2012 Annual Report
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U.S. PODCAST REPORT TOP 100 PODCASTS by DOWNLOADS Podcasts Ranked by Average Weekly Downloads in the United States Reporting Period: March 16 - April 12, 2020
U.S. PODCAST REPORT TOP 100 PODCASTS BY DOWNLOADS Podcasts Ranked by Average Weekly Downloads in the United States Reporting Period: March 16 - April 12, 2020 # OF NEW RANK PODCAST PODCAST NETWORK SALES REPRESENTATION EPISODES CHANGE 1 NPR News Now NPR National Public Media 672 0 2 Up First NPR National Public Media 30 h2 3 The Ben Shapiro Show Cumulus Media/Westwood One Cumulus Media/Westwood One 22 0 4 My Favorite Murder with Karen Kilgariff Stitcher Midroll 9 i2 and Georgia Hardstark 5 Planet Money NPR National Public Media 11 h3 6 NPR Politics NPR National Public Media 21 h1 7 Fresh Air NPR National Public Media 24 i1 8 Pod Save America RADIO.COM/Cadence13 Cadence 13 8 h1 9 Dateline NBC NBC News Wondery Brand Partnerships 13 i4 10 Indicator from Planet Money NPR National Public Media 20 h3 11 Hidden Brain NPR National Public Media 4 i1 12 Fox News Radio Newscast FOX News Podcasts FOX News Podcasts 672 h4 13 TED Radio Hour NPR National Public Media 5 h1 14 Office Ladies Stitcher Midroll 4 i3 15 How I Built This NPR National Public Media 6 0 16 Wait Wait... Don't Tell Me! NPR National Public Media 5 h5 17 The Dan Bongino Show Cumulus Media/Westwood One Cumulus Media/Westwood One 21 i5 18 Freakonomics Radio Stitcher Midroll 5 h1 19 The Rachel Maddow Show NBC News Wondery Brand Partnerships 21 h1 20 Unlocking Us with Brené Brown RADIO.COM/Cadence13 Cadence13 7 New 21 Conan O’Brien Needs A Friend Stitcher Midroll 4 i3 22 Oprah’s SuperSoul Conversations Stitcher Midroll 4 i5 23 VIEWS with David Dobrik and Jason RADIO.COM/Cadence13 Cadence13 -
Da Vinci Code Hoax
The DA VINCI CODE HOAX Jonathan Gray http://www.beforeus.com 2 3 About the author Jonathan Gray has traveled the world to gather data on ancient mysteries. A serious student of pre-history and ancient literature, he has investigated numerous archaeological sites, and has also penetrated some largely un-explored areas, including parts of the Amazon headwaters. Between lecturing worldwide, the author has hosted newspaper columns and contributed to various magazines Illustration Credits If I failed to credit any illustrations reproduced in this book, I offer my apologies. Any sources omitted will be appropriately acknowledged in all future editions of this book. 4 First published 2006 Copyright © Jonathan Gray 2006 All rights reserved Limited portions of this work may be copied for study or review purposes without written permission, provided that the source is duly credited. 5 6 Other books by Jonathan Gray Dead Men’s Secrets Sting of the Scorpion The Ark Conspiracy Curse of the Hatana Gods 64 Secrets Ahead of Us Bizarre Origin of Egypt’s Ancient Gods The Lost World of Giants Discoveries: Questions Answered Sinai’s Exciting Secrets Ark of the Covenant The Killing of Paradise Planet Surprise Witness The Corpse Came Back The Discovery That’s Toppling Evolution UFO Aliens: The Deadly Secret Stolen Identity: Jesus Christ – History or Hoax? Update International Volume 1 Update International Volume 2 Update International Volume 3 Update International Volume 4 Update International Volume 5 The Big Dating Blunder How Long Was Jesus in the Tomb? E-books from http://www.beforeus.com/shopcart_ebooks.html : In Search of Lost Cities Into the Unknown In a Coffin in Egypt What Happened to the Tower of Babel? The Magic of the Golden Proportion 4 Major Discoveries Curse of the Pharaohs 7 CONTENTS Chapter Page PROLOGUE……………………………………………..11 1. -
News from the Library of Congress: MOUG/MLA 2007
NEWS FROM THE LIBRARY OF CONGRESS MOUG/MLA 2007 Special Materials Cataloging Division Music Division Cataloging Policy and Support Office American Folklife Center General Library News Copyright Office Office of Strategic Initiatives Compiled by Joe Bartl, MSR1, SMCD Feb. 26, 2007 SPECIAL MATERIALS CATALOGING DIVISION (SMCD) Top of the Document (Joe Bartl. MSR1, SMCD) CATALOGING ACCOMPLISHMENTS Bibliographic Production Arrearage Accomplishments Bibliographic Maintenance WORKFLOW SIMPLIFICATION Introduction CD Brief Workflow Leased Metadata (AMG) CD Sorter & CD Add OTHER INITIATIVES New Sound Recording Formats Guidelines Series and collected works (new treatment) CD Multivolume Project Choral Music Octavos Elimination of Book Backlog Card Catalogs Inventory Project Music Division Special Collections records added to Voyager OvOp Sound Recordings Popular Sheet Music Project NEW PROJECTS Ethnic Sound Recordings M1508 Sheet Music Secure Storage Facilities Telework ONGOING PROJECTS All Media Guide (AMG) Workflow Nijinska Collection SR Foreign Language Project COOPERATION/OUTREACH Advisory Groups International Groups LC Divisions LC Junior Fellows Music Division Reference Services Music Division Strategic Planning NACO/SACO Network Development and MARC Standards Office CATALOGING ACCOMPLISHMENTS Bibliographic production: New bibliographic records added to the database consisted of 3,517 scores, 16,561 sound recordings, and 2,730 books/ERs/Microforms. This totals 22,847 new bibliographic records added to the database. Arrearage accomplishments: A total of 35,395 items were removed from the arrearage as follows: CDs (33,984); LPs (348); 78s (38); 45s (125); 10” reels (224); and cassettes (676). Bibliographic maintenance and auxiliary statistics: 9,078 bibliographic records were modified. 7,577 authority records were added to the database and 3,607 authority records were modified. -
Edward R. Murrow
ABOUT AMERICA EDWARD R. MURROW JOURNALISM AT ITS BEST TABLE OF CONTENTS Edward R. Murrow: A Life.............................................................1 Freedom’s Watchdog: The Press in the U.S.....................................4 Murrow: Founder of American Broadcast Journalism....................7 Harnessing “New” Media for Quality Reporting .........................10 “See It Now”: Murrow vs. McCarthy ...........................................13 Murrow’s Legacy ..........................................................................16 Bibliography..................................................................................17 Photo Credits: University of Maryland; right, Digital Front cover: © CBS News Archive Collections and Archives, Tufts University. Page 1: CBS, Inc., AP/WWP. 12: Joe Barrentine, AP/WWP. 2: top left & right, Digital Collections and Archives, 13: Digital Collections and Archives, Tufts University; bottom, AP/WWP. Tufts University. 4: Louis Lanzano, AP/WWP. 14: top, Time Life Pictures/Getty Images; 5 : left, North Wind Picture Archives; bottom, AP/WWP. right, Tim Roske, AP/WWP. 7: Digital Collections and Archives, Tufts University. Executive Editor: George Clack 8: top left, U.S. Information Agency, AP/WWP; Managing Editor: Mildred Solá Neely right, AP/WWP; bottom left, Digital Collections Art Director/Design: Min-Chih Yao and Archives, Tufts University. Contributing editors: Chris Larson, 10: Digital Collections and Archives, Tufts Chandley McDonald University. Photo Research: Ann Monroe Jacobs 11: left, Library of American Broadcasting, Reference Specialist: Anita N. Green 1 EDWARD R. MURROW: A LIFE By MARK BETKA n a cool September evening somewhere Oin America in 1940, a family gathers around a vacuum- tube radio. As someone adjusts the tuning knob, a distinct and serious voice cuts through the airwaves: “This … is London.” And so begins a riveting first- hand account of the infamous “London Blitz,” the wholesale bombing of that city by the German air force in World War II. -
David Lewiston
FEATURE Dalhousie, Northern India, 1972: Lewiston at Tashi Jong Using hand-held EV RE50s – the monastery, 1998. informant holds one of the mics in place, freeing up Lewiston’s “ …what could be left hand for operating the recorder. better than travelling to incredible places, meeting amazing musicians, and recording them?” He’s spent the last 40 years With a career spanning 40 years of recording that had evolved with little or no Western attitude and create the impression that what and releasing the music of other cultures, influence. His earliest Balinese and Tibetan you’re doing is simple and no big deal. Also, DAVID LEWISTON recording in Indonesia, David Lewiston could be described as the releases provided a timely soundtrack for a rather than hiding behind the musicians, Morocco, Peru, India, Mexico, father of world music. His pioneering field Western world that was dabbling in Eastern you want to be among them, expressing recordings of Balinese music from the 1960s philosophies, transcendental meditation and your pleasure at the music. This encourages The father of world music Istanbul, Nepal, Georgia, gave many Westerners their first taste of the other consciousness-altering endeavours. them to give a better performance. If a take Pakistan and more. He’s music of other cultures. No discussion of Lewiston would be complete is unsatisfactory, just keep going, and tell the recorded everything from But what makes Lewiston worthy of such a without acknowledging the contributions of musicians their music is really great. Then, later on in the session, tell them you really Balinese gamelan to Tibetan lofty title (and one which he would probably the late Teresa ‘Tracey’ Sterne, the visionary dismiss as ‘pretentious’)? Field recording head of Nonesuch Records who saw the enjoyed the piece that was poorly recorded and monks. -
B Clarice K Artist Album Publisher
List of music albums from Bob Witte for the New York Folk Music Society Charlene K-Clarice K B Artist Album Publisher Year $40.00 $210.00 Acrobates et Musiciens Lo Jai Shanachie Records 1987 Anderson, Eric Blue River Wind & Sand Music Anderson, Pink Carolina Blues Man Volume I Prestige/Bluesville Anthology of American Folk Music 6 CD Set, Edited by Harry Smith Smithsonian Folkways $10.00 Assorted Artists The Eastern Shores, Southern Journey Prestige 1960 $15.00 Assorted Artists Music of the World's Greatest Composers Readers Digest Assorted Artists The Roots of Modern Jazz Olympic Records $15.00 Assorted Artists Music of the World's Greatest Composers RCA Victor Assorted Artists Golden Ring Folk-Legacy Assorted Artists The Koto Music of Japan Elektra Records Assorted Artists Drums of the Yoruba of Nigeria Ethnic Folkways Library Assorted Artists Scottish Tradition 2- Music of Western Isles Univ. Edinburgh Assorted Artists Scottish Tradition 4- Shetland Fiddle Music Univ. Edinburgh Assorted Artists Scottish Tradition 6- Gaelic Psalms from Lewis Univ. Edinburgh Assorted Artists Scottish Tradition 7- Callum Ruadh Univ. Edinburgh Assorted Artists Scottish Tradition 8- James Campbell of Kintail Univ. Edinburgh Assorted Artists Scottish Tradition 9- The Fiddler & His Art Univ. Edinburgh Assorted Artists Songs & Dances of Scotland Murray Hill Records Assorted Artists Songs of the Lincoln Brigade Stinson Recordings Assorted Artists Southern Mountain Hoedowns Stinson Recordings Assorted Artists; Fox Hollow 1967 Pitter, Poon, The Rain Came Doon-Vol.I -
Public Broadcasting Atlanta (PBA) Atlanta, GA
LEADERSHIP PROFILE President and Chief Executive Officer Public Broadcasting Atlanta (PBA) Atlanta, GA We inspire a community of life-long learners. --PBA Mission THE OPPORTUNITY Public Broadcasting Atlanta (PBA) is a trusted epicenter of news, culture and storytelling in Atlanta, the 10th largest U.S. media market. PBA reaches 1.4 million viewers and listeners a month via WABE, the dominant NPR station, ATL PBA TV, a full-service PBS station, and award-winning podcasts and other compelling digital and educational offerings. PBA is integral to the metro Atlanta community. Most of its $14.7 million budget is funded by local donors and underwriters. In the past five years, WABE has doubled its news team, resulting in near-daily story pickup by NPR. PBA has exponentially grown its younger and more diverse audiences. This is a time of promise at PBA. The organization has transformed itself with world-class talent and storytelling that is platform-agnostic. It has a culture of boldness and innovation. At a moment of epic global challenges and intense media competition, PBA is poised to leverage reporting and storytelling, deepen relationships with current and emerging audiences, focus on increasing donor support and revenues, and capitalize on its local and national profile. The new CEO will have the exciting mandate to lead PBA into its next era. PBA has built a world-class team that collaborates across platforms and has amplified and diversified its audiences and offerings. The organization has an elevated profile. PBA’s mission, vision and plan are a clarion call to ongoing transformation, extraordinary content and financial growth. -
Annual Report 2012
Cover Back Spine: (TBA) Front PMS 032U Knock out Annual Report 2012 LETTER FROM THE MAYOR 4 PART I: 2007–2012: A PERIOD OF AGENCY INNOVATION 11 PART II: AGENCY PORTFOLIO, FY12 37 PROGRAMSERVICES 39 PROGRAM SERVICES AWARD RECIPIENTS 40 CULTURAL DEVELOPMENT FUND PANELISTS 50 CULTURAL AFTER SCHOOL ADVENTURES GRANT RECIPIENTS 53 CULTURAL INSTITUTIONS GROUP 58 CAPITALPROJECTS 63 CAPITAL PROJECTS FUNDED 66 RIBBON CUTTINGS 68 GROUNDBREAKINGS 69 EQUIPMENT PURCHASES 69 COMMUNITY ARTS DEVELOPMENT PROGRAM 70 30TH ANNUAL AWARDS FOR EXCELLENCE IN DESIGN RECIPIENTS 71 PERCENT FOR ART PROGRAM 72 MATERIALS FOR THE ARTS 74 RECIPIENTS OF DONATED GOODS 76 PARTICIPATING SCHOOLS IN ARTS EDUCATION PROGRAMS 88 CULTURAL AFFAIRS ADVISORY COMMISSION 90 MAYOR’S AWARDS FOR ARTS AND CULTURE 91 DEPARTMENT OF CULTURAL AFFAIRS STAFF 92 P HO TO CREDITSPHOTO 94 ACKNOWLEDGEMENTS 95 4 Letter from The Mayor NEW YORK CITY: STRENGTHENING INVESTMENT IN THE ARTS Our City’s cultural organizations are essential arts are to New York City’s vibrancy and to improving to ensuring that New York remains one of the world’s the lives of New Yorkers and visitors from around the great cities. A magnet for talent from around the world, world. In addition, the development of new information our creative community is also a thriving small business technology systems has enabled the Department to track sector that exists in every neighborhood throughout these services and further advocate on behalf of culture’s the five boroughs. That is why our Administration has tremendous impact on our City. made supporting the arts a top priority, and why over And we continue to push boundaries in expanding our the past five years—despite challenging times—we have service to the creative sector. -
Thejewish Thejewish
THE JEWISH VETERAN Volume 71 • Number 4 • 2017 JWV and Lack of Accountability at the Department of the VA Veterans Affairs Leaves Veterans Flabbergasted Page 14 By Lance Wang, Editor I had the opportunity to interact with limitation of their system, and share my NAZIS ARE NOT the Veterans’ Administration while in frustration. I don’t blame them. WELCOME IN AMERICA! uniform, much more so since retiring Why is it so difficult to bring the from the Army. As with any large or- problems in the VA to solution stages? Commentary By ganization I’ve encountered good and For years the VA has been neither fish PNC Dr. Robert Pickard bad. Certainly the good is the dedicated nor fowl – it did not have the account- functionaries who I encounter, many of ability nor true profit motive that civil- Page 4 whom are themselves veterans. I also ian medical agencies have, nor did it have been particularly pleased with the have the discipline to which a military service of a nearby VA Community- agency was subjected. It was designed Register Now! Based Outreach Clinic which provides to replace a 19th century system which responsiveness that I’ve never encoun- largely put the onus on charitable or- tered from a big city VA facility. They ganizations and local communities to have provided more continuity of care care for veterans. It was never fully re- than I encountered in the military or the sourced to perform its mission, result- The workload for the VA has only civilian world. However the “bad” side ing in fraud and scandals like we saw increased since the editorial was writ- has certainly made itself known. -
Newsletter 1
The Newsletter of the Dialogue: Oral History Section Volume 6, Issue 1 Winter 2010 Society of American Archivists FROM THE CHAIR Mark Cave, The Historic New Orleans Collection Our section meeting in Austin anniversary. She is planning for on-site interviews to was a great success. 100 people take place at the annual conference in Washington. enjoyed the live interview conducted by Jim Fogerty Thank you to those of you who replied to our query with David Gracy. Jim did a to the section membership in October. We received wonderful job in conducting the really helpful information related to the interests and interview, and it was such a great needs of the section membership. This information way to honor Mr. Gracy for his will be helpful in the creation of an online survey, contributions to our profession. which will be a part of our website, and continually Our next section meeting promises to be equally gather information about the section’s membership. engaging. It is being planned by Vice Chair/Chair Past Chair Al Stein along with Nominating Committee Elect Joel Minor and will be devoted to oral history members Doug Boyd and Herman Trojanowski will be and human rights. looking for candidates for Vice Chair and two Steering Committee members for our next election, and will Lauren Kata has been busy since the Austin meeting also be reviewing our current bylaws. developing our SAA 75th Anniversary Oral History Project. Lauren has been named as the section’s A special thanks to Jennifer Eidson for preparing this representative on the 75th Anniversary Task Force, issue of Dialogue and for maintaining the section’s which is coordinating all the events surrounding the website. -
Folk Music, Internal Migration, and the Cultural Left
Internal Migration and the Left Futures That Internal Migration Place-Specifi c Introduction Never Were and the Left Material Resources THE SOUTH AND THE MAKING OF THE AMERICAN OTHER: FOLK MUSIC, INTERNAL MIGRATION, AND THE CULTURAL LEFT Risto Lenz In 1940, actor and activist Will Geer organized the “Grapes of Wraths Evening,” a benefi t concert for the John Steinbeck Committee for Agricultural Workers at Forrest Theater in New York City. The pro- gram served as a blueprint for what would later defi ne the American folk music revival: Urban Northerners sharing the stage with “authentic” rural Southerners, together celebrating America’s musical heritage in a politically charged framework (here: helping migrant farmwork- ers). Among the “real” folk were Aunt Molly Jackson, an organizer for the Kentucky coal mines and a singer of union songs, Huddie “Lead Belly” Ledbetter, an African American songster from Louisiana, and Woody Guthrie, a singer from Oklahoma. The three musicians, 1 He is sometimes also who would all spend their subsequent lives in New York as well as referred to as “Leadbelly.” in California, represent the three main migration fl ows of Southerners Both spellings are pos- sible. I will hereaft er use moving out of farms and towns of the American South in great “Lead Belly” since it was numbers and into cities and suburbs of the North and the West: The the preferred spelling of the singer himself as 1 Great Migration of black Southerners (Lead Belly ), the dust bowl well as of the Lead Belly migration (Guthrie), and the Appalachian migration (Jackson).2 The Foundation. -
Moses and Frances Asch Collection, 1926-1986
Moses and Frances Asch Collection, 1926-1986 Cecilia Peterson, Greg Adams, Jeff Place, Stephanie Smith, Meghan Mullins, Clara Hines, Bianca Couture 2014 Ralph Rinzler Folklife Archives and Collections Smithsonian Center for Folklife and Cultural Heritage 600 Maryland Ave SW Washington, D.C. [email protected] https://www.folklife.si.edu/archive/ Table of Contents Collection Overview ........................................................................................................ 1 Administrative Information .............................................................................................. 1 Arrangement note............................................................................................................ 3 Biographical/Historical note.............................................................................................. 2 Scope and Contents........................................................................................................ 2 Names and Subjects ...................................................................................................... 3 Container Listing ............................................................................................................. 5 Series 1: Correspondence, 1942-1987 (bulk 1947-1987)........................................ 5 Series 2: Folkways Production, 1946-1987 (bulk 1950-1983).............................. 152 Series 3: Business Records, 1940-1987.............................................................. 477 Series 4: Woody Guthrie