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Fall 2018 Contact Information
SKYHORSE PUBLISHING Fall 2018 Contact Information Editorial, Publicity, and Bookstore and Library Sales Field Sales Force Special Sales Distribution Elise Cannon Skyhorse Publishing, Inc. Two Rivers Distribution VP, Field Sales 307 West 36th Street, 11th Floor Ingram Content Group LLC One Ingram Boulevard t: 510-809-3730 New York, NY 10018 e: [email protected] t: 212-643-6816 La Vergne, TN 37086 f: 212-643-6819 t: 866-400-5351 e: [email protected] Leslie Jobson e: [email protected] Field Sales Support Manager t: 510-809-3732 e: [email protected] International Sales Representatives United Kingdom, Ireland & Australia, New Zealand & India South Africa Canada Europe Shawn Abraham Peter Hyde Associates Thomas Allen & Son Ltd. General Inquiries: Manager, International Sales PO Box 2856 195 Allstate Parkway Ingram Publisher Services UK Ingram Publisher Services Intl Cape Town, 8000 Markham, ON 5th Floor 1400 Broadway, Suite 520 South Africa L3R 4T8 Canada 52–54 St John Street New York, NY, 10018 t: +27 21 447 5300 t: 800-387-4333 Clerkenwell t: 212-581-7839 f: +27 21 447 1430 f: 800-458-5504 London, EC1M 4HF e: shawn.abraham@ e: [email protected] e: [email protected] e: IPSUK_enquiries@ ingramcontent.com ingramcontent.co.uk India All Other Markets and Australia Penguin Books India Pvt. Ltd. General International Enquiries Ordering Information: NewSouth Books 7th Floor, Infinity Tower C Ingram Publisher Services Intl Grantham Book Services Orders and Distribution DLF Cyber City, Phase - III 1400 Broadway, -
EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018
EDM (Dance Music): Disco, Techno, House, Raves… ANTHRO 106 2018 Rebellion, genre, drugs, freedom, unity, sex, technology, place, community …………………. Disco • Disco marked the dawn of dance-based popular music. • Growing out of the increasingly groove-oriented sound of early '70s and funk, disco emphasized the beat above anything else, even the singer and the song. • Disco was named after discotheques, clubs that played nothing but music for dancing. • Most of the discotheques were gay clubs in New York • The seventies witnessed the flowering of gay clubbing, especially in New York. For the gay community in this decade, clubbing became 'a religion, a release, a way of life'. The camp, glam impulses behind the upsurge in gay clubbing influenced the image of disco in the mid-Seventies so much that it was often perceived as the preserve of three constituencies - blacks, gays and working-class women - all of whom were even less well represented in the upper echelons of rock criticism than they were in society at large. • Before the word disco existed, the phrase discotheque records was used to denote music played in New York private rent or after hours parties like the Loft and Better Days. The records played there were a mixture of funk, soul and European imports. These "proto disco" records are the same kind of records that were played by Kool Herc on the early hip hop scene. - STARS and CLUBS • Larry Levan was the first DJ-star and stands at the crossroads of disco, house and garage. He was the legendary DJ who for more than 10 years held court at the New York night club Paradise Garage. -
E-MU Proteus Rack Library User Manual
PROTEUS RACK LIBRARY KONTAKT AND KONTAKT PLAYER USER MANUAL Table of Contents 1. Overview 03 2. Functionality 05 Main Panel 05 Amplifier Envelope Panel 06 Keyboard/Effects Amount Panel 06 Reverb Panel 07 Delay Panel 07 Chorus Panel 08 Arpeggiator 1 Panel 09 Arpeggiator 2 Panel 09 Arpeggiator Note Order 10 Solo Panel 11 3. NKS 12 4. Category Reference 13 5. Program Listing 14 Page | 2 Digital Sound Factory E-MU Proteus Rack Overview Welcome to the World of Proteus Thank you for purchasing the E-MU Proteus Rack. This sound set is a Kontakt library and requires the free Kontakt Player (https://www.native-instruments.com/) the full version of Kontakt, Komplete, or Maschine. Please see Getting Started for installation details. The E-MU Proteus sound modules revolutionized the world of digital music performance and composition. The Proteus 2000 style product line was the second generation of the Proteus family with 128 voice polyphony, arpeggiator, solo mode, effects, and four sound ROM slots for a total 128 mb sounds This Kontakt library was designed and produced by the original E-MU sound and graphic designers. Starting with the original waveforms, Kontakt instruments were mapped and programmed to match the hardware modules. The powerful script programming integrates the hardware functionality to the screen for the same great look and feel as the modules. Proteus Rack is designed for Kontakt Player and the full version of Kontakt. The instruments are seamlessly integrated to be controlled by all Native Instruments NKS hardware. Included are Proteus 2000, Mo’ Phatt, Virtuoso, Xtreme Lead-1, Planet Earth, and Vintage Pro. -
The THREE's a CROWD
The THREE’S A CROWD exhibition covers areas ranging from Hong Kong to Slavic vixa parties. It looks at modern-day streets and dance floors, examining how – through their physical presence in the public space – bodies create temporary communities, how they transform the old reality and create new conditions. And how many people does it take to make a crowd. The autonomous, affect-driven and confusing social body is a dynamic 19th-century construct that stands in opposition to the concepts of capitalist productivity, rationalism, and social order. It is more of a manifestation of social dis- order: the crowd as a horde, the crowd as a swarm. But it happens that three is already a crowd. The club culture remembers cases of criminalizing the rhythmic movement of at least three people dancing to the music based on repetitive beats. We also remember this pandemic year’s spring and autumn events, when the hearts of the Polish police beat faster at the sight of crowds of three and five people. Bodies always function in relation to other bodies. To have no body is to be nobody. Bodies shape social life in the public space through movement and stillness, gath- ering and distraction. Also by absence. Regardless of whether it is a grassroots form of bodily (dis)organization, self-cho- reographed protests, improvised social dances, artistic, activist or artivist actions, bodies become a field of social and political struggle. Together and apart. ARTISTS: International Festival of Urban ARCHIVES OF PUBLIC Art OUT OF STH VI: SPACE PROTESTS ABSORBENCY -
The Miseducation of Hip-Hop Dance: Authenticity, and the Commodification of Cultural Identities
The Miseducation of Hip-Hop dance: Authenticity, and the commodification of cultural identities. E. Moncell Durden., Assistant Professor of Practice University of Southern California Glorya Kaufman School of Dance Introduction Hip-hop dance has become one of the most popular forms of dance expression in the world. The explosion of hip-hop movement and culture in the 1980s provided unprecedented opportunities to inner-city youth to gain a different access to the “American” dream; some companies saw the value in using this new art form to market their products for commercial and consumer growth. This explosion also aided in an early downfall of hip-hop’s first dance form, breaking. The form would rise again a decade later with a vengeance, bringing older breakers out of retirement and pushing new generations to develop the technical acuity to extraordinary levels of artistic corporeal genius. We will begin with hip-hop’s arduous beginnings. Born and raised on the sidewalks and playgrounds of New York’s asphalt jungle, this youthful energy that became known as hip-hop emerged from aspects of cultural expressions that survived political abandonment, economic struggles, environmental turmoil and gang activity. These living conditions can be attributed to high unemployment, exceptionally organized drug distribution, corrupt police departments, a failed fire department response system, and Robert Moses’ building of the Cross-Bronx Expressway, which caused middle and upper-class residents to migrate North. The South Bronx lost 600,000 jobs and displaced more than 5,000 families. Between 1973 and 1977, and more than 30,000 fires were set in the South Bronx, which gave rise to the phrase “The Bronx is Burning.” This marginalized the black and Latino communities and left the youth feeling unrepresented, and hip-hop gave restless inner-city kids a voice. -
UNIVERSITY of CALIFORNIA RIVERSIDE in the Land of Perfect
UNIVERSITY OF CALIFORNIA RIVERSIDE In the Land of Perfect Bliss A Thesis submitted in partial satisfaction of the requirements for the degree of Master of Fine Arts in Creative Writing and Writing for the Performing Arts by Simona Suresh Supekar August 2013 Thesis Committee: Professor Andrew Winer, Co-Chairperson Professor Tod Goldberg, Co-Chairperson Professor Mark Haskell Smith Copyright by Simona Suresh Supekar 2013 The Thesis of Simona Suresh Supekar is approved: Committee Co-Chairperson Committee Co-Chairperson University of California, Riverside Acknowledgements I am indebted to the guidance of Mark Haskell Smith, whose relentless support and spot- on feedback throughout the writing process was crucial to getting this far. I also want to thank Tod Goldberg for accepting me into the program and for his very insightful comments on my work. The smart, thoughtful feedback from Mary Yukari Waters was also instrumental in getting my story where it needed to be. Thanks also to my many colleagues at UCR who provided very valuable comments on my work and whose work I too admire. I am so lucky to have had you as friends in this program, so much so that I copied verbatim the first half of this sentence from the sample acknowledgments page in the thesis review packet. Last, I want to thank my parents Suresh and Shaila Supekar who gave me the stories to tell and the desire to tell them by virtue of just being here, in America, as immigrants who left so much behind in India. And of course, none of my work would be possible without the love—upon which everything is built, really—from my partner Arturo Aguilar, who pushed me to follow my dream and has supported me in every way throughout this journey. -
VAGRANT RECORDS the Lndie to Watch
VAGRANT RECORDS The lndie To Watch ,Get Up Kids Rocket From The Crypt Alkaline Trio Face To Face RPM The Detroit Music Fest Report 130.0******ALL FOR ADC 90198 LOUD ROCK Frederick Gier KUOR -REDLANDS Talkin' Dirty With Matt Zane No Motiv 5319 Honda Ave. Unit G Atascadero, CA 93422 HIP-HOP Two Decades of Tommy Boy WEEZER HOLDS DOWN el, RADIOHEAD DOMINATES TOP ADDS AIR TAKES CORE "Tommy's one of the most creative and versatile multi-instrumentalists of our generation." _BEN HARPER HINTO THE "Geggy Tah has a sleek, pointy groove, hitching the melody to one's psyche with the keen handiness of a hat pin." _BILLBOARD AT RADIO NOW RADIO: TYSON HALLER RETAIL: ON FEDDOR BILLY ZARRO 212-253-3154 310-288-2711 201-801-9267 www.virginrecords.com [email protected] [email protected] [email protected] 2001 VIrg. Records Amence. Inc. FEATURING "LAPDFINCE" PARENTAL ADVISORY IN SEARCH OF... EXPLICIT CONTENT %sr* Jeitetyr Co owe Eve« uuwEL. oles 6/18/2001 Issue 719 • Vol 68 • No 1 FEATURES 8 Vagrant Records: become one of the preeminent punk labels The Little Inclie That Could of the new decade. But thanks to a new dis- Boasting a roster that includes the likes of tribution deal with TVT, the label's sales are the Get Up Kids, Alkaline Trio and Rocket proving it to be the indie, punk or otherwise, From The Crypt, Vagrant Records has to watch in 2001. DEPARTMENTS 4 Essential 24 New World Our picks for the best new music of the week: An obit on Cameroonian music legend Mystic, Clem Snide, Destroyer, and Even Francis Bebay, the return of the Free Reed Johansen. -
2018/19 Hip Hop Rules & Regulations
2018/19 Hip Hop Rules for the New Zealand Schools Hip Hop Competition Presented by the New Zealand Competitive Aerobics Federation 2018/19 Hip Hop Rules, for the New Zealand Schools Hip Hop Championships © New Zealand Competitive Aerobic Federation Page 1 PART 1 – CATEGORIES ........................................................................................................................................................ 3 1.1 NSHHC Categories .............................................................................................................................................. 3 1.2 Hip Hop Unite Categories .................................................................................................................................. 3 1.3 NSHHC Section, Division, Year Group, & Grade Overview ................................................................................ 3 1.3.1 Adult Age Division ........................................................................................................................................ 3 1.3.2 Allowances to Age Divisions (Year Group) for NSHHC ................................................................................ 4 1.4 Participation Limit .............................................................................................................................................. 4 Part 2 – COMPETITION REQUIREMENTS ........................................................................................................................... 5 2.1 Performance Area ............................................................................................................................................. -
Hands up Classics Pulsedriver Hands up Magazine Anniversary Edition
HUMAG 12 Hands up Magazine anniversary Edition hANDS Up cLASSICS Pulsedriver Page 1 Welcome, The time has finally come, the 12th edition of the magazine has appeared, it took a long time and a lot has happened, but it is done. There are again specials, including an article about pulsedriver, three pages on which you can read everything that has changed at HUMAG over time and how the de- sign has changed, one page about one of the biggest hands up fans, namely Gabriel Chai from Singapo- re, who also works as a DJ, an exclusive interview with Nick Unique and at the locations an article about Der Gelber Elefant discotheque in Mühlheim an der Ruhr. For the first time, this magazine is also available for download in English from our website for our friends from Poland and Singapore and from many other countries. We keep our fingers crossed Richard Gollnik that the events will continue in 2021 and hopefully [email protected] the Easter Rave and the TechnoBase birthday will take place. Since I was really getting started again professionally and was also ill, there were unfortu- nately long delays in the publication of the magazi- ne. I apologize for this. I wish you happy reading, Have a nice Christmas and a happy new year. Your Richard Gollnik Something Christmas by Marious The new Song Christmas Time by Mariousis now available on all download portals Page 2 content Crossword puzzle What is hands up? A crossword puzzle about the An explanation from Hands hands up scene with the chan- Up. -
Para-Para Dance
Para-para dance Made by: Mª Manuela Limia Luna and Raquel Limón Bermejo. Index: ● What is it? ● History ● Characteristics ● Parts of Para-para ● Some figures What is it? It is a popular japanese choreography usually danced in groups, everyone makes movements at the same time. This dance exists from 1980, when in Europe appeared the Italo disco (electronic music), disco music and music from Japan, but it didn’t become very popular outside Japan until 1990. History The origin of this dance come from the end of 1970. As the teenagers could not come into discotheques, they started dancing outside around a radio with a particular style which consisted on arms and hands’ movements. Later, it took the name of Para-para due to the people’s hum with the song “Take on me” from the norwegian group a-ha (paraparapapa). Para-para dance is singular for its movements according to the song’s beat while the feet set the music’s rhythm moving from one side to the other or without moving. Characteristics Every song has a different choreography and a constant fast rhythm, there are three types of Para-para depending on the music: ● Basic: many arms movements, the easiest. ● Techpara: more difficult and fast. (Techno-Rave music) ● Trapara: is the combination of both. (Trance music) Parts in which the song is divided Para-para songs is divided in three parts: -Intro: the beginning and the end of a song. It usually ends with the rhythm of the beginning. -Melo: they're the strophes of the song. -Sabi: The chorus of the song. -
“DANCES WE KNOW by HEART” Presented by Meg Greiner [email protected]
“DANCES WE KNOW BY HEART” presented by Meg Greiner [email protected] AGADOU - Australia Music: Agadou - Black Lace (there is a french and an english version) FLAIR (fla 107) Position: Scattered or lines Agadoo - do -do - jab index fingers forward 3 times Push Pineapple - pushing movement forward with hands Shake the tree - Clasp hands together swing over left shoulder and right Agadoo - do -do - jab index fingers forward 3 times Push Pineapple - pushing movement forward with hands Grind Coffee - make circles with hands over each other roly poly movement To the left - point left arm in air or step to left side To the right - point right arm in air or step to right side Jump Up - both arms in the air and jump And to the knees - bring arms down to knees Cross over - hands at knees Shoop during versus two to right and two to left! Repeat THE ALLEY CAT (American Novelty Dance - Origin Uncertain) Music: The Alley Cat, Christmas Twist - Jingle Bell Rock Formation: Scattered Cues: right to the right (side touches) left to the left (side touches) right back, right back left back, left back right knee up twice left knee up twice right knee up left knee up clap and jump repeat!! THE BUS STOP (modified version) Music: Le Freak or any good 4/4 beat music (disco) CD: Pure Disco Vol. #3 Formation: Lines Cues: back, 2, 3, clap forward 2, 3, clap side 2, 3, clap side 2, 3, clap jump forward jump back jump forward and back click, click heel, heel toe, toe front back side turn Start by walking backward for four counts with a clap on four Walk forward four counts with a clap on four Turn right and strut sideways for four counts with a clap on four Turn left and strut sideways for four counts with a clap on four Jump forward, hands up 2cts Jump backward, hands down 2cts Jump forward and back 2cts Click your heels together like Dorothy 2 cts. -
Progressive House Music Download
Progressive house music download click here to download Into progressive house music? Explore our selection of progressive house tracks on Beatport - the world's largest store for DJs. Listen to Free downloadNew MusicProgressive House Deep House Tech House shows. Under Waves with Damon Marshall & Adnan Jakubovic (Mar) Damon Marshall - Ocean Sound Podcast (Apr 13 ). Progressive House. Waste Music Busters · Immortal Lover (In My Nex ANDREW BAYER FEAT ALISON MAY · Immortal Lover (In My Nex Anjunabeats . Nicky Romero returns to the sound that started it all on his newest track "Duality," and it's guaranteed to bring back fond memories of earlier dance music days. Progressive house mixes Download MP3 for free. Also Live Progressive house Sets, Podcasts and Electronic Music mix shows. Also subgenres from. Create your free download gates with www.doorway.ru - Get free SoundCloud reposts to Stream Tracks and Playlists from Progressive House on your desktop or. Welcome to 8tracks radio: free music streaming for any time, place, or mood. tagged with house, progressive, and electronic. You can also download one of our. Posts about Progressive House written by f.a.r.e.s. Download page (Bandcamp ) Ambient piece, this shows how well he's been all along at making music.”. Please enable JavaScript or install the latest flash player to our play music tracks: www.doorway.ru No tracks found. Add to Cart Download. Best Livesets & Dj Sets from Progressive House Free Electronic Dance Music download from various sources like Zippyshare www.doorway.ru Soundcloud and. Progressive house is a subgenre of house music. It emerged in the early s.