Strong Support for Air Jet Loom Operations T-Tech Japan Corp.’S Preparatory Machines, Including the Sizing Machines, Are Top-Level Performers and the Best-Quality
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Method of Operating an Electronic Dobby Loom
Patentamt JEuropaischesEuropean Patent Office Office europeen des brevets © Publication number : 0 466 636 A1 @ EUROPEAN PATENT APPLICATION @ Application number: 91810415.9 @ Int. CI.5: D03C 1/14, D03D 51/00 (22) Date of filing : 31.05.91 (30) Priority : 04.06.90 JP 144346/90 (72) Inventor : Honda, Hiroshi, c/o Kabushiki Kaisha Toyoda Jidoshokki Seisakusho, 1, Toyoda-cho @ Date of publication of application : 2-chome 15.01.92 Bulletin 92/03 Kariya-shi, Aichi-ken (JP) @ Designated Contracting States : @ Representative : Hammer, Bruno BE DE FR IT c/o Gebrueder Sulzer AG KSR/Patente/0007, Postfach CH-8401 Winterthur (CH) (R) Applicant : Kabushiki Kaisha Toyoda Jidoshokki Seisakusho 1, Toyoda-cho 2-chome, Kariya-shi Aichi-ken 448 (JP) (54) Method of operating an electronic dobby loom. (57) According to the method the heddle frames (5) of the loom are selected and assigned to a plurality of groups. In each of a plurality of picking cycles a group of heddle frames (5) is moved and leveled into the weaving position (up arrow, down arrow) according to the weaving pattern to be woven. During this operation the loom is preferably run at lower speed compared to the selected normal picking speed. This allows for avoiding excessive load of the drive motor and further remarkably reduces warp yarn breakes. The method thus provides for remarkably improved start up conditions of looms. < CO CO CO CO CO "<t o Q_ LU Jouve, 18, rue Saint-Denis, 75001 PARIS ' 1 g. 1 fig. I A) _ , , ncK Number H. F NO. , 2 3 | - 5 OFF — 6-10 OFF — — OFF *- — *- L I 2 3 4 5 6 7 b y IU II ic lOi'riJiD hi. -
M.Tech Program in Textile Engineering (First Year) W.E.F
D. K .T. E. Society’s Textile and Engineering Institute, Ichalkaranji (An Autonomous Institute) Department of Textiles DKTE Society’s TEXTILE & ENGINEERING INSTITUTE Rajwada, Ichalkaranji - 416115 (An Autonomous Institute) Curriculum (Structure and Syllabus) for M.Tech Program In Textile Engineering (First Year) w.e.f. August 2019 Ichalkaranji. Page 1 D.K.T.E. Society’s Textile and Engineering Institute, D. K .T. E. Society’s Textile and Engineering Institute, Ichalkaranji (An Autonomous Institute) Department of Textiles M. Tech. (Textile Engineering) Semester – I – Structure Teaching Scheme Sr. Course Name of the Course Group Theory Tutorial Practical Credit No. Code Hrs / Hrs / Hrs / Total week week week 1 TEL 501 High performance Fibres D 3 3 3 Advanced Computer Programming 2 TEL 502 D 3 3 3 and Applications 3 TEL 503 Theory of Textile Structures D 3 3 3 4 TEL EL1 Elective-I D 3 3 3 5 TEL EL2 Elective - II D 3 3 3 6 TED 511 Mini Project -I F 7* 7 7 Total 15 7 22 22 * Mini project involves field trials, experimental work, hence it is considered as full credit List of Electives -I List of Electives -II TEL551 Advanced Yarn Manufacturing TEL554 Advanced Fabric Manufacturing TEL552 Advanced Chemical Processing TEL555 Surface Treatment of Textiles TEL553 Apparel Engineering TEL556 Fibre Reinforced Composite Ichalkaranji. Page 2 D.K.T.E. Society’s Textile and Engineering Institute, D. K .T. E. Society’s Textile and Engineering Institute, Ichalkaranji (An Autonomous Institute) Department of Textiles M. Tech. (Textile Engineering) Semester – II – Structure Teaching Scheme Sr. Course Name of the Course Group Theory Tutorial Practical Credit No. -
ASME Timeline
Manufacturing - History Resources Page 1 of 8 Feedback 80 Manufacturing 81 Management Science and Policy 82 Plant-Factory Operation 83 Manufacturing Processes 84 Design-Production Interface 85 Specialized Factory Tools and Systems 86 Agriculture-Food Production 87 Printing and Publishing Mechanization 88 Textile Industry Mechanization 89 Vehicle Production * indicates ASME Landmark Common Era Event 0 Fulling mills press fabric by foot. (France) 88 105 Paper invented. (Tshai Lun, China) 88 500 ca. Earliest specimens of draw loom in western world: originally from Asia, unknown 88 date. (Egypt) 800 - 1700 Plough with curved iron mould board (concave) guided and turned over heavy 86 clay soil in a continuous-ribbon motion: 9th century in China, 1300-1700 in Europe, principle later used for wrapping and folding for machinery. (China) 1045 ca. Movable type introduced in China. (Pi Sheng, China) 87 1150 Stamp mill used in paper making (not mentioned by L7) (E9 says 1144, Spain). 82 (Italy) 1185 ca. Earliest records of fulling mills in England, at Newsham (Yorkshire) and Barton. 88 (Britain) 1225 - 1250 Water-driven machinery recorded: sketches of saw mills, including spring motion. 82 (Villard de Honnecourt, medieval Europe) 1280 - 1299 Spinning wheels illustrated: primitive, spindle-on-an-axle type. (Europe) 88 1322 - 1328 Sawmill invented (Domesday Book mentions sawmills in 1076 -- H5). (Europe) 82 1400 - 1499 Holland adapts windmill for large-scale drainage (1439 for grinding grain -- Q9). 86 (Dutch, Holland) 1400 - 1499 Improved loom advances weaving of elaborate silk fabrics. (John the Calabrian) 88 1439 Lead alloy used as printers' type: hand produced until 1820s. (Gutenberg, 87 Germany) 1440 Earliest evidence of block book, SPIRITUALE POMERIUM: block-printed wood cuts. -
B.Sc. Costume Design and Fashion FIBRE to FABRIC
B.Sc. CDF – Fibre to Fabric B.Sc. Costume Design and Fashion Second Year Paper No.3 FIBRE TO FABRIC BHARATHIAR UNIVERSITY SCHOOL OF DISTANCE EDUCATION COIMBATORE – 641 046. B.Sc. CDF – Fibre to Fabric 2 B.Sc. CDF – Fibre to Fabric CONTENT UNIT LESSON PAGE TITLE OF THE LESSON NO. NO. NO. UNIT I Textiles 1 7 Fibres 2 13 UNIT II Natural Fibres 3 27 Other Natural Fibres 4 35 Animal Fibres 5 47 Rayon 6 64 Synthtic Fibres 7 76 UNIT III 8 Introduction to spinning 93 Opening And Cleaning 9 103 Yarn Formation 10 114 Yarn MAINTENANCE 11 128 UNIT IV Weaving Preparatory Process 12 143 Drawing –In & Weft Preparation 13 155 Looming 14 163 Woven Fabric Basic Design 15 174 16 Woven Fabric Fancy Design 182 UNIT V Knitting 17 193 Non Woven 18 207 Other Fabrics 19 222 3 B.Sc. CDF – Fibre to Fabric (Syllabus) PAPER 3 FIBER TO FABRIC UNIT - I Introduction to the field of Textiles – major goals – classification of fibers – natural & chemical – primary and secondary characteristics of textile fibers UNIT - II Manufacturing process, properties and uses of natural fibers – cotton,linen,jute,pineapple, hemp, silk, wool, hair fibers, Man-made fibers – viscose rayon, acetate rayon, nylon, polyester, acrylic UNIT - III Spinning – definition, classification – chemical and mechanical spinning – ,opening, cleaning, doubling, carding, combing, drawing, roving, spinning Yarn classification – definition, classification – simple and fancy yarns, sewing threads and its properties UNIT - IV Woven – basic weaves – plain, twill, satin. Fancy weaves – pile, double cloth, leno, swivel, lappet, dobby and Jacquard Weaving technology – process sequence – machinery details UNIT - V Knitting type of knitting passage of material Knitting structure .Non-woven – felting, fusing, bonding, lamination, netting, braiding & calico, tatting and crocheting 4 B.Sc. -
Woven Images: All Techniques Considered
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2010 Woven Images: All Techniques Considered Tommye McClure Scanlin North Georgia College & State University Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Scanlin, Tommye McClure, "Woven Images: All Techniques Considered" (2010). Textile Society of America Symposium Proceedings. 49. https://digitalcommons.unl.edu/tsaconf/49 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. WOVEN IMAGES: ALL TECHNIQUES CONSIDERED AS EIGHT FIBER ARTISTS SHARE THEIR THOUGHTS TOMMYE MCCLURE SCANLIN [email protected] Weavers through the ages have used labor-intensive ways to create images in fibers, with techniques and equipment ranging from brocades, drawlooms, pick-up weaves, tapestry, and more. With the invention of the jacquard loom at the beginning of the 19th century, the kind of complex image making that was previously only common in laborious hand controlled methods became mechanized. With many alternatives now on hand for making images with weaving some fiber artists move to “high tech” means for their creative expression while others continue to select traditional methods like handwoven, weft- faced tapestry. Curiosity about not only the weaving method and technology selected by an individual, but also the more fundamental question of why one chooses to make images was the beginning point of this investigation. -
View Course Detail
Department of Textile and Fibre Engineering TXL130 Polymer Chemistry methods of fibre mixing and blending. Principles of carding. Machine 3 Credits (3-0-0) elements and operations in card. Sliver formation, Sliver packaging, fibre configurations in sliver. Objectives, principles and methods The course will deal with chain and step growth polymerization of roller drafting. Purpose and principle of condensation of fibres. methods, polymer’s macromolecular architecture, molecular weight of Causes of mass variation of sliver and control. Automation and recent polymers, copolymerization, cross-linked polymers, general structure developments in blowroom, card and draw frames. Fibre opening, and characteristics of polymers, properties of fiber forming polymers carding and drawing for wool, jute and other fibres. Modification in and their applications. process parameters for processing blended fibres in blowroom, card and drawframe. TXL111 Textile Fibres 3 Credits (2-0-2) TXP221 Yarn Manufacture Laboratory-I Classification of fibres. Basic structure of a fibre. General properties 1 Credit (0-0-2) of a fibre such as moisture absorption, tenacity, elongation, initial modulus, yield point, toughness, elastic recovery. Relationship between Pre-requisites: TXL111 polymer structure and fiber properties. Detailed chemical and physical Experiments related to the lecture course entitled “Yarn Manufacture structure of natural fibres: cotton, wool and silk, their basic properties. I (TXL221)”. Introduction to important bast and leaf fibres. Basic introduction to Fibre spinning. Introduction Manmade and synthetic fibres: TXL222 Yarn Manufacture-II Viscose, Acetate, Acrylic, Nylon, polyester. High Performance Fibres. 3 Credits (3-0-0) Laboratory exercises would include experiments on fibre identification Pre-requisites: TXL221 through physical appearance, microscopic (optical, SEM), and burning Fibre fractionation and combing. -
SHEDDING FAQ 1) A) for a 5 up 3 Down Twill Weave, the Crank Shaft
SHEDDING FAQ 1) a) For a 5 up 3 down twill weave, the crank shaft, bottom shat and tappet shaft r.p.m. is X, Y and Z. Determine X: Y: Z. b) For a 4 up 2 down twill weave, the crank shaft, bottom shat and tappet shaft r.p.m. is X, Y and Z respectively. Determine X: Y: Z. 2) Why the lift of the back heald is more than that of front heald when the plain woven fabric is manufactured? Why the heald reversing rollers are having different diameters in a plain loom? 3) Calculate the lift of the cam controlling the back heald from the following particulars: Throw (lift) of the cam for the front heald = 10 cm The distance between the front and back heald = 2.5 cm The distance between the fulcrum and bowl on the treadle = 20 cm The distance between the bowl and the fastening point of the back heald = 20 cm Diameter of small reversing roller = 5 cm Diameter of large reversing roller = 6cm 4) What are early shedding and late shedding? What kind of shedding would be preferred for weaving the following i. Silk fabrics from filament yarns ii. Cotton fabric with very high areal density 5) Explain how the following profiles of shade depth are achieved with different shedding timing. Which profile will you choose for silk warp and why? 6) What is staggering of healds? How is it implemented in a loom with cam shedding mechanism? How warp breaks are reduced by this technique? 7) Derive the expression for strain in the warp yarn during the shedding operation if the total shed length is ‘L’, shed symmetry parameter is ‘i’ and vertical movement of the heald during shedding is ‘2h’. -
Patterns of Culture – Decorative Weaving Techniques Authors: M
PATTERNS OF CULTURE Decorative Weaving Techniques by M A Hann and B G Thomas PATTERNS OF CULTURE Decorative Weaving Techniques by M A Hann and B G Thomas Leeds 2005 ArsArs TTextrinaextrina no. 36 i Patterns of Culture – Decorative Weaving Techniques Authors: M. A. Hann and B. G. Thomas Foreword: D. Holdcroft No. 36 in the Ars Textrina series, published in association with the University of Leeds International Textiles Archive (ULITA) as an accompaniment to the exhibition ‘Patterns of Culture – Decorative Weaving Techniques’. © 2005 The University of Leeds and the authors All rights reserved ISBN: 0-9549640-1-2 Acknowledgements The production of this monograph, and the presentation of the exhibition it accompanies, result from the support and generosity of the Leeds Philosophical and Literary Society and the Arnold J. Burton Trust. The production of catalogue entries and other documentation associated with the exhibits was assisted by project funding from the Arts and Humanities Research Council (AHRC). The organisation of the exhibition was facilitated by the endeavours of Mr J. A. Smith, Mr P. Lawson and Mrs M. S. Chalmers. Thanks are also due to Mr I. S. Moxon for reading various drafts of the monograph and for discussions relating to its contents, and to Mr E. Nicholson and Dr P. Townhill for assistance in identifying and obtaining copies of relevant source material. The inspirational role played by Mr K. C. Jackson in past debates relating to the nature of invention, innovation and diffusion is also acknowledged. The authors accept responsibility for all errors or omissions. Price of monograph: £5.00. -
Textile-Dictionary-Full.Pdf
TEXTILE DICTONARY A ABNORMAL CRIMP- A relative term for crimp that is either too low or too high in frequency and/or amplitude or that has been put into the fiber with improper angular characteristics. ABRADED YARN- A filament yarn in which filaments have been cut or broken to create hairiness (fibrillation) to simulate the surface character of spun yarns. Abraded yarns are usually plied or twisted with other yarns before use. ABRASION MARK- An area where a fabric has been damaged by friction. ABRASION RESISTANCE- The ability of a fiber or fabric to withstand surface wear and rubbing. ABSORBANCE- The ability of a substance to transform radiant energy into a different form, usually with a resulting rise in temperature. Mathematically, absorbance is the negative logarithm to the base 10 of transmittance. ABSORBENCY- The ability of one material to take up another material. ABSORPTION- The process of gases or liquids being taken up into the pores of a fiber, yarn, or fabric. ACETIC ACID- An organic acid (CH3COOH) widely used in textile applications. It is used in textile wet processing, dyeing and printing, and in the manufacture of cellulose acetate and cellulose triacetate. ACETIC ANHYDRIDE- Anhydrous acetic acid [(CH3CO)2O]. It is used in the acetylation process in the manufacture of cellulose acetate. ACETONE- Dimethyl ketone (CH3COCH3). One of the most powerful organic solvents. Acetone dissolves secondary cellulose acetate and other derivatives of cellulose. It is miscible with water and has a low boiling point (55-56°). ACID-DYEABLE VARIANTS- Polymers modified chemically to make them receptive to acid dyes. -
Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8. -
Basic of Textiles
BASIC OF TEXTILES BFA(F) 202 CC 5 Directorate of Distance Education SWAMI VIVEKANAND SUBHARTI UNIVERSITY MEERUT 250005 UTTAR PRADESH SIM MOUDLE DEVELOPED BY: Reviewed by the study Material Assessment Committed Comprising: 1. Dr. N.K.Ahuja, Vice Chancellor Copyright © Publishers Grid No part of this publication which is material protected by this copyright notice may be reproduce or transmitted or utilized or store in any form or by any means now know or here in after invented, electronic, digital or mechanical. Including, photocopying, scanning, recording or by any informa- tion storage or retrieval system, without prior permission from the publisher. Information contained in this book has been published by Publishers Grid and Publishers. and has been obtained by its author from sources believed to be reliable and are correct to the best of their knowledge. However, the publisher and author shall in no event be liable for any errors, omission or damages arising out of this information and specially disclaim and implied warranties or merchantability or fitness for any particular use. Published by: Publishers Grid 4857/24, Ansari Road, Darya ganj, New Delhi-110002. Tel: 9899459633, 7982859204 E-mail: [email protected], [email protected] Printed by: A3 Digital Press Edition : 2021 CONTENTS 1. Fiber Study 5-64 2. Fiber and its Classification 65-175 3. Yarn and its Types 176-213 4. Fabric Manufacturing Techniques 214-260 5. Knitted 261-302 UNIT Fiber Study 1 NOTES FIBER STUDY STRUCTURE 1.1 Learning Objective 1.2 Introduction 1.3 Monomer, Polymer, Degree of polymerization 1.4 Student Activity 1.5 Properties of Fiber: Primary & Secondary 1.6 Summary 1.7 Glossary 1.8 Review Questions 1.1 LEARNING OBJECTIVE After studying this unit you should be able to: ● Describe the Natural Fiber. -
Intertextile Home Textiles Autumn Edition 2020 Shanghái 24-26 De Agosto De 2020
INFORME IF DE FERIA 2020 Intertextile Home Textiles Autumn Edition 2020 Shanghái 24-26 de agosto de 2020 Oficina Económica y Comercial de la Embajada de España en Shanghái INFORME IF DE FERIA 31 de agosto de 2020 Shanghái Este estudio ha sido realizado por Vicente López-Trompo, Daniel Bajo la supervisión de la Oficina Económica y Comercial de la Embajada de España en Shanghái http://china.oficinascomerciales.es Editado por ICEX España Exportación e Inversiones, E.P.E., M.P. NIPO: 114-20-024-0 IF INTERTEXTILE HOME TEXTILES - AUTUMN EDITION 2020 Índice 1. Perfil de la feria 4 2. Ficha técnica 5 2.1. Descripción y evolución de la feria 6 2.1.1. Expositores 6 2.1.2. Productos presentados 8 3. Tendencias y novedades presentadas 9 3.1. Participación española 10 4. Recomendaciones 11 5. Anexos 12 5.1. Expositores de Intertextile 12 5.1.1. Empresas internacionales 12 5.1.2. China, Hong Kong y Taiwán 13 3 Oficina Económica y Comercial de la Embajada de España en Shanghái IF INTERTEXTILE HOME TEXTILES - AUTUMN EDITION 2020 1. Perfil de la feria Intertextile Shanghai Home Textiles es una feria dedicada a la exhibición de telas y accesorios dentro del sector textil, especializada en materiales para el uso en hogar (cortinas, tapizados, ropa de cama, etc.). Las ferias de INTERTEXTILE comenzaron en 1995 celebrando ediciones de primavera y de otoño desde entonces. CARTEL DE LA FERIA INTERTEXTILE SHANGHAI HOME TEXTILES 2020 Fuente: Intertextile 4 Oficina Económica y Comercial de la Embajada de España en Shanghái IF INTERTEXTILE HOME TEXTILES - AUTUMN EDITION 2020 2.