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RADICAL ARCHIVES Presented by the Asian/Pacific/American Institute at NYU Curated by Mariam Ghani and Chitra Ganesh
a/p/a RADICAL ARCHIVES presented by the Asian/Pacific/American Institute at NYU curated by Mariam Ghani and Chitra Ganesh Friday, April 11 – Saturday, April 12, 2014 radicalarchives.net Co-sponsored by Asia Art Archive, Hemispheric Institute, NYU History Department, NYU Moving Image Archive Program, and NYU Archives and Public History Program. Access the Internet with NYU WiFi SSID nyuguest login guest2 password erspasta RADICAL ARCHIVES is a two-day conference organized around the notion of archiving as a radical practice, including: archives of radical politics and practices; archives that are radical in form or function; moments or contexts in which archiving in itself becomes a radical act; and considerations of how archives can be active in the present, as well as documents of the past and scripts for the future. The conference is organized around four threads of radical archival practice: Archive and Affect, or the embodied archive; Archiving Around Absence, or reading for the shadows; Archives and Ethics, or stealing from and for archives; and Archive as Constellation, or archive as method, medium, and interface. Advisory Committee Diana Taylor John Kuo Wei Tchen Peter Wosh Performances curated Helaine Gawlica (Hemispheric Institute) with assistance from Marlène Ramírez-Cancio (Hemispheric Institute) RADICAL ARCHIVES SITE MAP Friday, April 11 – Saturday, April 12 KEY 1 NYU Cantor Film Center 36 E. 8th St Restaurants Coffee & Tea 2 Asian/Pacific/American Institute at NYU 8 Washington Mews Cafetasia Cafe Nadery Oren’s 3 NYU Bobst -
Copyrighted Material
18_121726-bindex.qxp 4/17/09 2:59 PM Page 486 Index See also Accommodations and Restaurant indexes, below. GENERAL INDEX Ardnagashel Estate, 171 Bank of Ireland The Ards Peninsula, 420 Dublin, 48–49 Abbey (Dublin), 74 Arigna Mining Experience, Galway, 271 Abbeyfield Equestrian and 305–306 Bantry, 227–229 Outdoor Activity Centre Armagh City, 391–394 Bantry House and Garden, 229 (Kildare), 106 Armagh Observatory, 394 Barna Golf Club, 272 Accommodations. See also Armagh Planetarium, 394 Barracka Books & CAZ Worker’s Accommodations Index Armagh’s Public Library, 391 Co-op (Cork City), 209–210 saving money on, 472–476 Ar mBréacha-The House of Beach Bar (Aughris), 333 Achill Archaeological Field Storytelling (Wexford), Beaghmore Stone Circles, 446 School, 323 128–129 The Beara Peninsula, 230–231 Achill Island, 320, 321–323 The arts, 8–9 Beara Way, 230 Adare, 255–256 Ashdoonan Falls, 351 Beech Hedge Maze, 94 Adrigole Arts, 231 Ashford Castle (Cong), 312–313 Belfast, 359–395 Aer Lingus, 15 Ashford House, 97 accommodations, 362–368 Agadhoe, 185 A Store is Born (Dublin), 72 active pursuits, 384 Aillwee Cave, 248 Athlone, 293–299 brief description of, 4 Aircoach, 16 Athlone Castle, 296 gay and lesbian scene, 390 Airfield Trust (Dublin), 62 Athy, 102–104 getting around, 362 Air travel, 461–468 Athy Heritage Centre, 104 history of, 360–361 Albert Memorial Clock Tower Atlantic Coast Holiday Homes layout of, 361 (Belfast), 377 (Westport), 314 nightlife, 386–390 Allihies, 230 Aughnanure Castle (near the other side of, 381–384 All That Glitters (Thomastown), -
Mozambican Revolution, No. 9
Mozambican Revolution, No. 9 http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.numr196408 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org Mozambican Revolution, No. 9 Alternative title Mozambique Revolution Author/Creator Mozambique Liberation Front - FRELIMO Contributor Department of Information [FRELIMO] Publisher Mozambique Liberation Front - FRELIMO Date 1964-08 Resource type Magazines (Periodicals) Language English Subject Coverage (spatial) Mozambique Coverage (temporal) 1964 Source Northwestern University Library, L967.905 M939 Rights By kind permission of the Mozambique Liberation Front (FRELIMO). Description Editorial; Expulsion of Leo Milas from FRELIMO; Portugese Ropressive measures against the Mozambican people; Cooperation between imperialists; Pipeline Link betvween Mozambique and S. -
INFORMACIÓN DE PROCESOS DE CONTRATACIONES REPORTE : R00812608.Rpt
SISTEMA DE GESTION PAGINA : 1 de 6 Información de oficio FECHA : 06/06/2018 Ley de acceso a la información - Art 10 Numeral 11 HORA : 15:19.22 INFORMACIÓN DE PROCESOS DE CONTRATACIONES REPORTE : R00812608.rpt EJERCICIO 2018 PERIODO Mayo a Mayo ENTIDAD FEDERACION NACIONAL DE BADMINTON DE GUATEMALA PROCESO COMPRA DE BAJA CUANTÍA (ART.43 INCISO A) Orden de Monto Compra Descripción / Nit / Proveedor Renglón presupuestario contratado 215 665 TIEMPOS DE ALIMENTACIÓN PARA LOS ATLETAS INSCRITOS BAJO EL PROGRAMA 211 ALIMENTOS PARA PERSONAS 15,295.00 DE ALBERGUE DE LA FEDERACIÓN NACIONAL DE BADMINTON DE GUATEMALA CORRESPONDIENTE AL MES DE FEBRERO 2018. CÓDIGO A-3 50% 63537575 ESPINOZA ALBIZURES ROSA DE JESUS 216 ALIMENTACION SERVIDA POR ACTIVIDADES VARIAS DENTRO DE LAS INSTALACIONES 211 ALIMENTOS PARA PERSONAS 4,245.00 DE LA FEDERACION NACIONAL DE BADMINTON DE GUATEMALA CORRESPONDIENTE AL MES DE FEBRERO 2018 A Q23.00 C/U. CODIGO A-3 50% 63537575 ESPINOZA ALBIZURES ROSA DE JESUS 218 SERVICIO DE RENTA DE FOTOCOPIADORA CORRESPONDIENTE AL MES DE MARZO 122 IMPRESIÓN, ENCUADERNACIÓN Y 4,801.65 2018. CÓDIGO A-3 50% REPRODUCCIÓN 4863461 COMPAÑIA INTERNACIONAL DE PRODUCTOS Y SERVICIOS SOCIEDAD ANONIMA 153 ARRENDAMIENTO DE MÁQUINAS Y EQUIPOS DE OFICINA 219 BOLETO AEREO PARA EL ATLETA CHRISTOPHER ALEXANDER MARTINEZ SALVADOR, 141 TRANSPORTE DE PERSONAS 16,037.09 PARTICIPANTE EN LOS EVENTOS VI ARGENTINA INTERNATIONAL 2018, BUENOS AIRES ARGENTINA DEL 4 AL 9/4/18 Y IV YONEX MEXIACAN INTERNATIONAL U19 CHAMPIONSHIPS, GUADALEJARA, MEXICO DEL 10 AL 16/4/18, PUNTO 5.41 ACTA 06/2018-CE-FNBG. CODIGO A-3 50% 853801 ZAMORA MONROY VICTOR HUGO 220 BOLETO AEREO PARA EL ENTRENADOR DE ALTO RENDIMIENTO JOSE MARIA SOLIS, 141 TRANSPORTE DE PERSONAS 23,057.85 PARTICIPANTE EN LOS EVENTOS VI ARGENTINA INTERNATIONAL 2018, BUENOS AIRES ARGENTINA DEL 4 AL 9/4/18 Y IV YONEX MEXIACAN INTERNATIONAL U19 CHAMPIONSHIPS, GUADALEJARA, MEXICO DEL 10 AL 16/4/18, PUNTO 5.41 ACTA 06/2018-CE-FNBG. -
South Africa: Change and Confrontation, Report of a Study Mission to South Africa
South Africa: Change and Confrontation, Report of a Study Mission to South Africa http://www.aluka.org/action/showMetadata?doi=10.5555/AL.SFF.DOCUMENT.uscg015 Use of the Aluka digital library is subject to Aluka’s Terms and Conditions, available at http://www.aluka.org/page/about/termsConditions.jsp. By using Aluka, you agree that you have read and will abide by the Terms and Conditions. Among other things, the Terms and Conditions provide that the content in the Aluka digital library is only for personal, non-commercial use by authorized users of Aluka in connection with research, scholarship, and education. The content in the Aluka digital library is subject to copyright, with the exception of certain governmental works and very old materials that may be in the public domain under applicable law. Permission must be sought from Aluka and/or the applicable copyright holder in connection with any duplication or distribution of these materials where required by applicable law. Aluka is a not-for-profit initiative dedicated to creating and preserving a digital archive of materials about and from the developing world. For more information about Aluka, please see http://www.aluka.org South Africa: Change and Confrontation, Report of a Study Mission to South Africa Alternative title South Africa: Change and Confrontation, Report of a Study Mission to South Africa Author/Creator Committee on Foreign Affairs; House of Representatives Publisher U.S. Government Printing Office Date 1980-07-00 Resource type Hearings Language English Subject Coverage (spatial) South Africa, United States Source Congressional Hearings and Mission Reports: U.S. -
Durham E-Theses
Durham E-Theses The development of the qur'anic calligraphy and illumination under the Mamlukes, 1300-1376 and in Ir James, David Lewis How to cite: James, David Lewis (1982) The development of the qur'anic calligraphy and illumination under the Mamlukes, 1300-1376 and in Ir, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/1984/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk 2 iý THE DEVELOPMENT OF QUR'ANIC CALLIGRAPHY AND ILLUMINATION UNDER THE MAMLUKES 1300- 1376 AND IN IRAQ AND IRAN IN THE SAME PERIOD A THESIS SUBMITTED TO THE FACULTY OF ARTS !N THE UNIVERSITY OF DURHAM FOR THE DEGREE OF DOCTOR OF PHILOSOPHY DAVID JAMES MA (DUNELM) SUPERVISOR ; DR R. W. J. AUSTIN The copyright of this thesis rests with the author. No quotation from it should be published without his prior written consent and information derived from it should be acknowledged. -
2019 ALA Leadership Institute Participants Jeffrey Berkbigler Head
2019 ALA Leadership Institute Participants Jeffrey Berkbigler Head of Access Services UNLV, Lied Library Las Vegas NV Megan Biggins Librarian Supervisor Arlington Public Library Arlington VA Ginny Blackson Director of Linfield College Libraries Linfield College Libraries McMinnville OR Alicia Blowers Middle School Librarian & Library Department St. Stephen's & St. Agnes School Alexandria VA Chair Elisandro Cabada Medical and Bioengineering Librarian University of Illinois at Urbana- Urbana IL Champaign Jeff Collins Deputy Director, Public Service Laramie County Library System Cheynne WY Sebastian Derry Assistant Dean for Public Services Seton Hall University Libraries South Orange NJ Denise Douglas-Baird Adult Services Librarian Sno-Isle Libraries, Library on Wheels Marysville WA Elizabeth Edson Branch Manager Kansas City Public Library Kansas City MO "Beth" Wenli Gao Data Services Librarian University of Houston Houston TX Jonathan Gaskill Assistant Director Waukegan Public Library Waukegan IL Andrew Harbison Asst. Dir. Collections and Access Seattle Public Library Seattle WA Monica Jackson Assistant Library Manager Mukilteo Library/Sno-Isle Libraries Mukilteo WA Eric Jennings Head of User Services McIntyre Library / UW-Eau Claire Eau Claire WI Jana Kopp Librarian I Longmont Public Library Longmont CO Sarah Kortemeier Library Director University of Arizona Poetry Center Tucson AZ Vidya Krishnaswamy Lead Librarian DCCCD- Cedar Valley College Lancaster Tx Lara Mayelian Branch Manager Sonoma County Library Santa Rosa CA Danielle Melilli -
The Joyce Foundation Betraying Donor Intent in the Windy City
Stopping Juvenile Detention: The Joyce Foundation Betraying donor intent in the Windy City By Jonathan Hanen Summary : The Joyce Foundation’s en- dowment came from David Joyce, a lum- ber magnate who believed in the American system of free enterprise. Today the foun- dation that lives off his wealth is a hotbed of trendy, left-wing thinking and grant- making. It funds efforts to hurt the lumber industry, turn schools into union-controlled sources of Democratic Party patronage, block Americans’ gun rights, and constrict economic freedoms. Barack Obama sat on its board from 1994 to 2002, and directed the foundation’s money to causes Joyce al- most certainly would not have favored. he Joyce Foundation, based in Chicago, Illinois, was founded in T1948 by Beatrice Joyce Kean, the Leftist Ellen Alberding runs the Joyce Foundation. sole heir to the Joyce family fortune. The Joyces of Clinton, Iowa, originally made by the end of his life he was “a stockholder gave him the ownership of several plants.” their money in the lumber industry. The in twelve different sawmill plants located Joyce was “prominent in public enterprises patriarch who created the Joyce fortune was in all sections of the country, one within and contributed large amounts to various the great nineteenth-century entrepreneur eighteen miles of Lake Superior at the North religious institutions and was a subscriber David Joyce (died 1904). Of “old New and another within eighty miles of the Gulf to society and educational work.” England Puritan stock,” he was “strong, of Mexico in the South, while still another bold and resourceful.” “He was one of the was on Puget Sound.” “Mr. -
Best Practices and Guidelines Digitization at Franklin Furnace Archive, Inc
Best Practices and Guidelines Digitization at Franklin Furnace Archive, Inc. Contributors: Mary Haberle and Jenny Korns Project Editor: Michael Katchen Last Updated: July 2012 Contact Us: [email protected] Digitization Best Practices 2 Table of Contents About This Document____________________________________________ 3 About the Franklin Furnace Archives ________________________________ 3 About the Archival Holdings ___________________________________________ 3 A Brief History of Digitization at Franklin Furnace___________________________ 5 Digitization Workflow Overview ___________________________________ 6 Material Selection ______________________________________________ 7 Selection Policy _____________________________________________________ 7 Selection Criteria for Photographic Images ________________________________ 7 Selection Criteria for Textual and Printed Materials _________________________ 8 Determining Chronology for 35mm Slides_________________________________ 8 Preparation of Materials ________________________________________ 11 Preparing 35mm Slides ______________________________________________ 11 Preparing Oversized Material__________________________________________ 12 Scanning Procedures ___________________________________________ 13 35mm Slides (on the Nikon film scanner) ________________________________ 13 35mm Slides (on the Epson flatbed scanner) _____________________________ 13 35mm Slide Details _________________________________________________ 14 Offset Lithography Prints_____________________________________________ -
Sweet Colors, Fragrant Songs: Sensory Models of the Andes and the Amazon Author(S): Constance Classen Source: American Ethnologist, Vol
Sweet Colors, Fragrant Songs: Sensory Models of the Andes and the Amazon Author(s): Constance Classen Source: American Ethnologist, Vol. 17, No. 4 (Nov., 1990), pp. 722-735 Published by: Blackwell Publishing on behalf of the American Anthropological Association Stable URL: http://www.jstor.org/stable/645710 Accessed: 14/10/2010 14:06 Your use of the JSTOR archive indicates your acceptance of JSTOR's Terms and Conditions of Use, available at http://www.jstor.org/page/info/about/policies/terms.jsp. JSTOR's Terms and Conditions of Use provides, in part, that unless you have obtained prior permission, you may not download an entire issue of a journal or multiple copies of articles, and you may use content in the JSTOR archive only for your personal, non-commercial use. Please contact the publisher regarding any further use of this work. Publisher contact information may be obtained at http://www.jstor.org/action/showPublisher?publisherCode=black. Each copy of any part of a JSTOR transmission must contain the same copyright notice that appears on the screen or printed page of such transmission. JSTOR is a not-for-profit service that helps scholars, researchers, and students discover, use, and build upon a wide range of content in a trusted digital archive. We use information technology and tools to increase productivity and facilitate new forms of scholarship. For more information about JSTOR, please contact [email protected]. Blackwell Publishing and American Anthropological Association are collaborating with JSTOR to digitize, preserve and extend access to American Ethnologist. http://www.jstor.org sweet colors, fragrantsongs: sensory models of the Andes and the Amazon CONSTANCE CLASSEN-McCill University Every culture has its own sensory model based on the relative importance it gives to the different senses. -
News from the Library of Congress: MOUG/MLA 2007
NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2007 Special Materials Cataloging Division Music Division Cataloging Policy and Support Office American Folklife Center General Library News Copyright Office Office of Strategic Initiatives Compiled by Joe Bartl, MSR1, SMCD Feb. 26, 2007 SPECIAL MATERIALS CATALOGING DIVISION (SMCD) Top of the Document (Joe Bartl. MSR1, SMCD) CATALOGING ACCOMPLISHMENTS Bibliographic Production Arrearage Accomplishments Bibliographic Maintenance WORKFLOW SIMPLIFICATION Introduction CD Brief Workflow Leased Metadata (AMG) CD Sorter & CD Add OTHER INITIATIVES New Sound Recording Formats Guidelines Series and collected works (new treatment) CD Multivolume Project Choral Music Octavos Elimination of Book Backlog Card Catalogs Inventory Project Music Division Special Collections records added to Voyager OvOp Sound Recordings Popular Sheet Music Project NEW PROJECTS Ethnic Sound Recordings M1508 Sheet Music Secure Storage Facilities Telework ONGOING PROJECTS All Media Guide (AMG) Workflow Nijinska Collection SR Foreign Language Project COOPERATION/OUTREACH Advisory Groups International Groups LC Divisions LC Junior Fellows Music Division Reference Services Music Division Strategic Planning NACO/SACO Network Development and MARC Standards Office CATALOGING ACCOMPLISHMENTS Bibliographic production: New bibliographic records added to the database consisted of 3,517 scores, 16,561 sound recordings, and 2,730 books/ERs/Microforms. This totals 22,847 new bibliographic records added to the database. Arrearage accomplishments: A total of 35,395 items were removed from the arrearage as follows: CDs (33,984); LPs (348); 78s (38); 45s (125); 10” reels (224); and cassettes (676). Bibliographic maintenance and auxiliary statistics: 9,078 bibliographic records were modified. 7,577 authority records were added to the database and 3,607 authority records were modified. -
David Lewiston
FEATURE Dalhousie, Northern India, 1972: Lewiston at Tashi Jong Using hand-held EV RE50s – the monastery, 1998. informant holds one of the mics in place, freeing up Lewiston’s “ …what could be left hand for operating the recorder. better than travelling to incredible places, meeting amazing musicians, and recording them?” He’s spent the last 40 years With a career spanning 40 years of recording that had evolved with little or no Western attitude and create the impression that what and releasing the music of other cultures, influence. His earliest Balinese and Tibetan you’re doing is simple and no big deal. Also, DAVID LEWISTON recording in Indonesia, David Lewiston could be described as the releases provided a timely soundtrack for a rather than hiding behind the musicians, Morocco, Peru, India, Mexico, father of world music. His pioneering field Western world that was dabbling in Eastern you want to be among them, expressing recordings of Balinese music from the 1960s philosophies, transcendental meditation and your pleasure at the music. This encourages The father of world music Istanbul, Nepal, Georgia, gave many Westerners their first taste of the other consciousness-altering endeavours. them to give a better performance. If a take Pakistan and more. He’s music of other cultures. No discussion of Lewiston would be complete is unsatisfactory, just keep going, and tell the recorded everything from But what makes Lewiston worthy of such a without acknowledging the contributions of musicians their music is really great. Then, later on in the session, tell them you really Balinese gamelan to Tibetan lofty title (and one which he would probably the late Teresa ‘Tracey’ Sterne, the visionary dismiss as ‘pretentious’)? Field recording head of Nonesuch Records who saw the enjoyed the piece that was poorly recorded and monks.