A Little Touch of Drama
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2012 Year in Review Curators: Jean Greer, Daniel Mihalyo, Celia Munoz
2012 Year in Review Curators: Jean Greer, Daniel Mihalyo, Celia Munoz Artist(s) Project Title Project Location Commissioning Agency Type Jpeg File Name 1 Lawrence Argent Leap Sacramento, CA Sacramento Metropolitan Arts Commission Permanent 12_Willis_236804 Forth Worth Public Art - a City of Port Worth program 2 Connie Arismendi, Laura Garanzuay Night Song Fort Worth, TX administered by Arts Council of Fort Worth & Tarrant Permanent 12_Conn_239228 County The Bell, the Flower, and 3 Ilan Averbuch Scottsdale, AZ Scottsdale Public Art, City of Scottsdale Permanent 12_Smith_237779 the Wash 4 Ball-Nogues Studio Yucca Crater 29 Palms, CA High Desert Test Sites Temporary 12_Ball_237178 5 Jim Blashfield Circulator Woodinville, WA 4Culture Permanent 12_4Culture_Blashfield_237777 Basket Bridge, Bob Hope 6 Carolyn Braaksma Palm Springs, CA Agua Caliente Band of Cahuilla Indians Permanent 12_Braaksma_238730 Interchange South Branch, North Fork, 7 Cris Bruch Woodinville, WA 4Culture Permanent 12_4Culture_Bruch_237126 Puddles Dynamic Performance of The Leonardo Museum and the Salt Lake City 8 Brian W. Brush and Yong Ju Lee Salt Lake City, UT Permanent 12_Brush_237783 Nature Corporation Arts & Venues Denver Public Art Program, Denver 9 Erik Carlson Cloud Seeding Denver, CO Permanent 12_Carlson_237672 Commission on Cultural Affairs Oklahoma City, 10 Stan Carroll (Lead Artist) SkyDance Bridge City of Oklahoma City Permanent 12_Carroll_239356 OK 11 Eric Corriel Water Will Be Here Atlanta, GA FLUX Projects Temporary 12_Corriel_238455 David Dahlquist - RDG -
Kahlil Gibran a Tear and a Smile (1950)
“perplexity is the beginning of knowledge…” Kahlil Gibran A Tear and A Smile (1950) STYLIN’! SAMBA JOY VERSUS STRUCTURAL PRECISION THE SOCCER CASE STUDIES OF BRAZIL AND GERMANY Dissertation Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan P. Milby, M.A. * * * * * The Ohio State University 2006 Dissertation Committee: Approved by Professor Melvin Adelman, Adviser Professor William J. Morgan Professor Sarah Fields _______________________________ Adviser College of Education Graduate Program Copyright by Susan P. Milby 2006 ABSTRACT Soccer playing style has not been addressed in detail in the academic literature, as playing style has often been dismissed as the aesthetic element of the game. Brief mention of playing style is considered when discussing national identity and gender. Through a literature research methodology and detailed study of game situations, this dissertation addresses a definitive definition of playing style and details the cultural elements that influence it. A case study analysis of German and Brazilian soccer exemplifies how cultural elements shape, influence, and intersect with playing style. Eight signature elements of playing style are determined: tactics, technique, body image, concept of soccer, values, tradition, ecological and a miscellaneous category. Each of these elements is then extrapolated for Germany and Brazil, setting up a comparative binary. Literature analysis further reinforces this contrasting comparison. Both history of the country and the sport history of the country are necessary determinants when considering style, as style must be historically situated when being discussed in order to avoid stereotypification. Historic time lines of significant German and Brazilian style changes are determined and interpretated. -
Four Historic Neighborhoods of Johnstown, Pennsylvania
HISTORIC AMERICAN BUILDINGS SURVEY/HISTORIC AMERICAN ENGINEERING RECORD Clemson University 3 1604 019 774 159 The Character of a Steel Mill City: Four Historic Neighborhoods of Johnstown, Pennsylvania ol ,r DOCUMENTS fuBUC '., ITEM «•'\ pEPQS' m 20 1989 m clewson LIBRARY , j„. ft JL^s America's Industrial Heritage Project National Park Service Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/characterofsteelOOwall THE CHARACTER OF A STEEL MILL CITY: Four Historic Neighborhoods of Johnstown, Pennsylvania Kim E. Wallace, Editor, with contributions by Natalie Gillespie, Bernadette Goslin, Terri L. Hartman, Jeffrey Hickey, Cheryl Powell, and Kim E. Wallace Historic American Buildings Survey/ Historic American Engineering Record National Park Service Washington, D.C. 1989 The Character of a steel mill city: four historic neighborhoods of Johnstown, Pennsylvania / Kim E. Wallace, editor : with contributions by Natalie Gillespie . [et al.]. p. cm. "Prepared by the Historic American Buildings Survey/Historic American Engineering Record ... at the request of America's Industrial Heritage Project"-P. Includes bibliographical references. 1. Historic buildings-Pennsylvania-Johnstown. 2. Architecture- Pennsylvania-Johnstown. 3. Johnstown (Pa.) --History. 4. Historic buildings-Pennsylvania-Johnstown-Pictorial works. 5. Architecture-Pennsylvania-Johnstown-Pictorial works. 6. Johnstown (Pa.) -Description-Views. I. Wallace, Kim E. (Kim Elaine), 1962- . II. Gillespie, Natalie. III. Historic American Buildings Survey/Historic American Engineering Record. IV. America's Industrial Heritage Project. F159.J7C43 1989 974.877-dc20 89-24500 CIP Cover photograph by Jet Lowe, Historic American Buildings Survey/Historic American Engineering Record staff photographer. The towers of St. Stephen 's Slovak Catholic Church are visible beyond the houses of Cambria City, Johnstown. -
DIGITAL ART and FEMINISM: a SURREAL RELATIONSHIP Anne Swartz
DIGITAL ART AND FEMINISM: A SURREAL RELATIONSHIP Anne Swartz 10 DIGITAL ART AND FEMINISM: A SURREAL RELATIONSHIP Anne Swartz Many of the images in this exhibition reveal similar interests, themes, and aesthetics to those seen in feminist Art.1 The artists— (PLOLD)RUVWUHXWHU-HQQLIHU+DOO&ODXGLD+DUW<DHO.DQDUHN-HDQHWWH/RXLH5DQX0XNKHUMHH0DU\%DWHV1HXEDXHU0DULH Sivak, Camille Utterback, Adrianne Wortzel, and Janet Zweig—rely on technology as a tool to explore geopolitics, geological phenomenon, obsolete media, data streams and sets, illusion, shifting identities, phantasmagorias, eroticism, bodies, landscapes, geography, and memory. They are not afraid to confront assumptions or propaganda, even challenging conventions and traditions. They show us diverse, alternate domains and generate narratives of augmented worlds. Common to their artworks is the surreal, employed innovatively and underscored by the radical politics of feminism to change society in order to advance it. It is a kind of new romanticism where the real is meshed with fantasy so that the boundaries between the two dissolve. These artists have created pieces that require the viewer’s time; scanning and experiencing the entirety of their respective works over time transports one to their wild and imagined realms. It is easy to lose one’s bearings with these works because they rely upon mysterious disorientation to the viewer’s prosaic and commonplace experiences. It is a situation that is wholly based on the personal, which has been one of the cornerstone themes of feminist art. Digital art has an inherent feminist issues to it. Artist Mary Bates Neubauer termed the “new macho challenge for this generation RIZRPHQ>LV@GLJLWDOWHFKQRORJ\>EHFDXVH@WKH¿HOGLVVWLOOGRPLQDWHGE\PHQ´2 Utilizing technology to make art is, interestingly enough, one of the aspects of the programming world’s fascination with digital art.3 For the artists in this exhibition, digital technologies are ways to express content that is gender related. -
THE COLLECTED POEMS of HENRIK IBSEN Translated by John Northam
1 THE COLLECTED POEMS OF HENRIK IBSEN Translated by John Northam 2 PREFACE With the exception of a relatively small number of pieces, Ibsen’s copious output as a poet has been little regarded, even in Norway. The English-reading public has been denied access to the whole corpus. That is regrettable, because in it can be traced interesting developments, in style, material and ideas related to the later prose works, and there are several poems, witty, moving, thought provoking, that are attractive in their own right. The earliest poems, written in Grimstad, where Ibsen worked as an assistant to the local apothecary, are what one would expect of a novice. Resignation, Doubt and Hope, Moonlight Voyage on the Sea are, as their titles suggest, exercises in the conventional, introverted melancholy of the unrecognised young poet. Moonlight Mood, To the Star express a yearning for the typically ethereal, unattainable beloved. In The Giant Oak and To Hungary Ibsen exhorts Norway and Hungary to resist the actual and immediate threat of Prussian aggression, but does so in the entirely conventional imagery of the heroic Viking past. From early on, however, signs begin to appear of a more personal and immediate engagement with real life. There is, for instance, a telling juxtaposition of two poems, each of them inspired by a female visitation. It is Over is undeviatingly an exercise in romantic glamour: the poet, wandering by moonlight mid the ruins of a great palace, is visited by the wraith of the noble lady once its occupant; whereupon the ruins are restored to their old splendour. -
¥Mmom April 1947 OFFICERS of the STATE HISTORICAL SOCIETY of MISSOURI, 1945-1948 ISIDOR LOEB, St
Missouri , Historical T^epiew Tublhhed bu ¥mmom April 1947 OFFICERS OF THE STATE HISTORICAL SOCIETY OF MISSOURI, 1945-1948 ISIDOR LOEB, St. Louis, President GEORGE ROBB ELLISON, Maryville, First Vice-President HENRY C. CHILES, Lexington, Second Vice-President RUSH H. LIMBAUGH, Cape Girardeau, Third Vice-President HENRY A. BUNDSCHU, Independence, Fourth Vice-President RAY V. DENSLOW, Trenton, Fifth Vice-President LUDWIG FUERBRINGER, St. Louis, Sixth Vice-President R. B. PRICE, Columbia, Treasurer FLOYD C. SHOEMAKER, Columbia, Secretary and Librarian TRUSTEES OF THE STATE HISTORICAL SOCIETY OF MISSOURI Permanent Trustees, Former Presidents of the Society ALLEN MCREYNOLDS, Carthage GEORGE A. ROZIER, Jefferson City WILLIAM SOUTHERN, JR., Independence Term Expires at Annual Meeting, 1947 FRANK P. BRIGGS, Macon ALBERT L. REEVES, Kansas City STEPHEN B. HUNTER, Cape Girar- E. E. SWAIN, Kirksville deau R. M. THOMSON, St. Charles WALDO P. JOHNSON, Clinton ROY D. WILLIAMS, Boonville E. LANSING RAY, St. Louis Term Expires at Annual Meeting, 1948 LUDWIG FUERBRINGER, St. Louis WILLIAM L. VANDEVENTER, Spring- PAUL C. JONES, Kennett field LAURENCE J. KENNY, S. J., GEORGE H. WILLIAMS, St. Louis St. Louis CHARLES L. WOODS, Rolla *HENRY KRUG, JR., St. Joseph G. L. ZWICK, St. Joseph HENRY C THOMPSON, Bonne Terre Term Expires at Annual Meeting, 1949 JESSE W. BARRETT, St. Louis JAMES TODD, Moberly ALBERT M. CLARK, Richmond JONAS VILES, Columbia HENRY J. HASKELL, Kansas City T. BALLARD WAITERS, Marshfield WILLIAM R. PAINTER, Carrollton L. M. WHITE, Mexico JOSEPH PULITZER, St. Louis EXECUTIVE COMMITTEE The twenty-nine trustees, the President and the Secretary of the Society, the Governor, Secretary of State, State Treasurer, and President of the University of Missouri constitute the Executive Committee. -
Unseen Commentaries: a Student Help Book
Writing Unseen Commentaries: A Student Help Book Writing Unseen Commentaries: A Student Help Book Teaching Copy, 2nd Edition © H S Toshack 2011 ISBN 0-9580058-1-8 Printing Tips: Save the file before you begin printing (use the ‗Save a Copy‘ command) Use the odd-even page option so that you can print back to back Set your printer page size to Letter (even if you‘re printing on Legal paper) Print a few test pages so that you can decide what print quality will work best for you (Draft should be fine) This book is published by WordSmith at LitWorks.com Contact email: [email protected] Other study guides available: Macbeth: A Study Commentary King Lear: A Study Commentary Othello: A Study Commentary Hamlet: A Study Commentary Persuasion: A Workbook Edition The General Prologue to the Canterbury Tales: A Workbook Edition The WordSmith Prompts Copyright Purchasers are entitled to save to computer and print out only one copy of ‗Writing Unseen Commentaries: A Student Help Book‘, unless with the express permission of WordSmith Publishers. The book must not be forwarded to another computer or placed on a computer network unless a site licence is in force. (Go to http://www.litworks.com/site_licence.php for details.) Cover illustration, ‗Study for a Large Hooded Head‘, by kind permission of the artist: Llewellyn Shepard http://www.neoimages.com and http://www.dfngallery.com [DFN Gallery, Tribeca, New York City (212)334-3400] CONTENTS The Purpose of this Book Introductory Passages * 1 PASSAGE 1: from Maiden Voyage, Denton Welch 4 PASSAGE 2: Testing -
Performance Review / 101
PERFORMANCE REVIEW / 101 PERFORMANCE REVIEW Sarah Bay-Cheng, Editor OREGON SHAKESPEARE FESTIVAL. Ash- The two productions Rauch directed—Hamlet and land, OR. 25–28 May and 6–8 July 2010. Merchant—each distinctly animated negotiations between past and present. What and how do we remember? How is the past Knotty questions of memory, inheritance, and envisioned to animate the concerns of the present? ghostly presence drive Hamlet as play and charac- Theatre offers a uniquely dimensional lens through ter. Like Ophelia’s open grave, housing bones of the which to tussle with these questions, particularly previously interred, the play evokes a palimpsest of when engaged in an act of commemoration. Thus, critical readings and theatrical renderings. The OSF the 75th anniversary season of the Oregon Shake- production additionally conjured, for me, the ghost speare Festival (OSF) wove a variegated tapestry of another Hamlet directed by Rauch: The Marmarth of perspectives on memory, wrestling with the di- Hamlet, with North Dakota townspeople in leading lemmas of inheritance—what fealty we owe our roles, which maintained the play’s narrative while ancestry—as we continuously remake the world recasting Elizabethan verse into local dialect. The we are heir to. OSF production explored similar reverberations of the text over time while keeping Shakespeare’s Eleven shows in repertory from February through words intact. October included two plays that inaugurated the festival in 1935 (Twelfth Night and The Merchant of Through the thicket of past interpretations, the Venice) and one world premiere launching OSF’s production team questioned assumptions about United States History Cycle of commissioned characters such as Polonius—a devoted father in plays—Richard Montoya and Culture Clash’s col- this production—while digging deeply into moti- laboratively generated American Nights. -
NSC Annual Review Jan16
www.newsteelconstruction.com Annual Review In this issue Cover Image Cheltenham Racecourse Grandstand Main client: The Jockey Club Architect: Roberts Limbrick Architects Main contractor: Kier Construction Structural engineer: Furness Partnership Steelwork contractor: Hambleton Steel Steel tonnage: 1,660t Annual Review Martin Photography Cleveland Introduction from BCSA Director General Sarah McCann-Bartlett. 3 News A four page review of steel construction news highlights from 2015. 4 8 SSDA Awards The annual steel construction industry awards are a pinnacle for the sector. Industrial The RNLI has built a steel-framed manufacturing facility for its next generation 12 of lifeboats. Leisure Cheltenham Racecourse’s new grandstand will be complete in time for this year’s 14 prestigious Gold Cup. Commercial The second phase of an office-led regeneration scheme in west London is nearing 16 completion. The Right Choice Steel provides a host of benefits for designers, contractors, developers and 18 building users. Education Ulster University is in the midst of constructing a new campus in Belfast city centre. 20 Retail The Friars Walk development has brought new life into Newport city centre. 22 Bridges More than 40 new bridges, many of them steel, have been built for the Borders Railway. 24 Commercial A number of logistical challenges have been overcome during the construction of 26 the Monument Building in the City. Distribution Occupying a footprint of 58,000m2 and measuring 380m in length, a huge distribution 28 centre is under construction for Next at IDI Gazeley’s G.Park in Doncaster. Website A host of updates and improvements have been added in the last 12 months to steel 30 construction’s go-to website. -
1 Pedestrian Performance
Pedestrian Performance: A Mapped Journey Volume 1 of 1 Submitted by Kristofor James Darby to the University of Exeter as a thesis for the degree of Doctor of Philosophy in Drama In December 2012 This thesis is available for Library use on the understanding that it is copyright material and that no quotation from the thesis may be published without proper acknowledgement. I certify that all material in this thesis which is not my own work has been identified and that no material has previously been submitted and approved for the award of a degree by this or any other University. Signature: ………………………………………………………….. 1 ACKNOWLEDGEMENTS This thesis could not have materialised without the unwavering support of a number of people who have all assisted me in my writing. First and foremost is my supervisor, Stephen Hodge, who gave me the freedom to make my own way through my research, whilst making sure that I did not wander too far off the beaten track. Both he and Dr Jane Milling have proven a perfect partnership in helping me ascertain points of correlation between the landscapes of theatre and performance studies. Within the Drama Department at the University of Exeter I must thank Dr Sarah Goldingay for helping me in drafting my initial proposal three years ago; Dr Cathy Turner for providing extra details concerning Wrights & Sites; Phil Smith for the mythogeographic walks; Dr Piotr Woycicki for introducing me to mirror neurons and Professor Graham Ley for convincing me to do a PhD in the first place. I must also thank my fellow PhD students for their support: Solomon Lennox, Erin Walcon, Ilaria Pinna, Richard Feltham, Aqeel Abdulla and Jens Peters. -
LE CORBUSIER's PRINCIPLES of CITY PLANNING and Thelr
LE CORBUSIER'S PRINCIPLES OF CITY PLANNING AND THElR APPLICATION IN VIRTUAL ENVIRONMENTS by AMlT TUNGARE Bachelor of Architecture, University of Pune, lndia Master of Planning, School of Planning and Architecture, New Delhi, lndia A thesis submitted to the Faculty of Graduate Studies and Research in the partial fulfilment of the requirements of the degree of Master of Architecture School of Architecture Carleton University, Ottawa, Ontario, May, 2001 O 2001, Amit Tungare National Library Bibliothèque nationale 1*1 of Cam& du Canada Acquisitions and Acquisitions et Bibliographie Services senfices bibliographiques 395 Wellington Street 395, rue Wellington OttawaON KlAON4 Ottawa ON K1A ûN4 Canada Canada The author has granted a non- L'auteur a accordé une licence non exclusive licence allowing the exclusive permettant à la National Lîbraly of Canada to Bibliothèque nationale du Canada de reproduce, 10- distribute or sell reproduire, prêter, distribuer ou copies of this thesis in microform, vendre des copies de cette thèse sous paper or electronic formats. la forme de microfiche/film, de reproduction sur papier ou sur format électronique. The author retains ownership of the L'auteur conserve la propriété du copyright in this thesis. Neither the droit d'auteur qui protège cette thèse. thesis nor substantial extracts fiom it Ni la thèse ni des extraits substantiels may be printed or otherwise de celle-ci ne doivent être imprimés reproduced without the author's ou autrement reproduits sans son permission. autorisation. The objective of this thesis is to develop an approach to understanding the concept of 'Virtual City' by drawing information from the disciplines of architecture and city planning. -
Words That Weave a Reality Reborn: Performative Language and the Theory of Poetic
Words That Weave a Reality Reborn: Performative Language and the Theory of Poetic Translation by Robert Keim Submitted in Partial Fulfillment of the Requirements for the Degree of Master of Arts in the English Program YOUNGSTOWN STATE UNIVERSITY December, 2020 Words That Weave a Reality Reborn: Performative Language and the Theory of Poetic Translation Robert Keim I hereby release this thesis to the public. I understand that this thesis will be made available from the OhioLINK ETD Center and the Maag Library Circulation Desk for public access. I also authorize the University or other individuals to make copies of this thesis as needed for scholarly research. Signature: Robert Keim, Student Date Approvals: Dr. Steven Reese, Thesis Advisor Date Dr. Corey Andrews, Committee Member Date Dr. Diana Palardy, Committee Member Date Dr. Salvatore A. Sanders, Dean of Graduate Studies Date ABSTRACT This thesis consists of a theoretical investigation of poetic translation and an application of theory in the form of an English translation of a historically significant Spanish poem. The theoretical portion of the thesis begins with a brief discussion of the nature of poetic discourse and continues with principles of poetic translatology drawn primarily from the scholarship of Dr. Barbara Folkart. The central concept in this section is Folkart’s vision of poetically viable translation, which prioritizes the artistic dimension of transferring a poetic work into a new language. Folkart insists that translators should seek to re-create or re-enact the source-language text as an authentically poetic target- language text, rather than merely duplicating microstructural elements such as diction, denotative details, imagery, and metrical qualities.