Ojai Film Festival's 20Th Anniversary
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
HAWK KOCH Producer
HAWK KOCH Producer Selected Credits: SOURCE CODE (Executive Producer) - Summit Entertainment - Duncan Jones, director UNTRACEABLE (Executive Producer) - Screen Gems/Lakeshore - Greg Hoblit, director FRACTURE (Executive Producer) - New Line - Greg Hoblit, director BLOOD AND CHOCOLATE (Producer) - MGM/Lakeshore - Katja von Garnier, director HOSTAGE (Executive Producer) - Miramax - Florent Emelio Siri, director THE RIVERMAN (Executive Producer) - Fox TV / A & E - Bill Eagles, director COLLATERAL DAMAGE (Executive Producer) - Warner Bros. - Andrew Davis, director FREQUENCY (Producer) - New Line - Greg Hoblit, director KEEPING THE FAITH (Producer) - Spyglass - Ed Norton, director THE BEAUTICIAN AND THE BEAST (Producer) - Paramount - Ken Kwapis, director PRIMAL FEAR (Executive Producer) - Paramount - Greg Hoblit, director VIRTUOSITY (Executive Producer) - Paramount - Brett Leonard, director LOSING ISAIAH (Producer) - Paramount - Stephen Gyllenhaal, director WAYNE’S WORLD 2 (Executive Producer) - Paramount - Stephen Surjik, director SLIVER (Executive Producer) - Paramount - Phillip Noyce, director WAYNE’S WORLD (Executive Producer) - Paramount - Penelope Spheeris, director NECESSARY ROUGHNESS (Executive Producer) - Paramount - Stan Dragoti THE LONG WALK HOME (Producer) - Miramax - Richard Pearce, director ROOFTOPS (Producer) - New Visions - Robert Wise, director THE POPE OF GREENWICH VILLAGE (Producer) - United Artists - Stuart Rosenberg, director THE KEEP (Producer) - Paramount - Michael Mann, director GORKY PARK (Producer) - Orion - Michael Apted, director A NIGHT IN HEAVEN (Producer) - Fox - John G. Avildsen, director HOKY TONK FREEWAY (Producer) - Universal - John Schlesinger, director THE IDOLMAKER (Producer) - United Artists - Taylor Hackford, director THE FRISCO KID (Executive Producer) - Warner Bros. - Robert Aldrich, director HEAVEN CAN WAIT (Executive Producer) - Paramount - Warren Beatty/Buck Henry, directors THE DROWNING POOL (Associate Producer) - Warner Bros. - Stuart Rosenberg, director . -
Kathy Nelson
KATHY NELSON FEATURE FILM HALF MAGIC Sid Sheinberg, Jon Sheinberg, Bill Sherinberg, The Bubble Factory prods. *Music Supervisor Heather Graham, dir. CRIES FROM SYRIA Evgeny Afineevsky, Aaron I. Butler, Den HBO Documentary Films / Afineevsky- Tolmor, prods. Tolmor Production Evgeny Afineevsky, dir. *Music Supervisor SNEAKERHEADZ David T. Friendly, Mick Partridge, prods. Friendly Films David T. Friendly, Mick Partridge, dirs. *Music Supervisor TAKE ME HOME TONIGHT Sarah Bowen, Ryan Kavanaugh, Jim Whitaker, Imagine Entertainment / Rogue Pictures prods. *Music Supervisor Michael Dowse, dir. MEGAMIND Laura Breay, Denise Nolan Cascino, prods. Dreamworks Animation / Red Hour Films Tom McGrath, dir. *Executive Music Producer SCOTT PILGRIMV. THE WORLD Edgar Wright, Nira Park, Marc Platt, Eric Universal Pictures Gitter, prods. *Music Supervisor Edgar Wright, dir. DESPICABLE ME Christopher Meledandri, Janet Healy, John Universal Pictures Cohen, prods. *Music Supervisor Pierre Coffin, Chris Renaud, dirs. PRINCE OF PERSIA: THE SANDS OF Jerry Bruckheimer, prod. TIME Mike Newell, dir. Walt Disney Pictures *Music Consultant REPO MEN Scott Stuber, prod. Universal Pictures Miguel Sapochnik, dir. *Music Supervisor GREEN ZONE Paul Greengrass, Eric Fellner, Tim Bevan, Universal Pictures Lloyd Levin, prods. *Executive in Charge of Music Paul Greengrass, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 KATHY NELSON THE WOLFMAN Scott Stuber, Benicio del Toro, Rick Yorn, Universal Pictures Sean Daniel, prods. *Music Supervisor Joe Johnston, dir. IT’S COMPLICATED Nancy Meyers, Scott Rudin, prods. Universal Pictures Nancy Meyers, dir. *Music Supervisor PIRATE RADIO Tim Bevan, Eric Fellner, Hilary Bevan Jones, Universal Pictures prods. *Executive in Charge of Music Richard Curtis, dir. CIRQUE Du FREAK: THE VAMPIRE’S Ewan Leslie, Andrew Miano, Lauren Shuler ASSISSTANT Donner, Paul Weitz, prods. -
The Big Goodbye
Robert Towne, Edward Taylor, Jack Nicholson. Los Angeles, mid- 1950s. Begin Reading Table of Contents About the Author Copyright Page Thank you for buying this Flatiron Books ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on the author, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For Lynne Littman and Brandon Millan We still have dreams, but we know now that most of them will come to nothing. And we also most fortunately know that it really doesn’t matter. —Raymond Chandler, letter to Charles Morton, October 9, 1950 Introduction: First Goodbyes Jack Nicholson, a boy, could never forget sitting at the bar with John J. Nicholson, Jack’s namesake and maybe even his father, a soft little dapper Irishman in glasses. He kept neatly combed what was left of his red hair and had long ago separated from Jack’s mother, their high school romance gone the way of any available drink. They told Jack that John had once been a great ballplayer and that he decorated store windows, all five Steinbachs in Asbury Park, though the only place Jack ever saw this man was in the bar, day-drinking apricot brandy and Hennessy, shot after shot, quietly waiting for the mercy to kick in. -
PBC19 Sponsor Deck
June 8-9, 2019 at Warner Bros. Studios Presented By Informational Overview WHAT IS PRODUCED BY: LOS ANGELES? On Saturday & Sunday, June 8th & 9th, 2019, the Producers Guild of America will present the 11th annual PRODUCED BY: LOS ANGELES conference, a signature event where the most influential decision makers in the entertainment industry – Producers – gather together in one place. Reaching across the film, television, and new media industries, PRODUCED BY: LOS ANGELES is a two day educational forum that involves numerous Academy Award-winning filmmakers, Emmy Award-winning showrunners, new media innovators, and the next generation of creative entrepreneurs. PRODUCED BY: LOS ANGELES is a unique opportunity to be part of a large- scale, entertainment industry-only conference that includes extraordinary panels, innovative workshops, mentoring roundtables, digital exhibits, information sharing, and networking breakfasts, lunches & an evening reception. Each year PRODUCED BY: LOS ANGELES is hosted by a major Studio and this year is no exception; the conference will take place at Warner Bros. Studios. Over 1,200 people are expected to be in attendance. Dozens of national and entertainment media outlets cover the conference and millions of impressions are generated each year. On the following pages is information for your review and consideration to be a key participant in this premier entertainment industry event. WHERE DOES IT TAKE PLACE? Each year the conference is hosted by a major Studio. The 2019 conference will be on the Warner Bros. studio lot. Below are photos of past Produced By conferences and here is a link to last year’s conference site: https://pbc.producedbyconference.com/, which includes a video overview. -
VOICE of the THEATRE
Journal of the Alex Film Society Volume 19, No.2 Coming Event Saturday, April 27, 2013 2pm & 8pm Membership Benefits Besides supporting our mission, members enjoy : Saturday, June 22, 2013 at 2pm & 8 pm only Chinatown Free and Discounted Tickets VOICE Paramount Pictures Wine and Beer Reception (8pm Show) 1974 131 minutes Early Entry to the Theatre Mailed Programs of the THEATRE In addition, our Dinner and a Movie promotion can save you money all year! Members save 20% at premium restaurants anytime. Patrons on show days with ticket stub receive 10% off! (Note: some restrictions apply, check when ordering) PREMIUM PARTNERS Show your AFS membership card for 20% off dining in (Happy Hour items excluded) El Morfi 241 N. Brand Foxy’s 206 West Colorado Lola’s 230 N. Brand Panda Inn 111 E. Wilson SUPPORTING PARTNERS (no discount) Nominated for 4 Academy Awards, Dr. Strangelove was Stanley Kubrick’s seventh These Partners contribute to our World Famous Raffle feature film and holds third place on the American Film Institute’s ”100 Years...100 Laughs.” or our Members-Only Reception: Angela’s Bistro 112 E. Wilson It stars Peter Sellars, George C. Scott, Sterling Hayden, Keenan Wynn and Slim Pickens. Brand Bookshop 231 N. Brand (Columbia Pictures 1964) Golden Road Brewery 5410 W San Fernando Rd. (Los Angeles) Outback Steakhouse 146 S. Brand Porto’s Bakery 315 N. Brand SPECIAL THANKS Rayhun Sandwiches 120 N. Brand Founding Member and past President Brian Ellis Rocket Fizz 138 N. Brand (pictured) is retiring as of this month. Brian holds Urartu Coffee 119 N. -
June 14, 2018 the Honorable Bob Goodlatte, Chairman The
June 14, 2018 The Honorable Bob Goodlatte, Chairman The Honorable Jerry Nadler, Ranking Member House Committee on the Judiciary 2138 Rayburn House Office Building Washington, D.C. 20515 The Honorable Greg Walden, Chairman The Honorable Joe Barton, Vice Chairman The Honorable Frank Pallone, Ranking Member House Energy and Commerce Committee 2125 Rayburn House Office Building Washington, D.C. 20515 Dear Chairmen, Vice Chairman, and Ranking Members: We, the undersigned, are creatives who make our living in the entertainment industries. Whether we work in film, television, publishing, music, or photography, we and our colleagues have all been affected by the rampant, illicit activity that occurs on the major internet platforms, including Google and Facebook. There has been growing concern in Washington, in the press, and among Americans about the lack of responsibility exercised by the major internet platforms toward harmful and illegal activity taking place on their services. For decades, online gatekeepers like Facebook and Google have turned a blind eye to the proliferation of widespread societal harms on their platforms. From sex trafficking to foreign influence over our elections, from privacy to piracy, it has become increasingly clear that more needs to be done to ensure platform responsibility. In recent hearings in both the House and the Senate, Facebook’s CEO, Mark Zuckerberg, characterized Silicon Valley’s failure to take an appropriately broad view of its responsibility as a “big mistake.” But whether the lack of responsibility was a “mistake” or something else, the failure of Facebook, Google, and others to take responsibility is rooted in decades-old government policies, including legal immunities and safe harbors, that treat these companies differently than other industries and actually absolve internet platforms of responsibility. -
Notice of Annual Meeting of Stockholders to Be Held on July 29
29JAN201703051677 NOTICE OF ANNUAL MEETING OF STOCKHOLDERS ..............................................................................................................................TO BE HELD ON JULY 29, 2021 DEAR STOCKHOLDERS: We cordially invite you to attend the Annual Meeting of Stockholders of AMC Entertainment Holdings, Inc., which will be held on July 29, 2021 at 2:00 p.m. (Central Time) at the AMC Theatre Support Center, located at One AMC Way, 11500 Ash Street, Leawood, Kansas 66211, for the following purposes: 1. To approve an amendment to our Third Amended and Restated Certificate of Incorporation to increase the total number of shares of Class A Common Stock (par value $0.01 per share) the Company shall have the authority to issue by 25,000,000 shares to a total of 549,173,073 shares of Class A Common Stock effective January 1, 2022 (‘‘Proposal 1’’). 2. To elect to our Board of Directors the following nominees for terms expiring at the 2024 Annual Meeting: Mr. Philip Lader, Mr. Gary F. Locke, and Mr. Adam J. Sussman (‘‘Proposal 2’’). 3. To ratify the appointment of Ernst & Young LLP as our independent registered public accounting firm for 2021 (‘‘Proposal 3’’). 4. To conduct a non-binding advisory vote to approve the compensation of named executive officers (‘‘Proposal 4’’). 5. To approve the adjournment of the Annual Meeting to a later date or dates, if necessary or appropriate, to solicit additional proxies if there are insufficient votes to adopt the proposals (‘‘Proposal 5’’). These items of business (collectively, the ‘‘Proposals’’) are more fully described in the Proxy Statement accompanying this notice. Our Board has fixed the close of business on June 2, 2021 as the record date for determining the stockholders entitled to notice of and to vote at the Annual Meeting of Stockholders or at any adjournment or postponement thereof. -
Chuck Lorre with Robert & Michelle King, And
FOR IMMEDIATE RELEASE PRODUCERS GUILD OF AMERICA ANNOUNCES TWO “CONVERSATIONS WITH...” CHUCK LORRE WITH ROBERT & MICHELLE KING, AND JOE & ANTHONY RUSSO FOR THE 2016 PRODUCED BY CONFERENCE ADDITIONAL SPEAKERS INCLUDE TRACEY EDMONDS, PAUL FEIG, MARK GORDON, HAWK KOCH, DAN LIN, JEFFREY STOTT AND MORE REGISTRATION IS NOW OPEN FOR ALL SESSIONS LOS ANGELES (May 18, 2016) – Today, The Producers Guild of America (PGA) announced two new Conversation With… sessions and a slate of additional speakers confirmed to participate in the 8th annual Produced By Conference (PBC). The recently added Conversations With… will feature an intimate discussion between legendary sitcom creator Chuck Lorre and producing partners Robert & Michelle King, as well as an in-depth conversation with box office hit-makers the Russo Brothers. The 2016 Produced By Conference offers more than 30 panel discussions, mentoring roundtables, networking opportunities and workshops designed to foster connections and provide key insights into today’s production marketplace. PBC takes place Saturday, June 4 through Sunday, June 5 and is hosted by Sony Pictures on its studio lot in Culver City, CA. The Producers Guild also announced newly added speakers for Produced By 2016. In alphabetical order, they include: Tracey Edmonds, CEO and President, Edmonds Entertainment; Co-Host, Extra; JUMPING THE BROOM, "With this Ring" Paul Feig, Principal, Feigco Entertainment; GHOSTBUSTERS, SPY Mark Gordon, CEO, The Mark Gordon Company; SAVING PRIVATE RYAN, STEVE JOBS Pete Hammond, Columnist and -
2017 Annual Report of the Librarian of Congress Contents
FOR THE FISCAL YEAR ENDING SEPTEMBER 30, 2017 Annual Report of the LIBRARIAN OF CONGRESS ANNUAL REPORT OF THE LIBRARIAN OF CONGRESS For the Fiscal Year Ending September 30, 2017 Library of Congress Washington, D.C. 2018 On the cover: Alisha Chipman of the Library’s Preservation Directorate performs conservation work on a photo of abolitionist Harriet Tubman jointly acquired in 2017 by the Library and the Smithsonian’s National Museum of African American History and Culture. Shawn Miller Inside front cover: A banner welcomes visitors to the “Echoes of the Great War: American Experiences of World War I” exhibition in the Jefferson Building. Shawn Miller Library of Congress 101 Independence Avenue, S.E. Washington, DC 20540 For the Library of Congress online, visit loc.gov. The annual report is published through the Office of Communications, Office of the Librarian, Library of Congress, Washington, DC 20540-1610, Telephone (202) 707-2905. Executive Editor: Gayle Osterberg Editor: Mark Hartsell Managing Editor: John Sayers Photo Editor: Shawn Miller Design and composition: Blue House Design Library of Congress Catalog Card Number 6-6273 ISSN 0083-1565 Key title: Annual Report of the Librarian of Congress For sale by the U.S. Government Printing Office Superintendent of Documents, Mail Stop: SSOP Washington, DC 20402-9328 ISBN 978-0-8444-9577-4 2 2017 ANNUAL REPORT OF THE LIBRARIAN OF CONGRESS CONTENTS Letter from the Librarian of Congress ........................5 Organizational Reports ..............................................47 Organizational -
Annual Report of the Librarian of Congress for Fiscal Year 2012
Annual Report of the Librarian of Congress For the Fiscal Year Ending September 30, 2012 Annual Report of the Librarian of Congress for the fiscal year ending September 30, 2012 Library of Congress Washington, D.C. 2013 Library of Congress 101 Independence Avenue, SE Washington, DC 20540 For the Library of Congress online, visit www.loc.gov. The annual report is published through the Office of Communications, Office of the Librarian, Library of Congress, Washington, DC 20540-1610, telephone (202) 707-2905. Executive Editor: Gayle Osterberg Managing Editor: Audrey Fischer Art Director: John Sayers Photo Editor: Abby Brack Lewis Design and Composition: Blue House Design Library of Congress Catalog Card Number 6-6273 ISSN 0083-1565 Key title: Annual Report of the Librarian of Congress For sale by the U.S. Government Printing Office Superintendent of Documents, Mail Stop: SSOP Washington, DC 20402-9328 ISBN 978-0-8444-9565-1 FRONT COVER The exterior of the Thomas Jefferson Building boasts banners for 2012 Library exhibitions. Photo courtesy of the Architect of the Capitol INSIDE FRONT COVER AND INSIDE BACK COVER Selected titles from the Library’s exhibition, Books That Shaped America CONTENTS A Letter from the Librarian of Congress ...................... 5 Appendices A. Library of Congress Advisory Bodies............... 62 Library of Congress Officers ........................................ 6 B. Publications ....................................................... 68 C. Selected Acquisitions ........................................ 70 Library -
ARTHUR ROCHESTER Production Sound Mixer A.M.P.A.S., I a T S E, Loco 695, S.A.G
ARTHUR ROCHESTER Production Sound Mixer A.M.P.A.S., I A T S E, loco 695, S.A.G. Tel: (818) 506-4637 Cell: (818) 402-9570 E-mail: [email protected] IMDb: http://www.imdb.com/name/nm0734053/ SOME FEATURE FILM CREDITS 2007: "STEP BROTHERS": Dir., Adam McKay; Prods. Adam McKay, Judd Apatow, Jimmy Miller, Will Ferrell, David Householter for Columbia Pictures. 2007: "SEMI-PRO": Dir., Kent Alterman; Prods. Jimmy Miller, David Householter for New Line Cinema. 2006: "DEJA. Vu": Dir., Tony Scott; A Jerry Bruckheimer Production for Disney Motion Picture Group. 2004: "DOMINO": Dir., Tony Scott; Prods. Ridley Scott, Samuel Hidada, Barry Waldman for New Line Cinema. 2004: "SERENITY": Dir., Joss Whedan; Prod., Barry Mendel for NBC-Universal Pictures. 2003: "CELLULAR": Dir., David Ellis; Prods. Dean Devlin, Lauren Lloyd, Doug Curtis for New Line Cinema. 2003: "SOMETHING'S GOTTA GIVE": Dir. /Writer/Prod., Nancy Meyers; Prod., Bruce Block for Columbia Pictures. 2002: "MASTER AND COMMANDER: THEFAR SIDEOFTHEWORLD":Dir., Peter Weir; Prod., Duncan Henderson, Alan Curtiss for 20th Century Fox. (BAFTA Winner, CAS Award Winner, Golden Satallite Award Winner and Oscar Nominee for Sound Mixing: 2004) 2001: "ABOUT SCHMIDT": Dir., Alexander Payne; Prod., Harry Gittes for New Line Cinema. 2000: "COLLATERAL DAMAGE": Dir., Andrew Davis; Prod., 'Hawk Koch for Warner Bros. 2000: "THE IMPOSTOR": Dir., Gary Fleder; Prod., Marty Katz, David Witz for Miramax. 1999: "MISSION: IMPOSSIBLE 2": Dir" John Woo; Prods., Tom Cruise, Paula Wagner, Terence Chang, Paul Hitchcock for Paramount Pictures. (United States filming) 1999: "PLAY IT TO THE BONE": Dir., Ron Shelton; Prods., Stephen Chin, David Lester and David Siegel for Touchstone Pictures. -
VOLUM[ 16 - Fourt~ QUARHR 2004
VOLUM[ 16 - fOURT~ QUARHR 2004 UA T CELEBRATING THE GEORGE STEVENS CENTENNIAL See Page 2 George Stevens always said FRO M THE PRESIDENT making or planning a movie was like planning a war. He always loved to tell the war stories ... OUR THIRD THEATER IS and they were as interesting as the movie sometimes. , MAKING A DIFFERENCE - WARREN BEATIY / ~e've long thought that having a mid-size theater available to us (wotllc0 ave a significant impact on our programming. We were right. The use of the Unwood Dunn Theater is growing and permitting -----rp-ni"·ennial tribute to director our programmers to try some things that might not have worked quite George Stevens kicked off similar as well in the I ,0 I 2-seat Goldwyn. But we're expanding even beyond Academy celebrations around the our Los Angeles base, w ith more programs in San Francisco and New country and the world. York and even an arrangement with the National Archives to program Stevens "embellished and ftlm fare in Washington, D.C. graced and moved and shook the Over the past year or so, the number of films screened by the movies as did almost no one else Academy and the eclecticism of the programming have made our during his lifetime," Academy theaters must-visit venues for cinema cognoscenti. President Frank Pierson said. A high-water mark was surely reached during the fourth quarter: Actor Warren Beatty hosted • A retrospective series of the f ilms of George Stevens, not only in the event in the Samuel Goldwyn Los Angeles, but in New York and the National Archives venue Theater, which included lengthy in Washington, D.C.