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Walk May Talk Books
Walk May Talk A Month of Walking as Artistic Practice Curated by Eylem Ertürk and Bernd Rohrauer Books Shared Walks www.sharedwalks.com 1 Direkter Urbanismus B. Holub 2013 31 Spaziergangswissenschaft in Praxis: Formate in Fortbewegung M. Brauner, B. Weisshaar 2013 2 Artist Book: found, set, appropriated B. Holub 2010 32 Artist Book: Biographie of the walking woman: M. Snow 3 Einfach Losgehen: Vom Spazieren, B. Weisshaar 2019 de la femme qui marche, 1961–1967 2004 Streunen, Wandern und vom Denkengehen 33 The Practice of Everyday Life M. de Certeau 4 Radical Walking Tours of New York City B. Kayton 2003 34 Janet Cardiff - the walk book M. Schaub 2004 5 Walking through Social Research C. Bates, A. Rhys-Taylor (Ed.) 2017 35 The interventionists : users‘ manual for the creative disruption N. Thompson 2005 6 Graue Donau, Schwarzes Meer: Wien Sulina Odessa Jalta Istanbul C. Reder, E.Klein 2008 of everyday life 2004 7 The art of walking: a field guide D. Evans 2012 36 Breathing Cities: the Architecture of Movement N. Barley 8 Lob des Gehens D. Le Breton 2015 37 Gehen nach Abramović (Diplomarbeit) N. Stalzer 2000 9 Urbanografien: Stadtforschung in Kunst, Architektur und Theorie E. Krasny 2008 38 This is not an Atlas orangotango 2007 10 Walking: One Step At a Time E. Kagge 2019 39 Gehen in der Wüste O. Aicher 2018 11 Walking Art Practice: Reflections on Socially Engaged Paths E. Pujol 2018 40 On Walking P. Smith 1998 12 Random Walk E. Weizman, C. Nicolas, M. Cousins 1998 41 Walking artists: über die Entdeckung des Gehens R. -
2012 Year in Review Curators: Jean Greer, Daniel Mihalyo, Celia Munoz
2012 Year in Review Curators: Jean Greer, Daniel Mihalyo, Celia Munoz Artist(s) Project Title Project Location Commissioning Agency Type Jpeg File Name 1 Lawrence Argent Leap Sacramento, CA Sacramento Metropolitan Arts Commission Permanent 12_Willis_236804 Forth Worth Public Art - a City of Port Worth program 2 Connie Arismendi, Laura Garanzuay Night Song Fort Worth, TX administered by Arts Council of Fort Worth & Tarrant Permanent 12_Conn_239228 County The Bell, the Flower, and 3 Ilan Averbuch Scottsdale, AZ Scottsdale Public Art, City of Scottsdale Permanent 12_Smith_237779 the Wash 4 Ball-Nogues Studio Yucca Crater 29 Palms, CA High Desert Test Sites Temporary 12_Ball_237178 5 Jim Blashfield Circulator Woodinville, WA 4Culture Permanent 12_4Culture_Blashfield_237777 Basket Bridge, Bob Hope 6 Carolyn Braaksma Palm Springs, CA Agua Caliente Band of Cahuilla Indians Permanent 12_Braaksma_238730 Interchange South Branch, North Fork, 7 Cris Bruch Woodinville, WA 4Culture Permanent 12_4Culture_Bruch_237126 Puddles Dynamic Performance of The Leonardo Museum and the Salt Lake City 8 Brian W. Brush and Yong Ju Lee Salt Lake City, UT Permanent 12_Brush_237783 Nature Corporation Arts & Venues Denver Public Art Program, Denver 9 Erik Carlson Cloud Seeding Denver, CO Permanent 12_Carlson_237672 Commission on Cultural Affairs Oklahoma City, 10 Stan Carroll (Lead Artist) SkyDance Bridge City of Oklahoma City Permanent 12_Carroll_239356 OK 11 Eric Corriel Water Will Be Here Atlanta, GA FLUX Projects Temporary 12_Corriel_238455 David Dahlquist - RDG -
Anatomy of a State Security Case the “Victorious Sect” Arrests
Egypt Anatomy of a HUMAN State Security Case RIGHTS WATCH The “Victorious Sect” Arrests December 2007 Volume 19, no. 9(e) Anatomy of a State Security Case The “Victorious Sect” Arrests Summary ................................................................................................................. 1 Methodology ...........................................................................................................7 Background ............................................................................................................ 8 Political opposition and violence in Egypt .......................................................... 8 Egypt’s State Security Investigations.................................................................. 9 The Emergency Law...........................................................................................10 Proposed New Counterterrorism Law................................................................. 14 The Case of the “Victorious Sect”........................................................................... 15 The Announcement of the “Victorious Sect” Arrests .......................................... 15 The Actual Arrests .............................................................................................18 Detention, Torture, and Confessions .................................................................32 Prosecution Dropped ........................................................................................50 The Timing: A Connection to Egypt’s Emergency Law?........................................56 -
Inheriting the Yugoslav Century: Art, History, and Generation
Inheriting the Yugoslav Century: Art, History, and Generation by Ivana Bago Department of Art, Art History and Visual Studies Duke University Date:_______________________ Approved: ___________________________ Kristine Stiles, Supervisor ___________________________ Mark Hansen ___________________________ Fredric Jameson ___________________________ Branislav Jakovljević ___________________________ Neil McWilliam Dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History and Visual Studies in the Graduate School of Duke University 2018 ABSTRACT Inheriting the Yugoslav Century: Art, History, and Generation by Ivana Bago Department of Art, Art History and Visual Studies Duke University ___________________________ Kristine Stiles, Supervisor ___________________________ Mark Hansen ___________________________ Fredric Jameson ___________________________ Branislav Jakovljević ___________________________ Neil McWilliam An abstract of a dissertation submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy in the Department of Art, Art History and Visual Studies in the Graduate School of Duke University 2018 Copyright by Ivana Bago 2018 Abstract The dissertation examines the work contemporary artists, curators, and scholars who have, in the last two decades, addressed urgent political and economic questions by revisiting the legacies of the Yugoslav twentieth century: multinationalism, socialist self-management, non- alignment, and -
Emotive Terrains
Emotive Terrains Exploring the emotional geographies of city through walking as art, senses and embodied technologies Vasileios Psarras Thesis submitted to Goldsmiths University of London for the Degree of Ph.D. in Arts and Computational Technology 2015 Declaration I declare that the work presented in this thesis is my own. Reference to the work of others has been cited and indicated throughout. Vasileios Psarras 2 Acknowledgements I am deeply thankful to my main supervisor Prof. Janis Jefferies for her attentive supervision, significant insights and help along this fascinating and difficult journey. Her distinctive guidance and encouragement of my interdisciplinary writing provided this thesis’s 21st century flaneur with the confidence to keep walking. I also thank my second supervisor and Assoc Prof. Lanfranco Aceti for his helpful feedback on my professional steps and our challenging discussions over these three years. I would also like to thank the AHRC for having awarded me with funding (2013- 2014), the Goldsmiths Graduate School and the Department of Computing (GDS). I would also like to thank a number of people that I have talked and collaborated across different platforms and levels: Asst. Prof. Angeliki Avgitidou (Aristotle University), Prof. Paul Coldwell (Chelsea College of Arts) for listening to my very first intentions, Dr. Eleanor Dare (University of Derby), Daphne Dragona (University of Athens), Dr. Dalila Honorato (Ionian University), Dr. Vicky Hunter (University of Chichester), Rocio von Jungenfeld (University of Edinburg), Dr. Eva Kekou (Athens), Anastasis Maragiannis (University of Greenwich), Christian Nold (UCL), Tadgh O’Sullivan, Stacey Pitsilides (Goldsmiths), Dr. Tina Richardson (Leeds), Dr. Phil Smith ‘mythogeography’ (Plymouth University) and the research-curatorial platforms of The Thursday Club (Goldsmiths) and Something Human (London). -
Ceramics Monthly O
APRIL 1957 • 50c Igl V • g H i i i i PUT \ / i ~,,~ii~,,~,,,,,~,~,,~,~,,~,,,~ ,~, :,~ ~ ~ :i/ii~i~i~ iiiiii'i~iiii~,~,~'~i~ili!!!~!~i:~...... i SPECIAL INTRODUCTORY OFFER! The materials used in Re-Ward's BRUSH-ON GLAZES are much more expensive than those used in ordinary glazes, and you will recognize this immediately. Because we want you to try them, your dealer FOR A LIMITED TIME ONLY will allow you 10¢ off the regular price for each jar. 10¢ OFF! See your dealer TODAY. CANADA GREATER TORONTO CERAMIC CENTER, 167 Lake Shore Rd., Toronto 14, Canada COLORADO LAKEWOOD POTTERY, 6955 W. Colfax, Lake- ATTENTION: DEALERS, STUDI so HOOLS I wood, Colorado CONNECTICUT See one of these RE-WARD Distribi~s for SYBIL GARVIN CERAMICS, 77 Main St., Port- quality products and land, Conn. servicI THE POTTER'S WHEEL, Post Road, Westport, Conn. ~mBAMA WASHINGTON, D. C. CERAMICS by OL~1828 Pinson St., Birming- McNOR'S CERAMIC STUDIO, 5113 Georgia Ave., ham, A a N.W., Washington, D.C. CERAMIC ART TRF,~IlRE HOUSE, 3658 S Perry DELAWARE .... • .... St., Montgomery, ~j~. CLAY DEN, 213 Fenwick Ave., Wilmington, -:~'~SKA Delaware THE MUD NESTi~]/~2 Lacey St., Fairbanks, FLORIDA JADOL ARTS & CRAFTS, 8965 Biscayne Blvd., Alaska ~NSAS Miami, Fla. ALLISON CERAI~rruDIO, 20 Arcade Bldg., GEORGIA Little Rock, Ark.UlWU PATRICIA TACKABERY, 3041 Boiling Way N. E., CALIFORNIA Atlanta, Ga. THE SHED, 1000 Santa Clara Ave., Alameda, IDAHO Calif. HOUSE OF WHITES, 5702 Fairview, Boise, Idaho POTTERY MILL, 1035 D St., Arcata, Calif. ILLINOIS STEWART'S of CALIFORNIA 7140 Firestone ILLINI CERAMIC SERVICE, INC., 439 N. -
Kahlil Gibran a Tear and a Smile (1950)
“perplexity is the beginning of knowledge…” Kahlil Gibran A Tear and A Smile (1950) STYLIN’! SAMBA JOY VERSUS STRUCTURAL PRECISION THE SOCCER CASE STUDIES OF BRAZIL AND GERMANY Dissertation Presented in Partial Fulfillment of the Requirements for The Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Susan P. Milby, M.A. * * * * * The Ohio State University 2006 Dissertation Committee: Approved by Professor Melvin Adelman, Adviser Professor William J. Morgan Professor Sarah Fields _______________________________ Adviser College of Education Graduate Program Copyright by Susan P. Milby 2006 ABSTRACT Soccer playing style has not been addressed in detail in the academic literature, as playing style has often been dismissed as the aesthetic element of the game. Brief mention of playing style is considered when discussing national identity and gender. Through a literature research methodology and detailed study of game situations, this dissertation addresses a definitive definition of playing style and details the cultural elements that influence it. A case study analysis of German and Brazilian soccer exemplifies how cultural elements shape, influence, and intersect with playing style. Eight signature elements of playing style are determined: tactics, technique, body image, concept of soccer, values, tradition, ecological and a miscellaneous category. Each of these elements is then extrapolated for Germany and Brazil, setting up a comparative binary. Literature analysis further reinforces this contrasting comparison. Both history of the country and the sport history of the country are necessary determinants when considering style, as style must be historically situated when being discussed in order to avoid stereotypification. Historic time lines of significant German and Brazilian style changes are determined and interpretated. -
A Study of Music As an Integral Part
A Study of Music as an Integral Part of the Spoken Drama in the American Professional Theatre: 1930-1955 By MAY ELIZABETH BURTON A DISSERTATION PRESENTED TO THE GRADUATE COUNCIL OF THE UNIVERSITY OF FLORIDA IN PARTIAL FULFILMENT OF THE REQUIREMENTS FOR THE DEGREE OF DOCTOR OF PHILOSOPHY UNIVERSITY OF FLORIDA August, 1956 PREFACE This is a study of why and how music is integrated with spoken drama in the contemporary American professional theatre. Very little has been written on the subject, so that knowledge of actual practices is limited to those people who are closely associated with commercial theatre-- composers, producers, playwrights, and musicians. There- fore, a summation and analysis of these practices will contribute to the existing body of knowledge about the contemporary American theatre. It is important that a study of the 1930-1955 period be made while it is still contemporary, since analysis at a later date would be hampered by a scarcity of detailed production records and the tendency not to copyright and publish theatre scores. Consequently, any accurate data about the status of music in our theatre must be gathered and re- corded while the people responsible for music integration are available for reference and correspondence. Historically, the period from 1930 to 1^55 is important because it has been marked by numerous fluc- tuations both in society and in the theatre. There are evidences of the theatre's ability to serve as a barometer of social and economic conditions. A comprehension of the ii degree and manner in which music has been a part of the theatre not only will provide a better understanding of the relationship between our specific theatre idiom and society, but suggests the degree to which it differs from that fostered by previous theatre cultures. -
Four Historic Neighborhoods of Johnstown, Pennsylvania
HISTORIC AMERICAN BUILDINGS SURVEY/HISTORIC AMERICAN ENGINEERING RECORD Clemson University 3 1604 019 774 159 The Character of a Steel Mill City: Four Historic Neighborhoods of Johnstown, Pennsylvania ol ,r DOCUMENTS fuBUC '., ITEM «•'\ pEPQS' m 20 1989 m clewson LIBRARY , j„. ft JL^s America's Industrial Heritage Project National Park Service Digitized by the Internet Archive in 2012 with funding from LYRASIS Members and Sloan Foundation http://archive.org/details/characterofsteelOOwall THE CHARACTER OF A STEEL MILL CITY: Four Historic Neighborhoods of Johnstown, Pennsylvania Kim E. Wallace, Editor, with contributions by Natalie Gillespie, Bernadette Goslin, Terri L. Hartman, Jeffrey Hickey, Cheryl Powell, and Kim E. Wallace Historic American Buildings Survey/ Historic American Engineering Record National Park Service Washington, D.C. 1989 The Character of a steel mill city: four historic neighborhoods of Johnstown, Pennsylvania / Kim E. Wallace, editor : with contributions by Natalie Gillespie . [et al.]. p. cm. "Prepared by the Historic American Buildings Survey/Historic American Engineering Record ... at the request of America's Industrial Heritage Project"-P. Includes bibliographical references. 1. Historic buildings-Pennsylvania-Johnstown. 2. Architecture- Pennsylvania-Johnstown. 3. Johnstown (Pa.) --History. 4. Historic buildings-Pennsylvania-Johnstown-Pictorial works. 5. Architecture-Pennsylvania-Johnstown-Pictorial works. 6. Johnstown (Pa.) -Description-Views. I. Wallace, Kim E. (Kim Elaine), 1962- . II. Gillespie, Natalie. III. Historic American Buildings Survey/Historic American Engineering Record. IV. America's Industrial Heritage Project. F159.J7C43 1989 974.877-dc20 89-24500 CIP Cover photograph by Jet Lowe, Historic American Buildings Survey/Historic American Engineering Record staff photographer. The towers of St. Stephen 's Slovak Catholic Church are visible beyond the houses of Cambria City, Johnstown. -
The Art of Now: WOMEN WHO WALK
The Art of Now: WOMEN WHO WALK Here is a link to the radio 4 programme, devised by Dr Jo Norcup and Geography Workshop productions in conjunction with Michael Umney of Resonance FM Production. First transmitted by BBC Radio 4 at 4pm, Monday 8th October 2018. Duration 28 minutes. https://www.bbc.co.uk/programmes/m0000nmn This document introduces you to wider references and readings based on the people and discussions within the BBC Radio 4 programme The Art of Now: Women Who Walk, and enables a starting point from which you can individually or collectively find out more. It also offers up resource links for teaching in the classroom and for seminar discussions. Further references: Women Walking Artists speaking in the programme. • Professor Deirdre /Dee Heddon https://www.gla.ac.uk/schools/cca/staff/deirdreheddon/#/publications,researchinter ests (With Misha Myers) The Walking Library https://walkinglibraryproject.wordpress.com • Lucy Furlong http://digitalitch.co.uk/LFwordpress/ (With Alison Fure) Tolworth and Richard Jeffries https://lucyfurleaps.wordpress.com • Dr Morag Rose http://thelrm.org/morag-rose https://www.liverpool.ac.uk/engage/events/2017-2018/beyond-the-pedestrian/ • Amy Sharrocks https://www.artsadmin.co.uk/artists/amy-sharrocks http://www.museumofwater.co.uk/amy-sharrocks-water-museum/ • Kubra Khademi http://kubrakhademi.org • Doon Mackichan (presenter) http://www.hamiltonhodell.co.uk/talent/doon-mackichan/ © Dr Jo Norcup / Geography Workshop Productions Ltd. 2018. Reference: Norcup, J. (2018) The Art of Now: Women Who Walk - Further reading resource booklet. GWPL. Production credits Michael Umney – main production (recording / sound editing) on behalf of Resonance FM Productions http://www.hearsayfestival.ie/michael-umney/4590389044 and Dr Jo Norcup (deviser of programme and script/programme advisor) on behalf of Geography Workshop Productions Ltd. -
Creative Flow
Using marine debris, painted silk, Creative Flow and paper, artist Pam Longobardi, Linda Gass, and Lauren Rosenthal Three Activist Artists advocate for greater consciousness by Sally Hansell of our fragile water systems. owerful new work by three activist artists addresses one of the nation’s most critical issues—the steady degradation of our precious water supply. Pam Lon- gobardi uses plastic trash collected on beaches to Pmake provocative art that points to the devastating dangers of plastic in our environment. Linda Gass creates vibrant paint- ed-silk quilt works depicting specific ecological hazards in San Francisco Bay. Lauren Rosenthal turns watershed data into cut- paper sculptures to demonstrate the interconnectedness of riv- ers and earthly organisms. Through their chosen media, these diverse artists advocate for a heightened global ecological con- sciousness. In 2006, Pam Longobardi launched an ongoing project called Drifters after encountering mounds of consumer waste on the beach at South Point, the southernmost tip of the Hawaiian Islands. The project includes photography, sculp- ture, public art, and installations made from the debris that washes up on shores around the world. The Atlanta artist creates “driftwebs” from abandoned drift nets, the miles-long fishing nets that wreak havoc on sea life, killing fish, mammals, turtles, and birds. She cuts and ties pieces of the nets to make installations resembling spider webs. Her intent is not only to draw attention to the dan- gerous plastic nets, but more importantly, to use their woven colorful forms as a dual metaphor for the predatory, destruc- tive behavior of humankind and the interconnectedness of the web of life. -
DIGITAL ART and FEMINISM: a SURREAL RELATIONSHIP Anne Swartz
DIGITAL ART AND FEMINISM: A SURREAL RELATIONSHIP Anne Swartz 10 DIGITAL ART AND FEMINISM: A SURREAL RELATIONSHIP Anne Swartz Many of the images in this exhibition reveal similar interests, themes, and aesthetics to those seen in feminist Art.1 The artists— (PLOLD)RUVWUHXWHU-HQQLIHU+DOO&ODXGLD+DUW<DHO.DQDUHN-HDQHWWH/RXLH5DQX0XNKHUMHH0DU\%DWHV1HXEDXHU0DULH Sivak, Camille Utterback, Adrianne Wortzel, and Janet Zweig—rely on technology as a tool to explore geopolitics, geological phenomenon, obsolete media, data streams and sets, illusion, shifting identities, phantasmagorias, eroticism, bodies, landscapes, geography, and memory. They are not afraid to confront assumptions or propaganda, even challenging conventions and traditions. They show us diverse, alternate domains and generate narratives of augmented worlds. Common to their artworks is the surreal, employed innovatively and underscored by the radical politics of feminism to change society in order to advance it. It is a kind of new romanticism where the real is meshed with fantasy so that the boundaries between the two dissolve. These artists have created pieces that require the viewer’s time; scanning and experiencing the entirety of their respective works over time transports one to their wild and imagined realms. It is easy to lose one’s bearings with these works because they rely upon mysterious disorientation to the viewer’s prosaic and commonplace experiences. It is a situation that is wholly based on the personal, which has been one of the cornerstone themes of feminist art. Digital art has an inherent feminist issues to it. Artist Mary Bates Neubauer termed the “new macho challenge for this generation RIZRPHQ>LV@GLJLWDOWHFKQRORJ\>EHFDXVH@WKH¿HOGLVVWLOOGRPLQDWHGE\PHQ´2 Utilizing technology to make art is, interestingly enough, one of the aspects of the programming world’s fascination with digital art.3 For the artists in this exhibition, digital technologies are ways to express content that is gender related.