smithso- In this column (p.4-5), I turn from Saturday, April 29, 2006. Friends, nian Institution colleagues and supporters of the arts my concern with the issues forming the _ By Ricardo D. Trimillos, University of gathered at the UH Manoa Music De- _ context of ethnomusicology to its meth- Hawai‘i at Manoa ods. At first glance, that turn might partment as the Amphitheatre and Eth- seem like a shift from external to inter- nomusicology Wing of the complex is nal issues. We do, in fact, become dedicated in the name of Emeritus Pro- ethnomusicologists by studying it as a fessor Barbara B. Smith. discipline. Interdisciplinarity, however, Smith’s tenure as a faculty member is not so much a concept of internal and researcher has spanned virtually workings as it is of the bigger picture. It the entire life of the department—from poses questions about how we join her arrival in Hawai‘i in 1949, through together and how we recognize our her official “retirement” in 1982, and to differences before transcending them. the present day in which she remains an Interdisciplinarity, moreover, is a con- active contributor to the university and cept that ethnomusicologists hold as department as a mentor and through very precious. Many, if not most, of us fieldwork and advocacy research. feel it distinguishes our field from oth- “This is a wonderful opportunity to ers, which, so we believe, are narrower recognize the life’s work of an outstand- ing teacher, researcher and performer,” in scope and more limited in their claim _ on knowledge. Isn’t it self-evident that said Manoa Chancellor Denise Konan. ethnomusicology stretches across the “Her service to the university stands out boundaries between music and anthro- as an example of the excellent faculty to pology departments, that it draws vora- whom we turn for leadership and inspi- ciously from the arts, the humanities, ration.” UH recognized her as a “living Adrienne Kaeppler at the Honolulu and the social sciences? Ours is a treasure” of the Colleges of Arts and opening of the exhibition, "Life in the capacious discipline, which welcomes Sciences in 2000. Pacific of the 1700s: The Cook-Forster others. Why, however, is that so? And In her first years here, Smith taught Collection of the Georg August if it is so, why does our interdisciplinar- piano performance and music theory. University of Göttingen." February 22, Among her early students were Herbert 2006 (Photo courtesy of Stephen Little, ity often remain unremarked by other Honolulu Art Academy) disciplines? The answers to such ques- Ohta (Ohta-san) and Eddie Kamae, both tions may elude us, I suggest, because recognized artists in Hawaiian music Adrienne Lois Kaeppler has been a we’ve crossed from a traditional to a today. She was an active piano recital- leading figure in the research, study, new interdisciplinarity. ist, often performed in the community, and advocacy of the Pacific Island Re- and was featured as a concerto soloist gion for at least four decades. Ethno- with the Honolulu Symphony Orches- musicologist is but one of her scholarly Inside tra. identities; others include museum cura- 1 Becoming Ethnomusicologists Through her involvement with the tor, anthropologist, and dance ethnolo- 1 Barbara Smith Honored community and her students, she be- gist. She enjoys international standing 1 2006 Charles Seeger Lecturer: came aware of the rich heritage of and leadership throughout: President Adrienne Kaeppler Hawaiian, Asian and Pacific musics and of the International Council for Tradi- 6 Announcements set about to understand them. She tional Music-UNESCO, senior curator 8 SEM Prizes learned Iwakuni-style bon dance drum- for the Oceania collection at the Smith- 9 Call for Submissions ming, koto, gagaku, and Hawaiian chant, sonian Institution, and President of the 10 Obituary: David McAllester attracting attention as the first female World Dance Alliance-Americas. 19 Obituary: Nadia Nahumck and first Caucasian performer. Begin- Preparation for these lifelong inter- 20 SEM 2006 Preliminary Program ning with Hawaiian chant and Japanese disciplinary and inter-cultural engage- 44 Bob Brown’s Gift to Univ. of Illinois Continued on page 3 Continued on page 3 44 People & Places in Ethnomusicology 45 Mentoring Program for Women 46 Fès Festival of World Sacred Music 2 SEM Newsletter The Society for Ethnomusicology and SEM Newsletter Guidelines the SEM Newsletter Guidelines for Contributors Editor, SEM Newsletter Tong Soon Lee Emory University •Send articles to the editor by e-mail or on a disk with a paper copy. Microsoft Department of Music Word is preferable, but other Macintosh or IBM-compatible software is accept- 1804 North Decatur Road Atlanta, GA 30322, USA able. (Tel) 404.712.9481 (Fax) 404.727.0074 • Identify the software you use. (Email) [email protected] • Please send faxes or paper copies without a disk only as a last resort. (Website) www.emory.edu/Music The SEM Newsletter Advertising Rates Copy Deadlines The SEM Newsletter is a vehicle for exchange of ideas, news, and information among the Society’s Rates for Camera Ready Copy March issue.................. January 15 members. Readers’ contributions are welcome and Full Page $200 May issue ....................... March 15 should be sent to the editor. See the guidelines for contributions on this page. 2/3 Page $145 September issue ................ July 15 The SEM Newsletter is published four times 1/2 Page $110 January issue .......... November 15 annually, in January, March, May, and September, 1/3 Page $ 6 0 by the Society for Ethnomusicology. Inc., and is distributed free to members of the Society. 1/6 Page $ 4 0 Back issues, 1981-present [Vols. 14-18 (1981- 84), 3 times a year; Vols. 19-32 (1985-1998), 4 times Additional charges apply to non-camera-ready materials. a year] are available and may be ordered at $2 each. Add $2.50/order for postage. Address changes, orders for back issues of the SEM Newsletter, and all other non-editorial inquir- Internet Resources British Forum for Ethnomusicology ies should be sent to the Business Office, Society for Ethnomusicology, Indiana University, Morrison http://www.bfe.org.uk Hall 005, 1165 East 3rd Street, Bloomington, Indiana The SEM Website 47405-3700; (Tel) 812.855.6672; (Fax) 812.855.6673; British Library National Sound (Email) sem@ indiana.edu. http://www.ethnomusicology.org Archive SEM Membership The SEM Discussion List: SEM-L International Music Collection: The object of the Society for Ethnomusicology To subscribe, address an e-mail mes- is the advancement of research and study in the http://www.bl.uk/collections/sound- field of ethnomusicology, for which purpose all sage to: [email protected]. interested persons, regardless of race, ethnicity, archive/imc.html religion, gender, sexual orientation, or physical abil- EDU. Leave the subject line blank. Type ity are encouraged to become members. Its aims the following message: SUBSCRIBE SEM- Catalog: include serving the membership and society at large http://cadensa.bl.uk through the dissemination of knowledge concern- L yourfirstname yourlastname. ing the music of the world’s peoples. The Society, SEM Chapter Websites Ethnomusicology OnLine (EOL) incorporated in the United States, has an interna- tional membership. Mid-Atlantic Chapter Free, peer-reviewed, multimedia Web Members receive free copies of the journal journal. For more information, point and the newsletter and have the right to vote and http://www.macsem.org participate in the activities of the Society. Life mem- your browser to: bers receive free copies of all publications of the Mid-West Chapter http://umbc.edu/eol (home site) Society. Institutional members receive the journal and the newsletter. http://sem-midwest.osu.edu/ EthnoFORUM, a.k.a. ERD (inactive) Student (full-time only) (one year) ............. $30 Niagara Chapter Individual/Emeritus (one year) Archive at: http://www.inform.umd. income $25,000 or less .............................. $50 http://www.people.iup.edu/ edu/EdRes/ReadingRoom/Newsletters/ income $25,000-$40,000 ............................ $70 rahkonen/NiagaraSEM/NiagaraSEM.htm EthnoMusicology/ income $40,000-$60,000 ............................ $80 income $60,000-$80,000 ............................ $95 Northeast Chapter International Council for Tradi- income $80,000 and above ..................... $100 http://web.mit.edu/tgriffin/necsem/ tional Music Spouse/Partner Individual (one year) ......... $35 Life membership .......................................... $900 Southwest Chapter http://www.ictmusic.org/ICTM Spouse/Partner Life ................................... $1100 http://www.u.arizona.edu/~sturman/ Iranian Musicology Group Sponsored* (one year) .................................. $35 Institutional membership (one year) .......... $80 SEMSW/SEMSWhome.html http://groups.yahoo.com/group/ Overseas surface mail (one year) ................ $10 Southern California Chapter iranian_musicology Overseas airmail (one year) ......................... $25 *Donated membership for individuals and in- http://www.ucr.edu/ethnomus/ Music & Anthropology stitutions in soft-currency countries. Send spon- sorship letter with dues ($35) and postage (either semscc.html http://www.muspe.unibo.it/period/MA $10 Surface rate or $25 airmail)
Recommended publications
  • A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore
    Butler University Digital Commons @ Butler University Graduate Thesis Collection Graduate Scholarship 5-1999 A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore Stephanie B. Thorne Butler University Follow this and additional works at: https://digitalcommons.butler.edu/grtheses Part of the Anthropology Commons, and the Music Commons Recommended Citation Thorne, Stephanie B., "A Cultural View of Music Therapy: Music and Beliefs of Teton Sioux Shamans, with Reference to the Work of Frances Densmore" (1999). Graduate Thesis Collection. 253. https://digitalcommons.butler.edu/grtheses/253 This Thesis is brought to you for free and open access by the Graduate Scholarship at Digital Commons @ Butler University. It has been accepted for inclusion in Graduate Thesis Collection by an authorized administrator of Digital Commons @ Butler University. For more information, please contact [email protected]. -- CERTIFICATE FORM Name of Candidate: Stephanie B. Thome Oral Examination Date: ___W=e",dn",e",s",d""aYz."",J",un",-e"--"2"-3,~1,,,,9 ,,,,9,,,9,---________ COmmUtteeChaUpe~on: __~D~r~.~P~enn~y~D~Urun~~i~c~k ______________________ Committee Members: Dr. Sue Kenyon, Dr. Tim Brimmer, Dr. Wayne Wentzel, Mr. Henry Leck Thesis Title: A Cultural View of Music Therapy: Music and Beliefs of Teton Shamans, with Reference to the Work of Frances Densmore Thesis approved in final fonn: """"" Date: ____________:::::~ _________ Major professor: __----'D"'r"' . ..!.P-"e"'nn"'y.L...!.D"'im!!.!!.m""'ic"'k~ ___________________________ II • A CULTURAL VIEW OF MUSIC THERAPY: MUSIC AND BELIEFS OF TETON SIOUX SHAMANS, WITH REFERENCE TO THE WORK OF FRANCES DENSMORE by Stephanie B.
    [Show full text]
  • 1 the Politics of Ethnopoetics by Gary Snyder This “Politics” Is
    1 The Politics of Ethnopoetics by Gary Snyder This \politics" is fundamentally the question of what occidental and indus- trial technological civilization is doing to the earth. The earth: (I'm just going to remind us of a few facts), is 57 million square miles, 3.7 billion human be- ings, evolved over the last 4 million years; plus, 2 million species of insects, 1 million species of plants, 20 thousand species of fish, and 8,700 species of birds; constructed out of 97 naturally occurring surface elements with the power of the annual solar income of the sun. That is a lot of diversity. Yesterday, (who was it), David Antin, I believe, told how the Tragedians asked Plato to let them put on some tragedies. Plato said, \Very interesting, gentlemen, but I must tell you something. We have prepared here the greatest tragedy of all. It is called The State." From a very early age I found myself standing in an undefinable awe before the natural world. An attitude of gratitude, wonder, and a sense of protection especially as I began to see the hills being bulldozed down for roads, and the forests of the Pacific Nothwest magically float away on logging trucks. I grew up in a rural family in the state of Washington. My grandfather was a homesteader in the Pacific Northwest. The economic base of the whole region was logging. In trying to grasp the dynamics of what was happening, rural state of Washington, 1930's, depression, white boy out in the country, German on one side, Scotch- Irish on the other side, radical, that is to say, sort of grass roots Union, I.W.W., and socialist-radical parents, I found nothing in their orientation, (critical as it was of American politics and economics), that could give me an access to understanding what was happening.
    [Show full text]
  • Cover Next Page > Cover Next Page >
    cover next page > title: Indian Music and the West : Gerry Farrell author: Farrell, Gerry. publisher: Oxford University Press isbn10 | asin: 0198167172 print isbn13: 9780198167174 ebook isbn13: 9780585163727 language: English subject Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. publication date: 1999 lcc: ML338.F37 1999eb ddc: 780.954 subject: Music--India--History and criticism, Music--Indic influences, Civilization, Western--Indic influences, Ethnomusicology. cover next page > < previous page page_i next page > Page i Indian Music and the West < previous page page_i next page > < previous page page_ii next page > Page ii To Jane < previous page page_ii next page > < previous page page_iii next page > Page iii Indian Music and the West Gerry Farrell OXFORD UNIVERSITY PRESS < previous page page_iii next page > < previous page page_iv next page > Page iv OXFORD UNIVERSITY PRESS Great Clarendon Street, Oxford OX2 6DP Oxford University Press is a department of the University of Oxford. It furthers the University's objective of excellence in research, scholarship, and education by publishing worldwide in Oxford New York Athens Auckland Bangkok Bogotá Buenos Aires Calcutta Cape Town Chennai Dar es Salaam Delhi Florence Hong Kong Istanbul Karachi Kuala Lumpur Madrid Melbourne Mexico City Mumbai Nairobi Paris São Paulo Singapore Taipei Tokyo Toronto Warsaw and associated companies in Berlin Ibadan Oxford is a registered trade mark of Oxford University Press in the UK and in certain other countries Published in the United States by Oxford University Press Inc., New York © Gerry Farrell 1997 First published 1997 New as paperback edition 1999 The moral rights of the author have been asserted Database right Oxford University Press (maker) All rights reserved.
    [Show full text]
  • News from the Library of Congress: MOUG/MLA 2007
    NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2007 Special Materials Cataloging Division Music Division Cataloging Policy and Support Office American Folklife Center General Library News Copyright Office Office of Strategic Initiatives Compiled by Joe Bartl, MSR1, SMCD Feb. 26, 2007 SPECIAL MATERIALS CATALOGING DIVISION (SMCD) Top of the Document (Joe Bartl. MSR1, SMCD) CATALOGING ACCOMPLISHMENTS Bibliographic Production Arrearage Accomplishments Bibliographic Maintenance WORKFLOW SIMPLIFICATION Introduction CD Brief Workflow Leased Metadata (AMG) CD Sorter & CD Add OTHER INITIATIVES New Sound Recording Formats Guidelines Series and collected works (new treatment) CD Multivolume Project Choral Music Octavos Elimination of Book Backlog Card Catalogs Inventory Project Music Division Special Collections records added to Voyager OvOp Sound Recordings Popular Sheet Music Project NEW PROJECTS Ethnic Sound Recordings M1508 Sheet Music Secure Storage Facilities Telework ONGOING PROJECTS All Media Guide (AMG) Workflow Nijinska Collection SR Foreign Language Project COOPERATION/OUTREACH Advisory Groups International Groups LC Divisions LC Junior Fellows Music Division Reference Services Music Division Strategic Planning NACO/SACO Network Development and MARC Standards Office CATALOGING ACCOMPLISHMENTS Bibliographic production: New bibliographic records added to the database consisted of 3,517 scores, 16,561 sound recordings, and 2,730 books/ERs/Microforms. This totals 22,847 new bibliographic records added to the database. Arrearage accomplishments: A total of 35,395 items were removed from the arrearage as follows: CDs (33,984); LPs (348); 78s (38); 45s (125); 10” reels (224); and cassettes (676). Bibliographic maintenance and auxiliary statistics: 9,078 bibliographic records were modified. 7,577 authority records were added to the database and 3,607 authority records were modified.
    [Show full text]
  • Folk Songs CLASS-II
    Folk Songs CLASS-II 6 Notes FOLK SONGS A folk song is a song that is traditionally sung by the common people of a region and forms part of their culture. Indian folk music is diverse because of India's vast cultural diversity. It has many forms. The term folk music was originated in the 19th century, but is often applied to music older than that. The glimpse of rural world can be seen in the folk music of the villages. They are not only the medium of entertainment among the rural masses but also a reflection of the rural society. In this lesson we shall learn about the characteristics of folk songs and music and also about the various folk songs of India. OBJECTIVES After studying this lesson, you will be able to: • define folk songs; • list the characteristics of folk songs and folk music; • list some famous forms of folk song of our country; and • describe the importance of folk song in our culture. OBE-Bharatiya Jnana Parampara 65 Folk Songs CLASS-II 6.1 MEANING OF FOLK SONGS AND MUSIC Music has always been an important aspect in the lives of Indian Notes people. India's rich cultural diversity has greatly contributed to various forms of folk music. Almost every region in India has its own folk music, which reflects local cultures and way of life. Folk songs are important to music because they give a short history of the people involved in the music. Folk songs often pass important information from generation to generation as well.
    [Show full text]
  • An Introduction to Cultural Anthropology
    An Introduction to Cultural Anthropology An Introduction to Cultural Anthropology By C. Nadia Seremetakis An Introduction to Cultural Anthropology By C. Nadia Seremetakis This book first published 2017 Cambridge Scholars Publishing Lady Stephenson Library, Newcastle upon Tyne, NE6 2PA, UK British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library Copyright © 2017 by C. Nadia Seremetakis All rights for this book reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the copyright owner. ISBN (10): 1-4438-7334-9 ISBN (13): 978-1-4438-7334-5 To my students anywhere anytime CONTENTS Introduction ................................................................................................. 1 Part I: Exploring Cultures Chapter One ................................................................................................. 4 Redefining Culture and Civilization: The Birth of Anthropology Fieldwork versus Comparative Taxonomic Methodology Diffusion or Independent Invention? Acculturation Culture as Process A Four-Field Discipline Social or Cultural Anthropology? Defining Culture Waiting for the Barbarians Part II: Writing the Other Chapter Two .............................................................................................. 30 Science/Literature Chapter Three ...........................................................................................
    [Show full text]
  • Now Guyana) — Harry T
    Dr. and Mrs. JB Singh with family and friends at their home, “Ayodhya,” at 273 Lamaha Street (purchased in 1923), North Cummingsburg, Georgetown, British Guiana (Guyana), circa. 1928. From left to right: (standing) Pratap Narine, “Tappie,” their fourth child and third son; Indal, JB’s youngest brother; Pitamber Doobay, JB’s closest friend and confi- dante; Mrs. Singh; and Victor Ramsaran; (sitting, back row) young lady (name unknown) and Efreda Chandrawati, “Moon,” eldest daughter; (sitting, front row) young lady (name unknown) and Gangadai,“Nelly,” JB’s only sister. The copyrighted pictures of Alice Singh were provided by Karna Singh and were taken from the 'Heritage Collection of Dr. and Mrs. JB Singh'. Courtesy: Dr. Baytoram Ramharack Edited by Somdat Mahabir & Ramesh Gampat 180 YEARS OF INDIANS IN GUYANA (1838-2018) Edited by Somdat Mahabir & Ramesh Gampat Caribbean Hindu Network (CHN) Published on May 5, 2018 Suggested citation of this publication Citation of the entire publication: Somdat Mahabir and Ramesh Gampat (Editors), 180 Years of Indi- ans in Guyana (1838-2018), Caribbean Hindu Network, 2018. Citation of specific papers: Baytoram Ramharack, Remembering Alice Singh of Guyana: Notes from her Diary in Guyana (1838-2018). In: Somdat Mahabir and Ramesh Gampat (Editors), 180 Years of Indians in Guyana (1838-2018), pp 23-33, Caribbean Hindu Network, 2018. Cover picture Dr. and Mrs. JB Singh with family and friends at their home, “Ayodhya,” at 273 Lamaha Street (purchased in 1923), North Cummingsburg, Georgetown, British Guiana (Guyana), circa. 1928. From left to right: (standing) Pratap Narine, “Tappie,” their fourth child and third son; Indal, JB’s youngest brother; Pitamber Doobay, JB’s closest friend and confidante; Mrs.
    [Show full text]
  • David Lewiston
    FEATURE Dalhousie, Northern India, 1972: Lewiston at Tashi Jong Using hand-held EV RE50s – the monastery, 1998. informant holds one of the mics in place, freeing up Lewiston’s “ …what could be left hand for operating the recorder. better than travelling to incredible places, meeting amazing musicians, and recording them?” He’s spent the last 40 years With a career spanning 40 years of recording that had evolved with little or no Western attitude and create the impression that what and releasing the music of other cultures, influence. His earliest Balinese and Tibetan you’re doing is simple and no big deal. Also, DAVID LEWISTON recording in Indonesia, David Lewiston could be described as the releases provided a timely soundtrack for a rather than hiding behind the musicians, Morocco, Peru, India, Mexico, father of world music. His pioneering field Western world that was dabbling in Eastern you want to be among them, expressing recordings of Balinese music from the 1960s philosophies, transcendental meditation and your pleasure at the music. This encourages The father of world music Istanbul, Nepal, Georgia, gave many Westerners their first taste of the other consciousness-altering endeavours. them to give a better performance. If a take Pakistan and more. He’s music of other cultures. No discussion of Lewiston would be complete is unsatisfactory, just keep going, and tell the recorded everything from But what makes Lewiston worthy of such a without acknowledging the contributions of musicians their music is really great. Then, later on in the session, tell them you really Balinese gamelan to Tibetan lofty title (and one which he would probably the late Teresa ‘Tracey’ Sterne, the visionary dismiss as ‘pretentious’)? Field recording head of Nonesuch Records who saw the enjoyed the piece that was poorly recorded and monks.
    [Show full text]
  • The Challenge of African Art Music Le Défi De La Musique Savante Africaine Kofi Agawu
    Document generated on 09/27/2021 1:07 p.m. Circuit Musiques contemporaines The Challenge of African Art Music Le défi de la musique savante africaine Kofi Agawu Musiciens sans frontières Article abstract Volume 21, Number 2, 2011 This essay offers broad reflection on some of the challenges faced by African composers of art music. The specific point of departure is the publication of a URI: https://id.erudit.org/iderudit/1005272ar new anthology, Piano Music of Africa and the African Diaspora, edited by DOI: https://doi.org/10.7202/1005272ar Ghanaian pianist and scholar William Chapman Nyaho and published in 2009 by Oxford University Press. The anthology exemplifies a diverse range of See table of contents creative achievement in a genre that is less often associated with Africa than urban ‘popular’ music or ‘traditional’ music of pre-colonial origins. Noting the virtues of musical knowledge gained through individual composition rather than ethnography, the article first comments on the significance of the Publisher(s) encounters of Steve Reich and György Ligeti with various African repertories. Les Presses de l’Université de Montréal Then, turning directly to selected pieces from the anthology, attention is given to the multiple heritage of the African composer and how this affects his or her choices of pitch, rhythm and phrase structure. Excerpts from works by Nketia, ISSN Uzoigwe, Euba, Labi and Osman serve as illustration. 1183-1693 (print) 1488-9692 (digital) Explore this journal Cite this article Agawu, K. (2011). The Challenge of African Art Music. Circuit, 21(2), 49–64. https://doi.org/10.7202/1005272ar Tous droits réservés © Les Presses de l’Université de Montréal, 2011 This document is protected by copyright law.
    [Show full text]
  • 7'Tie;T;E ~;&H ~ T,#T1tmftllsieotog
    7'tie;T;e ~;&H ~ t,#t1tMftllSieotOg, UCLA VOLUME 3 1986 EDITORIAL BOARD Mark E. Forry Anne Rasmussen Daniel Atesh Sonneborn Jane Sugarman Elizabeth Tolbert The Pacific Review of Ethnomusicology is an annual publication of the UCLA Ethnomusicology Students Association and is funded in part by the UCLA Graduate Student Association. Single issues are available for $6.00 (individuals) or $8.00 (institutions). Please address correspondence to: Pacific Review of Ethnomusicology Department of Music Schoenberg Hall University of California Los Angeles, CA 90024 USA Standing orders and agencies receive a 20% discount. Subscribers residing outside the U.S.A., Canada, and Mexico, please add $2.00 per order. Orders are payable in US dollars. Copyright © 1986 by the Regents of the University of California VOLUME 3 1986 CONTENTS Articles Ethnomusicologists Vis-a-Vis the Fallacies of Contemporary Musical Life ........................................ Stephen Blum 1 Responses to Blum................. ....................................... 20 The Construction, Technique, and Image of the Central Javanese Rebab in Relation to its Role in the Gamelan ... ................... Colin Quigley 42 Research Models in Ethnomusicology Applied to the RadifPhenomenon in Iranian Classical Music........................ Hafez Modir 63 New Theory for Traditional Music in Banyumas, West Central Java ......... R. Anderson Sutton 79 An Ethnomusicological Index to The New Grove Dictionary of Music and Musicians, Part Two ............ Kenneth Culley 102 Review Irene V. Jackson. More Than Drumming: Essays on African and Afro-Latin American Music and Musicians ....................... Norman Weinstein 126 Briefly Noted Echology ..................................................................... 129 Contributors to this Issue From the Editors The third issue of the Pacific Review of Ethnomusicology continues the tradition of representing the diversity inherent in our field.
    [Show full text]
  • Dialogue in Music Project: Africa Meets North America 3Rd International Symposium and Festival
    Dialogue in Music Project: Africa Meets North America 3rd International Symposium and Festival www.amna.ethnomusic.ucla.edu presented by The UCLA Herb Alpert School of Music, Department of Ethnomusicology October 22-25, 2009 Schoenberg Music Building University of California, Los Angeles (UCLA) Contents General Information ..........................................................................................................................3 Conference Schedule..........................................................................................................................5 Thursday, 22 October 2009..................................................................................................................5 Friday, 23 October 2009.......................................................................................................................7 Saturday, 24 October 2009...................................................................................................................9 Sunday, 25 October 2009...................................................................................................................11 Monday, 26 October 2009..................................................................................................................13 Festival Concerts Program..............................................................................................................14 Thursday, 22 October 2009: Art Music, Blues, and Drumming....................................................15 Concert 1:
    [Show full text]
  • Information Seeking Patterns of Ethnic Enclave Communities of Los Angeles: Sustainability Model for Mainstream Community Development
    Information Seeking Patterns Of Ethnic Enclave Communities of Los Angeles: Sustainability Model For Mainstream Community Development Murali D. Nair, PhD Clinical Professor, School of Social Work University of Southern California E-mail [email protected] www.muralinair.com International Community Development Conference, Minneapolis Tuesday, July 26, 2016. 3:30 p.m. – 5:00 p.m. Nearly one-third of all foreign- born persons in the US live in California. Diversity of Los Angeles Los Angeles County is home to 10 million people—more than any other county in the U.S. It includes the City of Los Angeles and 87 other cities. City of Los Angeles has always had the region’s greatest ethnic diversity. Languages spoken • According to Professor Vyacheslav Ivanov of UCLA: there are at least 224 identified languages in Los Angeles County. Ethnic publications are locally produced in about 180 of these languages. Nearly 200 Languages being spoken 150 Publications in different languages As of 2012, nearly four-fifths of foreign- born Californians lived in the metropolitan areas of Los Angeles (5.1 million). Los Angeles hosts the largest populations of Cambodians, Iranians, Armenians, Belizeans, Bulgarians, Ethiopians, Filipinos, Guatemalans, Hungarians, Koreans, Mexicans, Salvadorans, Thais, and Pacific Islanders such as Samoans in both the U.S. and world outside of their respective countries. Los Angeles has one of the largest Native American populations in the country. The metropolitan area also is home to the second largest concentration of people of Jewish descent, after New York City. Los Angeles also has the second largest Nicaraguan community in the US after Miami.
    [Show full text]