Shamanism in Japan
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Prayer Machines in Japanese Buddhism
九州大学学術情報リポジトリ Kyushu University Institutional Repository Dharma Devices, Non-Hermeneutical Libraries, and Robot-Monks : Prayer Machines in Japanese Buddhism Rambelli, Fabio University of California, Santa Barbara : Professor of Japanese Religions and IFS Endowed Chair Shinto Studies https://doi.org/10.5109/1917884 出版情報：Journal of Asian Humanities at Kyushu University. 3, pp.57-75, 2018-03. 九州大学文学 部大学院人文科学府大学院人文科学研究院 バージョン： 権利関係： Dharma Devices, Non- Hermeneutical Libraries, and Robot-Monks: Prayer Machines in Japanese Buddhism FABIO RAMBELLI T is a well-documented fact—albeit perhaps not their technologies for that purpose.2 From a broader emphasized enough in scholarship—that Japa- perspective of more general technological advances, it nese Buddhism, historically, ofen has favored and is interesting to note that a Buddhist temple, Negoroji Icontributed to technological developments.1 Since its 根来寺, was the frst organization in Japan to produce transmission to Japan in the sixth century, Buddhism muskets and mortars on a large scale in the 1570s based has conveyed and employed advanced technologies in on technology acquired from Portuguese merchants.3 felds including temple architecture, agriculture, civil Tus, until the late seventeenth century, when exten- engineering (such as roads, bridges, and irrigation sive epistemological and social transformations grad- systems), medicine, astronomy, and printing. Further- ually eroded the Buddhist monopoly on technological more, many artisan guilds (employers and developers advancement in favor of other (ofen competing) social of technology)—from sake brewers to sword smiths, groups, Buddhism was the main repository, benefciary, from tatami (straw mat) makers to potters, from mak- and promoter of technology. ers of musical instruments to boat builders—were more It should come as no surprise, then, that Buddhism or less directly afliated with Buddhist temples. -
Vaitoskirjascientific MASCULINITY and NATIONAL IMAGES IN
Faculty of Arts University of Helsinki, Finland SCIENTIFIC MASCULINITY AND NATIONAL IMAGES IN JAPANESE SPECULATIVE CINEMA Leena Eerolainen DOCTORAL DISSERTATION To be presented for public discussion with the permission of the Faculty of Arts of the University of Helsinki, in Room 230, Aurora Building, on the 20th of August, 2020 at 14 o’clock. Helsinki 2020 Supervisors Henry Bacon, University of Helsinki, Finland Bart Gaens, University of Helsinki, Finland Pre-examiners Dolores Martinez, SOAS, University of London, UK Rikke Schubart, University of Southern Denmark, Denmark Opponent Dolores Martinez, SOAS, University of London, UK Custos Henry Bacon, University of Helsinki, Finland Copyright © 2020 Leena Eerolainen ISBN 978-951-51-6273-1 (paperback) ISBN 978-951-51-6274-8 (PDF) Helsinki: Unigrafia, 2020 The Faculty of Arts uses the Urkund system (plagiarism recognition) to examine all doctoral dissertations. ABSTRACT Science and technology have been paramount features of any modernized nation. In Japan they played an important role in the modernization and militarization of the nation, as well as its democratization and subsequent economic growth. Science and technology highlight the promises of a better tomorrow and future utopia, but their application can also present ethical issues. In fiction, they have historically played a significant role. Fictions of science continue to exert power via important multimedia platforms for considerations of the role of science and technology in our world. And, because of their importance for the development, ideologies and policies of any nation, these considerations can be correlated with the deliberation of the role of a nation in the world, including its internal and external images and imaginings. -
Pictures of an Island Kingdom Depictions of Ryūkyū in Early Modern Japan
PICTURES OF AN ISLAND KINGDOM DEPICTIONS OF RYŪKYŪ IN EARLY MODERN JAPAN A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI‘I AT MĀNOA IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN ART HISTORY MAY 2012 By Travis Seifman Thesis Committee: John Szostak, Chairperson Kate Lingley Paul Lavy Gregory Smits Table of Contents Introduction……………………………………………………………………………………… 1 Chapter I: Handscroll Paintings as Visual Record………………………………. 18 Chapter II: Illustrated Books and Popular Discourse…………………………. 33 Chapter III: Hokusai Ryūkyū Hakkei: A Case Study……………………………. 55 Conclusion………………………………………………………………………………………. 78 Appendix: Figures …………………………………………………………………………… 81 Works Cited ……………………………………………………………………………………. 106 ii Abstract This paper seeks to uncover early modern Japanese understandings of the Ryūkyū Kingdom through examination of popular publications, including illustrated books and woodblock prints, as well as handscroll paintings depicting Ryukyuan embassy processions within Japan. The objects examined include one such handscroll painting, several illustrated books from the Sakamaki-Hawley Collection, University of Hawaiʻi at Mānoa Library, and Hokusai Ryūkyū Hakkei, an 1832 series of eight landscape prints depicting sites in Okinawa. Drawing upon previous scholarship on the role of popular publishing in forming conceptions of “Japan” or of “national identity” at this time, a media discourse approach is employed to argue that such publications can serve as reliable indicators of understandings -
Rural Japanese Gothic: the Topography of Horror in Modern Japanese Literature
Rural Japanese Gothic: The Topography of Horror in Modern Japanese Literature The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Bernard, Peter John. 2019. Rural Japanese Gothic: The Topography of Horror in Modern Japanese Literature. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42029604 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use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
Macdonald 4310.Pdf
Macdonald, Alastair Ewan (2016) Reimagining the vernacular story : textual roles, didacticism, and entertainment in Erpai. PhD Thesis. SOAS, University of London. http://eprints.soas.ac.uk/id/eprint/23804 Copyright © and Moral Rights for this PhD Thesis are retained by the author and/or other copyright owners. A copy can be downloaded for personal non‐commercial research or study, without prior permission or charge. This PhD Thesis cannot be reproduced or quoted extensively from without first obtaining permission in writing from the copyright holder/s. The content must not be changed in any way or sold commercially in any format or medium without the formal permission of the copyright holders. When referring to this PhD Thesis, full bibliographic details including the author, title, awarding institution and date of the PhD Thesis must be given e.g. AUTHOR (year of submission) "Full PhD Thesis title", name of the School or Department, PhD PhD Thesis, pagination. Reimagining the Vernacular Story: Textual Roles, Didacticism, and Entertainment in Erpai Alastair Ewan Macdonald 548934 Thesis submitted for the degree of PhD 2016 Department of China and Inner Asia SOAS, University of London 1 Declaration for SOAS PhD thesis I have read and understood regulation 17.9 of the Regulations for students of the SOAS, University of London concerning plagiarism. I undertake that all the material presented for examination is my own work and has not been written for me, in whole or in part, by any other person. I also undertake that any quotation or paraphrase from the published or unpublished work of another person has been duly acknowledged in the work which I present for examination. -
UNIVERSITY of HAWAII LIBRARY. NARRATIVES OF
,UNIVERSITY Of HAWAII LIBRARY. NARRATIVES OF SPACE AND PLACE IN THREE WORKS BY NAKAGAMI KENJI A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN EAST ASIAN LANGUAGES AND LITERATURES (JAPANESE) AUGUST 2005 By Joshua Petitto Thesis Committee: Nobuko Ochner, Chairperson Lucy Lower Arthur Thornhill © Copyright 2005 by Joshua Petitto 111 TABLE OF CONTENTS Chapter 1 - Introduction 1.1 Nakagami's Style , 1 1.2 Literature Review 3 1.3 Summary ofthe Chapters ,. '" 8 1.4 Misaki, "Garyl1san," and "Wara no ie"............................................. 9 Chapter 2 - Down the Ever-Winding Narrative Path 2.1 Introduction........................................................................... 11 2.2 The Problem ofNarrative 11 2.3 Taking on the "Pig ofNarrative". 17 2.5 Conclusion: Monogatari and Genealogy....................................... 20 Chapter 3 - The Ambivalence ofNakagami's Space 3.1 Introduction 3.1.1 Conceptualizing Space 23 3.1.2 The Space ofthe Roji 28 3.2 A History ofKumano 30 3.3 The Ambivalence ofNakagami's Space 3.3.1 Attempted Assertion over Space through Ritual.................. 35 3.3.2 The Dominance ofSpace............................................... 42 3.3.3 Gendered Space and Origin............................................ 44 3.3.4 Reconstructing Space................................................... 47 3.4 Conclusion: The Same Struggle by Another Name............................. 49 Chapter 4 - The Place ofMemory 4.1 Introduction 4.1.1 Space and Place 51 4.1.2 The Recovery ofOrigin..................................... .. 54 4.2 Narratives ofPlace in Misaki, "Garyl1san," and "Wara no ie" 4.2.1 The Brother and Father in Misaki 58 4.2.2 Garyl1 Mountain and Toshihisa 66 4.2.3 The Rediscovery ofDifference in "Wara no ie" 75 4.3 Conclusion: Place, Narrative, and Rememory 80 Chapter 5 - Coming Full Circle: Space, Narrative, and the Next Roji 5.1 Introduction 84 5.2 The Emperor System and Capital................................................ -
A Historical Analysis of the Traditional Japanese Decision-Making Process in Contrast with the U.S
Portland State University PDXScholar Dissertations and Theses Dissertations and Theses 1976 A historical analysis of the traditional Japanese decision-making process in contrast with the U.S. system and implications for intercultural deliberations Shoji Mitarai Portland State University Follow this and additional works at: https://pdxscholar.library.pdx.edu/open_access_etds Part of the Speech and Rhetorical Studies Commons Let us know how access to this document benefits ou.y Recommended Citation Mitarai, Shoji, "A historical analysis of the traditional Japanese decision-making process in contrast with the U.S. system and implications for intercultural deliberations" (1976). Dissertations and Theses. Paper 2361. https://doi.org/10.15760/etd.2358 This Thesis is brought to you for free and open access. It has been accepted for inclusion in Dissertations and Theses by an authorized administrator of PDXScholar. Please contact us if we can make this document more accessible: [email protected]. AN ABSTRACT OF THE THESIS OF Shoji Mitarai for the Master of Arts in Speech Conununication presented February 16, 1976. Title: A Historical Analysis of the Traditional Japanese Decision-Maki~g Process in Contrast with the U.S. System and Implications for Intercultural Delibera tions. APPROVED BY MEMBERS OF THE THESIS COMMITTEES: The purpose of this research.is to (1) describe and analyze the different methods used by Japanese ·and by U.S. persons to reach ~greement in small. group deliberations, (2) discover the depth of ·conunitment and personal involvement with th~se methods by tracing their historical b~ginni~gs, and (3) draw implications 2 from (1) and (2) as to probability of success of current problem solving deliberations involving members of both ·groups. -
Childbearing in Japanese Society: Traditional Beliefs and Contemporary Practices
Childbearing in Japanese Society: Traditional Beliefs and Contemporary Practices by Gunnella Thorgeirsdottir A thesis submitted in partial fulfilment of the requirements for the degree of Doctor of Philosophy The University of Sheffield Faculty of Social Sciences School of East Asian Studies August 2014 ii iii iv Abstract In recent years there has been an oft-held assumption as to the decline of traditions as well as folk belief amidst the technological modern age. The current thesis seeks to bring to light the various rituals, traditions and beliefs surrounding pregnancy in Japanese society, arguing that, although changed, they are still very much alive and a large part of the pregnancy experience. Current perception and ideas were gathered through a series of in depth interviews with 31 Japanese females of varying ages and socio-cultural backgrounds. These current perceptions were then compared to and contrasted with historical data of a folkloristic nature, seeking to highlight developments and seek out continuities. This was done within the theoretical framework of the liminal nature of that which is betwixt and between as set forth by Victor Turner, as well as theories set forth by Mary Douglas and her ideas of the polluting element of the liminal. It quickly became obvious that the beliefs were still strong having though developed from a person-to- person communication and into a set of knowledge aquired by the mother largely from books, magazines and or offline. v vi Acknowledgements This thesis would never have been written had it not been for the endless assistance, patience and good will of a good number of people. -
The Symbol of the Dragon and Ways to Shape Cultural Identities in Institute Working Vietnam and Japan Paper Series
2015 - HARVARD-YENCHING THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE CULTURAL IDENTITIES IN INSTITUTE WORKING VIETNAM AND JAPAN PAPER SERIES Nguyen Ngoc Tho | University of Social Sciences and Humanities, Vietnam National University – Ho Chi Minh City THE SYMBOL OF THE DRAGON AND WAYS TO SHAPE 1 CULTURAL IDENTITIES IN VIETNAM AND JAPAN Nguyen Ngoc Tho University of Social Sciences and Humanities Vietnam National University – Ho Chi Minh City Abstract Vietnam, a member of the ASEAN community, and Japan have been sharing Han- Chinese cultural ideology (Confucianism, Mahayana Buddhism etc.) and pre-modern history; therefore, a great number of common values could be found among the diverse differences. As a paddy-rice agricultural state of Southeast Asia, Vietnam has localized Confucianism and absorbed it into Southeast Asian culture. Therefore, Vietnamese Confucianism has been decentralized and horizontalized after being introduced and accepted. Beside the local uniqueness of Shintoism, Japan has shared Confucianism, the Indian-originated Mahayana Buddhism and other East Asian philosophies; therefore, both Confucian and Buddhist philosophies should be wisely laid as a common channel for cultural exchange between Japan and Vietnam. This semiotic research aims to investigate and generalize the symbol of dragons in Vietnam and Japan, looking at their Confucian and Buddhist absorption and separate impacts in each culture, from which the common and different values through the symbolic significances of the dragons are obviously generalized. The comparative study of Vietnamese and Japanese dragons can be enlarged as a study of East Asian dragons and the Southeast Asian legendary naga snake/dragon in a broader sense. The current and future political, economic and cultural exchanges between Japan and Vietnam could be sped up by applying a starting point at these commonalities. -
A POPULAR DICTIONARY of Shinto
A POPULAR DICTIONARY OF Shinto A POPULAR DICTIONARY OF Shinto BRIAN BOCKING Curzon First published by Curzon Press 15 The Quadrant, Richmond Surrey, TW9 1BP This edition published in the Taylor & Francis e-Library, 2005. “To purchase your own copy of this or any of Taylor & Francis or Routledge’s collection of thousands of eBooks please go to http://www.ebookstore.tandf.co.uk/.” Copyright © 1995 by Brian Bocking Revised edition 1997 Cover photograph by Sharon Hoogstraten Cover design by Kim Bartko All rights reserved. No part of this book may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. British Library Cataloguing in Publication Data A catalogue record for this book is available from the British Library ISBN 0-203-98627-X Master e-book ISBN ISBN 0-7007-1051-5 (Print Edition) To Shelagh INTRODUCTION How to use this dictionary A Popular Dictionary of Shintō lists in alphabetical order more than a thousand terms relating to Shintō. Almost all are Japanese terms. The dictionary can be used in the ordinary way if the Shintō term you want to look up is already in Japanese (e.g. kami rather than ‘deity’) and has a main entry in the dictionary. If, as is very likely, the concept or word you want is in English such as ‘pollution’, ‘children’, ‘shrine’, etc., or perhaps a place-name like ‘Kyōto’ or ‘Akita’ which does not have a main entry, then consult the comprehensive Thematic Index of English and Japanese terms at the end of the Dictionary first. -
Arising of Faith in the Human Body: the Significance of Embryological Discourses in Medieval Shingon Buddhist Tradition Takahiko Kameyama Ryukoku University, Kyoto
Arising of Faith in the Human Body: The Significance of Embryological Discourses in Medieval Shingon Buddhist Tradition Takahiko Kameyama Ryukoku University, Kyoto INTRODUCTION It was on the early Heian 平安 time period that the principal compo- nents of the Buddhist embryological knowledge, such as the red and white drops (shakubyaku nitei 赤白二渧) or the five developmental stages of embryo (tainai goi 胎内五位) from kalala (karara 羯剌藍) to praśākha (harashakya 鉢羅奢佉), were adopted into Japanese Esoteric Buddhist traditions.1 Since then, as discussed in the works of James H. Sanford2 or Ogawa Toyoo 小川豊生,3 these discourses with regard to the reproductive substances of a mother and father or the stages of fetal development within the womb were the indispensable interpreta- tive tools for both doctrine and practices of Shingon 眞言 and Tendai 天台Esoteric Buddhism.4 After being fully adopted, the embryological 1. As Toyoo Ogawa 小川豊生 points out, Enchin 円珍 (814–891), the Tendai Esoteric Buddhist monk during the early Heian time period, refers to the red and white drops and kalala, the mixture of these reproductive substances, in his Bussetsu kanfugenbosatsugyōbōkyō ki 佛説觀普賢菩薩行法經記 (Taishō, vol. 56, no. 2194). See Ogawa Toyoo, Chūsei nihon no shinwa moji shintai 中世日本の 神話・文字・身体 (Tokyo: Shinwasha 森話社, 2014), 305–6 and 331n6. 2. See James H. Sanford, “Wind, Waters, Stupas, Mandalas: Fetal Buddhahood in Shingon,” Japanese Journal of Religious Studies 24, nos. 1–2 (1997). 3. See Ogawa, Chūsei nihon no shinwa moji shintai. 4. For example, the fundamental non-dual nature between the womb realm mandala (taizōkai mandara 胎藏界曼荼羅) and that of diamond realm (kongōkai mandala 金剛界曼荼羅) was frequently represented by sexual intercourse and the mixture of the red and white drops. -
Prayer Beads in Japanese Soto Sect
4 Prayer Beads in Japanese Sōtō Zen Michaela Mross WHen a lay parishioner visits a Buddhist temple, he or she usually car- ries a Buddhist rosary.1 It marks a parishioner versus the occasional visi- tor and is considered a necessary item of proper attire. For most Japanese, not wearing a rosary when putting the hands in prayer or reverence seems to be improper.2 Likewise, the official webpage of the Sōtō Zen school instructs lay followers to not forget prayer beads when attending funerals or memorial services. Parishioners should further put a rosary on the lowest shelf of their home altar, ready to be used during prayers.3 Also, the members of the choirs singing Buddhist hymns at Sōtō tem- ples wear short rosaries while singing and playing a bell. Thus, prayer beads serve “as sources of identification,” to borrow John Kieschnick’s words.4 The rosary is an especially interesting object because— besides the robe or o- kesa— “prayer beads are kept closer to the practitioner than any other ritual object. They become physical evidence of faith, devotion, and practice.”5 In contrast to Tendai, Shingon, or Pure Land clerics, Sōtō clerics rarely use prayer beads in ritual settings. Moreover, images of Zen masters usu- ally do not depict monks or nuns holding prayer beads; instead, a fly-whisk or another kind of staff signifies their status as a Zen cleric. Therefore, Buddhist rosaries are typically not associated with Zen. Nevertheless, prayer beads have been used for various purposes in the Sōtō school as well. This chapter aims to illuminate some of the functions and interpre- tations of the rosary in Japanese Sōtō Zen.