A Little Touch of Drama

Total Page:16

File Type:pdf, Size:1020Kb

A Little Touch of Drama Valerian Pidmohyl'nyi A Little Touch of Drama Translated from Ukrainian by George S. N. and Moira Luckyj Originally published in Littleton Colorado by Ukrainian Academic Press, 1972 This electronic reprint was prepared for the Electronic Library of Ukrainian Literature by Maxim Tarnawsky, 2006. CONTENTS (Chapters) An Ivy All Alone in the World Flowers from an Unknown Knight-Errant The Beautiful Siren—Irene Four in a Room, Apart from the Girl Two in a Room, Apart from the Girl Alone with a Girl in a Room Bayadere, You Enchant Me Bayadere, You Have Intoxicated Me A Homely Othello A Scandal in a Well-Born Family Mädel Klein, Mädel Fein What is New Under the Light of the Moon? Oh, Dear Lord, Why do You Punish the Girl? On a Spring Night All the Orchards are A-Whisper and Everything Speaks of Love Love is Only a Fireplace where the Best Dreams are Burnt An Elegy for Cheap Spectacles AN IVY ALL ALONE IN THE WORLD To spend my girlhood deep in love I’d like to live like a free bird, All choices open to my heart Which knows best what it craves. (from a very sentimental romance) There will come a time when this woman will feel like a girl. The knowledge of love’s pleasures will remain in her like the memory of a forbidden book read long ago. She will be reborn fora new life! (from a very good novel) The dense forest within which she walked with a sharp tremor in her heart and a tense body full of desire, was still and damp. Not a rustle, whistle, or crackle was to be heard; the heavy forest was dead and heartless behind the veil of the mounting air. She could not hear her footsteps on the ground and, as it were, floated further and deeper into the thicket while stern tree trunks seemed to step aside in front of her in an endless avenue leading to where she craved to go with her easy walk. She came to the edge of the forest. The invisible sun, somewhere behind her, cast a wide ray across the steppe and on a hill nearby she saw a church. She stopped and her heart stirred wildly in anticipation, nailing her to the spot with its every beat. For a monk was moving solemnly down from the church on the hill.. Now he raised his bearded face and the short space grew with every stop, hiding the church and horizon. She waited with hope and fear, feeling his approach as if it were a storm. Now he was raising his hand to her breasts and at that moment from behind his horrible body there sounded thousands of bells stretching out in an endless piercing sound which enveloped her like a wave, plunging her into darkness. Marta suddenly opened her eyes and automatically reached for the alarm clock which shook the entire room with its sharp, familiar, ugly ring. Her fingers eagerly tried to seize the cruel knob of the alarm, this early morning assailant of her young sleep. Enough, enough! She knows that it’s half past seven and time to get up, to wash, have breakfast and run to the office. But the alarm clock’s zeal has spent itself and a pale February morning was looking at the girl from behind the transparent window curtain. At that very moment Marta felt cold. She was lying on her back, uncovered, with an eiderdown and a blanket crumpled at her feet. She remained lying there for a moment, then slowly sat up in bed, pressing her hands against her face, to disperse the remnants of sleep. The shivered as she clearly felt the cold and began to get dressed quickly. Last night she hadn’t lit a fire in her room although four logs, the daily ration, had been brought in and lay together near the stove. She had come Electronic Library of Ukrainian Literature Valerian Pidmohylnyi. A Little Touch of Drama 4 back late from the theatre, in a bad mood, so she was too lazy to start a fire and had gone to bed quickly, dissatisfied, with an indefinable weight on her breast which pressed gently but obstinately. It was a sort of spiritual boredom, a slight, unpleasant feeling of inner disorder as if some stray matter had fallen between the cogs of her soul and was slowing down their normal rhythm. But she soon fell asleep and, as always when she was sad or disappointed, sleep came to her gently and willingly. She didn’t even ask Liova to come in. But he wouldn’t be offended. In fact, she was tired of his dropping in, which had gone on for two years, his silent obsequiousness, colorless language and his imperturbable humility. Just think-she had turned him out of her room, called him a fool publicly, forbade him to see her for months and he had taken it all. Not once had he grown angry. Once, quite a long time ago, he had said that he loved her and it was an unforgivable mistake to have allowed him to say so in one of his moods of self-pity and loneliness. An unforgivable mistake. Now she had her shoes on and a rough wool dress which served as a housecoat. She opened the door energetically and went to the kitchen where it was even darker and colder with its frosted windowpanes. The young woman stopped here for a while and listened, although she knew that at that time the kitchen was usually empty. Her neighbour, Frau Holz, a German woman, had left to do her shopping half an hour earlier and the family of the co-op worker, Ivanchuk, would begin life half an hour later. This was what forced Marta to set her alarm for half past seven, although she would not be late for work if she got up at eight. She had a lively temperament and all her daily tasks she did surprisingly quickly. She was ready in seconds, swallowed her breakfast, paced about gaily and her coat and hat put themselves on automatically before she left the house. She was just the same at work so that her immediate supervisor, the manager of the statistical section of the Tobacco Trust, an unfriendly and taciturn man, once called her “an exemplary worker.” And yet every day she had to miss half an hour of sleep for several serious reasons. The point was that Marta loved to wash herself in cold water and then to dry her body with a rough towel till it was all red. This gave her encouragement for the entire day, otherwise she felt tired, lazy and unpleasant just like somebody used to cleaning her teeth every morning who one day doesn’t do it. Water was her greatest passion in life. She had grown up near the Dnieper, in Kaniv, where the river is wide and full. Her father, a village school teacher, was very fond of fishing and she herself, like a boy, had been his ardent assistant when she was a small girl. It was then that she developed a special attitude to water, as to a special, elemental force of life and the source of all craving and power. So to her, winter, which stopped the flow of the great waters, always seemed dead and evil. Thus to her daily ritual she secretly added the inner one unnoticed by any outsider, a Electronic Library of Ukrainian Literature Valerian Pidmohylnyi. A Little Touch of Drama 5 voluptuousness which often forms the deep substratum of human habits, a voluptuousness born in old, forgotten days, out of youthful undeveloped desires, turning habit into the steady ritual of living, elevating it to the main trait in a personality. She imagined water always to be cool like an evening stream, when in the dusk boys and girls go together to the river bank and swim in the water a few feet apart. As a teenager she had felt a joyful pang of shame and daring when she ran from the place where she undressed into the river, hiding herself in the water from the piercing eyes of the boys. There was a web of prohibition spun around it since, her father did not approve of her communal evening swims. All this happened very long ago, or it seemed very long ago, since youth in its impetuosity marks the past with peaks and gaps. Afterwards, her father died, but he did this honourably, since in 1927 she had already gone through the commercial vocational school and had a not at all bad job in the office of the Tobacco Trust. She was lucky, because after two months’ work as a dull filing clerk she had been promoted, because of her ability, of course, to a clerical position in the statistical section of this huge institution with a salary of 60 rubles per month. Her flat on Zhylanska street she had found eight months ago and was, on the whole, pleased with it since her room was warm and the rent was five rubles a month. The low rent she owed to her neighbour, the co-op worker lvanchuk, who had pleaded for her with the landlord, the former owner, who lived in a different house across the yard. The only drawback of the room, and even this was relative, was that it was too large for one person. The co- op worker had remarked on the day she moved in: “This room has some spare space.
Recommended publications
  • 2012 Year in Review Curators: Jean Greer, Daniel Mihalyo, Celia Munoz
    2012 Year in Review Curators: Jean Greer, Daniel Mihalyo, Celia Munoz Artist(s) Project Title Project Location Commissioning Agency Type Jpeg File Name 1 Lawrence Argent Leap Sacramento, CA Sacramento Metropolitan Arts Commission Permanent 12_Willis_236804 Forth Worth Public Art - a City of Port Worth program 2 Connie Arismendi, Laura Garanzuay Night Song Fort Worth, TX administered by Arts Council of Fort Worth & Tarrant Permanent 12_Conn_239228 County The Bell, the Flower, and 3 Ilan Averbuch Scottsdale, AZ Scottsdale Public Art, City of Scottsdale Permanent 12_Smith_237779 the Wash 4 Ball-Nogues Studio Yucca Crater 29 Palms, CA High Desert Test Sites Temporary 12_Ball_237178 5 Jim Blashfield Circulator Woodinville, WA 4Culture Permanent 12_4Culture_Blashfield_237777 Basket Bridge, Bob Hope 6 Carolyn Braaksma Palm Springs, CA Agua Caliente Band of Cahuilla Indians Permanent 12_Braaksma_238730 Interchange South Branch, North Fork, 7 Cris Bruch Woodinville, WA 4Culture Permanent 12_4Culture_Bruch_237126 Puddles Dynamic Performance of The Leonardo Museum and the Salt Lake City 8 Brian W. Brush and Yong Ju Lee Salt Lake City, UT Permanent 12_Brush_237783 Nature Corporation Arts & Venues Denver Public Art Program, Denver 9 Erik Carlson Cloud Seeding Denver, CO Permanent 12_Carlson_237672 Commission on Cultural Affairs Oklahoma City, 10 Stan Carroll (Lead Artist) SkyDance Bridge City of Oklahoma City Permanent 12_Carroll_239356 OK 11 Eric Corriel Water Will Be Here Atlanta, GA FLUX Projects Temporary 12_Corriel_238455 David Dahlquist - RDG
    [Show full text]
  • Kahlil Gibran a Tear and a Smile (1950)
    “perplexity is the beginning of knowledge…” Kahlil Gibran A Tear and A Smile (1950) STYLIN’! SAMBA JOY VERSUS STRUCTURAL PRECISION THE SOCCER CASE STUDIES OF BRAZIL AND GERMANY Dissertation Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan P. Milby, M.A. * * * * * The Ohio State University 2006 Dissertation Committee: Approved by Professor Melvin Adelman, Adviser Professor William J. Morgan Professor Sarah Fields _______________________________ Adviser College of Education Graduate Program Copyright by Susan P. Milby 2006 ABSTRACT Soccer playing style has not been addressed in detail in the academic literature, as playing style has often been dismissed as the aesthetic element of the game. Brief mention of playing style is considered when discussing national identity and gender. Through a literature research methodology and detailed study of game situations, this dissertation addresses a definitive definition of playing style and details the cultural elements that influence it. A case study analysis of German and Brazilian soccer exemplifies how cultural elements shape, influence, and intersect with playing style. Eight signature elements of playing style are determined: tactics, technique, body image, concept of soccer, values, tradition, ecological and a miscellaneous category. Each of these elements is then extrapolated for Germany and Brazil, setting up a comparative binary. Literature analysis further reinforces this contrasting comparison. Both history of the country and the sport history of the country are necessary determinants when considering style, as style must be historically situated when being discussed in order to avoid stereotypification. Historic time lines of significant German and Brazilian style changes are determined and interpretated.
    [Show full text]
  • Four Historic Neighborhoods of Johnstown, Pennsylvania
    HISTORIC AMERICAN BUILDINGS SURVEY/HISTORIC AMERICAN ENGINEERING RECORD Clemson University 3 1604 019 774 159 The Character of a Steel Mill City: Four Historic Neighborhoods of Johnstown, Pennsylvania ol ,r DOCUMENTS fuBUC '., ITEM «•'\ pEPQS' m 20 1989 m clewson LIBRARY , j„. ft JL^s America's Industrial Heritage Project National Park Service Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/characterofsteelOOwall THE CHARACTER OF A STEEL MILL CITY: Four Historic Neighborhoods of Johnstown, Pennsylvania Kim E. Wallace, Editor, with contributions by Natalie Gillespie, Bernadette Goslin, Terri L. Hartman, Jeffrey Hickey, Cheryl Powell, and Kim E. Wallace Historic American Buildings Survey/ Historic American Engineering Record National Park Service Washington, D.C. 1989 The Character of a steel mill city: four historic neighborhoods of Johnstown, Pennsylvania / Kim E. Wallace, editor : with contributions by Natalie Gillespie . [et al.]. p. cm. "Prepared by the Historic American Buildings Survey/Historic American Engineering Record ... at the request of America's Industrial Heritage Project"-P. Includes bibliographical references. 1. Historic buildings-Pennsylvania-Johnstown. 2. Architecture- Pennsylvania-Johnstown. 3. Johnstown (Pa.) --History. 4. Historic buildings-Pennsylvania-Johnstown-Pictorial works. 5. Architecture-Pennsylvania-Johnstown-Pictorial works. 6. Johnstown (Pa.) -Description-Views. I. Wallace, Kim E. (Kim Elaine), 1962- . II. Gillespie, Natalie. III. Historic American Buildings Survey/Historic American Engineering Record. IV. America's Industrial Heritage Project. F159.J7C43 1989 974.877-dc20 89-24500 CIP Cover photograph by Jet Lowe, Historic American Buildings Survey/Historic American Engineering Record staff photographer. The towers of St. Stephen 's Slovak Catholic Church are visible beyond the houses of Cambria City, Johnstown.
    [Show full text]
  • DIGITAL ART and FEMINISM: a SURREAL RELATIONSHIP Anne Swartz
    DIGITAL ART AND FEMINISM: A SURREAL RELATIONSHIP Anne Swartz 10 DIGITAL ART AND FEMINISM: A SURREAL RELATIONSHIP Anne Swartz Many of the images in this exhibition reveal similar interests, themes, and aesthetics to those seen in feminist Art.1 The artists— (PLOLD)RUVWUHXWHU-HQQLIHU+DOO&ODXGLD+DUW<DHO.DQDUHN-HDQHWWH/RXLH5DQX0XNKHUMHH0DU\%DWHV1HXEDXHU0DULH Sivak, Camille Utterback, Adrianne Wortzel, and Janet Zweig—rely on technology as a tool to explore geopolitics, geological phenomenon, obsolete media, data streams and sets, illusion, shifting identities, phantasmagorias, eroticism, bodies, landscapes, geography, and memory. They are not afraid to confront assumptions or propaganda, even challenging conventions and traditions. They show us diverse, alternate domains and generate narratives of augmented worlds. Common to their artworks is the surreal, employed innovatively and underscored by the radical politics of feminism to change society in order to advance it. It is a kind of new romanticism where the real is meshed with fantasy so that the boundaries between the two dissolve. These artists have created pieces that require the viewer’s time; scanning and experiencing the entirety of their respective works over time transports one to their wild and imagined realms. It is easy to lose one’s bearings with these works because they rely upon mysterious disorientation to the viewer’s prosaic and commonplace experiences. It is a situation that is wholly based on the personal, which has been one of the cornerstone themes of feminist art. Digital art has an inherent feminist issues to it. Artist Mary Bates Neubauer termed the “new macho challenge for this generation RIZRPHQ>LV@GLJLWDOWHFKQRORJ\>EHFDXVH@WKH¿HOGLVVWLOOGRPLQDWHGE\PHQ´2 Utilizing technology to make art is, interestingly enough, one of the aspects of the programming world’s fascination with digital art.3 For the artists in this exhibition, digital technologies are ways to express content that is gender related.
    [Show full text]
  • THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
    1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour.
    [Show full text]
  • ¥Mmom April 1947 OFFICERS of the STATE HISTORICAL SOCIETY of MISSOURI, 1945-1948 ISIDOR LOEB, St
    Missouri , Historical T^epiew Tublhhed bu ¥mmom April 1947 OFFICERS OF THE STATE HISTORICAL SOCIETY OF MISSOURI, 1945-1948 ISIDOR LOEB, St. Louis, President GEORGE ROBB ELLISON, Maryville, First Vice-President HENRY C. CHILES, Lexington, Second Vice-President RUSH H. LIMBAUGH, Cape Girardeau, Third Vice-President HENRY A. BUNDSCHU, Independence, Fourth Vice-President RAY V. DENSLOW, Trenton, Fifth Vice-President LUDWIG FUERBRINGER, St. Louis, Sixth Vice-President R. B. PRICE, Columbia, Treasurer FLOYD C. SHOEMAKER, Columbia, Secretary and Librarian TRUSTEES OF THE STATE HISTORICAL SOCIETY OF MISSOURI Permanent Trustees, Former Presidents of the Society ALLEN MCREYNOLDS, Carthage GEORGE A. ROZIER, Jefferson City WILLIAM SOUTHERN, JR., Independence Term Expires at Annual Meeting, 1947 FRANK P. BRIGGS, Macon ALBERT L. REEVES, Kansas City STEPHEN B. HUNTER, Cape Girar- E. E. SWAIN, Kirksville deau R. M. THOMSON, St. Charles WALDO P. JOHNSON, Clinton ROY D. WILLIAMS, Boonville E. LANSING RAY, St. Louis Term Expires at Annual Meeting, 1948 LUDWIG FUERBRINGER, St. Louis WILLIAM L. VANDEVENTER, Spring- PAUL C. JONES, Kennett field LAURENCE J. KENNY, S. J., GEORGE H. WILLIAMS, St. Louis St. Louis CHARLES L. WOODS, Rolla *HENRY KRUG, JR., St. Joseph G. L. ZWICK, St. Joseph HENRY C THOMPSON, Bonne Terre Term Expires at Annual Meeting, 1949 JESSE W. BARRETT, St. Louis JAMES TODD, Moberly ALBERT M. CLARK, Richmond JONAS VILES, Columbia HENRY J. HASKELL, Kansas City T. BALLARD WAITERS, Marshfield WILLIAM R. PAINTER, Carrollton L. M. WHITE, Mexico JOSEPH PULITZER, St. Louis EXECUTIVE COMMITTEE The twenty-nine trustees, the President and the Secretary of the Society, the Governor, Secretary of State, State Treasurer, and President of the University of Missouri constitute the Executive Committee.
    [Show full text]
  • Unseen Commentaries: a Student Help Book
    Writing Unseen Commentaries: A Student Help Book Writing Unseen Commentaries: A Student Help Book Teaching Copy, 2nd Edition © H S Toshack 2011 ISBN 0-9580058-1-8 Printing Tips: Save the file before you begin printing (use the ‗Save a Copy‘ command) Use the odd-even page option so that you can print back to back Set your printer page size to Letter (even if you‘re printing on Legal paper) Print a few test pages so that you can decide what print quality will work best for you (Draft should be fine) This book is published by WordSmith at LitWorks.com Contact email: [email protected] Other study guides available: Macbeth: A Study Commentary King Lear: A Study Commentary Othello: A Study Commentary Hamlet: A Study Commentary Persuasion: A Workbook Edition The General Prologue to the Canterbury Tales: A Workbook Edition The WordSmith Prompts Copyright Purchasers are entitled to save to computer and print out only one copy of ‗Writing Unseen Commentaries: A Student Help Book‘, unless with the express permission of WordSmith Publishers. The book must not be forwarded to another computer or placed on a computer network unless a site licence is in force. (Go to http://www.litworks.com/site_licence.php for details.) Cover illustration, ‗Study for a Large Hooded Head‘, by kind permission of the artist: Llewellyn Shepard http://www.neoimages.com and http://www.dfngallery.com [DFN Gallery, Tribeca, New York City (212)334-3400] CONTENTS The Purpose of this Book Introductory Passages * 1 PASSAGE 1: from Maiden Voyage, Denton Welch 4 PASSAGE 2: Testing
    [Show full text]
  • Performance Review / 101
    PERFORMANCE REVIEW / 101 PERFORMANCE REVIEW Sarah Bay-Cheng, Editor OREGON SHAKESPEARE FESTIVAL. Ash- The two productions Rauch directed—Hamlet and land, OR. 25–28 May and 6–8 July 2010. Merchant—each distinctly animated negotiations between past and present. What and how do we remember? How is the past Knotty questions of memory, inheritance, and envisioned to animate the concerns of the present? ghostly presence drive Hamlet as play and charac- Theatre offers a uniquely dimensional lens through ter. Like Ophelia’s open grave, housing bones of the which to tussle with these questions, particularly previously interred, the play evokes a palimpsest of when engaged in an act of commemoration. Thus, critical readings and theatrical renderings. The OSF the 75th anniversary season of the Oregon Shake- production additionally conjured, for me, the ghost speare Festival (OSF) wove a variegated tapestry of another Hamlet directed by Rauch: The Marmarth of perspectives on memory, wrestling with the di- Hamlet, with North Dakota townspeople in leading lemmas of inheritance—what fealty we owe our roles, which maintained the play’s narrative while ancestry—as we continuously remake the world recasting Elizabethan verse into local dialect. The we are heir to. OSF production explored similar reverberations of the text over time while keeping Shakespeare’s Eleven shows in repertory from February through words intact. October included two plays that inaugurated the festival in 1935 (Twelfth Night and The Merchant of Through the thicket of past interpretations, the Venice) and one world premiere launching OSF’s production team questioned assumptions about United States History Cycle of commissioned characters such as Polonius—a devoted father in plays—Richard Montoya and Culture Clash’s col- this production—while digging deeply into moti- laboratively generated American Nights.
    [Show full text]
  • NSC Annual Review Jan16
    www.newsteelconstruction.com Annual Review In this issue Cover Image Cheltenham Racecourse Grandstand Main client: The Jockey Club Architect: Roberts Limbrick Architects Main contractor: Kier Construction Structural engineer: Furness Partnership Steelwork contractor: Hambleton Steel Steel tonnage: 1,660t Annual Review Martin Photography Cleveland Introduction from BCSA Director General Sarah McCann-Bartlett. 3 News A four page review of steel construction news highlights from 2015. 4 8 SSDA Awards The annual steel construction industry awards are a pinnacle for the sector. Industrial The RNLI has built a steel-framed manufacturing facility for its next generation 12 of lifeboats. Leisure Cheltenham Racecourse’s new grandstand will be complete in time for this year’s 14 prestigious Gold Cup. Commercial The second phase of an office-led regeneration scheme in west London is nearing 16 completion. The Right Choice Steel provides a host of benefits for designers, contractors, developers and 18 building users. Education Ulster University is in the midst of constructing a new campus in Belfast city centre. 20 Retail The Friars Walk development has brought new life into Newport city centre. 22 Bridges More than 40 new bridges, many of them steel, have been built for the Borders Railway. 24 Commercial A number of logistical challenges have been overcome during the construction of 26 the Monument Building in the City. Distribution Occupying a footprint of 58,000m2 and measuring 380m in length, a huge distribution 28 centre is under construction for Next at IDI Gazeley’s G.Park in Doncaster. Website A host of updates and improvements have been added in the last 12 months to steel 30 construction’s go-to website.
    [Show full text]
  • 1 Pedestrian Performance
    Pedestrian Performance: A Mapped Journey Volume 1 of 1 Submitted by Kristofor James Darby to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Drama In December 2012 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 ACKNOWLEDGEMENTS This thesis could not have materialised without the unwavering support of a number of people who have all assisted me in my writing. First and foremost is my supervisor, Stephen Hodge, who gave me the freedom to make my own way through my research, whilst making sure that I did not wander too far off the beaten track. Both he and Dr Jane Milling have proven a perfect partnership in helping me ascertain points of correlation between the landscapes of theatre and performance studies. Within the Drama Department at the University of Exeter I must thank Dr Sarah Goldingay for helping me in drafting my initial proposal three years ago; Dr Cathy Turner for providing extra details concerning Wrights & Sites; Phil Smith for the mythogeographic walks; Dr Piotr Woycicki for introducing me to mirror neurons and Professor Graham Ley for convincing me to do a PhD in the first place. I must also thank my fellow PhD students for their support: Solomon Lennox, Erin Walcon, Ilaria Pinna, Richard Feltham, Aqeel Abdulla and Jens Peters.
    [Show full text]
  • LE CORBUSIER's PRINCIPLES of CITY PLANNING and Thelr
    LE CORBUSIER'S PRINCIPLES OF CITY PLANNING AND THElR APPLICATION IN VIRTUAL ENVIRONMENTS by AMlT TUNGARE Bachelor of Architecture, University of Pune, lndia Master of Planning, School of Planning and Architecture, New Delhi, lndia A thesis submitted to the Faculty of Graduate Studies and Research in the partial fulfilment of the requirements of the degree of Master of Architecture School of Architecture Carleton University, Ottawa, Ontario, May, 2001 O 2001, Amit Tungare National Library Bibliothèque nationale 1*1 of Cam& du Canada Acquisitions and Acquisitions et Bibliographie Services senfices bibliographiques 395 Wellington Street 395, rue Wellington OttawaON KlAON4 Ottawa ON K1A ûN4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Lîbraly of Canada to Bibliothèque nationale du Canada de reproduce, 10- distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. The objective of this thesis is to develop an approach to understanding the concept of 'Virtual City' by drawing information from the disciplines of architecture and city planning.
    [Show full text]
  • Words That Weave a Reality Reborn: Performative Language and the Theory of Poetic
    Words That Weave a Reality Reborn: Performative Language and the Theory of Poetic Translation by Robert Keim Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the English Program YOUNGSTOWN STATE UNIVERSITY December, 2020 Words That Weave a Reality Reborn: Performative Language and the Theory of Poetic Translation Robert Keim I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Robert Keim, Student Date Approvals: Dr. Steven Reese, Thesis Advisor Date Dr. Corey Andrews, Committee Member Date Dr. Diana Palardy, Committee Member Date Dr. Salvatore A. Sanders, Dean of Graduate Studies Date ABSTRACT This thesis consists of a theoretical investigation of poetic translation and an application of theory in the form of an English translation of a historically significant Spanish poem. The theoretical portion of the thesis begins with a brief discussion of the nature of poetic discourse and continues with principles of poetic translatology drawn primarily from the scholarship of Dr. Barbara Folkart. The central concept in this section is Folkart’s vision of poetically viable translation, which prioritizes the artistic dimension of transferring a poetic work into a new language. Folkart insists that translators should seek to re-create or re-enact the source-language text as an authentically poetic target- language text, rather than merely duplicating microstructural elements such as diction, denotative details, imagery, and metrical qualities.
    [Show full text]