Heroic Spirit in Life, They Were Great Leaders Who Guided Their People

Total Page:16

File Type:pdf, Size:1020Kb

Heroic Spirit in Life, They Were Great Leaders Who Guided Their People KAMIGAKARI | Legendary Arms RPG | REQUIEM FOR THE GOD SOUL PRESENTED BY ZAIA© Chapter 1: Setting Info and New Rules Kamigakari Setting Info - Race Inheritors The parts of humanity that carry divine blood, and are born with unusual abilities. Those who have the power of gods, demons, spirits, youkai, and dragons - these people are called “Inheritors”. They are those whose ancestors have deified and worshipped the gods since ancient times. Those ancestors once offered up human sacrifice for the good of the clan, and for their lands. On occasion, one of those humans would grow close with a god, and those clans that are bestowed with those unusual abilities are the ancestors of the Inheritors. The unusual abilities they control are what are generally known as supernatural powers, which are innate talents- in other words, the density of inherited blood, and traits- that cannot be acquired. Moreover, their unusual abilities are so far not reproducible by practitioners of science and magic alike. However, as these powers are still used with spirit energy, Inheritors can create and obtain items such as Artificial Regalia that bolsters their abilities, and these same abilities can also be affected or resisted through magic and martial arts. Most Inheritor clans possess a leyline, and the masters of those leylines are often successful people in society. Inheritors such as these naturally end up as influential members of their community, and often depend on the Innocents around them. Conversely, there are no small number of clans who have utilized their positions to seize authority and control the people from the shadows. Most leylines under the control of an Inheritor are the legacy of that clan’s ancestor god, and as they are the cornerstone of the clan’s prosperity, their whereabouts are a tightly-kept secret. Those clans which possess a leyline are always in search of “power”- in other words, strong Godhunters. This is because they must constantly protect their ancestral leyline from other clans and Awakened. In most cases, Inheritors marry other Inheritors. The reason being they don’t wish to cause the deterioration of their bloodline, and thus their unusual abilities. 1 (More Lore: The Unclean): The [Races] of the world in Kamigakari are able to interbreed. When this happens, the child produced is born as either the mother or the father’s [Race]. For example, were a [Scion] to have children with a [Darkstalker], the child would be either a [Scion] or [Darkstalker]. However, very rarely, a child will be born inheriting the characteristics and physical traits of both parents. The Society especially refers to these children as the Unclean. Unclean, by virtue of birth alone, possess overwhelming power and talent. Because of this, many Unclean are feared as profane, and often end up imprisoned or given over into the custody of a branch family. However, recently, such events are starting to pile up, and frequently develop into supernatural incidents. In Japan, most Inheritors are affiliated with the Society, more properly known as the Demon Hunter’s Society. The main reason the Society recruits inheritors is to protect the world by unifying a variety of supernatural bloodlines. Additionally, they provide a means to easily find a spouse in order to keep bloodlines from weakening. They do not discriminate, because the power they inherit is vital for defeating Aramitama and protecting the clan’s ley line. Therefore, even now there are many cases of pre-arranged engagements amongst Inheritors. However, among the more modern-minded Inheritors, there are some who rebel against this. Heroic Spirit In life, they were great leaders who guided their people. Warlords who lead their country to victory time and time again. Warriors who defeated monsters and were enshrined in legend. Noble souls of heroes who have achieved every kind of epic feat imaginable- those are what are known as “Heroic Spirits.” Heroic Spirits are half spirit and half god, they who had their epic feats carved into the memories of others. These memories, passed down through the ages, are what eventually deifies them. Those feelings of respect and admiration came to dwell within a Shard, and so, the Heroic Spirit was created. As they are born from the merging of a Shard and the will of people, the so-called strength and memories of the world make up a part of their being, which means they can be considered “Guardians of the World.” (More Info: Revenants): Arthur Pendragon. Napoleon Bonaparte. Ryuubi Gentoku. Tokugawa Ieyasu, and more... all are Heroic Spirits that have become eternal existences, the legends of their great deeds being handed down through the ages, from person to person. However, among these Heroic Spirits, there are those who have become embodiments of fear and madness. Their legends have been twisted, their deeds have been exaggerated, and these embellishments are passed down in history as if true. These individuals are instead known as Revenants. After Purgatory Night sixteen years ago, many Aramitama began to ap- pear in Japan. Of course, this meant there was a higher risk that an Avatar of Ruin would be born- that is, a risk the world would be destroyed. In order to protect those who had faith in them or the world they once called home, Heroic Spirits have begun to appear as well. They manifest in response to summons, or to the outcry of those who need them. Because Heroic Spirits are “the strength and memories of the world” itself, when they manifest, they already possess a variety of common knowledge and information. And, as their primary motivation is to protect the world, on that point they are already in agreement with modern Godhunters. Because of that, many Heroic Spirits resolve to end all Aramitama using the Promise of Ascension. However, due to past personal experiences, there are many Heroic Spirits who hold their own individual desires and wishes in their hearts. Though they should have been spoken of as goddesses, the legend of the three Gorgon sisters speaks of them as monsters with cursed eyes that turned all they beheld into stone. Marshal Gilles de Rais was a hero who saved a nation, but then had his eccentricities overstated. These are but a few examples of Heroic Spirits that could be called Revenants. Normally, Revenants are not summoned. However, when a Revenant materializes (whether due to a curse, malice, or accident), then rather than protect the world, they seek to re-enact the twisted legends and past misdeeds that immortalized them, with the ultimate goal of the world’s destruction. Such evil acts will likely attract an Aramitama, and due to their mutual interests, they will often form a Covenant of Souls with one another. When that happens, in order to defeat the corrupted Revenant, their former comrades-in-arms and nemesis alike will be summoned in order to protect the world. Divine Soul Plants and animals that have become powerful youkai over long years. The feelings of people which dwell within organic materials or machines Ultimately, the wishes of people make these things realize divinity. These inhuman, high-ranking gods- Godhunters exceedingly close to Mononoke- are known as [Divine Souls]. In short, they are benevolent gods. While Aramitama are born from malice bonding with a Shard, Divine Souls are born from the faith, positivity, and warm feelings of people bonding with a Shard. Because of that, Divine Souls are also called Nigimitama, existences that are opposed to Aramitama. It may help to consider Heroic Spirits as existences where the souls of humanity have gained divinity, whereas Divine Souls are existences where souls of things other than humanity have gained divinity. The goal of Divine Souls is the exact opposite of Aramitama- in other words, they seek to bring peace to the world, and happiness to the people. However, as the faith of the people is like food to them, if no one gives their faith to the Divine Soul, or if they use up all the spirit energy that sustains their forms, they may completely disappear from the world. Because of that, in order to protect their own lands, in order to grant the wishes and requests of those who believe in them, and in order to reinforce the piety directed towards themselves, Divine Souls involve themselves in supernatural incidents. (Column: The Lives of the Gods): Divine Souls have places such as moun- tains, temples, caverns, and hokora (small roadside shrines) where they live. Many of these places are leylines, and the Divine Souls that control those plac- es, in nearly all cases, are local or earthen gods. They commonly take their orig- inal forms- animals, plants, machines, etc.- and live freely, however once a su- pernatural incident occurs, they set out to resolve it, in the hope it might gather more faith towards them. Also, there are those Divine Souls who are based in temples or have been enshrined, and therefore receive prayer from kannagi and miko. Commonly, those so enshrined will grant the wishes of those who pray to them. As existences with half a soul, Divine Souls do not hunger. That said, they are able to absorb the spirit energy of food, and convert it into their own spirit energy. This also applies to Heroic Spirits. Because of this, many Divine Souls consume the offerings left for them, and they regularly look forward to those. Though, it could be said that the faith placed in the offering, rather than the food made as an offering itself, is what’s appetizing. (More Info: Requests of the Gods): There are times when Godhunters will receive requests from high ranking Mononoke and Divine Souls.
Recommended publications
  • Vaitoskirjascientific MASCULINITY and NATIONAL IMAGES IN
    Faculty of Arts University of Helsinki, Finland SCIENTIFIC MASCULINITY AND NATIONAL IMAGES IN JAPANESE SPECULATIVE CINEMA Leena Eerolainen DOCTORAL DISSERTATION To be presented for public discussion with the permission of the Faculty of Arts of the University of Helsinki, in Room 230, Aurora Building, on the 20th of August, 2020 at 14 o’clock. Helsinki 2020 Supervisors Henry Bacon, University of Helsinki, Finland Bart Gaens, University of Helsinki, Finland Pre-examiners Dolores Martinez, SOAS, University of London, UK Rikke Schubart, University of Southern Denmark, Denmark Opponent Dolores Martinez, SOAS, University of London, UK Custos Henry Bacon, University of Helsinki, Finland Copyright © 2020 Leena Eerolainen ISBN 978-951-51-6273-1 (paperback) ISBN 978-951-51-6274-8 (PDF) Helsinki: Unigrafia, 2020 The Faculty of Arts uses the Urkund system (plagiarism recognition) to examine all doctoral dissertations. ABSTRACT Science and technology have been paramount features of any modernized nation. In Japan they played an important role in the modernization and militarization of the nation, as well as its democratization and subsequent economic growth. Science and technology highlight the promises of a better tomorrow and future utopia, but their application can also present ethical issues. In fiction, they have historically played a significant role. Fictions of science continue to exert power via important multimedia platforms for considerations of the role of science and technology in our world. And, because of their importance for the development, ideologies and policies of any nation, these considerations can be correlated with the deliberation of the role of a nation in the world, including its internal and external images and imaginings.
    [Show full text]
  • UNIVERSITY of HAWAII LIBRARY. NARRATIVES OF
    ,UNIVERSITY Of HAWAII LIBRARY. NARRATIVES OF SPACE AND PLACE IN THREE WORKS BY NAKAGAMI KENJI A THESIS SUBMITTED TO THE GRADUATE DIVISION OF THE UNIVERSITY OF HAWAI'I IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THE DEGREE OF MASTER OF ARTS IN EAST ASIAN LANGUAGES AND LITERATURES (JAPANESE) AUGUST 2005 By Joshua Petitto Thesis Committee: Nobuko Ochner, Chairperson Lucy Lower Arthur Thornhill © Copyright 2005 by Joshua Petitto 111 TABLE OF CONTENTS Chapter 1 - Introduction 1.1 Nakagami's Style , 1 1.2 Literature Review 3 1.3 Summary ofthe Chapters ,. '" 8 1.4 Misaki, "Garyl1san," and "Wara no ie"............................................. 9 Chapter 2 - Down the Ever-Winding Narrative Path 2.1 Introduction........................................................................... 11 2.2 The Problem ofNarrative 11 2.3 Taking on the "Pig ofNarrative". 17 2.5 Conclusion: Monogatari and Genealogy....................................... 20 Chapter 3 - The Ambivalence ofNakagami's Space 3.1 Introduction 3.1.1 Conceptualizing Space 23 3.1.2 The Space ofthe Roji 28 3.2 A History ofKumano 30 3.3 The Ambivalence ofNakagami's Space 3.3.1 Attempted Assertion over Space through Ritual.................. 35 3.3.2 The Dominance ofSpace............................................... 42 3.3.3 Gendered Space and Origin............................................ 44 3.3.4 Reconstructing Space................................................... 47 3.4 Conclusion: The Same Struggle by Another Name............................. 49 Chapter 4 - The Place ofMemory 4.1 Introduction 4.1.1 Space and Place 51 4.1.2 The Recovery ofOrigin..................................... .. 54 4.2 Narratives ofPlace in Misaki, "Garyl1san," and "Wara no ie" 4.2.1 The Brother and Father in Misaki 58 4.2.2 Garyl1 Mountain and Toshihisa 66 4.2.3 The Rediscovery ofDifference in "Wara no ie" 75 4.3 Conclusion: Place, Narrative, and Rememory 80 Chapter 5 - Coming Full Circle: Space, Narrative, and the Next Roji 5.1 Introduction 84 5.2 The Emperor System and Capital................................................
    [Show full text]
  • Ticks of Japan, Korea, and the Ryukyu Islands Noboru Yamaguti Department of Parasitology, Tokyo Women's Medical College, Tokyo, Japan
    Brigham Young University Science Bulletin, Biological Series Volume 15 | Number 1 Article 1 8-1971 Ticks of Japan, Korea, and the Ryukyu Islands Noboru Yamaguti Department of Parasitology, Tokyo Women's Medical College, Tokyo, Japan Vernon J. Tipton Department of Zoology, Brigham Young University, Provo, Utah Hugh L. Keegan Department of Preventative Medicine, School of Medicine, University of Mississippi, Jackson, Mississippi Seiichi Toshioka Department of Entomology, 406th Medical Laboratory, U.S. Army Medical Command, APO San Francisco, 96343, USA Follow this and additional works at: https://scholarsarchive.byu.edu/byuscib Part of the Anatomy Commons, Botany Commons, Physiology Commons, and the Zoology Commons Recommended Citation Yamaguti, Noboru; Tipton, Vernon J.; Keegan, Hugh L.; and Toshioka, Seiichi (1971) "Ticks of Japan, Korea, and the Ryukyu Islands," Brigham Young University Science Bulletin, Biological Series: Vol. 15 : No. 1 , Article 1. Available at: https://scholarsarchive.byu.edu/byuscib/vol15/iss1/1 This Article is brought to you for free and open access by the Western North American Naturalist Publications at BYU ScholarsArchive. It has been accepted for inclusion in Brigham Young University Science Bulletin, Biological Series by an authorized editor of BYU ScholarsArchive. For more information, please contact [email protected], [email protected]. MUS. CO MP. zooi_: c~- LIBRARY OCT 2 9 1971 HARVARD Brigham Young University UNIVERSITY Science Bulletin TICKS Of JAPAN, KOREA, AND THE RYUKYU ISLANDS by Noboru Yamaguti Vernon J. Tipton Hugh L. Keegan Seiichi Toshioka BIOLOGICAL SERIES — VOLUME XV, NUMBER 1 AUGUST 1971 BRIGHAM YOUNG UNIVERSITY SCIENCE BULLETIN BIOLOGICAL SERIES Editor: Stanley L. Welsh, Department of Botany, Brigham Young University, Prove, Utah Members of the Editorial Board: Vernon J.
    [Show full text]
  • Asian Extreme As Cult Cinema: the Transnational Appeal of Excess and Otherness Jessica Anne Hughes BA English and Film Studies
    Asian Extreme as Cult Cinema: The Transnational Appeal of Excess and Otherness Jessica Anne Hughes BA English and Film Studies, Wilfrid Laurier University MA Film Studies, University of British Columbia A thesis submitted for the degree of Doctor of Philosophy at The University of Queensland in 2016 School of Communications and Arts Hughes 2 Abstract This thesis investigates the way Western audiences respond to portrayals of excess and otherness in Japanese Extreme cinema. It explores the way a recent (2006-2016) cycle of Japanese Splatter (J-Splatter) films, including The Machine Girl (Noboru Iguchi, 2008) and Tokyo Gore Police (Yoshihiro Nishimura, 2008), have been positioned as cult due to their over-the-top representations of violence and stereotypes of Japanese culture. Phenomenological research and personal interviews interrogate Western encounters with J-Splatter films at niche film festivals and on DVD and various online platforms through independent distributors. I argue that these films are marketed to particular Western cult audiences using vocabulary and images that highlight the exotic nature of globally recognised Japanese cultural symbols such as schoolgirls and geisha. This thesis analyses J-Splatter’s transnational, cosmopolitan appeal using an approach informed by the work of Ernest Mathijs and Jamie Sexton, Matt Hills, Henry Jenkins, and Iain Robert Smith, who read the relationship between Western audiences and international cult cinema as positive and meaningful cultural interactions, demonstrating a desire to engage in more global experiences. The chapters in this thesis use textual analysis of J-Splatter films and case studies of North American and Australian film festivals and distribution companies, which include interviews with festival directors and distributors, to analyse the nature of the appeal of J- Splatter to Western audiences.
    [Show full text]
  • Download The
    REVIEW OF REVIEWS Minkan Densho (Folklore) V o l.X V (1951),N o . 1 Oto Tokihiko : The Bearers of Folkcustoms (大 藤 時 彥 : 民俗の主體 性 ).一 The author raises the question of how the Japanese folkcustoms were formed and finds that already in very early times many customs were adopted from the Chinese civilization together with other cultural elements and that quite a few are still recognizable as such by their Chinese names. Handa \ asuo : The Shrine Associations {miya^a) of Kunito Penin­ sula (半田安夫:國東半島の宮座).一 In the hamlet of Iwakura, Kunito iJistrict,上mimura,the clan members be­ longing to the Hachiman shrine, comprising about 250 families, are divided into 12 groups (kum i)y each of them takes over alternately the function of a toba for one year. Tobamoto, kayo, toju—From among a toba the tobamoto and the kayo are elected. Some villages have one kajo y others have two. in most cases a near relative is entrusted with the office of a tobamoto. The term kayo means litterally to go back and forth, to attend to ; and within the shrine association a kajo serves as a kind of courier or messenger. From among the toba men familiar with sake (rice-wine) brewing are chosen as toji. Report on the research work carried out by the Folklore Society in 1950. Tanno T a d a sh i: How the Various Gods are Worshipped at the Year-end (fl*野 正 :神々 の 年 取 b をめぐりて).一 Betore New Year is celebrated various ceremonies are performed in the 12th month.
    [Show full text]
  • Shamanism in Japan
    SHAMANISM IN JAPAN B y W il l ia m P. F a ir c h il d INTRODUCTION 1 . Purpose. This study is an effort to determine the basis for shamanism in Japan, and to present the concepts which crystaliz- ed various elements into shamanism. It also aims at determining the nature and forms of shamanism in Japan. 2. Western Scholars and Japanese Shamanism. M. Eliade’s article “Recent Works on Shamanism”1 deals mainly with M. Eder. Eliade, however, does not mention J. M. Martin, who tried to prove the existence of shamanism in old Shintoism, and tried to connect it with Asiatic continent shamanism.2 C. Haguenauer did not write on shamanism, but he pointed out a number of facts which, according to him, show similarities with Altaic shaman­ ism.3 There is little else written on Japanese shamanism by western scholars. 3. Terms and Concepts used in this Study. This paper fol­ lows the definitions and concepts as explained by Dom. Schroder.4 a. Shamanism is an institutionalized, fixed-ritual bound ecstatic contact with transcendental beings in order to perform a social function. It is not a religion, but is a religious pheno­ menon which fits in different religions. b. The shaman is not a priest, but may perform priestly functions. There are shamans who are not priests, and priests do not need ecstasy, guardian spirits, etc. The shaman is not a prophet. A prophet may act in ecstasy, but need not. Neither is he bound to a fixed form, and his profession differs from that of a shaman.
    [Show full text]
  • Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes
    Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes Edited by Manuel Hernández-Pérez Printed Edition of the Special Issue Published in Arts www.mdpi.com/journal/arts Japanese Media Cultures in Japan and Abroad Japanese Media Cultures in Japan and Abroad Transnational Consumption of Manga, Anime, and Media-Mixes Special Issue Editor Manuel Hern´andez-P´erez MDPI • Basel • Beijing • Wuhan • Barcelona • Belgrade Special Issue Editor Manuel Hernandez-P´ erez´ University of Hull UK Editorial Office MDPI St. Alban-Anlage 66 4052 Basel, Switzerland This is a reprint of articles from the Special Issue published online in the open access journal Arts (ISSN 2076-0752) from 2018 to 2019 (available at: https://www.mdpi.com/journal/arts/special issues/japanese media consumption). For citation purposes, cite each article independently as indicated on the article page online and as indicated below: LastName, A.A.; LastName, B.B.; LastName, C.C. Article Title. Journal Name Year, Article Number, Page Range. ISBN 978-3-03921-008-4 (Pbk) ISBN 978-3-03921-009-1 (PDF) Cover image courtesy of Manuel Hernandez-P´ erez.´ c 2019 by the authors. Articles in this book are Open Access and distributed under the Creative Commons Attribution (CC BY) license, which allows users to download, copy and build upon published articles, as long as the author and publisher are properly credited, which ensures maximum dissemination and a wider impact of our publications. The book as a whole is distributed by MDPI under the terms and conditions of the Creative Commons license CC BY-NC-ND.
    [Show full text]
  • The Inventory of Intangible Cultural Heritage in Japan As of March 2009
    111I1/11111111/1111I11111 0040500007 The Inventory of Intangible Cultural Heritage in Japan as of March 2009 1 . Important Intangible Cultural Properties (a) Individual Recognition ( i ) PerformingArts ( ii) Craft Techniques (b) Holders (Collective Recognition)/Holding Groups ( i ) Performing Arts (Holders (Collective Recognition» ( ii) Craft Techniques (Holding Groups) 2 . Important Intangible Folk Cultural Properties Important Intangible Folk Cultural Properties 3 . Selected Conservation Techniques (a) Holders (b) Preservation Organizations %: Highlighted in yellow are the elements nominated for Inscription on the Representative List, 2010. 1. Important Intangible Cultural Properties (a) Individual Recognition ( i ) Performing Arts 1. Imoortant Intangible Cultural Prooerties (a) Individual Recognition (.)PI erliarmmg Arts I i Genre Name of Property I Date of Selecton Holders Name Other Name Date of Designation Fh-gaku Noh Shite-kata 'February 15, 1955 J§ayama Hirotarou Katayamakurouzaemon July 12, 2001 awa lzumi July 10, 2003 Noh Waki-kata June 27, 1994 Houshou Kan June 27, 1994 i Noh Hayashi-kata Kotsuzumi June 8, 1998 Sowa Hiroshi June 8, 1998 I Kitamura Osamu July 10, 2003 Noh Hayashi-kata Ohtsuzumi June 8, 1998 Yasufuku Tatsuo June 8, 1998 Kamei Tadao July 8,2002 Noh Hayashi-kata Taiko May 15, 1992 Komparu Souichi Komparu Souemon May 15, 1992 Kyougen April 10, 1967 Sigeyama Shime Shigeyama Sensaku May 6,1989 Nomura Taro Nomura Man June 6, 1997 I Nomura Jiro Nomura Mansaku September 6, 2007 Bunraku Ningyo Jyoruri Bunraku Tayu April
    [Show full text]
  • Japan Foreign-Rights Centre
    BOLOGNA INT. BOOK FAIR 2020 BOOKS FROM JAPAN for CHILDREN&YOUNG ADULTS J F C CONTENTS BL Publishing 01 CHILD HONSHA 02 CRAYONHOUSE 07 DOSHINSHA 08 HAKUSENSHA 13 HIKARINOKUNI 14 HOLP SHUPPAN 16 KAISEI-SHA 18 KOGUMASHA 22 KUMON Publishing 24 KOMINE SHOTEN 28 POPLAR 29 SHIKO-SHA 30 TOKUMA SHOTEN 32 J F C Japan Foreign-Rights Centre Japan Foreign-Rights Centre (JFC) was established in 1984 by over twenty Japanese publishers’/ persons’ investments to promote Japanese publications abroad. JFC represents Japanese publishers/ authors/ artists. BL Publishing Gift For You I Want to Dance by TOYOFUKU Makiko Publishing BL Hedgehog doesn’t like his spines. He can’t get hugs from his friends be- cause of it and should always be careful not to hurt them. One day, how- ever, he gets an idea to knit scarfs for his friends using his spines. Winter comes and everyone is so happy to receive such a wonderful gift! Before going to bed for hibernation, they prepare a secret gift for Hedgehog for the next spring…What will Hedgehog see when he wakes up? A heart- warming story full of delight and surprise with tender watercolor pictures. ISBN978-4-7764-0880-2 Published in March 2020. JPY1300, 32 pages, ISBN978-4-7764-0970-0 270x220mm JPY1300, 32 pages, 270x220mm Korean, English (North America), Russian I Have a Fear by YOKOSUKA Kaori “I feel very scared when I think about death. What happens if I die?” A boy can’t stop thinking about it but he cannot ask such a sensitive question to anyone, even to an old woman in the senior care home where his mother works.
    [Show full text]
  • 307429678.Pdf
    rsstetttefc ;}jf to REV. EGERTON RYERSON 770,3 6OOO CHINESE CHARACTERS WITH JAPANESE PRONUNCIATIO AND JAPANESE AND ENGLISH RENDERINGS BY J. IRA JONES, A.B. H. V. S. PEEKE, D.D. KYO BUN KWAN TOKYO CONTENTS PAGE PREFACE ... ... ... ... ... v-vi INTRODUCTION vn-ix TABLE OF SOUNDS PRODUCED BY CERTAIN COMBINATIONS OF TWO OR MORE LETTERS OF THE kana ... ... ... ... x LIST OF THE 214 RADICALS ... ... ... XI-XX DICTIONARY 1-212 I.IST OF CHARACTERS WHOSE RADICALS ARE OBSCURE ... ... ... ... ...213-219 LIST OF USEFUL GEOGRAPHICAL NAMES 22O-223 PREFACE. Some years ago the present writer discovered a small Chinese- Japanese dictionary containing five thousand characters. It was fairly well printed, was portable, in fact just what he wanted, but it was nearly out of print. He was fortunate enough to obtain a dozen copies in an obscure book-shop, and made it a practice to pre- sent a copy to young missionaries of special linguistic promise. One of these books was given to Rev. J. Ira Jones, a student missionary at Fukuoka. When Mr. Jones took up the study of the Chinese characters in earnest, he applied the index principle to the little dictionary. There was nothing original in indexing the side margin with numbers for the sets of radicals from one stroke to seventeen. But the indexing of the lower margin for the radicals themselves, thus subdividing the side indexes, deserves the credit of a new invention. By the first, the time required for finding a it addi- character was cut one fourth ; by the second, was reduced an tional two fourths.
    [Show full text]
  • Victimage in the Kojiki of Japan
    Mikołajewska & Linton ● Victimage in the Kojiki of Japan Fragments: Part I ● In the place of pure beginning Supplements Appendix Victimage in the Kojiki of Japan Fragments Barbara Mikołajewska in cooperation with F.E.J Linton Wydanie II Internetowe (pliki PDF) The Lintons’ Video Press New Haven, CT, USA 2010 Copyright © 2008/9 by Barbara Mikolajewska. All rights reserved. Technical and editorial advisor: F. E. J. Linton. e-mail inquiries: tlvpress @ yahoo.com. Printed in the United States of America. History: First Internet Edition 2005.05.18. Last updated 2006.07.13, and now at the URL http://tlvp.net/~kojiki.tlvp/ . Look for further episodes, updates and corrections sporadically in the future. Typography and page layout accomplished using Microsoft Word 2000. Published in the United States in 2010 by The Lintons’ Video Press New Haven, CT USA ISBN-10: 1-929865-43-0 ISBN-13: Spis treści Part I: In the place of pure beginning Page 6 Chapter 1 Takachiho and its Yokagura: Reliving the Lore of Yesteryear 7 Chapter 2 Repetition of the Sun Goddess’s “restoration”: Takachiho Yokagura: 17 1. Before the dance begins …; 20 2. Dance of Tajikarao; 22 3. Dance of Ame-no-uzume; 23 4. Totorii dance; 24 5. Goshintai dance 26 Chapter 3 In worship of Ama-terasu 29 1. Amano-Iwato 29 2. Gyobo Iwaya 34 Chapter 4 Worshipping Amaterasu’s grandson Ninigi 40 1. Takamaga-hara and Kushifuru Shrine 42 2. Takachiho Shrine 43 3. Kirishima Shrine 45 Chapter 5 On kami, their shrines, and their worship 47 1. Kojiki 47 2.
    [Show full text]
  • English/Japanese
    11111111111111111111111111111 0105900018 The Inventory of Intangible Cultural Heritage ----1 Re~u CLT CIH t lTH in J apan Le ~~~ as of March 2015 N• ...... .024. .~ ........ .. ....... ,. I Designated or selected elements based on the Law for the Protection of Cultural Properties 1. Important Intangible Cultural Properties (a) Individual Recognition ( i ) Performing Arts ( ii ) Craft Techniques (b) Holders (Collective Recognition)/ Holding Groups ( i ) Performing Arts (Holders (Collective Recognition)) ( ii) Craft Techniques (Holding Groups) 2 . Important Intangible Folk Cultural Properties 3 . Selected Conservation Techniques (a) Holders (b) Preservation Organizations II Included ele1nent based on the decision of the Council for Cultural Affairs of the Govern1nent I Designated or selected elements based on the Law for the Protection of Cultural Properties 1 . Important Intangi ble Cultural Properties (a) Individual Recognition ( i ) Performing Arts I Designated or Selected Elements based on the Law for the Protection of Cultural Properties 1. Important Intangible Cultural Properties (a) Individual Recognition ( i ) Performing Arts Genre Name of Property Date of Selection Holders Name Other Name Date of Designation Noh-gaku Noh Shite-kata February 15. 1955 Mikawa Izumi July 10. 2003 T omoeda Akiyo September 11. 2008 Umewaka Yoshimasa Umewaka Gensho October 23. 2014 Noh Waki-kata June 27. 1994 Houshou Kan June 27. 1994 Noh Hayashi-kata Fue September 2. 2009 lsso Hisayuki I September 2. 2009 Noh Hayashi-kata Kotsuzumi !June 8. 1998 Sowa Hiroshi June 8. 1998 Noh Hayashi-kata Ohtsuzumi June 8. 1998 Yasufuku Tatsuo June 8. 1998 Kamei Tadao July 8. 2002 Noh Hayashi-kata T aiko October 23. 2014 Mishima Gentaro October 23.
    [Show full text]