On the Religious and Cultural Aspects of Divination in Japanese Society
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Speech by Ōno Genmyō, Head Priest of the Horyu-Ji Temple “Shōtoku Taishi and Horyu-Ji” (October 20, 2018, Shinjuku-Ku, Tokyo)
Speech by Ōno Genmyō, Head Priest of the Horyu-ji Temple “Shōtoku Taishi and Horyu-ji” (October 20, 2018, Shinjuku-ku, Tokyo) MC Ladies and gentlemen, thank you for coming today. The town of Ikaruga, where the Horyu-ji Temple is located, is very conveniently located: just 10 minutes by JR from Nara, 20 minutes from Tennoji in Osaka, and 80 minutes from Kyoto. This historical area is home to sites that include the Horyu-ji , the Horin-ji, the Hkki-ji, the Chugu- ji, and the Fujinoki Kofun tumulus. The Reverend Mr. Ōno will be speaking with us today in detail about the Horyu-ji, which was founded in 607 by Shotoku Taishi, Prince Shotoku, a member of the imperial family. As it is home to the oldest wooden building in the world, it was the first site in Japan to be registered as a World Heritage property. However, its attractions go beyond the buildings. While Kyoto temples are famous for their gardens, Nara’s attractions are, more than anything, its Buddhist sculptures. The Horyu-ji is home to some of Japan’s most noted Buddhist statues, including the Shaka Sanzon [Shaka Triad of Buddha and Two Bosatsu], the Kudara Kannon, Yakushi Nyorai, and Kuse Kannon. Prince Shotoku was featured on the 10,000 yen bill until 1986, so there may even be people overseas who know of him. Shotoku was the creator of Japan’s first laws and bureaucratic system, a proponent of relations with China, and incorporated Buddhism into politics. Reverend Ōno, if you would be so kind. -
Kofun Period: Research Trends 20111 Higashikage Yū2
Kofun Period: Research Trends 20111 Higashikage Yū2 Introduction Kofun period research in the 2011 Fiscal Year was conducted in wide-ranging fashion. In particular, the publication of overviews and comprehensive treatments was rich, and new perspectives were presented alongside syntheses of Kofun period research to date. There was also active research on individual types of artifacts, and based on various regional perspectives. 1. General treatments Shiraishi Taiichirō’s Kofun to Kofun jidai no bunka (Tombs and the Culture of the Kofun Period) is a compilation of previously published articles, which touches not only on the political but also the cultural aspects of the tombs.3 Tsude Hiroshi’s Kodai kokka wa itsu seiritsu shita ka (When Did the Ancient State Emerge?) is a new development of his previously stated arguments for the Kofun period and the early state, and incorporates the results of research of recent years. 4 In a special issue edited by Hirose Kazuo of Kikan kōgaku (Archaeological Quarterly) on the theme of “Looking Systematically at the Kofun Period,” a wide range of perspectives are presented for examining the Kofun period, including not only views from within Japan but also those based in China and the Korean peninsula, as 1 [Trends in Japanese Archaeological Research, 2011, is a partial translation of “Nihon kōkogaku kenkyū no dōkō” 日本考古学研究の動向, in Nihon kōkogaku nenpō 64 (2011 nendoban) 日本考古学年報 64(2011 年度版) [Archaeologia Japonica 64 (2011 Fiscal Year Issue)] (Nihon Kōkogaku Kyōkai, 2013), pp. 1-65. This essay appears on pp. 40-46, under the Japanese title “Kofun jidai kenkyū no dōkō” 古墳 時代研究の動向. -
Muslim American's Understanding of Women's
California State University, San Bernardino CSUSB ScholarWorks Electronic Theses, Projects, and Dissertations Office of aduateGr Studies 6-2018 MUSLIM AMERICAN’S UNDERSTANDING OF WOMEN’S RIGHTS IN ACCORDANCE TO THE ISLAMIC TRADITIONS Riba Khaleda Eshanzada Follow this and additional works at: https://scholarworks.lib.csusb.edu/etd Part of the Social Work Commons Recommended Citation Eshanzada, Riba Khaleda, "MUSLIM AMERICAN’S UNDERSTANDING OF WOMEN’S RIGHTS IN ACCORDANCE TO THE ISLAMIC TRADITIONS" (2018). Electronic Theses, Projects, and Dissertations. 637. https://scholarworks.lib.csusb.edu/etd/637 This Project is brought to you for free and open access by the Office of aduateGr Studies at CSUSB ScholarWorks. It has been accepted for inclusion in Electronic Theses, Projects, and Dissertations by an authorized administrator of CSUSB ScholarWorks. For more information, please contact [email protected]. MUSLIM AMERICAN’S UNDERSTANDING OF WOMEN’S RIGHTS IN ACCORDANCE TO THE ISLAMIC TRADITIONS A Project Presented to the Faculty of California State University, San Bernardino In Partial Fulfillment of the Requirements for the Degree Master in Social Work by Riba Khaleda Eshanzada June 2018 MUSLIM AMERICAN’S UNDERSTANDING OF WOMEN’S RIGHTS IN ACCORDANCE TO THE ISLAMIC TRADITIONS A Project Presented to the Faculty of California State University, San Bernardino by Riba Khaleda Eshanzada June 2018 Approved by: Dr. Erica Lizano, Research Project Supervisor Dr. Janet Chang, M.S.W. Research Coordinator © 2018 Riba Khaleda Eshanzada ABSTRACT Islam is the most misrepresented, misunderstood, and the subject for much controversy in the United States of America especially with the women’s rights issue. This study presents interviews with Muslim Americans on their narrative and perspective of their understanding of women’s rights in accordance to the Islamic traditions. -
And Daemonic Buddhism in India and Tibet
Florida State University Libraries Electronic Theses, Treatises and Dissertations The Graduate School 2012 The Raven and the Serpent: "The Great All- Pervading R#hula" Daemonic Buddhism in India and Tibet Cameron Bailey Follow this and additional works at the FSU Digital Library. For more information, please contact [email protected] THE FLORIDA STATE UNIVERSITY COLLEGE OF ARTS AND SCIENCES THE RAVEN AND THE SERPENT: “THE GREAT ALL-PERVADING RHULA” AND DMONIC BUDDHISM IN INDIA AND TIBET By CAMERON BAILEY A Thesis submitted to the Department of Religion in partial fulfillment of the requirements for the degree of Master of Religion Degree Awarded: Spring Semester, 2012 Cameron Bailey defended this thesis on April 2, 2012. The members of the supervisory committee were: Bryan Cuevas Professor Directing Thesis Jimmy Yu Committee Member Kathleen Erndl Committee Member The Graduate School has verified and approved the above-named committee members, and certifies that the thesis has been approved in accordance with university requirements. ii For my parents iii ACKNOWLEDGEMENTS I would like to thank, first and foremost, my adviser Dr. Bryan Cuevas who has guided me through the process of writing this thesis, and introduced me to most of the sources used in it. My growth as a scholar is almost entirely due to his influence. I would also like to thank Dr. Jimmy Yu, Dr. Kathleen Erndl, and Dr. Joseph Hellweg. If there is anything worthwhile in this work, it is undoubtedly due to their instruction. I also wish to thank my former undergraduate advisor at Indiana University, Dr. Richard Nance, who inspired me to become a scholar of Buddhism. -
The Heritage of Non-Theistic Belief in China
The Heritage of Non-theistic Belief in China Joseph A. Adler Kenyon College Presented to the international conference, "Toward a Reasonable World: The Heritage of Western Humanism, Skepticism, and Freethought" (San Diego, September 2011) Naturalism and humanism have long histories in China, side-by-side with a long history of theistic belief. In this paper I will first sketch the early naturalistic and humanistic traditions in Chinese thought. I will then focus on the synthesis of these perspectives in Neo-Confucian religious thought. I will argue that these forms of non-theistic belief should be considered aspects of Chinese religion, not a separate realm of philosophy. Confucianism, in other words, is a fully religious humanism, not a "secular humanism." The religion of China has traditionally been characterized as having three major strands, the "three religions" (literally "three teachings" or san jiao) of Confucianism, Daoism, and Buddhism. Buddhism, of course, originated in India in the 5th century BCE and first began to take root in China in the 1st century CE, so in terms of early Chinese thought it is something of a latecomer. Confucianism and Daoism began to take shape between the 5th and 3rd centuries BCE. But these traditions developed in the context of Chinese "popular religion" (also called folk religion or local religion), which may be considered a fourth strand of Chinese religion. And until the early 20th century there was yet a fifth: state religion, or the "state cult," which had close relations very early with both Daoism and Confucianism, but after the 2nd century BCE became associated primarily (but loosely) with Confucianism. -
Some Observations on the Weddings of Tokugawa Shogun╎s
University of Pennsylvania ScholarlyCommons Department of East Asian Languages and Civilizations School of Arts and Sciences October 2012 Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Cecilia S. Seigle Ph.D. University of Pennsylvania, [email protected] Follow this and additional works at: https://repository.upenn.edu/ealc Part of the Asian Studies Commons, Economics Commons, Family, Life Course, and Society Commons, and the Social and Cultural Anthropology Commons Recommended Citation Seigle, Cecilia S. Ph.D., "Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1" (2012). Department of East Asian Languages and Civilizations. 7. https://repository.upenn.edu/ealc/7 This paper is posted at ScholarlyCommons. https://repository.upenn.edu/ealc/7 For more information, please contact [email protected]. Some Observations on the Weddings of Tokugawa Shogun’s Daughters – Part 1 Abstract In this study I shall discuss the marriage politics of Japan's early ruling families (mainly from the 6th to the 12th centuries) and the adaptation of these practices to new circumstances by the leaders of the following centuries. Marriage politics culminated with the founder of the Edo bakufu, the first shogun Tokugawa Ieyasu (1542-1616). To show how practices continued to change, I shall discuss the weddings given by the fifth shogun sunaT yoshi (1646-1709) and the eighth shogun Yoshimune (1684-1751). The marriages of Tsunayoshi's natural and adopted daughters reveal his motivations for the adoptions and for his choice of the daughters’ husbands. The marriages of Yoshimune's adopted daughters show how his atypical philosophy of rulership resulted in a break with the earlier Tokugawa marriage politics. -
Representations of Pleasure and Worship in Sankei Mandara Talia J
Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei mandara Talia J. Andrei Submitted in partial fulfillment of the Requirements for the degree of Doctor of Philosophy in the Graduate School of Arts and Sciences Columbia University 2016 © 2016 Talia J.Andrei All rights reserved Abstract Mapping Sacred Spaces: Representations of Pleasure and Worship in Sankei Mandara Talia J. Andrei This dissertation examines the historical and artistic circumstances behind the emergence in late medieval Japan of a short-lived genre of painting referred to as sankei mandara (pilgrimage mandalas). The paintings are large-scale topographical depictions of sacred sites and served as promotional material for temples and shrines in need of financial support to encourage pilgrimage, offering travelers worldly and spiritual benefits while inspiring them to donate liberally. Itinerant monks and nuns used the mandara in recitation performances (etoki) to lead audiences on virtual pilgrimages, decoding the pictorial clues and touting the benefits of the site shown. Addressing themselves to the newly risen commoner class following the collapse of the aristocratic order, sankei mandara depict commoners in the role of patron and pilgrim, the first instance of them being portrayed this way, alongside warriors and aristocrats as they make their way to the sites, enjoying the local delights, and worship on the sacred grounds. Together with the novel subject material, a new artistic language was created— schematic, colorful and bold. We begin by locating sankei mandara’s artistic roots and influences and then proceed to investigate the individual mandara devoted to three sacred sites: Mt. Fuji, Kiyomizudera and Ise Shrine (a sacred mountain, temple and shrine, respectively). -
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional Sections Contributed by Sean Michael Smith and Christine Breese, D.D
DIVINATION SYSTEMS Written by Nicole Yalsovac Additional sections contributed by Sean Michael Smith and Christine Breese, D.D. Ph.D. Introduction Nichole Yalsovac Prophetic revelation, or Divination, dates back to the earliest known times of human existence. The oldest of all Chinese texts, the I Ching, is a divination system older than recorded history. James Legge says in his translation of I Ching: Book Of Changes (1996), “The desire to seek answers and to predict the future is as old as civilization itself.” Mankind has always had a desire to know what the future holds. Evidence shows that methods of divination, also known as fortune telling, were used by the ancient Egyptians, Chinese, Babylonians and the Sumerians (who resided in what is now Iraq) as early as six‐thousand years ago. Divination was originally a device of royalty and has often been an essential part of religion and medicine. Significant leaders and royalty often employed priests, doctors, soothsayers and astrologers as advisers and consultants on what the future held. Every civilization has held a belief in at least some type of divination. The point of divination in the ancient world was to ascertain the will of the gods. In fact, divination is so called because it is assumed to be a gift of the divine, a gift from the gods. This gift of obtaining knowledge of the unknown uses a wide range of tools and an enormous variety of techniques, as we will see in this course. No matter which method is used, the most imperative aspect is the interpretation and presentation of what is seen. -
Rural Japanese Gothic: the Topography of Horror in Modern Japanese Literature
Rural Japanese Gothic: The Topography of Horror in Modern Japanese Literature The Harvard community has made this article openly available. Please share how this access benefits you. Your story matters Citation Bernard, Peter John. 2019. Rural Japanese Gothic: The Topography of Horror in Modern Japanese Literature. Doctoral dissertation, Harvard University, Graduate School of Arts & Sciences. Citable link http://nrs.harvard.edu/urn-3:HUL.InstRepos:42029604 Terms of Use This article was downloaded from Harvard University’s DASH repository, and is made available under the terms and conditions applicable to Other Posted Material, as set forth at http:// nrs.harvard.edu/urn-3:HUL.InstRepos:dash.current.terms-of- use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
Noh Theater and Religion in Medieval Japan
Copyright 2016 Dunja Jelesijevic RITUALS OF THE ENCHANTED WORLD: NOH THEATER AND RELIGION IN MEDIEVAL JAPAN BY DUNJA JELESIJEVIC DISSERTATION Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in East Asian Languages and Cultures in the Graduate College of the University of Illinois at Urbana-Champaign, 2016 Urbana, Illinois Doctoral Committee: Associate Professor Elizabeth Oyler, Chair Associate Professor Brian Ruppert, Director of Research Associate Professor Alexander Mayer Professor Emeritus Ronald Toby Abstract This study explores of the religious underpinnings of medieval Noh theater and its operating as a form of ritual. As a multifaceted performance art and genre of literature, Noh is understood as having rich and diverse religious influences, but is often studied as a predominantly artistic and literary form that moved away from its religious/ritual origin. This study aims to recapture some of the Noh’s religious aura and reclaim its religious efficacy, by exploring the ways in which the art and performance of Noh contributed to broader religious contexts of medieval Japan. Chapter One, the Introduction, provides the background necessary to establish the context for analyzing a selection of Noh plays which serve as case studies of Noh’s religious and ritual functioning. Historical and cultural context of Noh for this study is set up as a medieval Japanese world view, which is an enchanted world with blurred boundaries between the visible and invisible world, human and non-human, sentient and non-sentient, enlightened and conditioned. The introduction traces the religious and ritual origins of Noh theater, and establishes the characteristics of the genre that make it possible for Noh to be offered up as an alternative to the mainstream ritual, and proposes an analysis of this ritual through dynamic and evolving schemes of ritualization and mythmaking, rather than ritual as a superimposed structure. -
The Cultural Evolution of Epistemic Practices: the Case of Divination Author: Ze Hong A1, Joseph Henricha
Title: The cultural evolution of epistemic practices: the case of divination Author: Ze Hong a1, Joseph Henricha Author Affiliations: a Department of Human Evolutionary Biology, Harvard University, 11 Divinity Avenue, 02138, Cambridge, MA, United States Keywords: cultural Evolution; divination; information transmission; Bayesian reasoning 1 To whom correspondence should be addressed: [email protected] 1 ABSTRACT While a substantial literature in anthropology and comparative religion explores divination across diverse societies and back into history, little research has integrated the older ethnographic and historical work with recent insights on human learning, cultural transmission and cognitive science. Here we present evidence showing that divination practices are often best viewed as an epistemic technology, and formally model the scenarios under which individuals may over-estimate the efficacy of divination that contribute to its cultural omnipresence and historical persistence. We found that strong prior belief, under-reporting of negative evidence, and mis-inferring belief from behavior can all contribute to biased and inaccurate beliefs about the effectiveness of epistemic technologies. We finally suggest how scientific epistemology, as it emerged in the Western societies over the last few centuries, has influenced the importance and cultural centrality of divination practices. 2 1. INTRODUCTION The ethnographic and historical record suggests that most, and potentially all, human societies have developed techniques, processes or technologies that reveal otherwise hidden or obscure information, often about unknown causes or future events. In historical and contemporary small-scale societies around the globe, divination—"the foretelling of future events or discovery of what is hidden or obscure by supernatural or magical means” –has been extremely common, possibly even universal (Flad 2008; Boyer 2020). -
Vol XII.II Mar-Avr 2012 Oni
Vol XII.II Mar-Avr 2012 Oni (鬼) - Japanese Demons In the seventh episode of Dreams (1990) by Akira Kurosawa, “Weeping Demons,” we are transported to a mountain landscape infested with giant dandelion flowers, in which demons, or oni, are wailing over the pain coming from their horns. Within Kurosawa’s nightmare of a doomed world of mutants surviving a nuclear catastrophe, we can observe a faithful portraiture of the oni character popular in Japanese folklore: a gruesome, frightening demon emerging from Hell’s abyss. In the movie, oni devour each other starting with the lower-ranked oni with only one horn, a metaphor depicting a dehumanized society where the strongest rule over the weakest. Typically, oni have either one or several horns protruding from their scalp. Some have a third eye in the center of their forehead, and they often make a hideous grimace from ear to ear and showing their conspicuous teeth. Their skin is usually red, black, blue, or yellow and they wear only a loincloth of tiger Netsuke of an oni in agony after skin. Although oni are predominantly male, female oni can be as terrifying, as being showered with soybeans. we will see. 19th century. In Chinese, the ideogram 鬼 (ki) designate the soul of a deceased person, a ghost, but in Japanese it is read as oni, or demon, but also sometimes as mono, an indwelling spirit or kami. The Encyclopedia of Shinto published by Kokugakuin University in Tokyo, distinguishes 3 type of oni: the wicked spirits or evil kami, the oni as foreigners or strangers, also considered demons, and the oni as good kami.The last type is an oni invoked to chase away evil spirits.