London Book Fair 2019
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HAWK KOCH Producer
HAWK KOCH Producer Selected Credits: SOURCE CODE (Executive Producer) - Summit Entertainment - Duncan Jones, director UNTRACEABLE (Executive Producer) - Screen Gems/Lakeshore - Greg Hoblit, director FRACTURE (Executive Producer) - New Line - Greg Hoblit, director BLOOD AND CHOCOLATE (Producer) - MGM/Lakeshore - Katja von Garnier, director HOSTAGE (Executive Producer) - Miramax - Florent Emelio Siri, director THE RIVERMAN (Executive Producer) - Fox TV / A & E - Bill Eagles, director COLLATERAL DAMAGE (Executive Producer) - Warner Bros. - Andrew Davis, director FREQUENCY (Producer) - New Line - Greg Hoblit, director KEEPING THE FAITH (Producer) - Spyglass - Ed Norton, director THE BEAUTICIAN AND THE BEAST (Producer) - Paramount - Ken Kwapis, director PRIMAL FEAR (Executive Producer) - Paramount - Greg Hoblit, director VIRTUOSITY (Executive Producer) - Paramount - Brett Leonard, director LOSING ISAIAH (Producer) - Paramount - Stephen Gyllenhaal, director WAYNE’S WORLD 2 (Executive Producer) - Paramount - Stephen Surjik, director SLIVER (Executive Producer) - Paramount - Phillip Noyce, director WAYNE’S WORLD (Executive Producer) - Paramount - Penelope Spheeris, director NECESSARY ROUGHNESS (Executive Producer) - Paramount - Stan Dragoti THE LONG WALK HOME (Producer) - Miramax - Richard Pearce, director ROOFTOPS (Producer) - New Visions - Robert Wise, director THE POPE OF GREENWICH VILLAGE (Producer) - United Artists - Stuart Rosenberg, director THE KEEP (Producer) - Paramount - Michael Mann, director GORKY PARK (Producer) - Orion - Michael Apted, director A NIGHT IN HEAVEN (Producer) - Fox - John G. Avildsen, director HOKY TONK FREEWAY (Producer) - Universal - John Schlesinger, director THE IDOLMAKER (Producer) - United Artists - Taylor Hackford, director THE FRISCO KID (Executive Producer) - Warner Bros. - Robert Aldrich, director HEAVEN CAN WAIT (Executive Producer) - Paramount - Warren Beatty/Buck Henry, directors THE DROWNING POOL (Associate Producer) - Warner Bros. - Stuart Rosenberg, director . -
World Famous Book Festivals List PDF
World Famous Book Festivals List PDF All companies and individuals are encouraged to read and understand each service, their policies, and then decide if they are a right fit for you. January ALA Philadelphia Midwinter Meeting and Exhibits, USA – https://2020.alamidwinter.org/ American Library Association Annual Conference, USA – https://www.combinedbook.com/2020-american-library-association-annual- conference.html Cairo International Book Fair, Egypt – http://www.cairobookfair.org.eg/opening/ Festival International De La Bande Dessinee, France – https://www.bdangouleme.com/ International Kolkata Book Fair, India – http://kolkatabookfair.net/ Jaipur Literature Festival, India – https://jaipurliteraturefestival.org/ New Delhi World Book Fair, India – http://nbtindia.gov.in/nbtbook February African American Children’s Book Fair, USA – http://theafricanamericanchildrensbookproject.org/ Amelia Island Book Festival, USA – https://www.ameliaislandbookfestival.org/ Brussels Book Fair, Belgium – https://flb.be/ California International Antiquarian Book Fair, USA – https://cabookfair.com/ Casablanca Book Fair, Morocco – https://www.salonlivrecasa.ma/fr/ Feria Internacional Del Libro De La Habana, Cuba – https://www.facebook.com/filcuba/ Havana International Book Fair, Cuba – https://www.internationalpublishers.org/component/rseventspro/event/196- havana-international-book-fair-havana-cuba Imagine Children’s Festival, United Kingdom – https://www.southbankcentre.co.uk/whats-on/festivals-series/imagine- childrens-festival Lahore International Book -
Kathy Nelson
KATHY NELSON FEATURE FILM HALF MAGIC Sid Sheinberg, Jon Sheinberg, Bill Sherinberg, The Bubble Factory prods. *Music Supervisor Heather Graham, dir. CRIES FROM SYRIA Evgeny Afineevsky, Aaron I. Butler, Den HBO Documentary Films / Afineevsky- Tolmor, prods. Tolmor Production Evgeny Afineevsky, dir. *Music Supervisor SNEAKERHEADZ David T. Friendly, Mick Partridge, prods. Friendly Films David T. Friendly, Mick Partridge, dirs. *Music Supervisor TAKE ME HOME TONIGHT Sarah Bowen, Ryan Kavanaugh, Jim Whitaker, Imagine Entertainment / Rogue Pictures prods. *Music Supervisor Michael Dowse, dir. MEGAMIND Laura Breay, Denise Nolan Cascino, prods. Dreamworks Animation / Red Hour Films Tom McGrath, dir. *Executive Music Producer SCOTT PILGRIMV. THE WORLD Edgar Wright, Nira Park, Marc Platt, Eric Universal Pictures Gitter, prods. *Music Supervisor Edgar Wright, dir. DESPICABLE ME Christopher Meledandri, Janet Healy, John Universal Pictures Cohen, prods. *Music Supervisor Pierre Coffin, Chris Renaud, dirs. PRINCE OF PERSIA: THE SANDS OF Jerry Bruckheimer, prod. TIME Mike Newell, dir. Walt Disney Pictures *Music Consultant REPO MEN Scott Stuber, prod. Universal Pictures Miguel Sapochnik, dir. *Music Supervisor GREEN ZONE Paul Greengrass, Eric Fellner, Tim Bevan, Universal Pictures Lloyd Levin, prods. *Executive in Charge of Music Paul Greengrass, dir. The Gorfaine/Schwartz Agency, Inc. (818) 260-8500 1 KATHY NELSON THE WOLFMAN Scott Stuber, Benicio del Toro, Rick Yorn, Universal Pictures Sean Daniel, prods. *Music Supervisor Joe Johnston, dir. IT’S COMPLICATED Nancy Meyers, Scott Rudin, prods. Universal Pictures Nancy Meyers, dir. *Music Supervisor PIRATE RADIO Tim Bevan, Eric Fellner, Hilary Bevan Jones, Universal Pictures prods. *Executive in Charge of Music Richard Curtis, dir. CIRQUE Du FREAK: THE VAMPIRE’S Ewan Leslie, Andrew Miano, Lauren Shuler ASSISSTANT Donner, Paul Weitz, prods. -
CQR Future of Books
Researcher Published by CQ Press, A Division of SAGE CQ www.cqresearcher.com Future of Books Will traditional print books disappear? he migration of books to electronic screens has been accelerating with the introduction of mobile reading on Kindles, iPhones and Sony Readers and the growing power of Google’s Book Search Tengine. Even the book’s form is mutating as innovators experiment with adding video, sound and computer graphics to text. Some fear a loss of literary writing and reading, others of the world’s storehouse of knowledge if it all goes digital. A recent settlement among Google, authors and publishers would make more out-of- Amazon’s Kindle 2 digital book reader can store print books accessible online, but some worry about putting such hundreds of books and read text aloud. Like the electronic Sony Reader, the Kindle features glare-free a vast trove of literature into the hands of a private company. text easier on the eyes than a computer screen. So far, barely 1 percent of books sold in the United States are electronic. Still, the economically strapped publishing industry is I under pressure to do more marketing and publishing online as N THIS REPORT S younger, screen-oriented readers replace today’s core buyers — THE ISSUES ......................475 I middle-aged women. BACKGROUND ..................484 D CHRONOLOGY ..................485 E CURRENT SITUATION ..........488 CQ Researcher • May 29, 2009 • www.cqresearcher.com AT ISSUE ..........................493 Volume 19, Number 20 • Pages 473-500 OUTLOOK ........................495 RECIPIENT OF SOCIETY OF PROFESSIONAL JOURNALISTS AWARD FOR EXCELLENCE ◆ AMERICAN BAR ASSOCIATION SILVER GAVEL AWARD BIBLIOGRAPHY ..................498 THE NEXT STEP ................499 FUTURE OF BOOKS CQ Researcher May 29, 2009 THE ISSUES OUTLOOK Volume 19, Number 20 MANAGING EDITOR: Thomas J. -
The Big Goodbye
Robert Towne, Edward Taylor, Jack Nicholson. Los Angeles, mid- 1950s. Begin Reading Table of Contents About the Author Copyright Page Thank you for buying this Flatiron Books ebook. To receive special offers, bonus content, and info on new releases and other great reads, sign up for our newsletters. Or visit us online at us.macmillan.com/newslettersignup For email updates on the author, click here. The author and publisher have provided this e-book to you for your personal use only. You may not make this e-book publicly available in any way. Copyright infringement is against the law. If you believe the copy of this e-book you are reading infringes on the author’s copyright, please notify the publisher at: us.macmillanusa.com/piracy. For Lynne Littman and Brandon Millan We still have dreams, but we know now that most of them will come to nothing. And we also most fortunately know that it really doesn’t matter. —Raymond Chandler, letter to Charles Morton, October 9, 1950 Introduction: First Goodbyes Jack Nicholson, a boy, could never forget sitting at the bar with John J. Nicholson, Jack’s namesake and maybe even his father, a soft little dapper Irishman in glasses. He kept neatly combed what was left of his red hair and had long ago separated from Jack’s mother, their high school romance gone the way of any available drink. They told Jack that John had once been a great ballplayer and that he decorated store windows, all five Steinbachs in Asbury Park, though the only place Jack ever saw this man was in the bar, day-drinking apricot brandy and Hennessy, shot after shot, quietly waiting for the mercy to kick in. -
T He Best Estonian Children's Books of All Time
T HE BEST ESTONIAN CHILDren’s BOOKS OF ALL T IME CELEBRAT E W IT H US! ESTONIAN CHILDren’s 3+ Kätlin Vainola. Lift. Illustrated by Ulla Saar 4 LIT ERAT URE CENT RE Piret Raud. Mister Bird’s Story. Illustrated by the author 5 The small, innovative country of Estonia will be The Estonian Children’s Literature Centre is a specialised 6+ celebrating its centenary in 2018, and will also be a Market competency organisation that promotes the country’s Eno Raud. Raggie. Illustrated by Edgar Valter 6 Focus country at the London Book Fair for the first time most outstanding children’s works abroad. This includes Ellen Niit. Mr. Nightingale from Nightjar Street. Illustrated by Priit Pärn 8 ever. It goes without saying that now is the best time to representing Estonian children’s authors at the world’s Andrus Kivirähk. Poo and Spring. Illustrated by Heiki Ernits 10 take a closer look at Estonian children’s literature! largest book fairs, organising their appearances abroad, Ellen Niit. Pille-Riin’s Stories. Illustrated by Vive Tolli 12 Estonia has one of the world’s highest numbers of maintaining a database of Estonian children’s literature, Edgar Valter. The Poku Book. Illustrated by the author 14 children’s books published annually per capita. In 2016, and producing publications on the topic. The Centre close to 3,800 works (780 of which were children’s titles) collaborates on a large scale with publishers, researchers, 8+ Piret Raud. Slightly Silly Stories. Illustrated by the author 16 were published in the country, which has a population translators, teachers, and other specialists. -
N Kaul at the LBF 09
[email protected] AT THE LBF Approaching the London Book Fair in Earls Court some time ago, I saw an unpaid translator with a placard protesting outside a massive exhibition pavilion where tens of thousands of books were on display. The organisers of the Fair describe it as “the global marketplace for rights negotiation and the sale and distribution of content across print, audio, TV, film and digital channels”. There are demarcated special access areas where agents, media people, and publishers have their negotiations and do the deals that make the headlines in the trade periodicals. For the most part, the Fair is a labyrinthine alphabetical array of stalls that belong to publishers and other associated services (such as shipping, paper supply, design) from around the world who display their wares and spend hours hunched over tables with potential business partners matched through online appointments diary for the registrants; there are free pens, sweet baskets, big flashy logos and props (to wit, a large fake red London Bus sitting on an orange carpet). At lunchtime and close of day, a tide of suits and blackberry devices is disgorged into the tube station across the road. Of course, it is essentially a trade event where books are a mere commodity. As an author and academic, I spend most of my life pretending books are thoughts more than they are things, so what was I doing there? Well, as a first-time novelist I felt it would be a reality- check (and so it was!), as an innate voyeur trained partly in abstract economics, I thought -
Global Book Fair Report 2017
IPA Global Book Fair Report 2017 IPA Global Book Fair Report 2017 Contents: Introduction 03 AMERICAS 05 Special focus: Mexico 08 Guadalajara International Book Fair 09 AFRICA 11 Special focus: Nigeria 13 Nigeria International Book Fair 15 ASIA and OCEANIA 16 Special focus: South Korea 19 Seoul International Book Fair 20 EUROPE 21 Special focus: Greece 26 Thessaloniki International Book Fair 27 ALDUS network 28 MIDDLE EAST and CENTRAL ASIA 29 Special focus: Egypt 32 Cairo International Book Fair 33 IPA Global Book Fair Report 2017 Introduction Book fairs play a vital role in so- trade attendees, some are de- cieties. While public book fairs signed for the general public, promote books and reading, and others are hybrids, often their professional equivalents separating their fair into profes- allow publishers, agents, distrib- sional and public days, or utors and retailers to meet and providing separate areas. In do real business. They also Frankfurt, for instance, the first draw media and public attention three days are trade days while to the book industry and provide the public attends on the final platforms for authors to meet two days. In Geneva, there is a readers. Book fairs are a mo- special area dedicated to the ment where many creative pro- conferences for book profes- fessions converge. sionals. In an age when business is of- The main function of profes- ten done remotely, book profes- sional book fairs is to be a mar- sionals still believe that book ket place for trade profession- fairs have not lost their rele- als. Book rights are bought and vance. -
How Do I Start Planning My Book Marketing Campaign and Book Launch? | Schiel & Denver Book Publishers
How do I start planning my book marketing campaign and book launch? | Schiel & Denver Book Publishers In reality, you should start as soon as you are able. With Schiel & Denver's bi-annual trade catalog and international marketing strategy, you will have a constant background marketing to bookstores, pre-publication, but you can assist the work of our dedicated sales reps in the following areas: Start whipping up interest in your book early by undertaking to include in your marketing plan/campaign the following tasks and services, depending on your budget: 1. Brainstorming Session The key to successful marketing is to get everyone you know involved, and pool your resources. Write down your book's major selling points, and have a backcover blurb and short synopsis, so you have information ready to talk about and send to people via email. Think about your book's likely readership, and do whatever you can to get the word out. Sometimes well-connected authors can use old contacts, even work colleagues to help promote the book at events, conferences, exhibitions, anywhere where you can get a captive audience. Understand that even at traditional publishers, it's the authors who roll up their sleeves and get stuck into promotion are the ones who achieve the bestsellers. Marketing is not a passive process and like most things in life, your success depends upon how much effort you put in. 2. Word of mouth sales and Booksigning parties Many sales can be generated from personal recommendations of reading groups, booksellers, booksigning parties, attending literary festivals - indeed anywhere you can speak positively about your book. -
Success of the UAE Publishing Market Around the World
Success of the UAE Publishing Market around the World Over the past four decades, the UAE publishing industry has grown from a fledgling industry into a regional trade hub Timeline UAE gains independence; only 48% of the adult population is literate; 1971 38% literacy among females 1979 Number of books published in the UAE reaches 6 1980 Press and Publications Law introduced 1982 Sharjah International Book Fair held for the first time 1984 UAE Writers Union established 1992 Law on the Protection of Intellectual Works and Copyright introduced 1996 Signatory to the WTO TRIPS Agreement Signatory to the WIPO Copyright Treaty and the Berne Convention for the 2004 Protection of Literary and Artistic Works 2007 Abu Dhabi International Book Fair held for the first time in its new format 2009 Emirates Publishers Association (EPA) is established Emirates Intellectual Property Association and the UAE Board on Books 2010 for Young People established 2012 EPA becomes a full member of the International Publishers Association 2014 Book exports exceed $40 Million Literacy rate reaches 94% with literacy among females exceeding that of 2015 males by 2% Kalimat becomes first Emirati publishing house to win Bologna Children’s 2016 Book Fair Award Sharjah nominated as 2019 World Book Capital 2018 3 Sources: UNESCO Archives, Staff Analysis The Emirates Publishers Association is a national organization that was created to support capacity development of the UAE publishing industry EPA is a leading voice for change … … with 10 key priorities that guide its work . The Emirates Publishers Association (EPA) was established in 2009 1 Aligning key stakeholders to increase collaboration among publishing industry stakeholders to 2 Expanding markets address various industry challenges 3 Improving copyright and legal framework . -
PBC19 Sponsor Deck
June 8-9, 2019 at Warner Bros. Studios Presented By Informational Overview WHAT IS PRODUCED BY: LOS ANGELES? On Saturday & Sunday, June 8th & 9th, 2019, the Producers Guild of America will present the 11th annual PRODUCED BY: LOS ANGELES conference, a signature event where the most influential decision makers in the entertainment industry – Producers – gather together in one place. Reaching across the film, television, and new media industries, PRODUCED BY: LOS ANGELES is a two day educational forum that involves numerous Academy Award-winning filmmakers, Emmy Award-winning showrunners, new media innovators, and the next generation of creative entrepreneurs. PRODUCED BY: LOS ANGELES is a unique opportunity to be part of a large- scale, entertainment industry-only conference that includes extraordinary panels, innovative workshops, mentoring roundtables, digital exhibits, information sharing, and networking breakfasts, lunches & an evening reception. Each year PRODUCED BY: LOS ANGELES is hosted by a major Studio and this year is no exception; the conference will take place at Warner Bros. Studios. Over 1,200 people are expected to be in attendance. Dozens of national and entertainment media outlets cover the conference and millions of impressions are generated each year. On the following pages is information for your review and consideration to be a key participant in this premier entertainment industry event. WHERE DOES IT TAKE PLACE? Each year the conference is hosted by a major Studio. The 2019 conference will be on the Warner Bros. studio lot. Below are photos of past Produced By conferences and here is a link to last year’s conference site: https://pbc.producedbyconference.com/, which includes a video overview. -
BOOKEXPO and NEW YORK RIGHTS FAIR (NYRF) COLLABORATE to HELP GROW and IMPROVE the PUBLISHING INDUSTY
BOOKEXPO AND NEW YORK RIGHTS FAIR (NYRF) COLLABORATE TO HELP GROW and IMPROVE THE PUBLISHING INDUSTY LONDON, UK/ NORWALK, CT – April 11, 2018 – BookExpo and New York Rights Fair (NYRF) today announced a joint marketing agreement whereby NYRF will become the Official Rights Fair of BookExpo starting in 2018. The owners of NYRF, BolognaFiere, Publishers Weekly, and Combined Book Exhibit, will join forces with the owner of BookExpo, Reed Exhibitions, to collaborate in the best interest of improving and growing all aspects of the book industry. This joint marketing agreement will allow BookExpo and NYRF to work together to offer the entire publishing industry the perfect gateway to the US publishing market, including increased access to resurgent US bookstores, and more opportunities for rights professionals to embrace the explosion in new media and rights opportunities. The new relationship will help to bring together all aspects of the publishing industry, providing the strongest foundation for those looking to pursue publishing rights in the US and internationally. Starting in 2018, NYRF and BookExpo will work seamlessly together to offer the following to all attendees: NYRF badge holders will have full access to the BookExpo exhibition floor BookExpo’s Rights Center will move to NYRF and will become the official Rights Center of BookExpo. Rights oriented exhibitors will have the option to move to premium space at the NYRF located at the Metropolitan Pavillion in the Chelsea section of NYC BookExpo attendees with a Rights badge designation will have full access to NYRF Shuttle buses will be provided between BookExpo and NYRF to enable attendees to easily attend both events Information for both NYRF and BookExpo will be available in all directories and websites for both shows On-site staff will assist with information regarding BookExpo and NYRF at both events Antonio Bruzzone, General Director, BolognaFiere said: “This relationship was formed from the mutual goal of best serving the publishing industry.