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The Epic Imagination in Contemporary Indian Literature
University of South Florida Scholar Commons Graduate Theses and Dissertations Graduate School May 2017 Modern Mythologies: The picE Imagination in Contemporary Indian Literature Sucheta Kanjilal University of South Florida, [email protected] Follow this and additional works at: http://scholarcommons.usf.edu/etd Part of the South and Southeast Asian Languages and Societies Commons Scholar Commons Citation Kanjilal, Sucheta, "Modern Mythologies: The pE ic Imagination in Contemporary Indian Literature" (2017). Graduate Theses and Dissertations. http://scholarcommons.usf.edu/etd/6875 This Dissertation is brought to you for free and open access by the Graduate School at Scholar Commons. It has been accepted for inclusion in Graduate Theses and Dissertations by an authorized administrator of Scholar Commons. For more information, please contact [email protected]. Modern Mythologies: The Epic Imagination in Contemporary Indian Literature by Sucheta Kanjilal A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy with a concentration in Literature Department of English College of Arts and Sciences University of South Florida Major Professor: Gurleen Grewal, Ph.D. Gil Ben-Herut, Ph.D. Hunt Hawkins, Ph.D. Quynh Nhu Le, Ph.D. Date of Approval: May 4, 2017 Keywords: South Asian Literature, Epic, Gender, Hinduism Copyright © 2017, Sucheta Kanjilal DEDICATION To my mother: for pencils, erasers, and courage. ACKNOWLEDGEMENTS When I was growing up in New Delhi, India in the late 1980s and the early 1990s, my father was writing an English language rock-opera based on the Mahabharata called Jaya, which would be staged in 1997. An upper-middle-class Bengali Brahmin with an English-language based education, my father was as influenced by the mythological tales narrated to him by his grandmother as he was by the musicals of Broadway impressario Andrew Lloyd Webber. -
Abhinavagupta's Portrait of a Guru: Revelation and Religious Authority in Kashmir
Abhinavagupta's Portrait of a Guru: Revelation and Religious Authority in Kashmir The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:39987948 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use#LAA Abhinavagupta’s Portrait of a Guru: Revelation and Religious Authority in Kashmir A dissertation presented by Benjamin Luke Williams to The Department of South Asian Studies in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the subject of South Asian Studies Harvard University Cambridge, Massachusetts August 2017 © 2017 Benjamin Luke Williams All rights reserved. Dissertation Advisor: Parimal G. Patil Benjamin Luke Williams ABHINAVAGUPTA’S PORTRAIT OF GURU: REVELATION AND RELIGIOUS AUTHORITY IN KASHMIR ABSTRACT This dissertation aims to recover a model of religious authority that placed great importance upon individual gurus who were seen to be indispensable to the process of revelation. This person-centered style of religious authority is implicit in the teachings and identity of the scriptural sources of the Kulam!rga, a complex of traditions that developed out of more esoteric branches of tantric "aivism. For convenience sake, we name this model of religious authority a “Kaula idiom.” The Kaula idiom is contrasted with a highly influential notion of revelation as eternal and authorless, advanced by orthodox interpreters of the Veda, and other Indian traditions that invested the words of sages and seers with great authority. -
Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville
University of Arkansas, Fayetteville ScholarWorks@UARK Theses and Dissertations 8-2018 Mumbai Macbeth: Gender and Identity in Bollywood Adaptations Rashmila Maiti University of Arkansas, Fayetteville Follow this and additional works at: http://scholarworks.uark.edu/etd Part of the Asian Studies Commons, Comparative Literature Commons, and the Literature in English, British Isles Commons Recommended Citation Maiti, Rashmila, "Mumbai Macbeth: Gender and Identity in Bollywood Adaptations" (2018). Theses and Dissertations. 2905. http://scholarworks.uark.edu/etd/2905 This Dissertation is brought to you for free and open access by ScholarWorks@UARK. It has been accepted for inclusion in Theses and Dissertations by an authorized administrator of ScholarWorks@UARK. For more information, please contact [email protected], [email protected]. Mumbai Macbeth: Gender and Identity in Bollywood Adaptations A dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in Comparative Literature and Cultural Studies by Rashmila Maiti Jadavpur University Bachelor of Arts in English Literature, 2007 Jadavpur University Master of Arts in English Literature, 2009 August 2018 University of Arkansas This dissertation is approved for recommendation to the Graduate Council. M. Keith Booker, PhD Dissertation Director Yajaira M. Padilla, PhD Frank Scheide, PhD Committee Member Committee Member Abstract This project analyzes adaptation in the Hindi film industry and how the concepts of gender and identity have changed from the original text to the contemporary adaptation. The original texts include religious epics, Shakespeare’s plays, Bengali novels which were written pre- independence, and Hollywood films. This venture uses adaptation theory as well as postmodernist and postcolonial theories to examine how women and men are represented in the adaptations as well as how contemporary audience expectations help to create the identity of the characters in the films. -
The Gandavyuha-Sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative
The Gandavyuha-sutra : a Study of Wealth, Gender and Power in an Indian Buddhist Narrative Douglas Edward Osto Thesis for a Doctor of Philosophy Degree School of Oriental and African Studies University of London 2004 1 ProQuest Number: 10673053 All rights reserved INFORMATION TO ALL USERS The quality of this reproduction is dependent upon the quality of the copy submitted. In the unlikely event that the author did not send a com plete manuscript and there are missing pages, these will be noted. Also, if material had to be removed, a note will indicate the deletion. uest ProQuest 10673053 Published by ProQuest LLC(2017). Copyright of the Dissertation is held by the Author. All rights reserved. This work is protected against unauthorized copying under Title 17, United States C ode Microform Edition © ProQuest LLC. ProQuest LLC. 789 East Eisenhower Parkway P.O. Box 1346 Ann Arbor, Ml 48106- 1346 Abstract The Gandavyuha-sutra: a Study of Wealth, Gender and Power in an Indian Buddhist Narrative In this thesis, I examine the roles of wealth, gender and power in the Mahay ana Buddhist scripture known as the Gandavyuha-sutra, using contemporary textual theory, narratology and worldview analysis. I argue that the wealth, gender and power of the spiritual guides (kalyanamitras , literally ‘good friends’) in this narrative reflect the social and political hierarchies and patterns of Buddhist patronage in ancient Indian during the time of its compilation. In order to do this, I divide the study into three parts. In part I, ‘Text and Context’, I first investigate what is currently known about the origins and development of the Gandavyuha, its extant manuscripts, translations and modern scholarship. -
Inscriptional Records of the Western Zhou
INSCRIPTIONAL RECORDS OF THE WESTERN ZHOU Robert Eno Fall 2012 Note to Readers The translations in these pages cannot be considered scholarly. They were originally prepared in early 1988, under stringent time pressures, specifically for teaching use that term. Although I modified them sporadically between that time and 2012, my final year of teaching, their purpose as course materials, used in a week-long classroom exercise for undergraduate students in an early China history survey, did not warrant the type of robust academic apparatus that a scholarly edition would have required. Since no broad anthology of translations of bronze inscriptions was generally available, I have, since the late 1990s, made updated versions of this resource available online for use by teachers and students generally. As freely available materials, they may still be of use. However, as specialists have been aware all along, there are many imperfections in these translations, and I want to make sure that readers are aware that there is now a scholarly alternative, published last month: A Source Book of Ancient Chinese Bronze Inscriptions, edited by Constance Cook and Paul Goldin (Berkeley: Society for the Study of Early China, 2016). The “Source Book” includes translations of over one hundred inscriptions, prepared by ten contributors. I have chosen not to revise the materials here in light of this new resource, even in the case of a few items in the “Source Book” that were contributed by me, because a piecemeal revision seemed unhelpful, and I am now too distant from research on Western Zhou bronzes to undertake a more extensive one. -
Abhinavagupta's Theory of Relection a Study, Critical Edition And
Abhinavagupta’s Theory of Relection A Study, Critical Edition and Translation of the Pratibimbavāda (verses 1-65) in Chapter III of the Tantrāloka with the commentary of Jayaratha Mrinal Kaul A Thesis In the Department of Religion Presented in Partial Fulilment of the Requirements For the Degree of Doctor of Philosophy (Religion) at Concordia University Montréal, Québec, Canada August 2016 © Mrinal Kaul, 2016 CONCORDIA UNIVERSITY School of Graduate Studies This is to certify that the thesis prepared By: Mrinal Kaul Entitled: Abhinavagupta’s Theory of Relection: A Study, Critical Edition and Translation of the Pratibimbavāda (verses 1-65) in Chapter III of the Tantrāloka with the commentary of Jayaratha and submitted in partial fulillment of the requirements for the degree of Doctor of Philosophy (Religion) complies with the regulations of the University and meets the accepted standards with respect to originality and quality. Signed by the inal Examining Committee: _____________________________Chair Dr Christine Jourdan _____________________________External Examiner Dr Richard Mann _____________________________External to Programme Dr Stephen Yeager _____________________________Examiner Dr Francesco Sferra _____________________________Examiner Dr Leslie Orr _____________________________Supervisor Dr Shaman Hatley Approved by ____________________________________________________________ Dr Carly Daniel-Hughes, Graduate Program Director September 16, 2016 ____________________________________________ Dr André Roy, Dean Faculty of Arts and Science ABSTRACT Abhinavagupta’s Theory of Relection: A Study, Critical Edition and Translation of the Pratibimbavāda (verses 1-65) in the Chapter III of the Tantrāloka along with the commentary of Jayaratha Mrinal Kaul, Ph.D. Religion Concordia University, 2016 The present thesis studies the theory of relection (pratibimbavāda) as discussed by Abhinavagupta (l.c. 975-1025 CE), the non-dualist Trika Śaiva thinker of Kashmir, primarily focusing on what is often referred to as his magnum opus: the Tantrāloka. -
Madhya Bharti 75 21.07.18 English
A Note on Paradoxes and Some Applications Ram Prasad At times thoughts in prints, dialogues, conversations and the likes create illusion among people. There may be one reason or the other that causes fallacies. Whenever one attempts to clear the illusion to get the logical end and is unable to, one may slip into the domain of paradoxes. A paradox seemingly may appear absurd or self contradictory that may have in fact a high sense of thought. Here a wide meaning of it including its shades is taken. There is a group of similar sensing words each of which challenges the wit of an onlooker. A paradox sometimes surfaces as and when one is in deep immersion of thought. Unprinted or oral thoughts including paradoxes can rarely survive. Some paradoxes always stay folded to gaily mock on. In deep immersion of thought W S Gilbert remarks on it in the following poetic form - How quaint the ways of paradox At common sense she gaily mocks1 The first student to expect great things of Philosophy only to suffer disillusionment was Socrates (Sokratez) -'what hopes I had formed and how grievously was I disappointed'. In the beginning of the twentieth century mathematicians and logicians rigidly argued on topics which appear possessing intuitively valid but apparently contrary statements. At times when no logical end is seen around and the topic felt hot, more on lookers would enter into these entanglements with argumentative approach. May be, but some 'wise' souls would manage to escape. Zeno's wraths - the Dichotomy, the Achilles, the Arrow and the Stadium made thinkers very uncomfortable all along. -
Secondary Indian Culture and Heritage
Culture: An Introduction MODULE - I Understanding Culture Notes 1 CULTURE: AN INTRODUCTION he English word ‘Culture’ is derived from the Latin term ‘cult or cultus’ meaning tilling, or cultivating or refining and worship. In sum it means cultivating and refining Ta thing to such an extent that its end product evokes our admiration and respect. This is practically the same as ‘Sanskriti’ of the Sanskrit language. The term ‘Sanskriti’ has been derived from the root ‘Kri (to do) of Sanskrit language. Three words came from this root ‘Kri; prakriti’ (basic matter or condition), ‘Sanskriti’ (refined matter or condition) and ‘vikriti’ (modified or decayed matter or condition) when ‘prakriti’ or a raw material is refined it becomes ‘Sanskriti’ and when broken or damaged it becomes ‘vikriti’. OBJECTIVES After studying this lesson you will be able to: understand the concept and meaning of culture; establish the relationship between culture and civilization; Establish the link between culture and heritage; discuss the role and impact of culture in human life. 1.1 CONCEPT OF CULTURE Culture is a way of life. The food you eat, the clothes you wear, the language you speak in and the God you worship all are aspects of culture. In very simple terms, we can say that culture is the embodiment of the way in which we think and do things. It is also the things Indian Culture and Heritage Secondary Course 1 MODULE - I Culture: An Introduction Understanding Culture that we have inherited as members of society. All the achievements of human beings as members of social groups can be called culture. -
Out of the Shadows: Socially Engaged Buddhist Women
University of San Diego Digital USD Theology and Religious Studies: Faculty Scholarship Department of Theology and Religious Studies 2019 Out of the Shadows: Socially Engaged Buddhist Women Karma Lekshe Tsomo PhD University of San Diego, [email protected] Follow this and additional works at: https://digital.sandiego.edu/thrs-faculty Part of the Buddhist Studies Commons, and the Religious Thought, Theology and Philosophy of Religion Commons Digital USD Citation Tsomo, Karma Lekshe PhD, "Out of the Shadows: Socially Engaged Buddhist Women" (2019). Theology and Religious Studies: Faculty Scholarship. 25. https://digital.sandiego.edu/thrs-faculty/25 This Book is brought to you for free and open access by the Department of Theology and Religious Studies at Digital USD. It has been accepted for inclusion in Theology and Religious Studies: Faculty Scholarship by an authorized administrator of Digital USD. For more information, please contact [email protected]. Section Titles Placed Here | I Out of the Shadows Socially Engaged Buddhist Women Edited by Karma Lekshe Tsomo SAKYADHITA | HONOLULU First Edition: Sri Satguru Publications 2006 Second Edition: Sakyadhita 2019 Copyright © 2019 Karma Lekshe Tsomo All rights reserved No part of this book may not be reproduced or utilized in any form or by any means, electronic or mechanical, or by any information storage or retreival system, without the prior written permission from the publisher, except in the case of brief quotations. Cover design Copyright © 2006 Allen Wynar Sakyadhita Conference Poster -
Buddhacarita
CLAY SANSKRIT LIBRARY Life of the Buddka by AsHvaghosHa NEW YORK UNIVERSITY PRESS & JJC EOUNDATION THE CLAY SANSKRIT LIBRARY FOUNDED BY JOHN & JENNIFER CLAY GENERAL EDITORS RICHARD GOMBRICH SHELDON POLLOCK EDITED BY ISABELLE ONIANS SOMADEVA VASUDEVA WWW.CLAYSANSBCRITLIBRARY.COM WWW.NYUPRESS.ORG Copyright © 2008 by the CSL. All rights reserved. First Edition 2008. The Clay Sanskrit Library is co-published by New York University Press and the JJC Foundation. Further information about this volume and the rest of the Clay Sanskrit Library is available at the end of this book and on the following websites: www.ciaysanskridibrary.com www.nyupress.org ISBN-13: 978-0-8147-6216-5 (cloth : alk. paper) ISBN-10: 0-8147-6216-6 (cloth : alk. paper) Artwork by Robert Beer. Typeset in Adobe Garamond at 10.2$ : 12.3+pt. XML-development by Stuart Brown. Editorial input from Linda Covill, Tomoyuki Kono, Eszter Somogyi & Péter Szântà. Printed in Great Britain by S t Edmundsbury Press Ltd, Bury St Edmunds, Suffolk, on acidffee paper. Bound by Hunter & Foulis, Edinburgh, Scotland. LIFE OF THE BUDDHA BY ASVAGHOSA TRANSLATED BY PATRICK OLIVELLE NEW YORK UNIVERSITY PRESS JJC FOUNDATION 2008 Library of Congress Cataloging-in-Publication Data Asvaghosa [Buddhacarita. English & Sanskrit] Life of the Buddha / by Asvaghosa ; translated by Patrick Olivelle.— ist ed. p. cm. - (The Clay Sanskrit library) Poem. In English and Sanskrit (romanized) on facing pages. Includes bibliographical references and index. ISBN-13: 978-0-8147-6216-5 (cloth : alk. paper) ISBN-10: 0-8147-6216-6 (cloth : alk. paper) 1. Gautama Buddha-Poetry. I. Olivelle, Patrick. II. -
Poeticize the Good−Eccentricity of Enlightened Zen Characters
ISSN: 2186-8492, ISSN: 2186-8484 Print アアシエンシエンアシエン ヅロナルヅロナルヅロナル オホオホオホ ソセアルソセアルソセアル サイネセズサイネセズサイネセズ アナドアナドアナド ヒウメニテズ Vol. 1. No. 4. November 2012 POETICIZE THE GOOD−−−ECCENTRICITY OF ENLIGHTENED ZEN CHARACTERS Yong Zhi, PhD Department of Religion Temple University, Philadelphia, USA. [email protected] ABSTRACT An enlightened Zen master, after a period of reclusive life in monastery or wildness, often chooses to return to the society and mingle with people. The tenth ox-herding picture attempts to depict this scenario, in which an enlightened one, with an eccentric appearance, seems to be making a deal in a market place. The eccentric trait seems to reflect a Zen’s style of character and spiritual transmission with people. Eccentricity is a manifestation of enlightenment with a transformed personality and extraordinary capability in interaction with people. We will examine three aspects of the eccentric nature of Zen characters: the non-positional stand, the intriguing laugh, and the appearance of foolishness. The eccentricity of Zen is vividly exemplified by Ji-gong, one of the most colorful Zen characters in the history of both Chinese Buddhism and the popular culture. The paper suggests that the spirituality of Zen allows its ethics to take an aesthetic form. Keywords: East Asian studies, religions, philosophy, Buddhism, Zen, literary criticism, language, Poetry, Chinese Poetics. INTRODUCTION A common critique about Zen Buddhism points its lack of significant social ethics, as Zen’s journey for enlightenment seems to be an individualistic venture of self-enrichment in terms of the exploration of the world of experience, transformation of the mind, and attainment of a higher level of consciousness, which appears to be void of any social implication. -
Beliefs of the Sacred Spirit: a Study of Possessed Ceremony in Kelantanese Village
International Journal of Management and Applied Science, ISSN: 2394-7926 Volume-5, Issue-2, Feb.-2019 http://iraj.in BELIEFS OF THE SACRED SPIRIT: A STUDY OF POSSESSED CEREMONY IN KELANTANESE VILLAGE 1EYO LENG YAN, 2ROSDEEN SUBOH Drama Department, University of Malaya, Malaysia E-mail: [email protected], [email protected] Abstract - The Peranakan Chinese community‟s belief of sacred spirits and deities remains strong to this day. They worship these spirits in the home, in temples and the workplace to seek protection and wellbeing, and to be granted wealth and prosperity. These spirits and deities are celebrated in grand ceremonies every year as a way of commemorating and showing appreciation for their protection of humans. Utilising the field research method, this study was conducted in Kampung Pasir Parit, a Chinese Peranakan village in conjunction with the Datok Janggut (sacred spirit) site transfer which took place on January 5, 2018. This study aims to examine the process behind the „possessed ceremony‟ or known as „lok tang‟ by the local community, including casting some focus on intercultural relations. Key words - Sacred Spirits and Deities, „Lok Tang‟ ceremony, Kelantan‟s Peranakan Chinese, Intercultural Relations I. INTRODUCTION The Peranakan Chinese community are Buddhists and strongly believe in sacred spirits1 and deities2. They The study of spirits and possession isn‟t a new field worship various spirits and deities, including Datok of exploration and it has been observed that of late, a Janggut (beard), Datok Api (fire), Datok Kolam (pool) lot of researchers are becoming interested in as well as the seven „Datok‟ brothers, namely Datok conducting research into this area (Spiro, M.