DOCSLIB.ORG

Transformations in Medieval English Romance

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text

Load more

Durham E-Theses Transformations in Medieval English Romance GOODISON, NATALIE,JAYNE How to cite: GOODISON, NATALIE,JAYNE (2017) Transformations in Medieval English Romance, Durham theses, Durham University. Available at Durham E-Theses Online: http://etheses.dur.ac.uk/12054/ Use policy The full-text may be used and/or reproduced, and given to third parties in any format or medium, without prior permission or charge, for personal research or study, educational, or not-for-prot purposes provided that: • a full bibliographic reference is made to the original source • a link is made to the metadata record in Durham E-Theses • the full-text is not changed in any way The full-text must not be sold in any format or medium without the formal permission of the copyright holders. Please consult the full Durham E-Theses policy for further details. Academic Support Oce, Durham University, University Oce, Old Elvet, Durham DH1 3HP e-mail: [email protected] Tel: +44 0191 334 6107 http://etheses.dur.ac.uk Material Abstract This thesis examines the role of transformation in medieval English romance. It explores corporeal changes of humans transformed into animals, monstrous men, loathly ladies, as well as the transformative effects of death. However, transformations could also alter one’s identity and interior states of being. Transformation in these texts is revealed to affect the body as well as the spirit. This symbiotic relationship between outward body and interior spirit is first demonstrated between two separate persons, and progresses to become localized within the one body and the same soul. Illicit practices of magic as well as the supernatural, powers of the faery otherworld as well as divine might, initiate these transformations. While romance transformations occur through various sources, both licit and illicit, the authors and redactors of these romances consistently employ religious imagery or belief at moments of transformation. This engagement with religious precepts proves to be surprising and unorthodox. As such this thesis explores the relationship between religious belief and the politics of disenchantment. Transformations in Medieval English Romance Natalie Jayne (Moore) Goodison Submitted for the qualification of doctor of philosophy Under the Department of English Studies at Durham University On Friday, September 30, 2016 Table of Contents Introduction ............................................................................................................................................... 1 Transformations in Medieval Romance ............................................................................................. 1 Transformative Agency ......................................................................................................................... 4 Classical and Biblical Background ....................................................................................................... 8 Medieval Theological Views ............................................................................................................... 11 Augustine ............................................................................................................................................... 14 Four Distinct Transformative Agents............................................................................................... 17 The Twelfth Century and Beyond ..................................................................................................... 26 Sacred and Secular ............................................................................................................................... 28 Chapter One: Animal to Human Transformations ..................................................................... 35 Libeaus Desconus ................................................................................................................................ 36 William of Palerne ................................................................................................................................ 47 Chevalere Assigne ................................................................................................................................ 60 Conclusion ............................................................................................................................................ 72 Chapter Two: ‘Not What They Seem’: The Testing of Virtue Part I: Transformed Men 74 The Carle of Carlisle ............................................................................................................................ 85 The Turke and Gawain ....................................................................................................................... 91 The Greene Knight ............................................................................................................................ 102 Sir Gawain and the Green Knight ................................................................................................... 111 Chapter Three: ‘Not What They Seem’: The Testing of Virtue Part II: Transformed Women .................................................................................................................................................... 124 The Marriage of Sir Gawain ............................................................................................................. 127 The Wedding of Sir Gawain and Dame Ragnelle ......................................................................... 133 Melusine ............................................................................................................................................... 139 Chapter Four: Liminal Agents of Correction .............................................................................. 161 Awntyrs off Arthur ............................................................................................................................ 165 Sir Amadace ........................................................................................................................................ 176 Robert of Cisyle .................................................................................................................................. 189 Chapter Five: Consolidated Transformations: One Body and One Spirit ......................... 203 Consolidated Bodies: Transformations of Body and Spirit ........................................................ 205 Spiritual Transformations Etched on the Body ............................................................................ 208 The King of Tars ................................................................................................................................ 208 Saint Erkenwald .................................................................................................................................. 223 Amoryus and Cleopes ....................................................................................................................... 226 Conclusion ............................................................................................................................................. 239 Bibliography .......................................................................................................................................... 242 The copyright of this thesis rests with the author. No quotation from it should be published without the author’s prior written consent and information derived from it should be acknowledged. Acknowledgements ‘I can no other answer make, but, thanks, and thanks.’ Shakespeare’s quotation seems particularly apt in the completion of a thesis. Chief of those to whom I owe thanks is Corinne Saunders. Her enthusiasm, careful guidance, and encouragement, sustained over a number of years, enabled this study to take form. Such attention is priceless, and this work owes much to her influence. I also owe thanks to bodies who have funded my studies and conference attendance: the Gilchrist Trust; the Institute of Medieval and Early Modern Studies; the Department of English Studies at Durham; and St Chad’s College. Many thanks to Nicoletta Asciuto and Heather Johnson in their aid in translation. I am indebted to many of my fellow post-graduates who engaged with me in discussion of aspects of my research. Those who particularly come to mind are Alex Wilson and David Burke. I am very grateful to those who edited this manuscript in its final stages: Heather Johnson, Koren Kuntz, David Burke, Lydia Harris, Michael Baker, Michael Huxtable, and Abby Keith. The kindness, and flexibility, of my bosses (and my colleagues) at Christchurch Durham have also enabled me to complete this project: Christopher Wood and Tony Jones. The completion of this thesis took place whilst our home was being renovated. My thanks to those who homed myself and Francis during that time is beyond articulation: the Garbash, Straker, Roe, and Pacey families. I am so grateful for the tremendous support I have received from my own family, and my husband’s. They have been such an encouragement. My gratitude particularly goes to Annie, who got me over the finish line. However, of these my largest debt of thanks is to my husband. This thesis would not have been completed without the patient support of Francis, who married me in spite of my completing a PhD. For Francis Introduction Transformations in Medieval Romance Transformations proliferate in Middle English romance: transformations of the body, such
Recommended publications
  • The Queer Fantasies of Normative Masculinity in Middle English Popular Romance

    The Queer Fantasies of Normative Masculinity in Middle English Popular Romance

    University of Montana ScholarWorks at University of Montana Graduate Student Theses, Dissertations, & Professional Papers Graduate School 2014 The Queer Fantasies of Normative Masculinity in Middle English Popular Romance Cathryn Irene Arno The University of Montana Follow this and additional works at: https://scholarworks.umt.edu/etd Let us know how access to this document benefits ou.y Recommended Citation Arno, Cathryn Irene, "The Queer Fantasies of Normative Masculinity in Middle English Popular Romance" (2014). Graduate Student Theses, Dissertations, & Professional Papers. 4167. https://scholarworks.umt.edu/etd/4167 This Thesis is brought to you for free and open access by the Graduate School at ScholarWorks at University of Montana. It has been accepted for inclusion in Graduate Student Theses, Dissertations, & Professional Papers by an authorized administrator of ScholarWorks at University of Montana. For more information, please contact [email protected]. THE QUEER FANTASIES OF NORMATIVE MASCULINITY IN MIDDLE ENGLISH POPULAR ROMANCE By CATHRYN IRENE ARNO Bachelor of Arts, University of Montana, Missoula, 2008 Thesis presented in partial fulfillment of the requirements for the degree of Master of Arts in English Literature The University of Montana Missoula, MT December 2013 Approved by: Sandy Ross, Dean of The Graduate School Graduate School Dr. Ashby Kinch, Chair Department of English Dr. Elizabeth Hubble, Department of Women’s and Gender Studies Dr. John Hunt, Department of English © COPYRIGHT by Cathryn Irene Arno 2014 All Rights Reserved ii Arno, Cathryn, M.A., Fall 2013 English The Queer Fantasies of Normative Masculinity in Middle English Popular Romance Chairperson: Dr. Ashby Kinch This thesis examines how the authors, Geoffrey Chaucer and Thomas Chestre, manipulate the construct of late fourteenth-century normative masculinity by parodying the aristocratic ideology that hegemonically prescribed the proper performance of masculine normativity.
  • & Autres Terres Celtiques

    & Autres Terres Celtiques

    BRETAGNE & autres Terres celtiques Jean-Louis Pressensé, libraire Catalogue 48 Décembre 2013 1 Jean-Louis Pressensé, libraire Catalogue 48 Généralités, macédoines, etc. BRETAGNE & 1. (Celtomanes , Antiquaires & Bretonistes) Académie celti- que. Collectif. Mémoires de l'Académie celtique, ou Re- AUTRES TERRES cherches sur les Antiquités celtiques, gauloises et françaises. I/V. P., Dubray. 1807-08-09-09-10. 4 vol. in-8°, sobres rel. 1/2 bas. + 1 vol. in-8° débroché (sous couv. fact.), de CELTIQUES (3)+20+440pp & 6 pl. h-t., (6)+474pp & 7 pl. h-t dt 1 dépl., 504pp & 3 dépl. h-t, 508pp & 5 pl. dt 3 dépl., 520pp & 5 pl. dépl. h-t. ; Généralités 001-056 mouill. passim, ensemble disparate mais rarissime, surtout Nos ancêtres les Mégalithiques 057-074 complet de ses vingt-six planches gravées 900 € Indo-Européens et Celtes 075-233 A partir du t. III le titre devient : Mémoires de l'Acad. Celtique, ou Bretagne & Bretons 234-482 Mémoires d'antiquités celtiques… Dont : Moyen Age 407-457 Brittany 483-507 2. (Celtomanes , Antiquaires & Bretonistes) Académie celti- Vieille langue de nos Pères 508-631 que. Collectif. Mémoires de l'Académie celtique [ou Mé- Les Celtes parlent aux Celtes 632-664 moires d'antiquités celtiques, gauloises et françaises]. Tome Chrétientés celtiques (médiévales) 665-722 III complet en 3 livraisons. P., Dubray. 1809. 3 fasc. in-8° Cymru, Pays de Galles 723-756 brochés, couv. impr., de 504pp (pagin. continu), 3 pl. gravées h.- Kernow, Cornouailles 757-764 t., index ; beaux ex. ; contrib. Johanneau, Lenoir, Legonidec, Erin, Irlande 765-841 Mangourit, Baudouin (de Maisonblanche), Rallier, Pictet… 150 € Alba, Ecosse 842-892 Linguistique, philologie 893-941 3.
  • Nobility in Middle English Romance

    Nobility in Middle English Romance

    Nobility in Middle English Romance Marianne A. Fisher A dissertation submitted for the degree of PhD Cardiff University 2013 Summary of Thesis: Postgraduate Research Degrees Student ID Number: 0542351 Title: Miss Surname: Fisher First Names: Marianne Alice School: ENCAP Title of Degree: PhD (English Literature) Full Title of Thesis Nobility in Middle English Romance Student ID Number: 0542351 Summary of Thesis Medieval nobility was a compound and fluid concept, the complexity of which is clearly reflected in the Middle English romances. This dissertation examines fourteen short verse romances, grouped by story-type into three categories. They are: type 1: romances of lost heirs (Degaré, Chevelere Assigne, Sir Perceval of Galles, Lybeaus Desconus, and Octavian); type 2: romances about winning a bride (Floris and Blancheflour, The Erle of Tolous, Sir Eglamour of Artois, Sir Degrevant, and the Amis– Belisaunt plot from Amis and Amiloun); type 3: romances of impoverished knights (Amiloun’s story from Amis and Amiloun, Sir Isumbras, Sir Amadace, Sir Cleges, and Sir Launfal). The analysis is based on contextualized close reading, drawing on the theories of Pierre Bourdieu. The results show that Middle English romance has no standard criteria for defining nobility, but draws on the full range on contemporary opinion; understandings of nobility conflict both between and within texts. Ideological consistency is seldom a priority, and the genre apparently serves neither a single socio-political agenda, nor a single socio-political group. The dominant conception of nobility in each romance is determined by the story-type. Romance type 1 presents nobility as inherent in the blood, type 2 emphasizes prowess and force of will, and type 3 concentrates on virtue.
  • Download the Programme for the Xvith International Congress of Celtic Studies

    Download the Programme for the Xvith International Congress of Celtic Studies

    Logo a chynllun y clawr Cynlluniwyd logo’r XVIeg Gyngres gan Tom Pollock, ac mae’n seiliedig ar Frigwrn Capel Garmon (tua 50CC-OC50) a ddarganfuwyd ym 1852 ger fferm Carreg Goedog, Capel Garmon, ger Llanrwst, Conwy. Ceir rhagor o wybodaeth ar wefan Sain Ffagan Amgueddfa Werin Cymru: https://amgueddfa.cymru/oes_haearn_athrawon/gwrthrychau/brigwrn_capel_garmon/?_ga=2.228244894.201309 1070.1562827471-35887991.1562827471 Cynlluniwyd y clawr gan Meilyr Lynch ar sail delweddau o Lawysgrif Bangor 1 (Archifau a Chasgliadau Arbennig Prifysgol Bangor) a luniwyd yn y cyfnod 1425−75. Mae’r testun yn nelwedd y clawr blaen yn cynnwys rhan agoriadol Pwyll y Pader o Ddull Hu Sant, cyfieithiad Cymraeg o De Quinque Septenis seu Septenariis Opusculum, gan Hu Sant (Hugo o St. Victor). Rhan o ramadeg barddol a geir ar y clawr ôl. Logo and cover design The XVIth Congress logo was designed by Tom Pollock and is based on the Capel Garmon Firedog (c. 50BC-AD50) which was discovered in 1852 near Carreg Goedog farm, Capel Garmon, near Llanrwst, Conwy. Further information will be found on the St Fagans National Museum of History wesite: https://museum.wales/iron_age_teachers/artefacts/capel_garmon_firedog/?_ga=2.228244894.2013091070.156282 7471-35887991.1562827471 The cover design, by Meilyr Lynch, is based on images from Bangor 1 Manuscript (Bangor University Archives and Special Collections) which was copied 1425−75. The text on the front cover is the opening part of Pwyll y Pader o Ddull Hu Sant, a Welsh translation of De Quinque Septenis seu Septenariis Opusculum (Hugo of St. Victor). The back-cover text comes from the Bangor 1 bardic grammar.
  • Scholars Retelling Romances 'N 15 of ~H Th,­ Ie H I, Phiilipa Hardman

    Scholars Retelling Romances 'N 15 of ~H Th,­ Ie H I, Phiilipa Hardman

    Scholars Retelling Romances 'n 15 Of ~h th,­ Ie h i, Phiilipa Hardman . ke niversity of Readtng II :0 le It would be a very interesting experiment to ask a group of scholars to write a short account of some striking passage from a medieval romance, which could then be compared with the original. It is my bile belief that a significant proportion of those accounts would be lia, coloured here and there by touches of humour which were not present 'or in the original romance texts, This is a phenomenon which I have frequently noticed in listening to scholarly papers, reading articles and SUS books of criticism; even in preparing my own lectures to students - and it was this last discovery that led me to try to investigate further. Why is it that one finds examples of intrusive humour, whether intentional or involuntary, in the retelling or summarizing of medieval romances by scholars, Gfitics, and other readers, right through from the revival of interest in the romances in the late eighteenth century up to the present day? What is the significance of the fact that appreciative and serious readers of romance can respond to the texts in this way? As a preliminary example, I shall examine three different versions of the story of Arthur's conception and birth. The first comes from Joseph Ritson's pioneering work of scholarship, Ancient Eng/eish Metrical Romoncees,l an edition of twelve Middle English verse romances, prefaced by a lengthy, scholarly dissertation on the function and status of minstrels, and furnished with comparative notes.
  • The Threefold Movement of St. Adalbertâ•Žs Head

    The Threefold Movement of St. Adalbertâ•Žs Head

    Beihefte zur Mediaevistik: Band 29 2016 Andrea Grafetstätter / Sieglinde Hartmann / James Ogier (eds.) 2016 , Islands · and Cities in Medieval Myth, Literature, and History. Papers Delivered at the International Medieval Congress, Univer-sity of Leeds, in 2005, 2006, and 2007 (2011) Internationale Zeitschrift für interdisziplinäre Mittelalterforschung Olaf Wagener (Hrsg.), „vmbringt mit starcken turnen, murn“. Ortsbefesti- Band 29 gungen im Mittelalter (2010) Hiram Kümper (Hrsg.), eLearning & Mediävistik. Mittelalter lehren und lernen im neumedialen Zeitalter (2011) Olaf Wagener (Hrsg.), Symbole der Macht? Aspekte mittelalterlicher und frühneuzeitlicher Architektur (2012) N. Peter Joosse, The Physician as a Rebellious Intellectual. The Book of the Two Pieces of Advice or Kitāb al-Naṣīḥatayn by cAbd al-Laṭīf ibn Yūsuf al-Baghdādī (1162–1231) (2013) Meike Pfefferkorn, Zur Semantik von rike in der Sächsischen Weltchronik. Reden über Herrschaft in der frühen deutschen Chronistik - Transforma- tionen eines politischen Schlüsselwortes (2014) Eva Spinazzè, La luce nell'architettura sacra: spazio e orientazione nelle chiese del X-XII secolo tra Romandie e Toscana. Including an English summary. Con una introduzione di Xavier Barral i Altet e di Manuela Incerti (2016) Christa Agnes Tuczay (Hrsg.), Jenseits. Eine mittelalterliche und mediävis- tische Imagination. Interdisziplinäre Ansätze zur Analyse des Unerklär- lichen (2016) Begründet von Peter Dinzelbacher Herausgegeben von Albrecht Classen LANG MEDIAEVISTIK MEDI 29-2016 271583-160x230 Br-AM PLE.indd 1 24.01.17 KW 04 09:06 Beihefte zur Mediaevistik: Band 29 2016 Andrea Grafetstätter / Sieglinde Hartmann / James Ogier (eds.) 2016 , Islands · and Cities in Medieval Myth, Literature, and History. Papers Delivered at the International Medieval Congress, Univer-sity of Leeds, in 2005, 2006, and 2007 (2011) Internationale Zeitschrift für interdisziplinäre Mittelalterforschung Olaf Wagener (Hrsg.), „vmbringt mit starcken turnen, murn“.
  • Three Old French Narrative Lays

    Three Old French Narrative Lays

    THREE OLD FRENCH NARRATIVE LAYS TROT, LECHEOR, NABARET Edited and translated by Glyn S. Burgess and Leslie C. Brook Liverpool Online Series Critical Editions of French Texts 1 Liverpool Online Series Critical Editions of French Texts Series Editor Timothy Unwin Editorial Board Peter Ainsworth Glyn Burgess Alan Howe Richard Waller Advisory Board David Bellos Rosemary Lloyd Beverley Ormerod Henry Phillips Gerald Prince Deirdre Reynolds Jean-Marie Volet Jane Winston Published by The University of Liverpool, Department of French Modern Languages Building Liverpool L69 3BX © Glyn Burgess and Leslie Brook All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without the prior permission of the publishers. Printed by Alphagraphics® Tel: 0151 236 0559 First published 1999 ISBN 0 9533816 0 9 Three Old French Narrative Lays Trot, Lecheor, Nabaret Liverpool Online Series Critical Editions of French Texts The aim of this series is to establish a resource bank of critical editions and translations of French texts. These are to be made available in electronic form, with parallel paper publication of a small number of copies of each item. Online versions of items in the series are designed to be viewed as an exact replica of the printed copies, with identical pagination and formatting. They are stored on the University of Liverpool server at the following URL: http://www.liv.ac.uk/www/french/LOS/ The texts are available in PDF (Portable Document Format) form, requiring the use of Adobe Acrobat Reader.
  • Fairies, Kingship, and the British Past in Walter Map's De Nugis Curialium and Sir Orfeo

    Fairies, Kingship, and the British Past in Walter Map's De Nugis Curialium and Sir Orfeo

    UC Berkeley UC Berkeley Electronic Theses and Dissertations Title Fairies, Kingship, and the British Past in Walter Map's De Nugis Curialium and Sir Orfeo Permalink https://escholarship.org/uc/item/8zh4b6x4 Author Schwieterman, Patrick Joseph Publication Date 2010 Peer reviewed|Thesis/dissertation eScholarship.org Powered by the California Digital Library University of California Fairies, Kingship, and the British Past in Walter Map’s De Nugis Curialium and Sir Orfeo by Patrick Joseph Schwieterman A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Maura Nolan, Chair Professor Jennifer Miller Professor John Lindow Fall 2010 Fairies, Kingship, and the British Past in Walter Map’s De Nugis Curialium and Sir Orfeo © 2010 by Patrick Joseph Schwieterman Abstract Fairies, Kingship, and the British Past in Walter Map’s De Nugis Curialium and Sir Orfeo by Patrick Joseph Schwieterman Doctor of Philosophy in English University of California, Berkeley Professor Maura Nolan, Chair My dissertation focuses on two fairy narratives from medieval Britain: the tale of Herla in Walter Map’s twelfth-century De Nugis Curialium, and the early fourteenth-century romance Sir Orfeo. I contend that in both texts, fairies become intimately associated with conceptions of the ancient British past, and, more narrowly, with the idea of a specifically insular kingship that seeks its legitimization within that past. In Chapter One, I argue that Map’s longer version of the Herla narrative is his own synthesis of traditional materials, intended to highlight the continuity of a notion of British kingship that includes the pygmy king, Herla and Henry II.
  • A Field Guide to Medieval Monsters Unicorns

    A Field Guide to Medieval Monsters Unicorns

    A Field Guide to Medieval Monsters Unicorns. Griffins. Dragons. Sirens. Some of these monsters you may recognize from fairy July 7–October 6 tales, Greek and Roman mythology, or books about your favorite boy wizard. In the Middle Ages, these monsters and many more made their way onto the pages of illuminated manu- scripts. These handwritten texts, which include bibles, books of hours, and books of psalms, were often decorated with elaborate designs and images. This exhibition, Medieval Monsters: Terrors, Aliens, Wonders, explores how images of monsters played a complex role in medi- eval society and operated in a variety of ways, often instilling fear, revulsion, devotion, or wonderment. Medieval Monsters is organized by the Morgan Library & Museum, New York. Supporting Sponsor: The Womens Council of the Cleveland Museum of Art Media Sponsor: Before you start You are ready to go! Use exploring, there is some this field guide to identify monster terminology monsters you encounter you may need to know. throughout the exhibition. Anthropomorphic a creature or object having humanlike Basilisk a reptile or serpent who can Livre des merveilles du monde (Book of Marvels of the World), characteristics cause death with a glance, often described in French, c. 1460. Illuminated by the Master of the Geneva as a crested snake or as a rooster with a Boccaccio. France, Angers. Ink snake’s tail. Here, the basilisk appears in an and tempera on vellum. The Cryptozoology the study of hidden creatures, which aims to Morgan Library & Museum, image that is supposed to represent Ethiopia. Purchased by Pierpont Morgan prove the existence of beasts from folklore (1837–1913), 1911, MS M.461 (fol.
  • St. Alban, Built "When Peaceable Christian Times Were Restored" (Possibly the 4Th Century) and Still in Use in Bede's Time

    St. Alban, Built "When Peaceable Christian Times Were Restored" (Possibly the 4Th Century) and Still in Use in Bede's Time

    Welcome to OUR 18th VIRTUAL GSP class! Britain’s first martyr ST.ALBAN: WHY DO WE HONOR HIM? Presented by Charles E.Dickson,Ph.D. COLLECT FOR ALBAN, FIRST MARTYR OF BRITAIN 22 JUNE Almighty God, by whose grace and power thy holy martyr Alban triumphed over suffering and was faithful even unto death: Grant to us, who now remember him with thanksgiving, to be so faithful in our witness to thee in this world, that we may receive with him the crown of life; through Jesus Christ our Lord, who liveth and reigneth with thee and the Holy Spirit, one God, for ever and ever. Amen. ANGLICANISM’S TUDOR BEGINNINGS The Church of England (and therefore the Episcopal Church) traces its specifically Anglican identity with its links to the State back to the Reformation. Henry VIII started the process of creating the Church of England after his split with Rome in the 1530s as he ended his marriage with Catherine of Aragon and moved on to Anne Boleyn. The first Act of Supremacy, passed by Parliament in 1534, granted Henry and subsequent monarchs Royal Supremacy, such that they were declared the Supreme Head of the Church of England. ANGLICANISM’S ANGLO-SAXON BEGINNINGS The Church of England often dates its formal foundation to St.Augustine of Canterbury’s Gregorian Mission to England in 597. Like Henry VIII this "Apostle to the English" can be considered a founder of the English Church. Augustine was the 1st and the Most Rev. Justin Welby is the 105th Archbishop of Canterbury. ANGLICANISM’S ANCIENT BEGINNINGS Actually the Church of England’s roots go back to the early church.
  • 'Fairy' in Middle English Romance

    'Fairy' in Middle English Romance

    'FAIRY' IN MIDDLE ENGLISH ROMANCE Chera A. Cole A Thesis Submitted for the Degree of PhD at the University of St Andrews 2014 Full metadata for this item is available in St Andrews Research Repository at: http://research-repository.st-andrews.ac.uk/ Please use this identifier to cite or link to this item: http://hdl.handle.net/10023/6388 This item is protected by original copyright This item is licensed under a Creative Commons Licence ‘FAIRY’ IN MIDDLE ENGLISH ROMANCE Chera A. Cole A thesis submitted for the degree of Doctor of Philosophy at the School of English in the University of St Andrews 17 December 2013 i ABSTRACT My thesis, ‘Fairy in Middle English romance’, aims to contribute to the recent resurgence of interest in the literary medieval supernatural by studying the concept of ‘fairy’ as it is presented in fourteenth- and fifteenth-century Middle English romances. This thesis is particularly interested in how the use of ‘fairy’ in Middle English romances serves as an arena in which to play out ‘thought-experiments’ that test anxieties about faith, gender, power, and death. My first chapter considers the concept of fairy in its medieval Christian context by using the romance Melusine as a case study to examine fairies alongside medieval theological explorations of the nature of demons. I then examine the power dynamic of fairy/human relationships and the extent to which having one partner be a fairy affects these explorations of medieval attitudes toward gender relations and hierarchy. The third chapter investigates ‘fairy-like’ women enchantresses in romance and the extent to which fairy is ‘performed’ in romance.
  • MIDDLE ENGLISH ROMANCE an Annotated Bibliography, 1955—1985

    MIDDLE ENGLISH ROMANCE an Annotated Bibliography, 1955—1985

    MIDDLE ENGLISH ROMANCE An Annotated Bibliography, 1955—1985 Joanne A. Rice GARLAND PUBLISHING, INC. • NEW YORK & LONDON 1987 CONTENTS VERSE ROMANCES Preface xi Acknowledgment xv Introduction xvii Abbreviations xxv General and Background 3-37 Definition and Genre 39-63 Alexander Romances: General Studies 65-69 Alliterative Poetry 71-84 Arthurian Literature 85-114 Breton Lay 115-119 Chivalry and Knighthood 121-126 Conventionality and Popular Nature of ME Romance. .127-133 Influence Studies 135-139 Manuscripts and Editors 141-151 Thebes and Troy Studies 153-160 Thematic Studies 161-165 Women . 161-171 Other Studies 173-183 Collections of Romances 185-193 Alliterative Alexander Fragments 195-199 Amis and Amiloun 201-204 Amoryus and Cleopes 205 Apollonius of Tyre 207-208 Arthour and Merlin 209-212 Arthur 213 Athelston 215-217 Avowynge of King Arthur 219-220 Awnytyrs off Arthure 221-226 Bevis of Hampton 227-229 Bone Florence of Rome 231-232 Buik of King Alexander 233 Cambridge Alexander-Cassamus Fragment 235 Carle off Carlile 237 Chevalere Assigne 239-240 Clariodus 241 Destruction of Troy 243-245 Duke Roland and Sir Otuel of Spain 247 Earl of Toulous 249-250 Eger and Grime .251-252 vli Contents Emare 253-254 Floris and Blauncheflur 255-258 Gamelyn 259-262 Generides 263-264 Gest of Robin Hood 265-271 Golagrus and Gawaxn 273-274 Grene Knight 275 Guy of Warwick 277-280 Havelok 281-289 Here Begynneth the Lyfe of Joseph 291 History of the Holy Grail 293 Horn Child 295 Ipomadon and Lyfe of Ipomydon 297-299 Jeaste of Sir Gawayne 301 Joseph of Arimathie