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Method of Operating an Electronic Dobby Loom
Patentamt JEuropaischesEuropean Patent Office Office europeen des brevets © Publication number : 0 466 636 A1 @ EUROPEAN PATENT APPLICATION @ Application number: 91810415.9 @ Int. CI.5: D03C 1/14, D03D 51/00 (22) Date of filing : 31.05.91 (30) Priority : 04.06.90 JP 144346/90 (72) Inventor : Honda, Hiroshi, c/o Kabushiki Kaisha Toyoda Jidoshokki Seisakusho, 1, Toyoda-cho @ Date of publication of application : 2-chome 15.01.92 Bulletin 92/03 Kariya-shi, Aichi-ken (JP) @ Designated Contracting States : @ Representative : Hammer, Bruno BE DE FR IT c/o Gebrueder Sulzer AG KSR/Patente/0007, Postfach CH-8401 Winterthur (CH) (R) Applicant : Kabushiki Kaisha Toyoda Jidoshokki Seisakusho 1, Toyoda-cho 2-chome, Kariya-shi Aichi-ken 448 (JP) (54) Method of operating an electronic dobby loom. (57) According to the method the heddle frames (5) of the loom are selected and assigned to a plurality of groups. In each of a plurality of picking cycles a group of heddle frames (5) is moved and leveled into the weaving position (up arrow, down arrow) according to the weaving pattern to be woven. During this operation the loom is preferably run at lower speed compared to the selected normal picking speed. This allows for avoiding excessive load of the drive motor and further remarkably reduces warp yarn breakes. The method thus provides for remarkably improved start up conditions of looms. < CO CO CO CO CO "<t o Q_ LU Jouve, 18, rue Saint-Denis, 75001 PARIS ' 1 g. 1 fig. I A) _ , , ncK Number H. F NO. , 2 3 | - 5 OFF — 6-10 OFF — — OFF *- — *- L I 2 3 4 5 6 7 b y IU II ic lOi'riJiD hi. -
Weaving Technology: Advances and Challenges Ii
Volume3, Issue 1, Summer 2003 WEAVING TECHNOLOGY: ADVANCES AND CHALLENGES II Abdelfattah M. Seyam College of Textiles, N. C. State University Raleigh, NC, USA ABSTRACT This paper reviews the recent advances in weaving industry and addresses the challenges that face the weaving industry. The paper sheds the light on how the weaving machine manufacturers and woven fabric producers might strengthen the weaving industry by further advance the technology and taking advantages of the current and new advances in weaving technologies. KEYWORDS: Weaving, Automation, Jacquard, Pattern Change. INTRODUCTION and how the weaving machine manufacturers and woven fabric producers Recently weaving machine producers might strengthen the weaving industry by introduced to the woven fabric further advance the technology and taking manufacturers a sizeable number of advantages of the current and new advances technological advances. Examples of such in weaving technologies and supporting advances are higher speeds than seen before, systems. a higher level of automation, a new Jacquard shedding concept, waste reduction, and on- ADVANCES IN WEAVING line quality monitoring. These advances may enable the developed nations to drastically Weaving Speeds lower the labor cost and may be able to At recent machinery shows (ITMA’ 99, compete in the commodity fabric markets. ATME-I’ 2001), weaving machine Despite these significant development in manufacturers showed a broad range of weaving, weavers in the developed and machines with higher speed and rate of developing nations are faced with serious filling insertion (RFI) than seen before. The competition from other fabric forming fabric quality, which is significantly systems such as needlepunching and impacted by efficiency, is a must for the hydroentanglement nonwoven technologies. -
ASME Timeline
Manufacturing - History Resources Page 1 of 8 Feedback 80 Manufacturing 81 Management Science and Policy 82 Plant-Factory Operation 83 Manufacturing Processes 84 Design-Production Interface 85 Specialized Factory Tools and Systems 86 Agriculture-Food Production 87 Printing and Publishing Mechanization 88 Textile Industry Mechanization 89 Vehicle Production * indicates ASME Landmark Common Era Event 0 Fulling mills press fabric by foot. (France) 88 105 Paper invented. (Tshai Lun, China) 88 500 ca. Earliest specimens of draw loom in western world: originally from Asia, unknown 88 date. (Egypt) 800 - 1700 Plough with curved iron mould board (concave) guided and turned over heavy 86 clay soil in a continuous-ribbon motion: 9th century in China, 1300-1700 in Europe, principle later used for wrapping and folding for machinery. (China) 1045 ca. Movable type introduced in China. (Pi Sheng, China) 87 1150 Stamp mill used in paper making (not mentioned by L7) (E9 says 1144, Spain). 82 (Italy) 1185 ca. Earliest records of fulling mills in England, at Newsham (Yorkshire) and Barton. 88 (Britain) 1225 - 1250 Water-driven machinery recorded: sketches of saw mills, including spring motion. 82 (Villard de Honnecourt, medieval Europe) 1280 - 1299 Spinning wheels illustrated: primitive, spindle-on-an-axle type. (Europe) 88 1322 - 1328 Sawmill invented (Domesday Book mentions sawmills in 1076 -- H5). (Europe) 82 1400 - 1499 Holland adapts windmill for large-scale drainage (1439 for grinding grain -- Q9). 86 (Dutch, Holland) 1400 - 1499 Improved loom advances weaving of elaborate silk fabrics. (John the Calabrian) 88 1439 Lead alloy used as printers' type: hand produced until 1820s. (Gutenberg, 87 Germany) 1440 Earliest evidence of block book, SPIRITUALE POMERIUM: block-printed wood cuts. -
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’S Cotton Frontier C.1890-1950
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’s Cotton Frontier c.1890-1950 By Jack Southern A thesis submitted in partial fulfillment for the requirements for the degree of a PhD, at the University of Central Lancashire April 2016 1 i University of Central Lancashire STUDENT DECLARATION FORM I declare that whilst being registered as a candidate of the research degree, I have not been a registered candidate or enrolled student for another aware of the University or other academic or professional institution. I declare that no material contained in this thesis has been used for any other submission for an academic award and is solely my own work. Signature of Candidate ________________________________________________ Type of Award: Doctor of Philosophy School: Education and Social Sciences ii ABSTRACT This thesis explores the evolution of identity and community within north east Lancashire during a period when the area gained regional and national prominence through its involvement in the cotton industry. It examines how the overarching shared culture of the area could evolve under altering economic conditions, and how expressions of identity fluctuated through the cotton industry’s peak and decline. In effect, it explores how local populations could shape and be shaped by the cotton industry. By focusing on a compact area with diverse settlements, this thesis contributes to the wider understanding of what it was to live in an area dominated by a single industry. The complex legacy that the cotton industry’s decline has had is explored through a range of settlement types, from large town to small village. -
Woven Images: All Techniques Considered
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2010 Woven Images: All Techniques Considered Tommye McClure Scanlin North Georgia College & State University Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Scanlin, Tommye McClure, "Woven Images: All Techniques Considered" (2010). Textile Society of America Symposium Proceedings. 49. https://digitalcommons.unl.edu/tsaconf/49 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WOVEN IMAGES: ALL TECHNIQUES CONSIDERED AS EIGHT FIBER ARTISTS SHARE THEIR THOUGHTS TOMMYE MCCLURE SCANLIN [email protected] Weavers through the ages have used labor-intensive ways to create images in fibers, with techniques and equipment ranging from brocades, drawlooms, pick-up weaves, tapestry, and more. With the invention of the jacquard loom at the beginning of the 19th century, the kind of complex image making that was previously only common in laborious hand controlled methods became mechanized. With many alternatives now on hand for making images with weaving some fiber artists move to “high tech” means for their creative expression while others continue to select traditional methods like handwoven, weft- faced tapestry. Curiosity about not only the weaving method and technology selected by an individual, but also the more fundamental question of why one chooses to make images was the beginning point of this investigation. -
Langues, Accents, Prénoms & Noms De Famille
Les Secrets de la Septième Mer LLaanngguueess,, aacccceennttss,, pprréénnoommss && nnoommss ddee ffaammiillllee Il y a dans les Secrets de la Septième Mer une grande quantité de langues et encore plus d’accents. Paru dans divers supplément et sur le site d’AEG (pour les accents avaloniens), je vous les regroupe ici en une aide de jeu complète. D’ailleurs, à mon avis, il convient de les traiter à part des avantages, car ces langues peuvent être apprises après la création du personnage en dépensant des XP contrairement aux autres avantages. TTaabbllee ddeess mmaattiièèrreess Les différentes langues 3 Yilan-baraji 5 Les langues antiques 3 Les langues du Cathay 5 Théan 3 Han hua 5 Acragan 3 Khimal 5 Alto-Oguz 3 Koryo 6 Cymrique 3 Lanna 6 Haut Eisenör 3 Tashil 6 Teodoran 3 Tiakhar 6 Vieux Fidheli 3 Xian Bei 6 Les langues de Théah 4 Les langues de l’Archipel de Minuit 6 Avalonien 4 Erego 6 Castillian 4 Kanu 6 Eisenör 4 My’ar’pa 6 Montaginois 4 Taran 6 Ussuran 4 Urub 6 Vendelar 4 Les langues des autres continents 6 Vodacci 4 Les langages et codes secrets des différentes Les langues orphelines ussuranes 4 organisations de Théah 7 Fidheli 4 Alphabet des Croix Noires 7 Kosar 4 Assertions 7 Les langues de l’Empire du Croissant 5 Lieux 7 Aldiz-baraji 5 Heures 7 Atlar-baraji 5 Ponctuation et modificateurs 7 Jadur-baraji 5 Le code des pierres 7 Kurta-baraji 5 Le langage des paupières 7 Ruzgar-baraji 5 Le langage des “i“ 8 Tikaret-baraji 5 Le code de la Rose 8 Tikat-baraji 5 Le code 8 Tirala-baraji 5 Les Poignées de mains 8 1 Langues, accents, noms -
Development of Double Cloth Structure to Facilitate Versatile Application of Denim Fabric
Journal of Textile Science and Technology, 2019, 5, 19-26 http://www.scirp.org/journal/jtst ISSN Online: 2379-1551 ISSN Print: 2379-1543 Development of Double Cloth Structure to Facilitate Versatile Application of Denim Fabric Rubel Alam1*, Tarikul Islam2, Ahsan Haider3, Nazmul Haque4, Jahidul Islam5, Mohammad Zakaria5 1Department of Knitwear Manufacturing and Technology, BGMEA University of Fashion and Technology (BUFT), Dhaka, Bangladesh 2Department of Textile Engineering, Jashore University of Science and Technology (JUST), Jashore, Bangladesh 3Envoy Textiles Limited, Gazipur, Bangladesh 4Amber Denim Mills Limited, Gazipur, Bangladesh 5Department of Textile Engineering, Dhaka University of Engineering and Technology (DUET), Gazipur, Bangladesh How to cite this paper: Alam, R., Islam, Abstract T., Haider, A., Haque, N., Islam, J. and Zakaria, M. (2019) Development of Double Denim is the most popular dress material to any age of people. Day by day its Cloth Structure to Facilitate Versatile Ap- demand increasing swiftly because of western life style and fashion has been plication of Denim Fabric. Journal of Tex- accelerated with the trends of casualization across the globe. Nowadays, the tile Science and Technology, 5, 19-26. https://doi.org/10.4236/jtst.2019.51002 present structure of denim (regular, stretch) cannot cover the versatile field of human needs owing to its comfort and stiffness problem. So it is very impor- Received: October 24, 2018 tant to diversification of denim fabrics according to the customers demand Accepted: February 23, 2019 Published: February 26, 2019 and also acquisition the consumer. The main goal of the study is to develop s s double cloth structure in denim using 30 /1 and 20 /1 cotton (CW) yarn by Copyright © 2019 by author(s) and some selected structures. -
Patterns of Culture – Decorative Weaving Techniques Authors: M
PATTERNS OF CULTURE Decorative Weaving Techniques by M A Hann and B G Thomas PATTERNS OF CULTURE Decorative Weaving Techniques by M A Hann and B G Thomas Leeds 2005 ArsArs TTextrinaextrina no. 36 i Patterns of Culture – Decorative Weaving Techniques Authors: M. A. Hann and B. G. Thomas Foreword: D. Holdcroft No. 36 in the Ars Textrina series, published in association with the University of Leeds International Textiles Archive (ULITA) as an accompaniment to the exhibition ‘Patterns of Culture – Decorative Weaving Techniques’. © 2005 The University of Leeds and the authors All rights reserved ISBN: 0-9549640-1-2 Acknowledgements The production of this monograph, and the presentation of the exhibition it accompanies, result from the support and generosity of the Leeds Philosophical and Literary Society and the Arnold J. Burton Trust. The production of catalogue entries and other documentation associated with the exhibits was assisted by project funding from the Arts and Humanities Research Council (AHRC). The organisation of the exhibition was facilitated by the endeavours of Mr J. A. Smith, Mr P. Lawson and Mrs M. S. Chalmers. Thanks are also due to Mr I. S. Moxon for reading various drafts of the monograph and for discussions relating to its contents, and to Mr E. Nicholson and Dr P. Townhill for assistance in identifying and obtaining copies of relevant source material. The inspirational role played by Mr K. C. Jackson in past debates relating to the nature of invention, innovation and diffusion is also acknowledged. The authors accept responsibility for all errors or omissions. Price of monograph: £5.00. -
Textile-Dictionary-Full.Pdf
TEXTILE DICTONARY A ABNORMAL CRIMP- A relative term for crimp that is either too low or too high in frequency and/or amplitude or that has been put into the fiber with improper angular characteristics. ABRADED YARN- A filament yarn in which filaments have been cut or broken to create hairiness (fibrillation) to simulate the surface character of spun yarns. Abraded yarns are usually plied or twisted with other yarns before use. ABRASION MARK- An area where a fabric has been damaged by friction. ABRASION RESISTANCE- The ability of a fiber or fabric to withstand surface wear and rubbing. ABSORBANCE- The ability of a substance to transform radiant energy into a different form, usually with a resulting rise in temperature. Mathematically, absorbance is the negative logarithm to the base 10 of transmittance. ABSORBENCY- The ability of one material to take up another material. ABSORPTION- The process of gases or liquids being taken up into the pores of a fiber, yarn, or fabric. ACETIC ACID- An organic acid (CH3COOH) widely used in textile applications. It is used in textile wet processing, dyeing and printing, and in the manufacture of cellulose acetate and cellulose triacetate. ACETIC ANHYDRIDE- Anhydrous acetic acid [(CH3CO)2O]. It is used in the acetylation process in the manufacture of cellulose acetate. ACETONE- Dimethyl ketone (CH3COCH3). One of the most powerful organic solvents. Acetone dissolves secondary cellulose acetate and other derivatives of cellulose. It is miscible with water and has a low boiling point (55-56°). ACID-DYEABLE VARIANTS- Polymers modified chemically to make them receptive to acid dyes. -
Amelia Gayle Gorgas: a Study of the Woman and Her Dress Chalise Ludlow University of Tennessee-Chattanooga, [email protected]
International Textile and Apparel Association 2018: Re-Imagine the Re-Newable (ITAA) Annual Conference Proceedings Jan 1st, 12:00 AM Amelia Gayle Gorgas: A Study of the Woman and Her Dress Chalise Ludlow University of Tennessee-Chattanooga, [email protected] Virginia Wimberley University of Alabama, [email protected] Follow this and additional works at: https://lib.dr.iastate.edu/itaa_proceedings Part of the Cultural History Commons, Fashion Design Commons, and the Women's History Commons Ludlow, Chalise and Wimberley, Virginia, "Amelia Gayle Gorgas: A Study of the Woman and Her Dress" (2018). International Textile and Apparel Association (ITAA) Annual Conference Proceedings. 108. https://lib.dr.iastate.edu/itaa_proceedings/2018/posters/108 This Poster is brought to you for free and open access by the Conferences and Symposia at Iowa State University Digital Repository. It has been accepted for inclusion in International Textile and Apparel Association (ITAA) Annual Conference Proceedings by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Cleveland, Ohio 2018 Proceedings Amelia Gayle Gorgas: A Study of the Woman and Her Dress Chalise Ludlow & Virginia Wimberley The University of Alabama, USA Keywords: 19th Century, day-dress, pleating, patterning By the beginning of the 1850s women’s skirts had reached a breaking point but new inventions allowed the skirts to continue to grow. In the midst of this change America was in the middle of the Civil War, which also had an effect on fashion and those who wore it. Amelia Gayle Gorgas, wife of a Confederate captain, was caught up in the war as she moved with her husband, Josiah, to assignment in Richmond, Virginia. -
Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8. -
Basic of Textiles
BASIC OF TEXTILES BFA(F) 202 CC 5 Directorate of Distance Education SWAMI VIVEKANAND SUBHARTI UNIVERSITY MEERUT 250005 UTTAR PRADESH SIM MOUDLE DEVELOPED BY: Reviewed by the study Material Assessment Committed Comprising: 1. Dr. N.K.Ahuja, Vice Chancellor Copyright © Publishers Grid No part of this publication which is material protected by this copyright notice may be reproduce or transmitted or utilized or store in any form or by any means now know or here in after invented, electronic, digital or mechanical. Including, photocopying, scanning, recording or by any informa- tion storage or retrieval system, without prior permission from the publisher. Information contained in this book has been published by Publishers Grid and Publishers. and has been obtained by its author from sources believed to be reliable and are correct to the best of their knowledge. However, the publisher and author shall in no event be liable for any errors, omission or damages arising out of this information and specially disclaim and implied warranties or merchantability or fitness for any particular use. Published by: Publishers Grid 4857/24, Ansari Road, Darya ganj, New Delhi-110002. Tel: 9899459633, 7982859204 E-mail: [email protected], [email protected] Printed by: A3 Digital Press Edition : 2021 CONTENTS 1. Fiber Study 5-64 2. Fiber and its Classification 65-175 3. Yarn and its Types 176-213 4. Fabric Manufacturing Techniques 214-260 5. Knitted 261-302 UNIT Fiber Study 1 NOTES FIBER STUDY STRUCTURE 1.1 Learning Objective 1.2 Introduction 1.3 Monomer, Polymer, Degree of polymerization 1.4 Student Activity 1.5 Properties of Fiber: Primary & Secondary 1.6 Summary 1.7 Glossary 1.8 Review Questions 1.1 LEARNING OBJECTIVE After studying this unit you should be able to: ● Describe the Natural Fiber.