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Men and Masculinities in the Changing Japanese Family
Thesis for Doctor of Philosophy in Asian & Middle Eastern Studies Men and Masculinities in the Changing Japanese Family by Hiroko Umegaki Lucy Cavendish College Submitted November 2017 This dissertation is submitted for the degree of Doctor of Philosophy in Asian & Middle Eastern Studies provided by Apollo View metadata, citation and similar papers at core.ac.uk CORE brought to you by 1 Preface This dissertation is the result of my own work and includes nothing which is the outcome of work done in collaboration except as declared in the Preface and specified in the text. It is not substantially the same as any that I have submitted, or, is being concurrently submitted for a degree or diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. I further state that no substantial part of my dissertation has already been submitted, or, is being concurrently submitted for any such degree, diploma or other qualification at the University of Cambridge or any other University or similar institution except as declared in the Preface and specified in the text. It does not exceed the prescribed word limit of the relevant Degree Committee. 2 Acknowledgments Without her ever knowing, my grandmother provided the initial inspiration for my research: this thesis is dedicated to her. Little did I appreciate at the time where this line of enquiry would lead me, and I would not have stayed on this path were it not for my family, my husband, children, parents and extended family: thank you. -
Funkids Amb La Black Music Big Band & Brodas Junior
Dossier pedagògic — FunKids amb la Black Music Big Band Dossier pedagògic FunKids amb la Black Music Big Band & Brodas Junior Auditori de Girona Dossier pedagògic — FunKids amb la Black Music Big Band —3 Presentació —4 Fitxa artística —5 Black Music Big Band- BMBB —6 Què és una Big Band: una gran orquestra de jazz —7 Ball urbà — 2 Dossier pedagògic — FunKids amb la Black Music Big Band Presentació Qui no es mou amb la música funky? La proposta fresca Un espectacle i rítmica de l’Auditori Obert, en què els alumnes desco- briran l’essència de la música negra amb el funky i el soul amb més de 45 com a protagonistes. Un concert formatiu sobre la Big participants dalt Band, els seus instruments i estil amb explicacions en català i pinzellades en anglès (fàcilment comprensibles de l’escenari per als nens i nenes). Tot plegat de la mà dels joves de la entre músics i BMBB i al costat dels ballarins de Brodas Junior, que fa- ballarins ran del FunKids un concert ple d’espectacularitat i ritme! Qui no es mou amb la música funky? Arriba una proposta fresca i rítmica de l’Auditori Obert, en la qual els més joves descobriran l’essència de la música negra amb el funky i el soul com a protagonistes. Un concert formatiu i pedagògic que ens parlarà de la Big Band, els seus instru- ments i estil, el mon del ball urbà, etc.... Què podrem conèixer a FunKids? - Els seus instruments: secció de saxos, trompetes, trombons i la base rítmica - Escoltarem les diferents veus de la Black Music - Viurem els diferents estils de balls urbans com el locking, el popping, el bboying o el hiphop I tot això amb explicacions en català i pinzellades en anglès. -
Title the NEET and Hikikomori Spectrum
View metadata, citation and similar papers at core.ac.uk brought to you by CORE provided by Kyoto University Research Information Repository The NEET and Hikikomori spectrum: Assessing the risks and Title consequences of becoming culturally marginalized. Author(s) Uchida, Yukiko; Norasakkunkit, Vinai Citation Frontiers in psychology (2015), 6 Issue Date 2015-08-18 URL http://hdl.handle.net/2433/214324 © 2015 Uchida and Norasakkunkit. This is an open-access article distributed under the terms of the Creative Commons Attribution License (CC BY). The use, distribution or reproduction in other forums is permitted, provided the original Right author(s) or licensor are credited and that the original publication in this journal is cited, in accordance with accepted academic practice. No use, distribution or reproduction is permitted which does not comply with these terms. Type Journal Article Textversion publisher Kyoto University ORIGINAL RESEARCH published: 18 August 2015 doi: 10.3389/fpsyg.2015.01117 The NEET and Hikikomori spectrum: Assessing the risks and consequences of becoming culturally marginalized Yukiko Uchida 1* and Vinai Norasakkunkit 2 1 Kokoro Research Center, Kyoto University, Kyoto, Japan, 2 Department of Psychology, Gonzaga University, Spokane, WA, USA An increasing number of young people are becoming socially and economically marginalized in Japan under economic stagnation and pressures to be more globally competitive in a post-industrial economy. The phenomena of NEET/Hikikomori (occupational/social withdrawal) have attracted global attention in recent years. Though the behavioral symptoms of NEET and Hikikomori can be differentiated, some commonalities in psychological features can be found. Specifically, we believe that both NEET and Hikikomori show psychological tendencies that deviate from those Edited by: Tuukka Hannu Ilmari Toivonen, governed by mainstream cultural attitudes, values, and behaviors, with the difference University of London, UK between NEET and Hikikomori being largely a matter of degree. -
Title Call # Category
Title Call # Category 2LDK 42429 Thriller 30 seconds of sisterhood 42159 Documentary A 42455 Documentary A2 42620 Documentary Ai to kibo no machi = Town of love & hope 41124 Documentary Akage = Red lion 42424 Action Akahige = Red beard 34501 Drama Akai hashi no shita no nerui mizu = Warm water under bridge 36299 Comedy Akai tenshi = Red angel 45323 Drama Akarui mirai = Bright future 39767 Drama Akibiyori = Late autumn 47240 Akira 31919 Action Ako-Jo danzetsu = Swords of vengeance 42426 Adventure Akumu tantei = Nightmare detective 48023 Alive 46580 Action All about Lily Chou-Chou 39770 Always zoku san-chôme no yûhi 47161 Drama Anazahevun = Another heaven 37895 Crime Ankokugai no bijo = Underworld beauty 37011 Crime Antonio Gaudí 48050 Aragami = Raging god of battle 46563 Fantasy Arakimentari 42885 Documentary Astro boy (6 separate discs) 46711 Fantasy Atarashii kamisama 41105 Comedy Avatar, the last airbender = Jiang shi shen tong 45457 Adventure Bakuretsu toshi = Burst city 42646 Sci-fi Bakushū = Early summer 38189 Drama Bakuto gaijin butai = Sympathy for the underdog 39728 Crime Banshun = Late spring 43631 Drama Barefoot Gen = Hadashi no Gen 31326, 42410 Drama Batoru rowaiaru = Battle royale 39654, 43107 Action Battle of Okinawa 47785 War Bijitâ Q = Visitor Q 35443 Comedy Biruma no tategoto = Burmese harp 44665 War Blind beast 45334 Blind swordsman 44914 Documentary Blind woman's curse = Kaidan nobori ryu 46186 Blood : Last vampire 33560 Blood, Last vampire 33560 Animation Blue seed = Aokushimitama blue seed 41681-41684 Fantasy Blue submarine -
Willieverbefreelikeabird Ba Final Draft
Háskóli Íslands Hugvísindasvið Japanskt mál og menning Fashion Subcultures in Japan A multilayered history of street fashion in Japan Ritgerð til BA-prófs í japönsku máli og menningu Inga Guðlaug Valdimarsdóttir Kt: 0809883039 Leðbeinandi: Gunnella Þorkellsdóttir September 2015 1 Abstract This thesis discusses the history of the street fashion styles and its accompanying cultures that are to be found on the streets of Japan, focusing on the two most well- known places in Tokyo, namely Harajuku and Shibuya, as well as examining if the economic turmoil in Japan in the 1990s had any effect on the Japanese street fashion. The thesis also discusses youth cultures, not only those in Japan, but also in North- America, Europe, and elsewhere in the world; as well as discussing the theories that exist on the relation of fashion and economy of the Western world, namely in North- America and Europe. The purpose of this thesis is to discuss the possible causes of why and how the Japanese street fashion scene came to be into what it is known for today: colorful, demiurgic, and most of all, seemingly outlandish to the viewer; whilst using Japanese society and culture as a reference. Moreover, the history of certain street fashion styles of Tokyo is to be examined in this thesis. The first chapter examines and discusses youth and subcultures in the world, mentioning few examples of the various subcultures that existed, as well as introducing the Japanese school uniforms and the culture behind them. The second chapter addresses how both fashion and economy influence each other, and how the fashion in Japan was before its economic crisis in 1991. -
The Otaku Phenomenon : Pop Culture, Fandom, and Religiosity in Contemporary Japan
University of Louisville ThinkIR: The University of Louisville's Institutional Repository Electronic Theses and Dissertations 12-2017 The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan. Kendra Nicole Sheehan University of Louisville Follow this and additional works at: https://ir.library.louisville.edu/etd Part of the Comparative Methodologies and Theories Commons, Japanese Studies Commons, and the Other Religion Commons Recommended Citation Sheehan, Kendra Nicole, "The otaku phenomenon : pop culture, fandom, and religiosity in contemporary Japan." (2017). Electronic Theses and Dissertations. Paper 2850. https://doi.org/10.18297/etd/2850 This Doctoral Dissertation is brought to you for free and open access by ThinkIR: The University of Louisville's Institutional Repository. It has been accepted for inclusion in Electronic Theses and Dissertations by an authorized administrator of ThinkIR: The University of Louisville's Institutional Repository. This title appears here courtesy of the author, who has retained all other copyrights. For more information, please contact [email protected]. THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Submitted to the Faculty of the College of Arts and Sciences of the University of Louisville in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy in Humanities Department of Humanities University of Louisville Louisville, Kentucky December 2017 Copyright 2017 by Kendra Nicole Sheehan All rights reserved THE OTAKU PHENOMENON: POP CULTURE, FANDOM, AND RELIGIOSITY IN CONTEMPORARY JAPAN By Kendra Nicole Sheehan B.A., University of Louisville, 2010 M.A., University of Louisville, 2012 A Dissertation Approved on November 17, 2017 by the following Dissertation Committee: __________________________________ Dr. -
Dansō, Gender, and Emotion Work in a Tokyo Escort Service
WALK LIKE A MAN, TALK LIKE A MAN: DANSŌ, GENDER, AND EMOTION WORK IN A TOKYO ESCORT SERVICE A thesis submitted to The University of Manchester for the degree of Doctor of Philosophy in the Faculty of Humanities 2018 MARTA FANASCA SCHOOL OF ARTS, LANGUAGES AND CULTURES Table of Contents List of Figures and Tables ...................................................................................................... 5 Abstract .................................................................................................................................. 6 Declaration and Copyright Statement .................................................................................... 7 Acknowledgments .................................................................................................................. 8 Introduction .......................................................................................................................... 9 Significance and aims of the research .................................................................................. 12 Outline of the thesis ............................................................................................................. 14 Chapter 1 Theoretical Framework and Literature Review Introduction .......................................................................................................................... 16 1.1 Masculinity in Japan ...................................................................................................... 16 1.2 Dansō and gender definition -
Japanese Business Concepts You Should Know
1 Japanese Business Concepts You Should Know Edited by Parissa Haghirian Sophia University Tokyo, Japan 2 Contents About this Book ......................................................................................... 4 The Editor ................................................................................................ 5 Japanese Business Concepts You Should Know ................................................. 6 Contributors of This Book ............................................................................ 94 Bibliography ............................................................................................ 96 Further Reading on Japanese Management .................................................... 102 3 About this Book This book is the result of one of my “Management in Japan” classes held at the Faculty of Liberal Arts at Sophia University in Tokyo. Students wrote this dictionary entries, I edited and updated them. The document is now available as a free e-book at my homepage www.haghirian.com. We hope that this book improves understanding of Japanese management and serves as inspiration for anyone interested in the subject. Questions and comments can be sent to [email protected]. Please inform the editor if you plan to quote parts of the book. Japanese Business Concepts You Should Know Edited by Parissa Haghirian First edition, Tokyo, October 2019 4 The Editor Parissa Haghirian is Professor of International Management at Sophia University in Tokyo. She lives and works in Japan since 2004 -
Neets' Challenge to Japan: Causes and Remedies
NEETs’ Challenge to Japan: Causes and Remedies NEETS’ CHALLENGE TO JAPAN: CAUSES AND REMEDIES Khondaker Mizanur Rahman Abstract: Based on a questionnaire survey and an interview, with additional sup- port from reviews of literature and archival information, this paper examines the underlying causes of the NEET (Not in Employment, Education or Training) prob- lem in Japan. Those who responded to the survey were senior-grade students from middle schools, high schools, junior college and university, and a group of opinion leaders, who have no direct experience as freeters or NEETs. Findings from the survey suggest that individual personality attributes such as dislike of and inabil- ity to adapt to things and situations, over-sensitivity etc. which arise from and are exacerbated by unfavorable family, school, social, and workplace related circum- stances, with further negative influences from the economic environment and metamorphic social changes, have given rise to the problem of NEET. The issue has posed a severe challenge to the nation’s labor market, and calls for an immediate solution. The paper offers some inductive and deductive suggestions to eradicate the underlying causes of the problem and arrest its further escalation and prevent recurrence. 1 1. INTRODUCTION: NEET AND THE JAPANESE LABOUR MARKET The term “Not in Employment, Education or Training” (NEET), first used in the analysis of British labor policy in the 1980s to denote people in the age brackets of 16–18 who are “not in employment, education, and train- ing”, was adopted in Japan in 2004, and its meaning and essence were modified to fit into the social and labor market circumstances (Kosugi 2005a: 7–8; Wikipedia 2005, Internet). -
Hikikomori- a Generation in Crisis
Hikikomori- a Generation in Crisis Investigations into the phenomenon of acute social withdrawal in Japan Lars Nesser Master Thesis in Japanese- (AAS), 30 SP, Spring 2009, Institute of Cultural Studies and Oriental Languages (IKOS), University of Oslo i Abstract This paper is focused on acute social withdrawal in Japan, popularly referred to as the hikikomori phenomenon. I aim to investigate and analyse the discourse on hikikomori in the socio- historical context of post- bubble Japan. I argue that the 90s or the ‘lost decade’ of Japan plays a major part as the context in which hikikomori was constituted as a unique phenomenon of Japan and as a part of a larger social crisis. To my family, friends and Miki Table of Contents Chapter 1- Introduction...................................................................................... 1 1.1- Background ................................................................................................................... 1 1.2- Main argument.............................................................................................................. 4 1.3- Research Question ........................................................................................................ 4 1.4- Research method........................................................................................................... 4 1.4.1- Discourse.................................................................................................. 5 1.4.2- Nihonjinron in discourse ......................................................................... -
L'uniforme Scolastica Femminile in Giappone Tra Conformismo E
Università Ca’ Foscari Venezia Corso di Laurea magistrale in Lingue e Civiltà dell’Asia e dell’Africa Mediterranea Tesi di Laurea L’uniforme scolastica femminile in Giappone tra conformismo e trasgressione Relatrice Ch. Prof.ssa Maria Roberta Novielli Correlatrice Ch. Prof.ssa Paola Scrolavezza Laureanda Chiara Silini Matricola 826608 Anno Accademico 2013 / 2014 1 2 要旨 制服は全体の世界社会の中で大切な役割がある。制服はいろいろな点から魅力的 な服装である。社会の中で、多くの場合では、服を着るのは制服を着るという意 味になる。そのために制服をわかるのは社会をわかるのと同じだと考えられる。 社会の中で2つの形態がある。一つは公式見解であり、二つは非公式見解である 。公式見解によれば制服は命令、規律、コントロールなどを示唆する。反対に、 非公式見解によれば、制服はファッション、エロ世界などを示唆する。 日本の女子学生制服はその二つの傾向の一番いい例である考えられる。学生制服 は学校制度のシンボルとして、フォーマルな服装である。しかし、大衆文化的に なると、新しい意味を持つようになることがよく見られる。このようにして、女 子学生制服はかわいいカルチャー、サブカルチャー、エロ世界などにも使えるよ うになった。それはなぜか。この卒業論文はその問題に答えを見つけることを目 的としている。 アイディアは大学の2年生のときに出た。そのときはファッションの世界に夢中 になった。熱心な気持ちから、独学者で服に関する勉強をはじめた。習ったこと を実際に使いたいと思っていたので、どのように卒業論文にも入れられるか考え 始めた。考えれば考えるほど、突然新しいアイディアがひらめいた。制服だった 。日本にはたくさんの制服があり、日本の社会にとって制服は大切な役割がある 。制服はファッションの研究の問題だけではなく、主に社会学の問題である。5 年生でノヴィエッリ先生とはじめて相談した。そのときには、先生からアドバイ スを頂いた。制服のアイディアはよいが、もっと具体的なテーマを選ぶ必要があ ると言われた。その時に、明治時代の日本における洋服の採用に関する本を先生 に勧められた。本では学生制服の採用についてもよく説明があった。その時まで 3 私は学生制服を理解する必要ないと考えていた。しかし、私の期待に反して、女 子学生制服が卒業論文のテーマになった。去年の2月から5月までインターシッ プをするために東京に旅行した。そのときには、国立国会図書館で資料を探した 。何を探すか知らなかったので、研究は思っていたより少し難しかった。それに もかかわらず、イタリアに帰るまでに見つけた資料がたくさんあった。なので、 イタリアに帰った後で卒業論文を書いた。 卒業論文を書くために使った文献すべて東京の国立国会図書館とインターネット で集めた書類である。大衆文化の具体的な例として、マルチメディアも(映画、 マンガなど)使った。 最後的に卒業論文のファイルは6章になり、いろいろな点から日本の女性学生制 服を論じている。 第1章では、制服の概念を論じる。様々な制服を使いの観点から分類した後、一 般的な学生制服に関して説明する。 第2章では明治時代の洋服の採用について書いた。明治維新の社会的変革の中で -
Para-Para Dance
Para-para dance Made by: Mª Manuela Limia Luna and Raquel Limón Bermejo. Index: ● What is it? ● History ● Characteristics ● Parts of Para-para ● Some figures What is it? It is a popular japanese choreography usually danced in groups, everyone makes movements at the same time. This dance exists from 1980, when in Europe appeared the Italo disco (electronic music), disco music and music from Japan, but it didn’t become very popular outside Japan until 1990. History The origin of this dance come from the end of 1970. As the teenagers could not come into discotheques, they started dancing outside around a radio with a particular style which consisted on arms and hands’ movements. Later, it took the name of Para-para due to the people’s hum with the song “Take on me” from the norwegian group a-ha (paraparapapa). Para-para dance is singular for its movements according to the song’s beat while the feet set the music’s rhythm moving from one side to the other or without moving. Characteristics Every song has a different choreography and a constant fast rhythm, there are three types of Para-para depending on the music: ● Basic: many arms movements, the easiest. ● Techpara: more difficult and fast. (Techno-Rave music) ● Trapara: is the combination of both. (Trance music) Parts in which the song is divided Para-para songs is divided in three parts: -Intro: the beginning and the end of a song. It usually ends with the rhythm of the beginning. -Melo: they're the strophes of the song. -Sabi: The chorus of the song.