Development of Double Cloth Structure to Facilitate Versatile Application of Denim Fabric
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Weaving Technology: Advances and Challenges Ii
Volume3, Issue 1, Summer 2003 WEAVING TECHNOLOGY: ADVANCES AND CHALLENGES II Abdelfattah M. Seyam College of Textiles, N. C. State University Raleigh, NC, USA ABSTRACT This paper reviews the recent advances in weaving industry and addresses the challenges that face the weaving industry. The paper sheds the light on how the weaving machine manufacturers and woven fabric producers might strengthen the weaving industry by further advance the technology and taking advantages of the current and new advances in weaving technologies. KEYWORDS: Weaving, Automation, Jacquard, Pattern Change. INTRODUCTION and how the weaving machine manufacturers and woven fabric producers Recently weaving machine producers might strengthen the weaving industry by introduced to the woven fabric further advance the technology and taking manufacturers a sizeable number of advantages of the current and new advances technological advances. Examples of such in weaving technologies and supporting advances are higher speeds than seen before, systems. a higher level of automation, a new Jacquard shedding concept, waste reduction, and on- ADVANCES IN WEAVING line quality monitoring. These advances may enable the developed nations to drastically Weaving Speeds lower the labor cost and may be able to At recent machinery shows (ITMA’ 99, compete in the commodity fabric markets. ATME-I’ 2001), weaving machine Despite these significant development in manufacturers showed a broad range of weaving, weavers in the developed and machines with higher speed and rate of developing nations are faced with serious filling insertion (RFI) than seen before. The competition from other fabric forming fabric quality, which is significantly systems such as needlepunching and impacted by efficiency, is a must for the hydroentanglement nonwoven technologies. -
Diploma in Handloom & Textile Technology (Dhtt)
DIPLOMA IN HANDLOOM & TEXTILE TECHNOLOGY (DHTT) Semester based Syllabus SEMESTER-I 1.1 ENGLISH – I UNIT – I: Formation of words - clause and Sentences. Kinds of Sentence – Simple, Compound & Complex Sentences. UNIT – II: Parts Of Speech, Noun, Pronoun, Adjective, Verb, Auxiliary Verbs, Modals. UNIT-III: Adverb, Preposition, Conjunction – Interjection, Article, Active and Passive voice, Direct and Indirect Narration. UNIT – IV: Vocabulary – Meaning for the given words, Synonymous and Antonymous. UNIT – V: Letter writing, Paragraph writing, Comprehension. 1.2 APPLIED MATHEMATICS UNIT – I: 1. Matrices and Determinants. 2. Determinants up to 3rd order. 3. Properties of Determinants. 4. Solutions of simultaneous equations using Cramer’s rule. 5. Properties of Matrices. UNIT- II: 1. Trigonometry – Introduction. 2. Trigonometry ratios – Multiple angles. 3. Trigonometry indenties – Simple problems Only. 4. Properties of triangles- Sine formulae – Cosine formulae and Projection formulae – problems. UNIT- III: 1. Differential Calculus. 2. Differentiations – Concept – Differentiation of standard function 3. Differentiations of Sum, Product & Division. UNIT- IV: 1. Integral Calculus – Introduction. 2. Integration – Basic Definition. 3. Definite Integrals and properties. 4. Integration by substitution. 5. Integration by parts. 6. Simple Problems. UNIT- V: 1. Linear equation involving two variables only. 2. Solution of simultaneous linear equations involving two variables. 3. Co- linear points. 4. Statistics – Introduction. 5. Frequency distributions Mean, Median, Mode, Standard Deviation and C.V. %. 1.3. APPLIED PHYSICS UNIT – I: UNITS AND DIMENSIONS 1. M.K.S system and C.G.S. system. 2. Fundamental quantities and units (S.I. system) 3. Derived quantities and units (S.I. system) 4. Supplementary SI units 5. Dimension and Dimensional formula. -
Weave Structure and Image Pattern Exploration for Modern Double-Cloth Design Development by Deploying Digital Technology
Volume 10, Issue 4, 2018 Weave Structure and Image Pattern Exploration for Modern Double-cloth Design Development by Deploying Digital Technology Ken Ri Kim, Lecturer, Loughborough University, United Kingdom ABSTRACT The use of digital technology can open up new opportunities for Jacquard fabric to provide novel forms of decorative fabrics. In additional to color, texture and material, multiple layer format such as double-cloth is considered a crucial design element. In using the traditional weaving method, double-cloth design features are limited to abstract styles (i.e., stripes and color blocks). However, by deploying digital technology it is possible to depict much complicated fashion on both sides of a fabric. Two distinguished images are realized through weft yarn colors of which face, and back layer equally offer unique design novelty that was not possible with existing weaving methods. Therefore, this study firstly explored on a weave structure development which is capable of presenting pictorial images on both sides of a fabric. Once the weave structure format is finalized, further experiment is carried out with the CMYK color threads to explore the possibility of expanding a weave color scope for double-cloth. Based on the two experiments results, the details of weave structure and the image pattern design are explained to propose new types of modern double-cloth. Keywords: Double-cloth, Weave structure design, Pictorial image, Weave color expansion 1. Introduction contrast, in modern digital weaving as each Double cloth possesses at least two sets warp thread is threaded into individual hooks, of warp and weft yarns primarily engaged in higher capability and flexibility results from generating its own layer of fabric to form the loom setting (Ishida, 1994). -
India's Textile and Apparel Industry
Staff Research Study 27 Office of Industries U.S. International Trade Commission India’s Textile and Apparel Industry: Growth Potential and Trade and Investment Opportunities March 2001 Publication 3401 The views expressed in this staff study are those of the Office of Industries, U.S. International Trade Commission. They are not necessarily the views of the U.S. International Trade Commission as a whole or any individual commissioner. U.S. International Trade Commission Vern Simpson Director, Office of Industries This report was principally prepared by Sundar A. Shetty Textiles and Apparel Branch Energy, Chemicals, and Textiles Division Address all communications to Secretary to the Commission United States International Trade Commission Washington, DC 20436 TABLE OF CONTENTS Page Executive Summary . v Chapter 1. Introduction . 1-1 Purpose of study . 1-1 Data and scope . 1-1 Organization of study . 1-2 Overview of India’s economy . 1-2 Chapter 2. Structure of the textile and apparel industry . 2-1 Fiber production . 2-1 Textile sector . 2-1 Yarn production . 2-4 Fabric production . 2-4 Dyeing and finishing . 2-5 Apparel sector . 2-5 Structural problems . 2-5 Textile machinery . 2-7 Chapter 3. Government trade and nontrade policies . 3-1 Trade policies . 3-1 Tariff barriers . 3-1 Nontariff barriers . 3-3 Import licensing . 3-3 Customs procedures . 3-5 Marking, labeling, and packaging requirements . 3-5 Export-Import policy . 3-5 Duty entitlement passbook scheme . 3-5 Export promotion capital goods scheme . 3-5 Pre- and post-shipment financing . 3-6 Export processing and special economic zones . 3-6 Nontrade policies . -
Textiles Under Mughals
Chapter V Textiles under Mughals- The advent of the Mughal dynasty gave an undeniable boost to production of the up-market textile, as to other craft. Textiles are singled out for mentioned by Abul Fazl, the minister and biographer of Akbar (1556-1605), in his Ain-i-Akbari, compile in the 1590‟s as a subject in which the emperor took particular interest. Akbar favoured woollen garment – the chosen wear of Sufis (Muslim mystics) – „from his indifference to everything that is worldly‟ in preference to the richer stuffs. His penchant for wool is also indicated by the steps he took to improve shawl manufacture; especially in the relation to dyes and width of fabric.1 Ain-i- Akbari goes into fascinating details on the manner of classifying garments in the imperial wardrobe (toshkhana). The textiles were arranged according to the date of entry which was recorded, sometime with other information, on a label tacked on to the piece (practice which survived in provision toshkhana into the 20th century). Price, colour and weight were also taken into account. Within these boundaries, textile took precedence according to the nature of the day, astrologically auspicious or otherwise on which they were received. A further refinement took into account the colours, of which thirty five are listed in the order of precedence. Abul Fazl further records that imperial workshops had been set up in the cities of Lahore, Agra, Fatehpur Sikri and Ahmedabad, where the best of the local craftsmen were requisitioned to supply the needs of the court.2 Persian masters were brought in to teach improved techniques. -
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’S Cotton Frontier C.1890-1950
Cotton and the Community: Exploring Changing Concepts of Identity and Community on Lancashire’s Cotton Frontier c.1890-1950 By Jack Southern A thesis submitted in partial fulfillment for the requirements for the degree of a PhD, at the University of Central Lancashire April 2016 1 i University of Central Lancashire STUDENT DECLARATION FORM I declare that whilst being registered as a candidate of the research degree, I have not been a registered candidate or enrolled student for another aware of the University or other academic or professional institution. I declare that no material contained in this thesis has been used for any other submission for an academic award and is solely my own work. Signature of Candidate ________________________________________________ Type of Award: Doctor of Philosophy School: Education and Social Sciences ii ABSTRACT This thesis explores the evolution of identity and community within north east Lancashire during a period when the area gained regional and national prominence through its involvement in the cotton industry. It examines how the overarching shared culture of the area could evolve under altering economic conditions, and how expressions of identity fluctuated through the cotton industry’s peak and decline. In effect, it explores how local populations could shape and be shaped by the cotton industry. By focusing on a compact area with diverse settlements, this thesis contributes to the wider understanding of what it was to live in an area dominated by a single industry. The complex legacy that the cotton industry’s decline has had is explored through a range of settlement types, from large town to small village. -
Langues, Accents, Prénoms & Noms De Famille
Les Secrets de la Septième Mer LLaanngguueess,, aacccceennttss,, pprréénnoommss && nnoommss ddee ffaammiillllee Il y a dans les Secrets de la Septième Mer une grande quantité de langues et encore plus d’accents. Paru dans divers supplément et sur le site d’AEG (pour les accents avaloniens), je vous les regroupe ici en une aide de jeu complète. D’ailleurs, à mon avis, il convient de les traiter à part des avantages, car ces langues peuvent être apprises après la création du personnage en dépensant des XP contrairement aux autres avantages. TTaabbllee ddeess mmaattiièèrreess Les différentes langues 3 Yilan-baraji 5 Les langues antiques 3 Les langues du Cathay 5 Théan 3 Han hua 5 Acragan 3 Khimal 5 Alto-Oguz 3 Koryo 6 Cymrique 3 Lanna 6 Haut Eisenör 3 Tashil 6 Teodoran 3 Tiakhar 6 Vieux Fidheli 3 Xian Bei 6 Les langues de Théah 4 Les langues de l’Archipel de Minuit 6 Avalonien 4 Erego 6 Castillian 4 Kanu 6 Eisenör 4 My’ar’pa 6 Montaginois 4 Taran 6 Ussuran 4 Urub 6 Vendelar 4 Les langues des autres continents 6 Vodacci 4 Les langages et codes secrets des différentes Les langues orphelines ussuranes 4 organisations de Théah 7 Fidheli 4 Alphabet des Croix Noires 7 Kosar 4 Assertions 7 Les langues de l’Empire du Croissant 5 Lieux 7 Aldiz-baraji 5 Heures 7 Atlar-baraji 5 Ponctuation et modificateurs 7 Jadur-baraji 5 Le code des pierres 7 Kurta-baraji 5 Le langage des paupières 7 Ruzgar-baraji 5 Le langage des “i“ 8 Tikaret-baraji 5 Le code de la Rose 8 Tikat-baraji 5 Le code 8 Tirala-baraji 5 Les Poignées de mains 8 1 Langues, accents, noms -
Amelia Gayle Gorgas: a Study of the Woman and Her Dress Chalise Ludlow University of Tennessee-Chattanooga, [email protected]
International Textile and Apparel Association 2018: Re-Imagine the Re-Newable (ITAA) Annual Conference Proceedings Jan 1st, 12:00 AM Amelia Gayle Gorgas: A Study of the Woman and Her Dress Chalise Ludlow University of Tennessee-Chattanooga, [email protected] Virginia Wimberley University of Alabama, [email protected] Follow this and additional works at: https://lib.dr.iastate.edu/itaa_proceedings Part of the Cultural History Commons, Fashion Design Commons, and the Women's History Commons Ludlow, Chalise and Wimberley, Virginia, "Amelia Gayle Gorgas: A Study of the Woman and Her Dress" (2018). International Textile and Apparel Association (ITAA) Annual Conference Proceedings. 108. https://lib.dr.iastate.edu/itaa_proceedings/2018/posters/108 This Poster is brought to you for free and open access by the Conferences and Symposia at Iowa State University Digital Repository. It has been accepted for inclusion in International Textile and Apparel Association (ITAA) Annual Conference Proceedings by an authorized administrator of Iowa State University Digital Repository. For more information, please contact [email protected]. Cleveland, Ohio 2018 Proceedings Amelia Gayle Gorgas: A Study of the Woman and Her Dress Chalise Ludlow & Virginia Wimberley The University of Alabama, USA Keywords: 19th Century, day-dress, pleating, patterning By the beginning of the 1850s women’s skirts had reached a breaking point but new inventions allowed the skirts to continue to grow. In the midst of this change America was in the middle of the Civil War, which also had an effect on fashion and those who wore it. Amelia Gayle Gorgas, wife of a Confederate captain, was caught up in the war as she moved with her husband, Josiah, to assignment in Richmond, Virginia. -
Textiles and Clothing the Macmillan Company
Historic, Archive Document Do not assume content reflects current scientific knowledge, policies, or practices. LIBRARY OF THE UNITED STATES DEPARTMENT OF AGRICULTURE C/^ss --SOA Book M l X TEXTILES AND CLOTHING THE MACMILLAN COMPANY NEW YORK • BOSTON • CHICAGO • DALLAS ATLANTA • SAN FRANCISCO MACMILLAN & CO., Limited LONDON • BOMBAY • CALCUTTA MELBOURNE THE MACMILLAN CO. OF CANADA, Ltd. TORONTO TEXTILES AXD CLOTHIXG BY ELLEX BEERS >McGO WAX. B.S. IXSTEUCTOR IX HOUSEHOLD ARTS TEACHERS COLLEGE. COLUMBIA U>aVERSITY AXD CHARLOTTE A. WAITE. M.A. HEAD OF DEPARTMENT OF DOMESTIC ART JULIA RICHMAX HIGH SCHOOL, KEW YORK CITY THE MACMILLAX COMPAXY 1919 All righU, reserved Copyright, 1919, By the MACMILLAN company. Set up and electrotyped. Published February, 1919. J. S. Gushing Co. — Berwick & Smith Co. Norwood, Mass., U.S.A. ; 155688 PREFACE This book has been written primarily to meet a need arising from the introduction of the study of textiles into the curriculum of the high school. The aim has been, there- fore, to present the subject matter in a form sufficiently simple and interesting to be grasped readily by the high school student, without sacrificing essential facts. It has not seemed desirable to explain in detail the mechanism of the various machines used in modern textile industries, but rather to show the student that the fundamental principles of textile manufacture found in the simple machines of primitive times are unchanged in the highl}^ developed and complicated machinerj^ of to-day. Minor emphasis has been given to certain necessarily technical paragraphs by printing these in type of a smaller size than that used for the body of the text. -
Identifying Textile Types and Weaves 1750-1950 DATS in Partnership with the V&A
Identifying Textile Types and Weaves 1750-1950 DATS in partnership with the V&A DATS DRESS AND TEXTILE SPECIALISTS 1 Identifying Textile Types and Weaves 1750-1950 Text copyright © DATS, 2007 Image copyrights as specified in each section. This information pack has been produced to accompany a one-day workshop of the same name taught by Sue Kerry and held at Birmingham Museum and Art Gallery Collections Centre on 29th November 2007. The workshop is one of three produced in collaboration between DATS and the V&A, funded by the Renaissance Subject Specialist Network Implementation Grant Programme, administered by the MLA. The purpose of the workshops is to enable participants to improve the documentation and interpretation of collections and make them accessible to the widest audience. Participants will have the chance to study objects at first hand to help increase their confidence in identifying textile materials and techniques. This information pack is intended as a means of sharing the knowledge communicated in the workshops with colleagues and the public. Other workshops / information packs in the series: Identifying Printed Textiles in Dress 1740 -1890 Identifying Handmade and Machine Lace Front Cover - English silk tissue, 1875, Spitalfields. T.147-1972 , Image © V&A Images / Victoria and Albert Museum 2 Identifying Textile Types and Weaves Contents Page 2. List of Illustrations 1 3. Introduction and identification checklist 3 4. Identifying Textile Types - Fibres and Yarns 4 5. Weaving and Woven Cloth Historical Framework - Looms 8 6. Identifying Basic Weave Structures – Plain Cloths 12 7. Identifying Basic Weave Structures – Figured / Ornate Cloths 17 8. -
Journey of Double Cloth Across the Globe
International Journal of Applied Home Science REVIEW ARTICLE Volume 2 (3&4), March & April (2015) : 133-142 ISSN : 2394-1413 Received : 09.03.2015; Accepted : 23.03.2015 Journey of double cloth across the globe ANU SHARMA*, MONA SURI AND SIMMI BHAGAT Department of Fabric and Apparel Science, Lady Irwin College (Delhi University), Delhi, India (Email : [email protected]) ABSTRACT Fabric is one of the basic necessitiesy of a human beings. It has been produced and has evolved as per the requirements of human comfort, situations and purposes. To satisfy these needs of consumers, textile industry works day in and day out. The industry is bifurcated in two sectors namely handloom and powerloom.hHandloom industry is creating many documented and undocumented traditional fabrics from across the globe, which areglobe, which is being produced from generations by generations of weavers. This paper talks and introduces the construction about one such traditional handloom fabric called Double Cloth and Cloth and also traces the difference between the double cloth and the single cloth. As there is an empirical study available on double cloth therefore the paper threads the application of double cloth technique and its products from Peruvian textiles to its present day creations. This through a journey coverings many countries around the globe including India. Key Words : Weaving, Loom, Double Cloth, Warp, Weft INTRODUCTION Varieties of fabrics are produced by handlooms. One of the major classifications of the fabrics produced on handloom is Single Cloth and Double Cloth, which is based on their construction techniques and layers. Though the basic process of fabric construction is same in both, the latter have more than one layer woven simultaneously as a face and a back layer in one fabric. -
Canalside Conservation Area - Conservation Area Appraisal
Canalside Conservation Area - Conservation Area Appraisal 1 Introduction 4 2 Planning Policy Framework 10 3 Summary of Special Interest 16 4 Location and Setting 18 4.1 Location and context 18 4.2 General character and plan form 18 4.3 Landscape setting 19 5 Historic development and archaeology 22 5.1 The origins and historic development of the area 22 5.2 Archaeology 28 6 Spatial Analysis 30 6.1 Character and interrelationship of spaces within the area 30 6.2 Key views and vistas 30 7 Character analysis 32 7.1 Definition of character areas 32 7.2 Activity and prevailing or former uses and their influence on the plan form and buildings 36 7.3 The qualities of the buildings and their contribution to the area 37 7.4 Local Details 40 7.5 Prevalent local and traditional building materials and the public realm 40 7.6 A summary audit of the heritage assets 41 7.7 The contribution made to the character of the area by the natural environment and its biodiversity value 52 7.8 Negative factors 53 7.9 Neutral areas 55 8 Community Involvement 58 9 The Setting of the Conservation Area 60 10 Summary and Conclusions 64 Appendices A Contact details 68 B Maps 70 B.1 Conservation Area Boundary 70 Canalside Conservation Area - Conservation Area Appraisal B.2 Burnley Town Centre in 1890 71 B.3 Burnley Town Centre in 1910 72 B.4 Burnley Town Centre in 1930 73 B.5 Scheduled Monument, Statutory and Locally Listed Buildings 73 B.6 Views and Vistas 73 B.7 The Setting of the Conservation Area 74 B.8 Conservation Character Areas 76 Canalside Conservation Area - Conservation Area Appraisal Introduction 3 Canalside Conservation Area - Conservation Area Appraisal 1 Introduction Conservation Areas and their Appraisal 1.1 All planning authorities are required to determine which parts of their area merit Conservation Area status.