fall 2016 & spring 2017 frankfurt

university of texas press | Index by Title | contents About Antiquities, Books for the Trade ...... 4–59 Çelik ...... 112 Trade Backlist ...... 13, 61–63 The American Idea of Home, Friedman ...... 38–39 Books for Scholars...... 64–123 Arresting Development, Award Winners...... 124–125 Pizzino...... 96 Sales Information ...... 126 At the Crossroads, Paquette ...... 78–79 Sales Representatives ...... 127 Batos, Bolilos, Pochos, and Pelados, Staff List...... 128–129 Richardson & Pisani ...... 123 Index by Author...... 129 Becoming Belafonte, Smith .. 18–19 Blood of the Earth, Young ...... 84 Infrastructures of Race, Picturing the Proletariat, The Burden of the Ancients, Nemsey ...... 86 Christenson ...... 73 Lear ...... 81 Inka History in Knots, Cattle in the Backlands, The Portuguese-Speaking Diaspora, Wilcox ...... 82 Urton ...... 94–95 Sadlier...... 70–71 Chrissie Hynde, Sobsey...... 54–55 Iowa, Rexroth...... 34–37 Practicing Transnationalism, Lundy & Lundy...... 116 Classics from Papyrus to the Internet, It Starts with Trouble, Hunt, Smith, Stok ...... 121 Davis...... 20–21 A Pure Solar World, Youngquist...... 10 –11 Connecting with the Enemy, Jazz and Cocktails, Wager...... 110 Katz ...... 117 Learning from Bogotá, Rebellious Bodies, Cormac McCarthy and Performance, Berney ...... 68–69 Meeuf ...... 106–107 Peebles ...... 105 Los Zetas Inc., The Recurring Dream, Culture and Revolution, Correa-Cabrera ...... 85 Schenck ...... 26–29 Legrás ...... 76 Make Ours Marvel, Yockey ...... 98 The Revolutionary Imaginations of The Devil’s Sinkhole, Greater Mexico, Gómez...... 80 Wittliff ...... 22–25 The Making of Hillary Clinton, McNeely...... 6–7 Rewrite Man, Macor ...... 53 Directed by God, Peleg ...... 108 Mano Dura, Wolf ...... 88 The Rhetoric of Seeing in Attic Don’t Suck, Don’t Die, Hersh . . . . . 12 Forensic Oratory, O’Connell .... 120 Midwives and Mothers, Eddie Adams, Adams...... 48–50 Cosminsky ...... 83 Sacred Consumption, Morán.....72 , El Eternauta Daytripper, Mountain Ranch, Crouser ....44–47 Spectacular Wealth, Voigt...... 75 and Beyond, Foster ...... 100 Music, Sound, and Architecture in Subversives and Mavericks in the Fade to Gray, Islam, Frishkopf ...... 118 Shary & McVittie ...... 103 Muslim Mediterranean, New Maricón Cinema, Moreau & Schaar ...... 113 Flatbed Press at 25, Venkatesh ...... 101 Smith & Brimberry ...... 30–31 T Bone Burnett, Sachs...... 8–9 From The Making of Hillary Clinton by Robert McNeely Notions of Genre, Flying Under the Radar with the The Teabo Manuscript, Christensen . . 74 Grant & Kurtz ...... 102 Royal Chicano Air Force, Diaz . .122 Theatre for Youth II, One More Warbler, Frankie and Johnny, Jennings & Berghammer ...... 109 Emanuel ...... 52 We live in an information-rich world. As a publisher of international scope, the University of Texas Morgan ...... 66–67 They Came From the Sky, Harrigan . . 51 Press serves the University of Texas at Austin community, the people of Texas, and knowledge seekers around On Story—Screenwriters and Handbook of Latin American Studies, the globe by identifying the most valuable and relevant information and publishing it in books, journals, and No. 71, McCann & North ...... 89 Filmmakers on Their Iconic Films, This Land, Spencer ...... 32–33 Austin Film Festival ...... 14–15 digital media that educate students; advance scholarship in the humanities and social sciences; and deepen Haunting Bollywood, Sen ...... 104 Toby Snax, Hersh ...... 60 humanity’s understanding of history, current events, contemporary culture, and the natural environment. Peculiar Revolution, Aguirre & Drinot ...... 87 We Could Not Fail, Paul & Moss ...... 16–17 A History of Emancipation and Slavery A People Without a State, in Iran 1800-1929, Eppel ...... 115 Where the Land Meets the Sea, Mirzai ...... 119 Dillehay ...... 92–93 A Perfectly Good Guitar, Houston on the Move, Holley...... 56–59 The White Shaman Mural, Strom ...... 40–43 Boyd ...... 90–91 Picturing Childhood, Industrial Sexuality, university of texas press Heimermann & Tullis...... 97 Why Harry Met Sally, Moss .....111 Hammad ...... 114 Copyright © 2016 by the University of Texas Press. All rights reserved. Front cover photo: Balloons and Cigarettes, from The Recurring Dream by Rocky Schenck. Back cover photo: From The Making of Hillary Clinton by Robert McNeely. b o o k s f o r the trade

Photo from A Pure Solar World by Paul Youngquist

UNIVERSITY OF TEXAS PRESS | FALL 2016 5 | photography | Photojournalism, History

Photographs by Robert McNeely These revealing, never-before-published Essay by Douglas Brinkley photographs from the Clinton White House chronicle Hillary Clinton’s transformation into a national policymaker and foreshadow her unprecedented role as a trailblazer for The Making of women in presidential politics Hillary Clinton——— The White House Years

Dolph Briscoe Center for American History The Making of Hillary Clinton The White House Years

PHOTOGRAPHS BY ROBERT MCNEELY

Beginning with the 1992 presidential campaign that propelled them to two terms in the White House, Hillary and Bill Clinton have occupied the American political stage like no other couple in history. Indeed, it is impossible to understand the past twenty-five years of American politics without Focus on American understanding the Clintons. Hillary redefined the role of First Lady, taking an office in the West Wing History Series and becoming a key member of the president’s inner circle of policymakers. As the Clinton presidency The Dolph Briscoe Center for ended, Hillary won a seat in the US Senate, where she served for eight years until President Barack American History Obama appointed her secretary of state. Hillary’s strong campaigns for the Democratic presidential University of Texas at Austin Don Carleton, Editor nomination in 2008 and 2016 shattered the barriers against women running for America’s highest po- litical office and made it possible to believe that a woman can now become president of the United States. Hillary’s quarter century in the public spotlight and 2016 presidential bid offer a natural opportunity to look back at her transformation into a national policymaker, a transformation that occurred behind the scenes in the Clinton White House. One observer who had inside access to Hillary Clinton as she grew from advocate to policymaker was the former Clinton White House photographer, Robert McNeely. In ROBERT MCNEELY January 2016 | 12 x 11 inches | 192 The Making of Hillary Clinton, he presents a richly observed psychological portrait of Hillary’s work in DOUGLAS BRINKLEY Bethel, New York Austin and Houston, Texas pp. | 100 duotone photos | $50.00 the White House, comprising one hundred previously unpublished photographs drawn from his archive hardcover at the Dolph Briscoe Center for American History at the University of Texas at Austin. McNeely reveals McNeely served as President Bill Brinkley is the award-winning Clinton’s official White House pho- author of books on presidents Theo- Hillary’s central participation in areas of politics and policy, ranging from health care reform and other UT Press Controls All Rights tographer from 1992 to 1998. He is dore Roosevelt, Franklin Roosevelt, domestic issues to international conflicts, far beyond that of any of previous presidential spouse. The the author of The Clinton Years: The John F. Kennedy, Gerald Ford, photographs clearly show how her experiences in the White House laid the groundwork for her future Photographs of Robert McNeely. Jimmy Carter, and Ronald Reagan. political career as senator from New York, secretary of state, and presidential candidate.

6 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 7 | music | American Studies

This first critical appreciation of T Bone Burnett reveals how the proponent of Americana music and producer of artists ranging from Robert Plant and Alison Krauss to B. B. King and Elvis Costello has profoundly influenced American music and culture

T Bone Burnett A Life in Pursuit

BY LLOYD SACHS

T Bone Burnett is a unique, astonishingly prolific music producer, singer-songwriter, guitarist, and soundtrack visionary. LLOYD SACHS Renowned as a studio maven with a Midas touch, Burnett is known Chicago, Illinois for lifting artists to their greatest heights, as he did with Raising Studio shot of Burnett by unknown photographer; photo courtesy of T Bone Burnett A nationally known voice on Sand, the multiple Grammy Award–winning album by Robert Plant popular culture, Sachs has writ- and Alison Krauss, as well as acclaimed albums by Los Lobos, the From the book ten about pop music and jazz for Wallflowers, B. B. King, and Elvis Costello. Burnett virtually invent- many publications, including ed “Americana” with his hugely successful roots-based soundtrack Rolling Stone, the Washington “T Bone Burnett now carries such weight work as a singer and songwriter to his Post, DownBeat, the Village Voice, for the Coen Brothers film, O Brother, Where Art Thou? Outspoken in the entertainment capitals of Hollywood close associations with Bob Dylan and Sam USA Today, and JazzTimes. He was in his contempt for the entertainment industry, Burnett has nev- and Nashville that the title ‘record producer’ Shepard—one of the greatest songwriters of a longtime music columnist and ertheless received many of its highest honors, including Grammy can contain him no more than ‘film director’ our time and one of the greatest playwrights— award-winning editorial writer at Awards and an Academy Award. the Chicago Sun-Times and a senior could contain Orson Welles. His O Brother to his outspoken efforts to overhaul digital T Bone Burnett offers the first critical appreciation of Burnett’s editor at No Depression, the prized soundtrack altered the landscape of Ameri- recorded sound, Burnett’s accomplishments “alt-country” magazine. wide-ranging contributions to American music, his passionate ad- can music so markedly that it may well have have made the musician-producer one of the vocacy for analog sound, and the striking contradictions that define affected our culture as significantly as Citizen most significant figures in popular culture American Music Series his maverick artistry. Lloyd Sachs highlights all the important as- Kane did. From his own critically acclaimed during the past forty years.” David Menconi, Editor pects of Burnett’s musical pursuits, from his early days as a member of Bob Dylan’s Rolling Thunder Revue and his collaboration with October 2016 | 6 x 9 inches | 240 pp. | 19 b&w photos | $26.95 the playwright Sam Shepard to the music he recently composed hardcover for the TV shows Nashville and True Detective and his production of the all-star album Lost on the River: The New Basement Tapes. “T Bone Burnett proves that a producer can make UT Press Controls All Rights Sachs also underscores Burnett’s brilliance as a singer-songwriter in his own right. Going well beyond the labels “legendary” or “vision- as much of an artistic impact as a performer. ary” that usually accompany his name, T Bone Burnett reveals how Enjoyable, sparkling prose.” — G E O F F R E Y H I M E S this consummate music maker has exerted a powerful influence on Music writer for the Washington Post and former American music and culture across four decades. senior editor of No Depression and Paste

8 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 9 | music | American Studies

Surveying the range of Sun Ra’s extraordinary creativity, this book explores how the father of Afrofuturism brought “space music” to a planet in need of transformation, supporting the aspirations of black people in an inhospitable white world

A Pure Solar World Sun Ra and the Birth of Afrofuturism

BY PAUL YOUNGQUIST

Sun Ra said he came from Saturn. Known on earth for his inventive music and extravagant stage shows, he pioneered free- form improvisation in an ensemble setting with the devoted band he called the “Arkestra.” Sun Ra took jazz from the inner city to outer PAUL YOUNGQUIST space, infusing traditional swing with far-out harmonies, rhythms, Boulder, Colorado and sounds. Described as the father of Afrofuturism, Sun Ra creat- Youngquist teaches English at the ed “space music” as a means of building a better future for American University of Colorado Boulder. He is the author or editor of six books, blacks here on earth. including Cyberfiction: After the A Pure Solar World: Sun Ra and the Birth of Afrofuturism offers Future, Monstrosities: Bodies and a spirited introduction to the life and work of this legendary but un- British Romanticism, and Race, derappreciated musician, composer, and poet. Paul Youngquist ex- Romanticism, and the Atlantic. He plores and assesses Sun Ra’s wide-ranging creative output—music, now devotes much of his energy to studying the histories, written and public preaching, graphic design, film and stage performance, and oral, of resistance and creativity in poetry—and connects his diverse undertakings to the culture and the Caribbean. politics of his times, including the space race, the rise of technocracy, the civil rights movement, and even space-age bachelor-pad music. Discovering America By thoroughly examining the astro-black mythology that Sun Ra es- Mark Crispin Miller, Series Editor poused, Youngquist masterfully demonstrates that he offered both a October 2016 | 6 x 9 inches | holistic response to a planet desperately in need of new visions and 362 pp. | 22 b&w photos | $27.95 Members of the Sun Ra Arkestra, early 1970s, among them James Jacson, Marshall Allen, June Tyson, Danny Thompson, John Gilmore, Cheryl Allen, Sun Ra, and Wisteria El Moondew (Judith Holton) vibrations and a new kind of political activism that used popular hardcover culture to advance social change. In a nation obsessed with space “I am bowled over. Youngquist dances seamlessly between hip insider talk and confused about race, Sun Ra aimed not just at assimilation for UT Press Controls All Rights and scholarly observation, between fiction and history, between celebra- the socially disfranchised but even more at a wholesale transforma- tion of American society and a more creative, egalitarian world. tion and criticism. This book is terrific, sensational. What a delight.” —BARRY KERNFELD Editor of The New Grove Dictionary of Jazz and The Blackwell Guide to Recorded Jazz

10 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 11 NEW IN PAPERBACK

NPR Best Books of 2015

Rolling Stone 10 Best Music Books of 2015

No Depression.com Best Books of 2015

Finalist, ABA 2016 Frame A Retrospective Books of the Year BY MARK COHEN Introduction by Jane Livingston “Mr. Cohen’s pictures are remarkable.” Don’t Suck, Don’t Die — WALL STREET JOURNAL Giving Up Vic Chesnutt PDN Photo Annual Best Photo Books of 2016 BY KRISTIN HERSH American Photo Best Books of 2015 Foreword by Amanda Petrusich Wall Street Journal 2015 Best Books for KRISTIN HERSH AMANDA PETRUSICH American Music Series New Orleans, Louisiana Brooklyn, New York David Menconi, Editor Photography Lovers Hersh is a founding member of the Petrusich is the author of several September 2016 | 4√ x 7 inches | bands Throwing Muses and 50 books about music, including Do 200 pp. | 10 b&w photos | $14.95 Guardian (UK) Best Photography Foot Wave. Her memoir Rat Girl Not Sell At Any Price: The Wild, paperback was widely praised by publications Obsessive Hunt for the World’s Rar- Books of 2015 from the New York Times to Rolling est 78 rpm Records. UT Press Controls All Rights Stone, which named it one of the top ten best rock memoirs ever written. Photo-Eye Best Books 2015

$85.00 hardcover UT Press Controls All Rights

12 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 13 | film, media, and popular culture | Screenwriting edited by On Story Barbara Morgan and Screenwriters and Maya Perez From the book Filmmakers on Their Of related Iconic Films foreword by James Franco austin film festival Award-winning screenwriters and filmmakers, “Apollo 13, which is such a sprawling sto- interest including Ron Howard, Callie Khouri, Jona- ry, [showed me] the need to find ways to than Demme, Ted Tally, Jenny Lumet, and create suspense. I decided from that point Harold Ramis, discuss their careers and iconic on, [that] any movie you do, whether it’s a films in these lively conversations transcribed fantasy, a broad comedy, a drama, or ac- from the acclaimed PBS series On Story tion, [is a] suspense piece. When you see something that is doing that page turning thing, a scene ends and it’s pulling you into the next one, and the characters are On Story—Screenwriters On Story—Screenwriters and and their Craft surprising you in some way, and it’s not by austin film festival unfolding in ways in which you would Edited by Barbara Morgan and Filmmakers on Their Iconic Films Maya Perez predict or expect, then you really feel $19.95 paperback BY AUSTIN FILM FESTIVAL like you are onto something very special. Edited by Barbara Morgan and Maya Perez Those are the kind of movies I love to see. UT Press Controls All Rights Foreword by James Franco And when I find it in a script, I want to

Austin Film Festival (AFF) is the first organization build around that and make the film.” focused on the writer’s creative contribution to film. Its annual Film —RON HOWARD Festival and Conference offers screenings, panels, workshops, and roundtable discussions that help new writers and filmmakers connect “Any experience with Bill Murray is bet- with mentors and gain advice and insight from masters, as well as re- freshing veterans with new ideas. To extend the festival’s reach, AFF ter than any other experience because he BARBARA MORGAN produces On Story, a television series currently airing on PBS-affiliated does things no one you know would ever Austin, Texas stations and streaming online that presents footage of high-caliber art- do. . . . Working with Bill, you just know Morgan cofounded Austin Film Fes- ists talking candidly and provocatively about the art and craft of screen- tival in 1993 and has served as ex- writing and filmmaking, often using examples from their own films. he’s going to come up with so much great ecutive director since its inception. On Story—Screenwriters and Filmmakers on Their Iconic Films stuff that the last draft of the script is the A feature filmmaker and producer, presents renowned, award-winning screenwriters and filmmakers she also developed and produces the one that’s written on camera. He’s always TV series On Story: Presented by discussing their careers and the stories behind the production of their Austin Film Festival. iconic films, such as L.A. Confidential, Thelma & Louise, Groundhog going to be better than the script no matter Day, Guardians of the Galaxy, The Silence of the Lambs, In the Name of what you’ve written, no matter how perfect MAYA PEREZ Austin, Texas the Father, Apollo 13, and more. In their own lively words transcribed it seems for him. He’s going to do better. from interviews and panel discussions, Ron Howard, Callie Khouri, Perez is a producer/consultant for October 2016| 6 x 9 inches | 252 Jonathan Demme, Ted Tally, Jenny Lumet, Harold Ramis, and others You have to leave that door open. Whenev- On Story: Presented by Austin Film pp. | 13 illustrations | $19.95 Festival and a board member of the paperback talk about creating stories that resonate with one’s life experiences or er I worked with Bill, the script was always Austin Film Festival, for which she topical social issues, as well as how to create appealing characters and has also served as conference direc- UT Press Controls All Rights a suggestion of what we might do.” bring them to life. Their insights, production tales, and fresh, practi- tor. She has also been a Michener —HAROLD RAMIS cal, and proven advice make this book ideal for film lovers, screenwrit- Fellow in Screenwriting at the ing students, and filmmakers and screenwriters seeking inspiration. University of Texas at Austin.

14 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 15 NEW IN PAPERBACK | history |

“The first African Americans to join the United States space program encountered pushback both inside and outside NASA’s doors. When they moved to Cape Canaveral and other Deep South pillars to work on Apollo missions, the Ku Klux Klan was there to greet them. Even history and space program buffs should find insight in We Could Not Fail’s fresh look

at a well-trodden era.” — ESQUIRE

“Replete with fascinating details about ways in which the civil rights movement influenced the space program. . . an important

contribution to African American history.” — WASHINGTON POST

“Hard to put down. . .

a terrific read.” — SCIENCE MAGAZINE RICHARD PAUL Washington, DC A former producer of The Diane Rehm Show, Paul is an award- “Surprising and insightful.” winning independent public radio — NEW YORK TIMES BOOK REVIEW documentary producer whose work includes Race and the Space Race.

STEVEN MOSS “A ‘must read’ book, particularly at a time when Waco, Texas We Could Not Fail Moss, an associate professor of English we are once again openly struggling with the at Texas State Technical College The First African Americans in and a fellow of the Kellogg Institute, role of government in ensuring opportunity and wrote one of the first academic works on NASA and civil rights. the Space Program civil rights for all our citizens.” —MAE JEMISON, MD Former NASA astronaut and principal, 100 Year Starship BY RICHARD PAUL AND STEVEN MOSS September 2016 | 6 x 9 inches | 312 pp. | 16 b&w photos | $17.95 Profiling ten pioneer African American space workers, paperback including technicians, mathematicians, engineers, and an astro- “Vital and of interest to all UT Press Controls All Rights naut candidate, this book tells an inspiring, largely unknown story of how the space program served as a launching pad for a more — LIBRARY JOURNAL integrated America. Americans.”

16 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 17 NEW IN PAPERBACK | american studies | History; Film, Media, and Popular Culture

“This is the book I’ve been waiting for: a penetrating, revelatory account of how this Harlem-born child of Jamaican immigrants became Harry Belafonte, the multitalented singer, actor, and radical activist. From her rich portrait of Harlem’s cultural milieu to the exigencies of the Black Freedom movement, Judith Smith embeds Belafonte firmly within the world that made him, delivering a fresh and original perspective on the man,

the artist, and the citizen.” —ROBIN D. G. KELLEY, Author of Thelonious Monk: The Life and Times of an American Original “Far more than a biography of Harry Belafonte as both activist and artist, Becoming Belafonte documents a web of critical collab- JUDITH E. SMITH orative relationships and the tight Boston, Massachusetts alignment of progressive cultural Smith is a professor of American studies at the University of Massa- production and anti-racist activism chusetts Boston. She is the author of several books, including Visions of from the Popular Front through the Belonging: Family Stories, Popular Culture, and Postwar Democracy, 1960s in theater, film, music, and, 1940–1960. later, television. A rich, compelling, Becoming Belafonte Discovering America important book.” —MATTHEW FRYE JACOBSON, Mark Crispin Miller, Series Editor Black Artist, Public Radical Yale University September 2014 | 5½ x 9 inches | BY JUDITH E. SMITH 368 pp. | 38 b&w photos | $24.95 paperback “A wonderful portrait of Belafonte “An engaging look at a major figure in UT Press Controls All Rights and his times.” —ROBERT DECORMIER, American cultural history.” Musical director for Harry Belafonte, 1957–1961 — BOOKLIST

18 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 19 NEW IN PAPERBACK | literature |

Publishers Weekly “More than three decades after [Goyen’s] Best Books of 2015 death, his stubbornness finds its reward in this smart, admiring, and attentive

biography by Clark Davis.” — L O U I S B A Y A R D , New York Times

“Mr. Davis has done a great service in recounting the major events of Goyen’s life and reminding us, along the way, of his remarkable literary achievement.” — WALL STREET JOURNAL

“This stellar biography . . . will resurrect Goyen’s brilliant writing for a new CLARK DAVIS generation of readers.” Denver, Colorado — PUBLISHERS WEEKLY Davis is a professor of English at the University of Denver. He is the author of Hawthorne’s Shyness: Ethics, Politics, and the Question of Engagement and After the Whale: “An essential read for Melville in the Wake of Moby-Dick. September 2016 | 6 x 9 inches | anyone interested in 392 pp. | 19 b&w photos | $24.95 It Starts with Trouble paperback literature and art.” UT Press Controls All Rights William Goyen and the Life of Writing — LOS ANGELES REVIEW OF BOOKS BY CLARK DAVIS

20 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 21 | fiction |

In this engrossing sequel to The Devil’s Backbone, the young man Papa and his cowboy amigo Calley Pearsall confront a legendary killer with a thirst for revenge and a psychopathic boy as

the two friends search for the beautiful captive BILL WITTLIFF Pela Rosa

Illustrated by Joe Ciardiello

The Devil’s Sinkhole

BY BILL WITTLIFF Illustrated by Joe Ciardiello

When last we saw the boy Papa in The Devil’s Backbone, he had finally learned the fate of his missing Momma and his vicious daddy, Old Karl. But hardly has he concluded that quest before an- other one is upon him. Now a white-haired man with a hangman’s noose around his neck and death in his eye—o’Pelo Blanco—is com- ing. And he means to hang Papa. In The Devil’s Sinkhole, the master storyteller Bill Wittliff takes us on another enthralling journey through wild and wool- ly Central Texas in the 1880s. When Papa and his o’amigo Calley Pearsall confront Pelo Blanco before he can ambush Papa, the encounter sets them on a pursuit with a promise of true love at the end, if only they can stay alive long enough for Calley to win the beautiful Pela Rosa, the captive/companion of Pelo Blanco. But before they can even hope to be united with Pela and Annie Oster, Papa’s plucky sweetheart, Papa and Little Missy, the Wild Papa in the Devil’s Sinkhole Calley have to defeat not only Woman a’the Navidad

UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 22 UNIVERSITY OF TEXAS PRESS | [email protected] Praise for The Devil’s Backbone

“Lively . . . a fine read!” —LARRY MCMURTRY “A wonderful tale that does honor to the ancient art of storytelling. It is destined to be an American classic.” —JIM HARRISON “Charming and vastly en- tertaining. . . . It will inter- est just as Mark Twain did, for there is a wry, winking quality to the book.” —RON HANSEN “It’s as if Charles Portis and Gabriel García Márquez had collaborated on True Grit.” —STEPHEN HARRIGAN

Pelo Blanco

BILL WITTLIFF JOE CIARDIELLO Austin, Texas Western New Jersey Wittliff is a distinguished Ciardiello illustrated Elmore screenwriter and producer whose Leonard’s 10 Rules of Writing, and credits include Lonesome Dove, The his portraits of authors have ap- Perfect Storm, The Black Stallion, peared in the New York Times Book and Legends of the Fall, among Review. Among his awards are four The Devil’s Backbone Calley Pearsall others. His fine art photography has silver medals from the Society of By Bill Wittliff October 2016 | 7 x 10 inches | been published in the books A Book Illustrators. 202 pp. | 20 illustrations | Illustrated by Jack Unruh Pelo Blanco but also the evil, murdering Arlon Clavic and deliv- of Photographs from Lonesome $29.95 hardcover $29.95 hardcover er Little Missey, the mysterious Wild Woman a’the Navidad, to Dove, La Vida Brinca, and Vaquero: Genesis of the Texas Cowboy. UT Press Controls All Rights the safe haven of the Choat farm. With dangers and emergencies UT Press Controls All Rights around every bend, it’s a rough ride to the Devil’s Sinkhole, where this world and the next come together, bringing Papa and Calley, Pelo Blanco and Arlon to a climax that will leave readers clamoring for the next adventure.

24 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 25 | photography | Fine Art

The Recurring Dream

BY ROCKY SCHENCK Foreword by William Friedkin

This collection of new work by the fine art pho- tographer Rocky Schenck presents hand-tinted color images that lead viewers through hypnotic landscapes and subversive tableaux rich in psy- chological subtext and unpredictable narratives

Emotionally evocative and painterly in execution, Rocky Schenck’s photographs invite viewers to enter an otherworldly realm where reality becomes a dream landscape haunted by paranoia, iso- lation, longing, beauty, betrayal, fear, humor, and death. The author John Berendt describes Schenck’s photographs as stills “taken from a movie that exists not on film but rather in one’s memory, with all the fuzziness typical of remembered impressions.” Photo District News proclaims, “It is a measure of the curious strength and unity of vision of the photographs that after you’ve examined all of them, you feel that there is no other way of seeing the world than his, that there is no other photography you’d rather be looking at.” The Recurring Dream presents new work by Rocky Schenck. In addition to his signature black-and-white dreamscapes, the book introduces color images that Schenck creates by hand tinting black- and-white prints with color oil paint—a practice dating back to the Victorian era that makes each individual print unique. Schenck ex- Getting Even plores psychological, metaphysical, and pictorial worlds, ranging

26 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 27 ROCKY SCHENCK WILLIAM FRIEDKIN Left: Garbo’s Dresses Southwestern & Mexican from suggestive landscapes to scenes of people dwelling in various Top Right: Endless Hollywood, California Bottom Right: Daydream Photography Series “found realities” and the occasional manufactured reality. Inspired Friedkin is an Academy Award– Schenck is the author of Rocky winning director, producer, and The Wittliff Collections at Texas by his rich dream life, the images insinuate subtle narratives that Schenck: Photographs. His fine screenwriter who is best known for State University entice viewers to create stories in their own imaginations. A fore- art photographs, which have been The French Connection and The David L. Coleman, Series Editor word by the director William Friedkin, who has used Schenck’s shown in galleries around the Exorcist. photographs as sets for several operas, and an afterword in which world, have attracted prestigious September 2016 | 12 1/8 x 8∑ inches public and private collectors. | 160 pp. | 141 color photographs | Schenck describes his creative process complete the volume. Schenck has also photographed $50.00 hardcover hundreds of album covers and writ- ten and directed numerous short UT Press Controls All Rights films and music videos, working with many talented artists.

28 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 29 | art | MARK LESLY SMITH Indianapolis, Indiana A longtime leader in the Austin visual arts community, Smith is A visual feast for connoisseurs of contempo- a cofounder of Flatbed Press and rary printmaking, this lavishly produced served as its codirector and gallery curator for twenty-three years. volume presents a twenty-five-year retro- Currently he teaches at the Herron School of Art and Design at Indiana spective of one of America’s premier artists’ University–Purdue University and serves as a consultant to private and printshops and the prominent and emerging corporate art collectors. artists who have worked there KATHERINE BRIMBERRY Austin, Texas Now the sole owner and director of Flatbed Press, Brimberry cofounded the press and has served as a codirec- Flatbed Press at 25 tor, director, and master printer over the past twenty-five years. As master BY MARK LESLY SMITH AND KATHERINE BRIMBERRY printer, she is in charge of collabora- Introduction by Susan Tallman tions with artists and the production of their projects.

Flatbed Press, a collaborative publishing workshop in SUSAN TALLMAN Austin, Texas, has become one of the premier artists’ printshops Chicago, Illinois in America and an epicenter for the art form. Founded in 1989 by Tallman is the editor-in-chief of Art Mark Lesly Smith and Katherine Brimberry, Flatbed provides stu- in Print. Her many publications in- dio spaces for visiting artists to work with the press’s master print- clude The Contemporary Print from ers to create limited editions of original etchings, lithographs, Pre-Pop to Postmodern. woodcuts, and monotypes. The roster of artists who have worked at Flatbed includes Robert Rauschenberg, John Alexander, Dan Rizzie, Terry Allen, Michael Ray Charles, Luis Jimenez, Julie Speed, Trenton Doyle Hancock, and James Surls. Prints pro- duced at Flatbed have been collected by major museums—the Museum of Mod- ern Art, the Metropolitan Art Museum, the Whitney Museum of American Art, the Museum of Fine Arts, Houston, and the Brooklyn Museum, among others. Black Cats Go Off, Michel Ray Charles (1994) Lavishly illustrated and printed, Flatbed Press at 25 presents a quarter- man’s introduction places Flatbed in a national context, defines its M. Georgia Hegarty Dunkerley century retrospective of the press’s pro- uniqueness, and discusses many of the outstanding artworks that Contemporary Art Series ductions. The book features the prints have been created there. Photographs of the facilities and equip- November 2016 | 10 x 12 inches | of thirty-five prominent artists who ment, technical processes, and artists and printers at work, as well 432 pp. | 59 color amd 42 b&w pho- have collaborated with the press, each as a chronology and glossary, complete the volume. tos, 168 color illustrations | $65.00 represented by full-color plates and a hardcover Victory: The Celebration, Robert L. Levers lively reminiscence by Smith and Brimberry that describes the pro- Jr. (1991) cess of working with the artist. Eighty additional artists are also UT Press Controls All Rights included with a single print and documentary details. Susan Tall-

30 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 31 | photography | Fine Art

Jack Spencer this land An American Portrait

Foreword by Jon Meacham This Land An American Portrait

BY JACK SPENCER Foreword by Jon Meacham Created across thirteen years, forty-eight states, and eighty thousand miles, this startlingly fresh photo- graphic portrait of the American landscape shares ar- tistic affinities with the works of such American masters as Edward Hopper, Grant Wood, Mark Rothko, and Albert Bierstadt

JON MEACHAM Yellowstone River, Montana (2005) The William and Bettye Nashville and Sewanee, Nowlin Series in Art, Tennessee History, and Culture of the Jarred by the 9/11 attacks, photographer Jack Spencer America. The breadth of imagery in This Land brings to mind New York Times best-selling author Western Hemisphere Meacham won the Pulitzer Prize for set out in 2003 “in hopes of making a few ‘sketches’ of America the works of such American masters as Edward Hopper, Grant American Lion: Andrew Jackson in order to gain some clarity on what it meant to be living in this Wood, Mark Rothko, and Albert Bierstadt, while also evoking in the White House. He currently nation at this moment in time.” Across thirteen years, forty-eight the sense of the open roads traveled by Woody Guthrie and Jack JACK SPENCER serves as executive vice president states, and eighty thousand miles of driving, Spencer created a Kerouac. Spencer’s pictorialist vision embraces the sweeping Nashville, Tennessee and editor of Random House. vast, encompassing portrait of the American landscape that is both variety of American landscapes—coasts, deltas, forests, deserts, Spencer is a fine art photographer contemporary and timeless. mountain ranges, and prairies—and iconic places such as Mount whose work is in major private March 2017 | 13 x 11 inches | and public collections. In 2005, he 272 pp. | 142 color photos | $45.00 This Land presents some one hundred and forty photographs Rushmore and Wounded Knee. Jon Meacham writes in the received the Lucie Award for Inter- hardcover that span the nation, from Key West to Death Valley and Texas to foreword that Spencer’s “most surprising images are of a country national Photographer of the Year Montana. From the monochromatic and distressed black-and-white that I suspect many of us believed had disappeared. The fading in the nature category. UT Press Controls All Rights images that began the series to the oversaturated color of more recent years, these photographs present a startlingly fresh perspective on

32 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 33 | photography | Artist Monographs

Long out of print and now reissued on the fortieth anniversary of its first pub- lication, IOWA is the preeminent exem- plar of Diana camera work and a cult classic highly prized by photobook collec- tors and photographers

IOWA

BY NANCY REXROTH Foreword by Alec Soth Essay by Anne Wilkes Tucker Essay and postscript by Mark L. Power

In the early 1970s, Nancy Rexroth began photographing the rural landscapes, children, white frame houses, and domestic interiors of southeastern Ohio with a plastic toy camera called the Diana. Working with the camera’s properties of soft focus and vi- gnetting, and further manipulating the photographs by deliberately blurring or sometimes overlaying them, Rexroth created dream- like, poetic images of “my own private land- scape, a state of mind.” She called this state IOWA because the photographs seemed to My mother, Pennsville, Ohio (1970) reference her childhood summer visits to relatives in Iowa. Rexroth self-published her evocative images in 1977 in the book IOWA, “IOWA is unique in all of photographic history.” and the photographic community responded — J O H N R O H R B A C H senior curator of photographs, Amon Carter immediately and strongly to the work. Aper- Museum of American Art, and author of Color: ture published a portfolio of IOWA images in American Photography Transformed a special issue, The Snapshot, alongside the work of Robert Frank, Garry Winogrand, Lee ability to fashion a world of surprising aesthetic possibilities using a simple, low-tech dollar camera. Long Friedlander, and Emmet Gowin. The Inter- out of print and highly prized by photographers and photobook collectors, IOWA is now available in a national Center for Photography, the Corco- hardcover edition that includes twenty-two previously unpublished images. Accompanying the photo- ran Gallery of Art, and the Smithsonian graphs are a new foreword by Magnum photographer and book maker Alec Soth and an essay by inter- Institution included IOWA images in group nationally acclaimed curator Anne Wilkes Tucker, who affirms the continuing power and importance of exhibitions. IOWA within the photobook genre. New postscripts by Nancy Rexroth and Mark L. Power, who wrote the Forty years after its original publication, essay in the first edition, complete the volume. IOWA has become a classic of fine art photog- Theater, Vanceburg, Kentucky (1975) raphy, a renowned demonstration of Rexroth’s

34 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 35 “‘Talking about dreams is like talking about movies,’ Federico Fellini once said, ‘years can pass in a second and you can hop from one place to another.’ The place where Rexroth’s images take us isn’t really Iowa; it is, to borrow from the title of another

film, her own private Iowa.” —ALEC SOTH” from “Rexroth’s Strawberries”

A Woman’s Bed, Logan, Ohio (1970)

“IOWA is so fresh. Rexroth . . . uses graphic forms with the intelligence of a fine poet. This is a feminine eye and

a brave one.” — A N N E W I L K E S T U C K E R from “Nanny Rexroth”

NANCY REXROTH ANNE WILKES TUCKER Boys Flying, Amesville, Ohio (1976) Cincinnati, Ohio Houston, Texas Rexroth’s work is held by major Hailed as “America’s Best Curator” ALEC SOTH MARK L. POWER April 2017 | 10 x 10 inches | 168 collections, including the Museum of by Time magazine, Tucker served Minneapolis, Minnesota Silver Spring, Maryland pp. | 77 duotone photos | $45.00 as the Gus and Lyndall Wortham hardcover Modern Art, the Center for Creative A member of Magnum Photos and Power is a photographer and Curator at the Museum of Fine Arts, Photography, the Smithsonian Insti- the publisher of Little Brown Mush- photography educator whose works Houston, where she built the pho- UT Press Controls All Rights tution, the Corcoran Gallery of Art, room Press, Soth is a photographer are in the Library of Congress, the tography collection and organized the Baltimore Museum of Art, the who has published over twenty-five Smithsonian Institution, the Corco- more than forty exhibitions. Bibliothéque Nationale de France, books, including Sleeping by the ran Gallery of Art, the Bibliothéque the Library of Congress, and the Mississippi, NIAGARA, Broken Nationale de France, and other Museum of Fine Arts, Houston. Manual, and Songbook. collections.

36 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 37 | architecture | United States, American Studies Wide-ranging interviews with leading architec- Hadley Arnold Robert Venturi tural thinkers, including Thom Mayne, Richard Meier, Robert Venturi, Paul Goldberger, Robert and Denise Scott Brown Marianne Ivy, Denise Scott Brown, Kenneth Frampton, and Robert A. M. Stern, spotlight some of the Cusato Jeremiah Eck Frank Escher most significant issues in architecture today and Ravi Gune Wardena Kenneth Frampton Andrew Freear Douglas The American Idea of Home Garofalo Paul Goldberger Charles Conversations about Architecture and Design Gwathmey Grant Hildebrand BY BERNARD FRIEDMAN Foreword by Meghan Daum Robert Ivy Tracy Kidder Tom

BERNARD FRIEDMAN “Home is an idea,” Meghan Daum writes in the foreword, Los Angeles, California “a story we tell ourselves about who we are and who and what we Kundig Greg Lynn Thom Mayne Friedman is managing partner of want closest in our midst.” In The American Idea of Home, docu- Flying Mind, a multidisciplinary mentary filmmaker Bernard Friedman interviews more than thirty Richard Meier Lee F. Mindel documentary development and leaders in the field of architecture about a constellation of ideas re- production company. He directed lating to housing and home. The interviewees include Pritzker Prize American Homes, an animated one- winners Thom Mayne, Richard Meier, and Robert Venturi; Pulitzer Toshiko Mori Eric Owen Moss thousand-year history of residential architecture in North America. He Prize winners Paul Goldberger and Tracy Kidder; American Insti- is a founder and the current chair of tute of Architects head Robert Ivy; and legendary architects such as Lorcan O’Herlihy Elizabeth Plater- the advisory board of the Arid Lands Denise Scott Brown, Charles Gwathmey, Kenneth Frampton, and Institute, which trains designers Robert A. M. Stern. and citizens to innovate in response The American idea of home and the many types of housing that Zyberk Witold Rybczynski David to hydrologic variability brought on by climate change. embody it launch lively, wide-ranging conversations about some of the most vital and important issues in architecture today. The topics that D. Salmela Cameron Sinclair Roger Fullington Series Friedman and his interviewees discuss illuminate five overarching in Architecture themes: the functions and meanings of home; history, tradition, and change in residential architecture; activism, sustainability, and the Robert A. M. Stern Sarah Susanka May 2017 | 6 x 9 inches | 186 pp. | 30 b&w photos | $27.95 hardcover environment; cities, suburbs, and regions; and technology, innovation, and materials. Friedman frames the interviews with an extended in- Lester Walker Sam Watters UT Press Controls All Rights troduction that highlights these themes and helps readers appreciate the common concerns that underlie projects as disparate as Katrina cottages and Frank Lloyd Wright Usonian houses. Readers will come Barbara Winslow and Max away from these thought-provoking interviews with an enhanced awareness of the “under the hood” kinds of design decisions that fun- Jacobson damentally shape our ideas of home and the dwellings in which we live.

38 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 39 Fireworks on the opening night of the Shamrock Hotel, March 17, 1949 | texas | History, Architecture, Photography

Presenting over two hundred previously unpub- lished images from the city’s largest and most comprehensive photographic archive, this vol- ume chronicles Houston’s transformation into a city of international importance

Dolph Briscoe Center for American History Houston on the Move A Photographic History

BY STEVEN R. STROM Photographs by Bob Bailey Studios

Houston completely transformed itself during the STEVEN R. STROM twentieth century, burgeoning from a regional hub into a world-class Cathedral City, international powerhouse. This remarkable metamorphosis is captured California in the Bob Bailey Studios Photographic Archive, an unparalleled visual A former director and architectural record of Houston life from the 1930s to the early 1990s. Founded by archivist at the Houston Metropoli- tan Research Center, Strom is the the commercial photographer Bob Bailey in 1929, the Bailey Studios author of the award-winning book produced more than 500,000 photographs and fifty-two 16mm films, Houston Lost and Unbuilt. making its archive the largest and most comprehensive collection of images ever taken in and around Houston. The Bob Bailey Studios Archive is now owned by the Dolph Briscoe Center for Amer- Focus on American History Series ican History at the University of The Dolph Briscoe Center for Texas at Austin. American History Houston on the Move pres- University of Texas at Austin ents over two hundred of the Don Carleton, Series Editor Bailey archive’s most memora- October 2016 | 8∏ x 11 inches | ble and important photographs 224 pp. | 216 color and b&w photos | with extended captions that de- $45.00 hardcover tail the photos’ subjects and the reasons for their significance. UT Press Controls All Rights These images, most never be- fore published, document everything from key events in Houston’s modern history—World War II; the Texas City Disaster; the build- ing of the Astrodome; and the development of the Ship Channel,

40 UNIVERSITY OF TEXAS PRESS | FALL 2016 UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 41 Also by Steven R. Strom

Left: Allied Bank Plaza under construction in 1982. Top right: Medical Center, and Johnson Space Center—to nostalgic scenes of Houston skyline from the north, daily life. Bob Bailey’s expertly composed photographs reveal a great photographed in 1986 by Marvin Bailey. Houston Lost Middle: Prince’s Drive In with an city in the making: a downtown striving to be the best, biggest, and outdoor jukebox, 1942. Bottom: Aerial and Unbuilt view of the Astrodome and the adjacent tallest; birthday parties, snow days, celebrations, and rodeos; opu- Astroworld amusement park in the foreground, ca. 1968. lent department stores; Hollywood stars and political leaders; rapid $45.00 hardcover industrial and commercial growth; and the inexorable march of the UT Press Controls All Rights suburbs. An irresistible “remember that?” book for long-time Hous- tonians, Houston on the Move will also be an essential reference for historians, photographers, designers, and city planners.

42 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | FALL 2016 43 | photography | Fine Art

This powerful photo-essay records the last vestiges of a tradition that exerts a universal fascination and mystique—cowboying in the American West

Mountain Ranch

BY MICHAEL CROUSER Foreword by Gretel Ehrlich

The mountain ranches of western Colorado preserve a “The ranches where way of life that has nearly vanished from the American scene. Fami- lies who have lived on the same land for five or six generations raise Michael Crouser so cattle much as their ancestors did, following an annual cycle of affectionately captures breeding, birthing, branding, grazing, and selling livestock. Michael Crouser spent more than a decade (2006–2016) photographing fam- these scenes tell a story ily cattle ranches in Colorado, intrigued “not by the ways their lives of staying power, of are changing but by the way they have stayed the same.” He was, he says, “most interested in the traditional elements of these traditional joy in the beauty of the lives, . . . what they call ‘cowboying.’” world, of gratitude for Intimate without being sentimental about the realities of ranch work, Mountain Ranch’s duotone images capture the raw and ba- the working animals— sic elements of a hard and basic life. In the afterword, Crouser pays the dogs and the horses— verbal tribute to ranch people who are “the real deal,” whose sea- sonal round of work forms the subject of the acclaimed nature writer of midwifery and Gretel Ehrlich’s foreword. Portraits of eight men and women who husbandry, of seeing the eloquently describe their long lives on Colorado mountain ranches complete the volume. seasons through . . . . It is The ever-increasing commercial and residential development of a pleasure to be brought traditional ranch land and the economic difficulties facing a new generation of ranchers threaten the future of cattle ranching in the into this out-of-the- mountains of Colorado. Mountain Ranch powerfully records the way part of the world last vestiges of a tradition that exerts a nearly universal fascination and mystique—cowboying in the American West. with such understated passion.” —GRETEL EHRLICH from the introduction

44 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 45 MICHAEL CROUSER Minneapolis, Minnesota Crouser is the author of two critically acclaimed photography books: Los Toros, which won first prize in the fine art book category at the 2008 International Photography Awards; and Dog Run, which was named one of the top ten photog- raphy books of the year by Photo District News, Communication Arts, and the International Photography Awards. In 2012 the Leica Gallery in New York City presented a twenty-five-year retrospective exhibition of his work. Crouser has taught at the International Center of Photogra- phy, the Santa Fe Photographic Workshops, and the Mpls Photo Center in Minneapolis, and his work is in several prominent collections.

GRETEL EHRLICH Wyoming Ehrlich is the author of many acclaimed books, including The Solace of Open Spaces; Islands, the Universe, Home; A Match to the Heart: One Woman’s Story of Being Struck by Lightning; In the Empire of Ice: Encounters in a Changing Landscape; and Facing the Wave: A Journey in the Wake of the Tsunami.

The M. K. Brown Range Life Series

May 2017 | 8½ x 11 inches | 200 duotone photos | TBD

UT Press Controls All Rights

46 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 47 | photography | Photojournalism and Documentary “Utterly fascinating. I thought I knew Eddie Adams’s

This career-spanning collection of both icon- career. I see now that what I thought I knew barely ic and rarely seen images celebrates the work scratched the surface. This book covers the photographic

of Pulitzer Prize–winning photojournalist giant in a broad and beautiful way.” — J O H N M O O R E special correspondent/Getty Images, winner of four World Press awards and Eddie Adams, whose potent visual storytell- the Overseas Press Club Robert Capa Gold Medal and John Faber awards ing ran the gamut from the horrors of war to the lives of the famous and powerful

Dolph Briscoe Center for American History Eddie Adams Bigger than the Frame

Foreword by Don Carleton Preface by Alyssa Adams Essay by Anne Wilkes Tucker

Best-known for Saigon Execution, his Pulitzer Prize– winning photograph that forever shaped how the world views the horrors of war, Eddie Adams was a renowned American photojournalist who won more than five hundred awards, including the George Polk Award for News Photography three times and the Robert Capa Gold Medal. During his fifty-year career, he worked as a staff photographer for the Associated Press, Time, and Parade, and his photos appeared on more than 350 magazine covers. Adams is also famous and deeply respected for founding the Eddie Adams Workshop, an intensive photography seminar whose graduates include twelve Pulitzer Prize–winners and many others who have achieved illustrious careers in journalism, commercial photography, and media. Focus on American History Series Eddie Adams presents a career-spanning selection of the The Dolph Briscoe Center for photographer’s finest work from the 1950s through the early 2000s, American History drawn from the Eddie Adams Photographic Archive at the Dolph University of Texas at Austin Briscoe Center for American History at the University of Texas at Don Carleton, Editor Austin. In addition to his much-praised Vietnam War photography, the book includes images that uncannily reflect world and domestic April 2017 | 9½ x 10½ inches | 368 pp. | 53 color and 198 b&w photos | issues of today, including immigration, conflict in the Middle East, and $60.00 hardcover the refugee crisis. All of them attest to Adams’s overwhelming desire to tell people’s stories. As he once observed, “I actually become the UT Press Controls All Rights person I am taking a picture of. If you are starving, I am starving, too.” John Streets, Dreamy Hollow, West Virginia (1969)

48 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 49 | texas | History

This signed edition presents a spellbinding preview of the inaugural volume of the Texas Bookshelf—a major new history of Texas by the New York Times best-selling author Ste- phen Harrigan

Clockwise From Left: Jacqueline Kennedy accepts the flag that covered her husband’s coffin, Arlington National Cemetery (1963); Saigon Execution (1968); Fidel Castro (1984). They Came from the Sky The Spanish Arrive in Texas

BY STEPHEN HARRIGAN Accompanying the images are an essay by internationally acclaimed photography curator Anne Wilkes Tucker, a personal remembrance by In the fall of 2018, the University of Texas Press will Adams’s widow Alyssa Adams, a foreword by Briscoe Center director publish the inaugural volume of the Texas Bookshelf, a major new Don Carleton, who provides a concise history of Adams’s career, and history of Texas by Stephen Harrigan, the New York Times best- a timeline. selling author. The Texas Bookshelf promises to be the most ambi- tious and comprehensive publishing endeavor about the culture and history of one state ever undertaken. Comprised of in-depth gen- EDDIE ADAMS ANNE WILKES TUCKER eral-interest histories of a range of Texas subjects—politics, music, (1933–2004) Houston, Texas film, business, architecture, and sports, among many others—the The only Associated Press photog- Hailed as “America’s Best Curator” Bookshelf volumes will be written by the state’s brightest authors, rapher to hold the title of special by Time magazine, Tucker served correspondent, Adams photographed as the Gus and Lyndall Wortham scholars, and intellectuals, all affiliated with the University of Texas thirteen wars, six US presidents, Curator at the Museum of Fine Arts, at Austin. many heads of state, and count- Houston, where she built the pho- STEPHEN HARRIGAN Published in a signed edition, They Came from the Sky offers an Austin, Texas less celebrities. He recorded many tography collection and organized exciting preview of Harrigan’s sweeping, full-length history. This significant events in the second half more than forty exhibitions. Harrigan is author of ten books of tantalizing “short” begins with the earliest native inhabitants over of the twentieth century, creating fiction and nonfiction, including ten thousand years ago and continues through the ill-fated Spanish photographs that influenced public the award-winning novels The explorations of the sixteenth and early seventeenth centuries. In its opinion and changed policy; his se- Gates of the Alamo and Remember ries on Vietnamese boat people, “Boat Ben Clayton, the critically ac- pages, we encounter the prehistoric flint producers and traders who of No Smiles,” influenced the United claimed new novel A Friend of Mr. were Texas’s first entrepreneurs; Spanish castaways and would-be States to admit 200,000 Vietnamese Lincoln, and the essay collection conquerors; the Karankawas, Querechos (Apaches), and Caddos, refugees at the end of the war. Many of The Eye of the Mammoth. Adams’s images continue to provoke whose lifeways were forever changed by contact with Europeans; discussion and debate to this day. April 2017 | 5 x 7 inches | 96 pp. | and the “Lady in Blue,” an abbess who mysteriously claimed to have 1 map | TBD visited the “Quivira and the Jumanas” in Texas while remaining within her Spanish cloister. UT Press Controls All Rights Bringing Stephen Harrigan’s formidable narrative talent to the founding story of Texas, They Came from the Sky constitutes the vanguard of a major publishing event.

50 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 51 | literature | Memoir | film, media, and popular culture | Screenwriting, Industry & Production

With stories of sighting rare birds ranging from This lively biography of the screenwriter of an Eskimo Curlew to the cranes of Asia, one of 1980s hit movies Top Gun, Beverly Hills Cop America’s foremost birders recalls a lifetime of II, Beetlejuice, and Batman illuminates issues birding adventures, including friendships with of film authorship that have become even more luminaries Roger Tory Peterson, Peter Matthies- contested in the era of blockbuster filmmaking sen, and George Plimpton

One More Warbler Rewrite Man A Life with Birds The Life and Career of Screenwriter BY VICTOR EMANUEL WITH S. KIRK WALSH Warren Skaaren

Victor Emanuel is widely considered one of America’s BY ALISON MACOR leading birders. He has observed more than six thousand species VICTOR EMANUEL during travels that have taken him to every continent. He founded In Rewrite Man, Alison Macor tells an engrossing story Austin, Texas the largest company in the world specializing in birding tours and about the challenges faced by a top screenwriter at the crossroads Emanuel is the founder of Victor one of the most respected ones in ecotourism. Emanuel has received of mixed and conflicting agendas in Hollywood. Whether writing Emanuel Nature Tours (VENT). In some of birding’s highest honors, including the Roger Tory Peterson love scenes for Tom Cruise on the 1957, he founded (and continues to compile) the record-breaking Free- Award from the American Birding Association and the Arthur A. set of Top Gun, running lines with port Christmas Bird Count. Allen Award from the Cornell Laboratory of Ornithology. He also Michael Keaton on Beetlejuice, or ALISON MACOR started the first birding camps for young people, which he considers crafting Nietzschean dialogue for Austin, Texas S. KIRK WALSH one of his greatest achievements. Jack Nicholson on Batman, Warren Austin, Texas In One More Warbler, Emanuel recalls a lifetime of birding ad- Macor is the author of Chainsaws, Skaaren collaborated with many Slackers, and Spy Kids: Thirty Walsh’s work has been published in ventures—from his childhood sighting of a male Cardinal that ig- Years of Filmmaking in Austin, of New Hollywood’s most powerful the New York Times Book Review, nited his passion for birds to a once-in-a-lifetime journey to Asia to Texas, which won the Peter C. Rol- stars, producers, and directors. Los Angeles Review of Books, and observe all eight species of cranes of that continent. He tells fasci- lins Book of the Year Award from By the time of his premature Boston Globe. nating stories of meeting his mentors who taught him about birds, the Southwest Popular/American death in 1990, Skaaren was one of Culture Association. A freelance Mildred Wyatt-Wold nature, and conservation, and later, his close circle of friends—Ted Hollywood’s highest-paid writers, writer, she has taught film courses Series in ornithology Parker, Peter Matthiessen, George Plimpton, Roger Tory Peterson, at the University of Texas at Aus- although he rarely left Austin, where and others—who he frequently birded and traveled with around tin and Texas State University. he lived and worked. Yet he had to battle for shared screenwriting May 2017 | 6 x 9 inches | 296 pp. | the world. Emanuel writes about the sighting of an Eskimo Curlew, credit on these films, and his struggles yield a new understanding $29.95 hardcover thought to be extinct, on Galveston Island; setting an all-time na- of the secretive screen credit arbitration process—a process that May 2017 | 6 x 9 inches | 272 pp. | UT Press Controls All Rights tional record during the annual Audubon Christmas Bird Count; at- has only become more intense, more litigious, and more public for 15 b&w photos | $35.00 hardcover tempting to see the Imperial Woodpecker in northwestern Mexico; screenwriters and their union, the Writers Guild of America, since and birding on the far-flung island of Attu on the Aleutian chain. UT Press Controls All Rights Skaaren’s time. His story, told through a wealth of archival material, illuminates crucial issues of film authorship that have seldom been explored.

52 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 53 | music | Biography

With new insights into her life and music and fascinating details about the making of all of her albums, this is the first book about Rock and Roll Hall of Fame legend Chrissie Hynde, the leader of The Pretenders

Chrissie Hynde A Musical Biography

BY ADAM SOBSEY

A musical force across four decades, a voice for the ages, and a great songwriter, Chrissie Hynde is one of America’s foremost rockers. Inducted into the Rock and Roll Hall of Fame in 2005, she and her band The Pretenders have released ten albums since 1980. The Pretenders’ debut LP has been acclaimed one of the best al- bums of all time by VH1 and Rolling Stone. In a business filled with “pretenders” and posers, Hynde remains unassailably authentic. Al- ADAM SOBSEY though she blazed the trail for countless female musicians, Hynde Durham, North Carolina has never embraced the role of rock-feminist and once remarked, Sobsey is coauthor of Bull City “It’s never been my intention to change the world or set an example Summer: A Season at the Ballpark, for others to follow.” Instead, she pursued her own vision of rock—a a book about minor league baseball, band of “motorcycles with guitars.” and has written about music and Chrissie Hynde: A Musical Biography traces this legend’s jour- culture for the Paris Review and other publications. ney from teenage encounters with rock royalty to the publication of her controversial memoir Reckless in 2015. Adam Sobsey digs deep American Music Series into Hynde’s catalog, extolling her underrated songwriting gifts and David Menconi, Editor the greatness of The Pretenders’ early classics and revealing how her more recent but lesser-known records are not only underappreciat- April 2017 | 5½ x 8½ inches | 188 pp. | $24.95 hardcover ed but actually key to understanding her earlier work, as well as her evolving persona. Sobsey hears Hynde’s music as a way into her life UT Press Controls All Rights outside the studio, including her feminism, signature style, vegetari- anism, and Hinduism. She is “a self-possessed, self-exiled idol with no real forbears and no true musical descendants: a complete original.”

Detroit leanin’: at the Motor City Roller Rink, 1980. Photo © Robert Matheu.

54 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 55 | music | American Studies

Musicians including Rosanne Cash, Guy Clark, JD Souther, Jorma Kaukonen, Bill Frisell, and Kelly Willis pose with and tell stories about the classic Gibsons, Fenders, Martins, and other guitars that have become their most prized instruments

A Perfectly Good Guitar Musicians on Their Favorite Instruments

BY CHUCK HOLLEY

Ask guitar players about their instruments, and you’re likely to get a story—where the guitar came from, or what makes it unique, or why the player will never part with it. Most guitarists have strong feelings about their primary tool, and some are downright pas- sionate about their axes. Chuck Hol- ley is a professional photographer and writer who loves music and lis- tening to musicians talk about their trade. For several years, he has been photographing guitarists with their prized instruments and collecting their stories. This beautifully illus- trated book presents these stories in revelatory photographs and words. The guitarists included in this book range from high-profile per- formers, including Rosanne Cash, Guy Clark, Laurence Juber, Jorma Kaukonen, JD Souther, Bill Frisell, Dave Alvin, and Kelly Willis, to re- Detail from Rosanne Cash’s Martin. nowned studio musicians and band members. Holley’s beautifully composed photographs portray them with their favorite guitar, in- cluding detail shots of the instrument. Accompanying the photographs Top: Alejandro Escovedo. Bottom: Cindy Cashdollar. are the musicians’ stories about the Gibsons, Fenders, Martins, and

56 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 57 CHUCK HOLLEY Maryville, Missouri Holley has worked as a commercial photographer in Minneapolis/St. Paul, Minnesota; a general assign- ment reporter and photographer for a southwest Iowa newspaper; and a photographer for a university.

Top: Detail from Marty Stuart’s Telecaster. Bottom: Guy Clark. Brad and Michele Moore Roots Music Series others that have become the guitar in their lives, the one that has a special lineage or intangible qualities of sustain, tone, clarity, and May 2017 | 8 x 10 inches | 224 pp. | 150 color photos | $34.95 comfort that make it irreplaceable. Several musicians talk about hardcover how the guitar chose them, while others recount stories of guitars lost or stolen and then serendipitously recovered. Together, these UT Press Controls All Rights photographs and stories underscore the great pleasure of perform- ing with an instrument that’s become a trusted friend with a per- sonality all its own.

Detail from James Pennebaker’s lap steel.

58 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | FALL 2016 59 | music |

Created by the acclaimed musician Kristin Hersh to encourage her youngest son to embrace the experiences of touring with a band, this delightful picture book—once rare and much sought-after— is now back in print with a new afterword

Toby Snax

WRITTEN AND ILLUSTRATED BY KRISTIN HERSH Toby Snax is a little bunny who’s reluctant to experi- The Jemima Code ence things away from home. When Mama asks him to join her on a trip, he needs a bit of encouragement. So Mama tells Toby about the Two Centuries of African wondrous things that await him out in the wide world, helping him to look forward to new adventures. American Cookbooks This charming, gentle book will resonate with any child who’s BY TONI TIPTON-MARTIN nervous about trying new things. The acclaimed musician Kristin Forewords by John Egerton and Barbara Haber Hersh created Toby Snax to encourage her son, Bodhi, to embrace the experiences of touring the world together while she performed both 2016 Art of Eating Prize KRISTIN HERSH solo and with her bands 50 Foot Wave and Throwing Muses. The first New Orleans, Louisiana edition of the book sold out immediately and has become highly col- Finalist, 2016 James Beard Book Awards Hersh is a founding member of the lectible. This new edition makes Toby Snax available again for all fans bands Throwing Muses and 50 Foot of Hersh’s evocative storytelling, as well as children—or even adults— Wave. She is the author of Don’t who need a little reassurance that the world is full of wonders. NPR Best Books of 2015 Suck, Don’t Die: Giving Up Vic Chesnutt, one of NPR’s Best Books of 2015, and Rat Girl, which Rolling New York Times Book Review Holiday Gift Selection Stone named one of the top ten best rock memoirs ever written. Slate’s Best Coffee-Table Books 2015 September 2016 | 7 x 9 inches | 40 pp. | 19 color illustrations | $14.95 hardcover Outstanding Contribution to Publishing Citation, Black Caucus of the American Library Association UT Press Controls All Rights 2015 Kirkus Guide to Gift Books $45.00 hardcover

UT Press Controls All Rights

60 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 61 “Alina Simone’s Madonnaland is a totally excellent book, and if you don’t bother to read it, you will be missing something significant in the development of modern cultural criticism. . . . It’s an intense jewel in the already sparkly crown of a consis-

tently perceptive critic.” — POPMATTERS

“Idiosyncratic. . . Simone finally achieves a productive union between the obscure and the intriguing. She has wandered away from Madonnaland to a place where she actually

wants to be.” — NEW YORK TIMES BOOK REVIEW

“Simone’s book is more than a portrait of Madonna and the people who love her, it’s a reflection on the nature of pop

music fandom.” —MICHAEL SCHAUB Men’s Journal Best Books of March, 2016

“How do we start with sparkly cone bras and end with a well- considered philosophy of human fulfillment? No idea, but Simone manages to do it. Madonnaland is a profound and hilarious stream-of-consciousness funfair ride through the postmodern theme park of super fans, celebrity, taste, and Madonnaland capitalism, with Simone as the perfect conductor.” —AMANDA PALMER And Other Detours into Fame and Fandom “Alina Simone’s critical (and hilariously self-critical) look at BY ALINA SIMONE pop culture, ambition, identity, and the strange things that can $16.95 paperback UT Press Controls All Rights happen when art meets time is, if you’ll pardon the expression,

a ray of light.” — B E N G R E E N M A N New York Times best-selling author of Mo’ Meta Blues and The Slippage

62 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 63 Drawing of the White Shaman mural. From The White Shaman Mural by Carolyn E. Boyd.

books for scholars Huddie Ledbetter in New York City, n.d. Alan | american studies | History, Popular Culture Lomax Collection, American Folklife Center; courtesy of the Lead Belly Estate, Murfrees- boro, Tennessee. With chapters on Lead Belly, Thomas Hart Benton, John Huston, Mae West, and Sterling Brown, this innovative book presents a new argument for the centrality of African American folklore as a source of cultural expression in the 1930s

Frankie and Johnny Race, Gender, and the Work of African American Folklore in 1930s America

BY STACY I. MORGAN

Originating in a homicide in St. Louis in 1899, the ballad of “Frankie and Johnny” became one of America’s most familiar songs during the first half of the twentieth century. It crossed lines of race, class, and artistic genres, taking form in such varied expres- sions as a folk song performed by Huddie Ledbetter (Lead Belly); a ballet choreographed by Ruth Page and Bentley Stone under New Deal sponsorship; a mural in the Missouri State Capitol by Thomas Hart Benton; a play by John Huston; a motion picture, She Done Him Wrong, that made Mae West a national celebrity; and an anti- lynching poem by Sterling Brown. STACY I. MORGAN In this innovative book, Stacy I. Morgan explores why African Tusca loosa, Alabama American folklore—and “Frankie and Johnny” in particular—be- came prized source material for artists of diverse political and Morgan is an associate professor of American studies at the University aesthetic sensibilities. He looks at a confluence of factors, includ- of Alabama. He is the author of ing the Harlem Renaissance, the Great Depression, and resurgent Rethinking Social Realism: African nationalism, that led those creators to engage with this ubiquitous American Art and Literature, song. Morgan’s research uncovers the wide range of work that artists 1930–1953. called upon African American folklore to perform in the 1930s, as April 2017 | 6 x 9 inches | 326 pp. it alternately reinforced and challenged norms of race, gender, and | 46 b&w photos |$29.95 paperback appropriate subjects for artistic expression. He demonstrates that the folklorists and creative artists of that generation forged a new UT Press Controls All Rights national culture in which African American folk songs featured cen- trally not only in folk and popular culture but in the fine arts as well.

66 UNIVERSITY OF TEXAS PRESS | FALL 2016 UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 67 | architecture | Latin America

Learning from Bogotá illuminates how a for- mer “drug capital” has been transformed into a “pedagogical city,” where redesigned public spaces teach residents how to reconnect with one another and become more engaged citizens

Learning from Bogotá Pedagogical Urbanism and the Reshaping of Eje Ambiental in Bogotá (2011) by Haakon S. Krohn under Creative Commons license 3.0 Public Space “Criticism such as Berney’s is fundamental BY RACHEL BERNEY to understanding the need for deeper, more profound, and more sustained solutions to Once known as a “drug capital” and associated with kid- Also of Interest nappings, violence, and excess, Bogotá, Colombia, has undergone a socioeconomic urban problems that have such transformation that some have termed “the miracle of Bogotá.” Be- long histories.” — F E L I P E H E R N A N D E Z ginning in the late 1980s, the city emerged from a long period of King’s College Cambridge, architect and author of Beyond Modernist Masters: Contemporary Architecture in Latin America political and social instability to become an unexpected model of urban development through the redesign and revitalization of the public realm—parks, transportation, and derelict spaces—under the leadership of two “public space mayors,” Antanas Mockus and Enrique Peñalosa, the latter reelected in 2015. In Learning from Bo- RACHEL BERNEY gotá, Rachel Berney analyzes how these mayors worked to reconfig- Seattle, Washington ure the troubled city into a pedagogical one whose public spaces and Berney is an assistant professor of urban policy have helped shape a more tolerant and aware citizenry. urban design in the College of Built Berney examines the contributions of Mockus and Peñalosa Environments at the University of through the lenses of both spatial/urban design and the city’s his- Washington. tory. She shows how, through the careful intertwining of new pub- Beyond the City lic space and transportation projects, the reclamation of privatized Resource Extraction Urbanism January 2017 | 7 x 10 inches | 196 in South America pp. | 62 b&w photos, 3 illustrations public space, and the refurbishment of dilapidated open spaces, the by felipe correa | 15 maps | $40.00 hardcover mayors enacted an ambitious urban vision for Bogotá without re- $40.00 hardcover sorting to the failed method of the top-down city master plan. Il- UT Press Controls All Rights luminating the complex interplay between formal politics, urban UT Press Controls All Rights planning, and improvised social strategies, as well as the negative consequences that accompanied Bogotá’s metamorphosis, Learning from Bogotá offers significant lessons about the possibility for posi- tive and lasting change in cities around the world. Two-way traffic during the Ciclovía. Mike Ceaser © Bogotá Bike Tours. Courtesy of Mike Ceaser.

68 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 69 | latin american studies | Literature

Spanning seven centuries and four Also by Darlene continents, this comprehensive survey of the J. Sadlier Portuguese diaspora connects literary and artistic expression (including film) with the sociopolitical and economic factors that drove population migrations

The Portuguese-Speaking

Diaspora Americans All Good Neighbor Cultural Seven Centuries of Literature and the Arts Diplomacy in World War II $25.00 paperback Detail, Namban screen BY DARLENE J. SADLIER UT Press Controls All Rights

Long before the concept of “globalization,” the Portu- guese constructed a vast empire that extended into Africa, India, “This is a pioneering work DARLENE J. SADLIER Brazil, and mid-Atlantic territories, as well as parts of China, Bloomington, Indiana Southeast Asia, and Japan. Using this empire as its starting point and the first in English to Sadlier is professor emerita of and spanning seven centuries and four continents, The Portuguese- Spanish and Portuguese at Indiana Speaking Diaspora examines literary and artistic works about the undertake a comprehensive University Bloomington. ensuing dispersion of people within the Portuguese-speaking world, treatment of the Portuguese- Joe R. and Teresa Lozano resulting from colonization, the slave trade, adventure seeking, reli- Long Series in Latin gious conversion, political exile, forced labor, war, economic migra- speaking diaspora with an American and Latino Art tion, and tourism. and Culture Based on a broad array of materials, including historiography, letters, memoirs, plays, poetry, fiction, cartographic imagery, paint- interdisciplinary approach November 2016 | 6 x 9 inches | 346 ings, photographs, and films, The Portuguese-Speaking Diaspora is pp. | 25 color and 56 b&w images | centered in arts and litera- $29.95 paperback the first detailed analysis of the different and sometimes conflicting cultural productions of the imperial diaspora in its heyday and an Brazil Imagined UT Press Controls All Rights important context for understanding the more complex and broad- ture. This is a much-needed 1500 to the Present er-based culture of population travel and displacement from the and valuable undertaking, $39.95 paperback former colonies to present-day “homelands.” The topics that Dar- UT Press Controls All Rights lene J. Sadlier discusses include exploration and settlement by the — K . D AV I D J A C K S O N Portuguese in different parts of the empire; the Black Atlantic slave one of vast scope.” Yale University, author of Machado de trade; nineteenth-century travel; the colonial wars; and the return Assis: A Literary Life and editor of Oxford of populations to Portugal following African independence. Anthology of the Brazilian Short Story

70 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 71 | latin american studies | Art and Visual Studies, | latin american studies | Anthropology, Pre-Columbian Pre-Columbian Studies Art History, History

Making a foundational contribution to Meso- Drawing on a wealth of evidence that ranges american studies, this book explores Aztec paint- from Pre-Columbian texts to ethnographic ac- ed manuscripts and sculptures, as well as indig- counts of contemporary rituals, a leading scholar enous and colonial Spanish texts, to offer the first traces the extensive continuity of pre-Hispanic integrated study of food and ritual in Aztec art elements in Maya ceremonies of world renewal

Sacred Consumption The Burden of the Ancients Food and Ritual in Aztec Art and Culture Maya Ceremonies of World Renewal from the BY ELIZABETH MORÁN Pre-Columbian Period to the Present

Aztec painted manuscripts and sculptural works, as BY ALLEN J. CHRISTENSON well as indigenous and Spanish sixteenth-century texts, were filled with images of foodstuffs and food processing and consumption. In Maya theology, everything passes through endless ELIZABETH MORÁN Both gods and humans were depicted feasting, and food and eating cycles of birth, maturation, dissolution, death, and rebirth. Tra- Newport News, Virginia clearly played a pervasive, integral role in Aztec rituals. Basic foods ditional Maya believe that human beings perpetuate this cycle were transformed into sacred elements within particular rituals, through ritual offerings and ceremonies that have the power to re- ALLEN J. CHRISTENSON Morán is an associate professor Provo, Utah of art history at Christopher while food in turn gave meaning to the ritual performance. birth the world. The most elaborate ceremonies take place during Newport University. She has been a This pioneering book offers the first integrated study of food Semana Santa (Holy Week), the days preceding Easter on the Chris- Christenson is a professor of Pre- Fulbright-García Robles Scholar. and ritual in Aztec art. Elizabeth Morán asserts that while feast- tian calendar, during which traditionalist Maya replicate many of Columbian studies in the Department ing and consumption are often seen as a secondary aspect of ritual the world-renewing rituals that their ancestors practiced at the end of Comparative Arts and Letters at This book is a part of the Latin Brigham Young University. performance, a close examination of images of food rites in Aztec of the calendar year in anticipation of the New Year’s rites. American and Caribbean Arts and Culture publication initiative, ceremonies demonstrates that the presence—or, in some cases, the Marshaling a wealth of evidence from Pre-Columbian texts, The Linda Schele funded by a grant from the Andrew absence—of food in the rituals gave them significance. She traces early colonial Spanish writings, and decades of fieldwork with pres- Series in Maya and W. Mellon Foundation. the ritual use of food from the beginning of Aztec mythic history ent-day Maya, The Burden of the Ancients presents a masterfully Pre-Columbian Studies through contact with Europeans, demonstrating how food and detailed account of world-renewing ceremonies that spans the Pre- December 2016 | 6 x 9 inches | October 2016 | 6 x 9 inches | 384 ritual activity, the everyday and the sacred, blended in ceremonies Columbian era through the Conquest period and the subsequent 176 pp. | 27 b&w photos | $24.95 pp. | 130 b&w photos | 1 map | paperback that ranged from observances of births, marriages, and deaths to colonial occupation all the way to the present. Allen J. Christenson $29.95 paperback sacrificial offerings of human hearts and blood to feed the gods and focuses on Santiago Atitlán, a Tz’utujil Maya community in high- UT Press Controls All Rights maintain the cosmic order. Morán also briefly considers continuities land Guatemala, and offers the first systematic analysis of how the UT Press Controls All Rights in the use of pre-Hispanic foods in the daily life and ritual practices Maya preserved important elements of their ancient world renewal of contemporary Mexico. Bringing together two domains that have ceremonies by adopting similar elements of Roman Catholic obser- previously been studied in isolation, Sacred Consumption promises vances and infusing them with traditional Maya meanings. His ex- to be a foundational work in Mesoamerican studies. tensive description of Holy Week in Santiago Atitlán demonstrates that the community’s contemporary ritual practices and mythic sto- ries bear a remarkable resemblance to similar cultural entities from its Pre-Columbian past.

72 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 73 | latin american studies | Pre-Columbian Archaeology, History | latin american studies | Art and Visual Studies, History

Presenting the first English translation and Drawing on archival research, this illuminating analysis of a recently discovered late colonial study shows how residents of all ethnicities in Maya Christian manuscript, this volume opens two colonial boomtowns used festivals to redefine important new insights into how the Maya made wealth and present themselves as more than sub- sense of Christianity within their own worldview jects of European power

The Teabo Manuscript Spectacular Wealth Maya Christian Copybooks, Chilam Balams, The Festivals of Colonial South American and Native Text Production in Yucatan Mining Towns

BY MARK Z. CHRISTENSEN BY LISA VOIGT

Among the surviving documents from the colonial pe- Bridging print culture and performance, Spectacular riod in Mexico are rare Maya-authored manuscript compilations of Wealth draws on eighteenth-century festival accounts to explore Christian texts, translated and adapted into the Maya language and how colonial residents of the silver-mining town of Potosí, in the MARK Z. CHRISTENSEN worldview, which were used to evangelize the local population. The viceroyalty of Peru, and the gold-mining region of Minas Gerais, in Worcester, Massachusetts Morely Manuscript is well known to scholars, and now The Teabo Brazil, created rich festive cultures that refuted European allega- LISA VOIGT Christensen is an associate pro- Manuscript introduces an additional example of what Mark Z. tions of barbarism and greed. In her examination of the festive par- Columbus, Ohio fessor of history at Assumption College. He is the author of Nahua Christensen terms a Maya Christian copybook. Recently discovered ticipation of the towns’ diverse inhabitants, including those whose Voigt is an associate professor of and Maya Catholicisms: Texts in the archives of Brigham Young University, the Teabo Manuscript forced or slave labor produced the colonies’ mineral wealth, Lisa Spanish and Portuguese at the Ohio and Religion in Colonial Central represents a Yucatecan Maya recounting of various aspects of Chris- Voigt shows how Amerindians, Afro-descendants, Europeans, and State University in Columbus. She Mexico and Yucatan and Translated tian doctrine, including the creation of the world, the Fall of Adam creoles displayed their social capital and cultural practices in spec- is the author of Writing Captivity in Christianities: Nahuatl and Maya and Eve, and the genealogy of Christ. tacular performances. the Early Modern Atlantic: Circula- Religious Texts. tions of Knowledge and Authority The Teabo Manuscript presents the first English translation Tracing the multiple meanings and messages of civic festivals in the Iberian and English Imperial The Linda Schele and analysis of this late colonial Maya-language document, a fac- and religious feast days alike, Spectacular Wealth highlights the Worlds, which received the Kath- Series in Maya and simile and transcription of which are also included in the book. conflicting agendas at work in the organization, performance, and erine Singer Kovacs Prize from the Pre-Columbian Studies Working through the manuscript section by section, Christensen publication of festivals. Celebrants and writers in mining boom- Modern Language Association. makes a strong case for its native authorship, as well as its connec- towns presented themselves as far more than tributaries yielding December 2016 | 6 x 9 inches | December 2016 | 6 x 9 inches | 320 pp. | 56 b&w photos | 2 maps | tions with other European and Maya religious texts, including the mineral wealth to the Spanish and Portuguese empires, using fes- 280 pp. | 5 b&w photos | $29.95 $55.00 hardcover Morely Manuscript and the Books of Chilam Balam. He uses the tivals to redefine their reputations and to celebrate their cultural, paperback Teabo Manuscript as a platform to explore various topics, such as spiritual, and intellectual wealth. UT Press Controls All Rights the evangelization of the Maya, their literary compositions, and the UT Press Controls All Rights aspects of Christianity that they deemed important enough to write about and preserve. This pioneering research offers important new insights into how the Maya negotiated their precontact intellectual traditions within a Spanish and Catholic colonial world.

74 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 75 | latin american studies | Literature, History Announcing a New Series This aesthetic reading of politics, society, and culture during and after the Mexican Revolution illuminates how culture mediates power and, Border Hispanisms rather than uniting a people, collects heterogeneous JON BEASLEY-MURRAY, ALBERTO MOREIRAS, communities into a diverse archive of memory AND GARETH WILLIAMS, SERIES EDITORS

Border Hispanisms promotes scholarship concerned with how social transformations alter and renew historical understanding. It promotes sustained attention to Hispanist work on Latin America, US Latino/Border Studies, and peninsular Spain, fostering comparative Culture and Revolution and integrative approaches in a theoretically oriented transhemispheric, transcontinental, and transatlantic vein. The series explores the critical Violence, Memory, and the Making of and scholarly frontiers of Hispanist discourse through modernity and up to the present, as well as other borders, differences, and encounters in the Modern Mexico neoliberal present. Border Hispanisms is interested in contributing to the formation and development of a critical discourse that could potentially BY HORACIO LEGRÁS transform the status of Hispanisms within the Humanities and beyond.

In the twenty years of postrevolutionary rule in Mexico, the war remained fresh in the minds of those who participated in it. Now available Demonstrating how textuality helped to define the revolution, Culture HORACIO LEGRÁS and Revolution examines dozens of seemingly ahistorical artifacts to Irvine, California reveal the radical social shifts that emerged in the war’s aftermath. Legrás is a professor of Spanish Presented thematically, this expansive work explores radical and Portuguese at the University of changes that resulted from postrevolution culture, including new California, Irvine. internal migrations; a collective imagining of the future; popular biographical narratives, such as that of the life of Frida Kahlo; and Border Hispanisms Jon Beasley-Murray, Alberto attempts to create a national history that united indigenous and Moreiras, and Gareth Williams, creole elite society through literature and architecture. While cul- series editors tural production in early twentieth-century Mexico has been well researched, a survey of the common roles and shared tasks within January 2017 | 6 x 9 inches | the various forms of expression has, until now, been unavailable. 286 pp. | 5 b&w photos | $29.95 paperback Examining a vast array of productions, including popular festivities, urban events, life stories, photographs, murals, literature, and scien- UT Press Controls All Rights tific discourse (including fields as diverse as anthropology and phi- The Limits of Identity Photopoetics at Tlatelolco Politics and Poetics in Latin America Afterimages of Mexico, 1968 lology), Horacio Legrás shows how these expressions absorbed the by charles hatfield by samuel steinberg idiosyncratic traits of the revolutionary movement. Tracing the for- mation of modern Mexico during the 1920s and 1930s, Legrás also $24.95 paperback $27.95 paperback

demonstrates that the proliferation of artifacts gave unprecedented UT Press Controls All Rights UT Press Controls All Rights visibility to previously marginalized populations, who ensured that no revolutionary faction would unilaterally shape Mexico’s histori- cal process during these formative years.

76 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 77 Diego Rivera painting The Uprising (1931). Courtesy of the Library of Congress. | latin american studies | Art and Visual Studies, History

Offering a unique look at the controversies surrounding Diego Rivera’s mural Man at the Crossroads, this book examines how Rivera’s artwork represented conflicting ideas during the 1930s and how art is leveraged to enact change

At the Crossroads Diego Rivera and His Patrons at MoMA, Rockefeller Center, and the Palace of Fine Arts

BY CATHA PAQUETTE

Collaborations during the Great Depression between the Mexican artist and Communist activist Diego Rivera and institu- tions in the United States and Mexico were fraught with risk, as the artist occasionally deviated from course, serving and then subverting his patrons. Catha Paquette investigates controversies surrounding Rivera’s retrospective at the Museum of Modern Art in New York City, his Rockefeller Center mural Man at the Crossroads, and the Mexi- CATHA PAQUETTE can government’s commissioning of its reconstruction at the Palace Long Beach, California of Fine Arts in Mexico City. She proposes that both the artist and his Paquette is a professor of Latin patrons were using art for extraordinary purposes, leveraging clarity American art history at California and ambiguity to weigh in on debates concerning labor policies and State University, Long Beach. speech rights; relations between the United States, Mexico, and the Joe R. and Teresa Lozano Soviet Union; and the viability of capitalism, communism, and so- Long Series in Latin cialism. Rivera and his patrons’ shared interest in images of labor—a American and Latino Art targeted audience—made cooperative ventures possible. and Culture In recounting Rivera’s shifts in strategy from collaboration/exploi- January 2017 | 7 x 10 inches | 342 tation to antagonism/conflict, Paquette highlights the extent to which pp. | 24 color and 96 b&w photos | the artist was responding to politico-economic developments and fa- $29.95 paperback cilitating alignment/realignment among leftist groups for and against Stalin. Although the artwork that resulted from these instances of UT Press Controls All Rights patronage had the potential to serve conflicting purposes, Rivera’s im- ages and the protests that followed the destruction of the Rockefeller Center mural were integral to a surge in oppositional expression that effected significant policy changes in the United States and Mexico.

78 UNIVERSITY OF TEXAS PRESS | FALL 2016 UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 79 | latina/o studies | Chicana/o Studies, History, Latin | latin american studies | History, Art and Visual Studies American Studies

This analysis of Chicana/o social movements of Spanning the late Porfiriato to the end of the the 1970s reveals the numerous transnational Cardenista reforms, this is a multifaceted ex- connections that inspired anti-imperialism across ploration of the production of visual narratives borders and fostered organizers, poets, journalists, that offered competing interpretations of gender, and others on the front lines of social change class, nationalism, and internationalism that came to define modern Mexican identity

The Revolutionary Imaginations Picturing the Proletariat of Greater Mexico Artists and Labor in Revolutionary Mexico, 1908–1940 Chicana/o Radicalism, Solidarity Politics, BY JOHN LEAR and Latin American Social Movements In the wake of Mexico’s revolution, artists played a fun- BY ALAN ELADIO GÓMEZ damental role in constructing a national identity centered on work- ing people and were hailed for their contributions to modern art. Bringing to life the stories of political teatristas, tor- Picturing the Proletariat examines three aspects of this artistic leg- JOHN LEAR ALAN ELADIO GÓMEZ tured revolutionaries, feminists, gunrunners, labor organizers, acy: the parallel paths of organized labor and artists’ collectives, the Tacoma, Washington Phoenix, Arizona poets, journalists, ex-prisoners, and other activists, The Revolu- relations among these groups and the state, and visual narratives of Lear is a professor of history and Gómez, a historian, is an assistant tionary Imaginations of Greater Mexico examines the inspiration the worker. Showcasing forgotten works and neglected media, John Latin American studies at the Uni- professor in the School of Justice Chicanas/os found in social movements in Mexico and Latin America Lear explores how artists and labor unions participated in a cycle of versity of Puget Sound. and Social Inquiry and a faculty from 1971 to 1979. Drawing on fifteen years of interviews and ar- revolutionary transformation from 1908 through the presidency of affiliate in the School of Trans- Joe R. and Teresa Lozano border Studies and the Herberger chival research, including examinations of declassified government Lázaro Cárdenas (1934–1940). Lear shows how middle-class artists, Long Series in Latin School of Film, Dance and Theatre documents from Mexico, this study uncovers encounters between ac- radicalized by the revolution and the Communist Party, fortified the American and Latino Art at Arizona State University. tivists and artists across borders while sharing a socialist-oriented, legacy of the prerevolutionary print artisan José Guadalupe Posada and Culture anticapitalist vision. In discussions ranging from the Nuevo Teatro by incorporating modernist, avant-garde, and nationalist elements September 2016 | 6 x 9 inches | January 2017 | 6 x 9 inches | 356 Popular movement across Latin America to the Revolutionary Prole- in ways that supported and challenged unions and the state. 308 pp. | 10 b&w photos | $29.95 pp. | 12 color and 133 b&w photos | paperback tariat Party of America in Mexico and the Peronista Youth organizers This interdisciplinary book explores the gendered representa- $29.95 paperback in Argentina, Alan Eladio Gómez brings to light the transnational tions of workers; the interplay of prints, photographs, and murals UT Press Controls All Rights nature of leftist organizing by people of Mexican descent in the in journals, in posters, and on walls; the role of labor leaders; and UT Press Controls All Rights United States, tracing an array of festivals, assemblies, labor strikes, the discursive impact of the Spanish Civil War. It considers “los tres clandestine organizations, and public protests linked to an interna- grandes”—Rivera, Siquieros, and Orozco—while featuring lesser- tional movement of solidarity against imperialism. known artists and their collectives, including Saturnino Herrán, Leopoldo Méndez, Santos Balmori, and the League of Revolution- ary Writers and Artists (LEAR). The result is a new perspective on the art and politics of the revolution.

80 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 81 | latin american studies | History, Geography and Environment | latin american studies | Anthropology

Bringing much-needed historical perspective to Covering a forty-year period, this comparative contemporary debates about the impacts of ranch- and longitudinal study traces the medicalization ing in the tropics, this book explores how cattle of birth in Guatemala and its effects on women’s raising transformed a remote region of Brazil lives and their economic and social status economically, socially, and environmentally

Cattle in the Backlands Midwives and Mothers Mato Grosso and the Evolution of Ranching The Medicalization of Childbirth on in the Brazilian Tropics a Guatemalan Plantation

BY ROBERT W. WILCOX BY SHEILA COSMINSKY

Brazil has the second-largest cattle herd in the world The World Health Organization is currently promoting and is a major exporter of beef. The states of Mato Grosso and Mato a policy of replacing traditional or lay midwives in countries around Grosso do Sul served as a laboratory for raising cattle in the tropics, the world. As part of an effort to record the knowledge of local mid- where temperate zone ranching practices do not work. Mato Grosso wives before it is lost, Midwives and Mothers explores birth, illness, ranchers and cowboys transformed ranching’s relationship with the death, and survival on a Guatemalan sugar and coffee plantation, environment, including the introduction of an exotic cattle breed— or finca, through the lives of two local midwives, Doña Maria and the Zebu—that now dominates Latin American tropical ranching. her daughter Doña Siriaca, and the women they have served over a SHEILA COSMINSKY Cattle in the Backlands presents a comprehensive history of forty-year period. Camden, New Jersey ranching in Mato Grosso. Using extensive primary sources, Robert By comparing the practices and beliefs of the mother and daugh- Cosminsky is professor emerita of ROBERT W. WILCOX W. Wilcox explores three key aspects: the economic transformation ter, Sheila Cosminsky shows the dynamics of the medicalization anthropology in the Department Highland Heights, of a remote frontier region through modern technical inputs; the process and the contestation between the midwives and biomedical of Sociology, Anthropology, and Criminal Justice at Rutgers Kentucky resulting social changes, especially in labor structures and land ten- personnel, as the latter try to impose their system as the authori- University—Camden. Wilcox is an associate professor ure; and environmental factors, including the long-term impact of tative one. She discusses how the midwives syncretize, integrate, of history at Northern Kentucky ranching on ecosystems, which, he contends, was not as detrimental or reject elements from Mayan, Spanish, and biomedical systems. Louann Atkins Temple University. as might be assumed. Wilcox demonstrates that ranching practices The midwives’ story becomes a lens for understanding the impact of Women & Culture Series in Mato Grosso set the parameters for tropical beef production in medicalization on people’s lives and the ways in which women’s bod- January 2017 | 6 x 9 inches | December 2016 | 6 x 9 inches | Brazil and throughout Latin America. As the region was incorporat- ies have become contested terrain between traditional and contem- 416 pp. | 20 b&w photos | $45.00 294 pp. | 22 b&w photos | $27.95 hardcover ed into national and international economic structures, its ranching porary medical practices. Cosminsky also makes recommendations paperback industry experienced the entry of foreign investment, the introduc- for how ethno-obstetric and biomedical systems may be accommo- UT Press Controls All Rights tion of capitalized processing facilities, and nascent discussions of dated, articulated, or integrated. Finally, she places the changes in UT Press Controls All Rights ecological impacts—developments that later affected many sectors the birthing system in the larger context of changes in the planta- of the Brazilian economy. tion system, including the elimination of coffee growing, which has made women, traditionally the primary harvesters of coffee beans, more economically dependent on men.

82 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 83 | latin american studies | History | latin american studies | Latina/o Studies, Border Studies, Politics and Economics

Spanning the 1920s to the presidency of Evo Arguing that the Zetas effectively constitute a Morales, this history traces how resource na- transnational corporation, this book proposes a

resource BLOOD nationalism, OF THE revolution, and tionalism has pitted ordinary Bolivians against new theoretical framework for understanding the empire in bolivia EARTH KEVIN A. YOUNG conservative Bolivian leaders, US officials, and emerging actors, business structures, and eco- foreign investors in a struggle to control the nomic implications of organized crime in Mexico country’s natural wealth

Blood of the Earth Los Zetas Inc. Resource Nationalism, Revolution, and Criminal Corporations, Energy, and Empire in Bolivia Civil War in Mexico

BY KEVIN A. YOUNG BY GUADALUPE CORREA-CABRERA

Conflicts over subterranean resources, particularly The rapid growth of organized crime in Mexico and the tin, oil, and natural gas, have driven Bolivian politics for nearly a government’s response to it have driven an unprecedented rise in vio- century. “Resource nationalism”—the conviction that resource lence and impelled major structural economic changes, including the GUADALUPE CORREA- wealth should be used for the benefit of the “nation”—has often unit- recent passage of energy reform. Los Zetas Inc. asserts that these phe- CABRERA ed otherwise disparate groups, including mineworkers, urban work- nomena are a direct and intended result of the emergence of the brutal Brownsville, Texas ers, students, war veterans, and middle-class professionals, and pro- Zetas criminal organization in the Mexican border state of Tamauli- Correa-Cabrera is an associate pro- pelled an indigenous union leader, Evo Morales, into the presidency pas. Going beyond previous studies of the group as a drug trafficking fessor of public affairs and security KEVIN A. YOUNG in 2006. Blood of the Earth reexamines the Bolivian mobilization organization, Guadalupe Correa-Cabrera builds a convincing case studies at the University of Texas Amherst, Massachusetts Rio Grande Valley. She is a frequent around resource nationalism that began in the 1920s, crystallized that the Zetas and similar organizations effectively constitute trans- commentator in national and Young is an assistant professor of with the 1952 revolution, and continues into the twenty-first century. national corporations with business practices that include the traf- history at the University of Mas- international news media on drug sachusetts Amherst. Drawing on a wide array of Bolivian and US sources, Kevin A. ficking of crude oil, natural gas, and gasoline; migrant and weapons trafficking issues and drug violence Young reveals that Bolivia became a key site in a global battle among smuggling; kidnapping for ransom; and video and music piracy. in Mexico. February 2017 | 6 x 9 inches | economic models, with grassroots coalitions demanding national- Los Zetas Inc. proposes a new theoretical framework for under- August 2017 | 6 x 9 inches | 340 280 pp. | 10 b&w photos | 2 maps | ist and egalitarian alternatives to market capitalism. While US- standing the emerging face, new structure, and economic implications $27.95 paperback pp. | 20 b&w photos | 20 maps | supported moderates within the revolutionary regime were able to of organized crime in Mexico. Correa-Cabrera delineates the Zetas $29.95 paperback defeat more radical forces, Young shows how the political culture establishment, structure, and forms of operation, along with the reac- UT Press Controls All Rights of resource nationalism, though often comprising contradictory el- tions to this new model of criminality by the state and other lawbreak- UT Press Controls All Rights ements, constrained government actions and galvanized mobiliza- ing, foreign, and corporate actors. Arguing that the elevated level of tions against neoliberalism in later decades. His transnational and violence between the Zetas and the Mexican state resembles a civil multilevel approach to the 1952 revolution illuminates the struggles war, Correa-Cabrera identifies the beneficiaries of this war, including among Bolivian popular sectors, government officials, and foreign arms-producing companies, the international banking system, the US powers, as well as the competing currents and visions within Bo- border economy, the US border security/military-industrial complex, livia’s popular political cultures. and corporate capital, especially international oil and gas companies.

84 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 85 | latin american studies | History | latin american studies | History

With case studies that link practices of concen- Bringing much-needed historical perspectives to tration to the emergence of new racial categories, debates about an idiosyncratic period in modern this groundbreaking book convincingly argues Latin American history, scholars from the United that race was a product of, rather than a start- States and Peru reassess the meaning and legacy ing point for, the spatial politics of colonial rule of Peru’s left-leaning military dictatorship in Latin America

Infrastructures of Race The Peculiar Revolution Concentration and Biopolitics in Colonial Mexico Rethinking the Peruvian Experiment BY DANIEL NEMSER under Military Rule

Many scholars believe that the modern concentration EDITED BY CARLOS AGUIRRE AND PAULO DRINOT camp was born during the Cuban war for independence when Span- DANIEL NEMSER ish authorities ordered civilians living in rural areas to report to the On October 3, 1968, a military junta led by General Juan CARLOS AGUIRRE Ann Arbor, Michigan nearest city with a garrison of Spanish troops. But the practice of Velasco Alvarado took over the government of Peru. In striking con- Eugene, Oregon Nemser is an assistant professor spatial concentration—gathering people and things in specific ways, trast to the right-wing, pro–United States/anti-Communist military Aguirre is a professor of history at of Spanish at the University of at specific places, and for specific purposes—has a history in Latin dictatorships of that era, however, Velasco’s “Revolutionary Govern- the University of Oregon. Michigan. America that reaches back to the conquest. In this paradigm-setting ment of the Armed Forces” set in motion a left-leaning nationalist PAULO DRINOT book, Daniel Nemser argues that concentration projects, often tied project aimed at radically transforming Peruvian society by elimi- Border Hispanisms London, England Jon Beasley-Murray, Alberto to urbanization, laid an enduring, material groundwork, or infra- nating social injustice, breaking the cycle of foreign domination, re- Moreiras, and Gareth Williams, structure, for the emergence and consolidation of new forms of ra- distributing land and wealth, and placing the destiny of Peruvians Drinot is a senior lecturer in Latin American history at the Institute Series Editors cial identity and theories of race. into their own hands. Although short-lived, the Velasco regime did of the Americas, University College Infrastructures of Race traces the use of concentration as a indeed have a transformative effect on Peru, the meaning and legacy May 2017 | 6 x 9 inches | 228 pp. | London. 8 b&w photos |$29.95 paperback technique for colonial governance by examining four case studies of which are still subjects of intense debate. from Mexico under Spanish rule: centralized towns, disciplinary The Peculiar Revolution revisits this fascinating and idiosyn- May 2017 | 6 x 9 inches | 370 pp. | UT Press Controls All Rights institutions, segregated neighborhoods, and general collections. cratic period of Latin American history. The book is organized into 11 illustrations | 1 map, 2 charts | $29.95 paperback Nemser shows how the colonial state used concentration in its at- three sections that examine the era’s cultural politics, including not tempts to build a new spatial and social order, and he explains why just developments directed by the Velasco regime but also those that UT Press Controls All Rights the technique flourished in the colonies. Although the designs for it engendered but did not necessarily control; its specific policies and concentration were sometimes contested and short-lived, Nemser key institutions; and the local and regional dimensions of the social demonstrates that they provided a material foundation for ongo- reforms it promoted. In a series of innovative chapters written by ing processes of racialization. This finding, which challenges con- both prominent and rising historians, this volume illuminates the ventional histories of race and mestizaje (racial mixing), promises cultural dimensions of the revolutionary project and its legacies, the to deepen our understanding of the way race emerges from spatial impact of structural reforms at the local level (including previously politics and techniques of population management. understudied areas of the country such as Piura, Chimbote, and the Amazonia), and the effects of state policies on ordinary citizens and labor and peasant organizations.

86 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 87 | latin american studies | Politics, Anthropology | reference | Latin American Studies

A preeminent authority on El Salvador’s The newest volume of the benchmark biblio- street gangs reports on three nongovernmental graphy of Latin American studies organizations that, advocating for human rights, have attempted to reform the country’s gang policy—only to be stifled by sweeping, politically popular Mano Dura (Iron Fist) laws

Mano Dura Handbook of Latin American The Politics of Gang Control in El Salvador Studies, No. 71 BY SONJA WOLF Social Sciences In 1992, at the end of a twelve-year civil war, El Salva- dor was poised for a transition to democracy. Yet, after longstand- KATHERINE D. MCCANN, HUMANITIES EDITOR ing dominance by a small oligarchy that continually used violence to Tracy North, Social Sciences Editor repress popular resistance, El Salvador’s democracy has proven to be a fragile one, as social ills (poverty chief among them) have given Beginning with Number 41 (1979), the University of Tex- “The Handbook has rise to neighborhoods where gang activity now thrives. Mano Dura as Press became the publisher of the Handbook of Latin American provided scholars interested examines the ways in which the ruling ARENA party used gang Studies, the most comprehensive annual bibliography in the field. in Latin America with violence to solidify political power in the hands of the elite—cul- Compiled by the Hispanic Division of the Library of Congress and a bibliographical source minating in draconian “iron fist” antigang policies that undermine annotated by a corps of more than 140 specialists in various disci- SONJA WOLF human rights while ultimately doing little to address the roots of plines, the Handbook alternates from year to year between social of a quality unavailable Aguascalientes, Mexico gang membership. sciences and humanities. to scholars in most other Wolf is a CONACYT research fellow Drawing on extensive ethnographic fieldwork and policy analy- The Handbook annotates works on Mexico, Central America, the branches of area studies.” with the Drug Policy Program at the sis, Mano Dura examines the activities of three nongovernmental Caribbean and the Guianas, Spanish South America, and Brazil, as Centro de Investigación y Docencia — L AT I N A M E R I C A N organizations (NGOs) that have advocated for more nuanced poli- well as materials covering Latin America as a whole. Most of the RESEARCH REVIEW Económicas. cies to eradicate gangs and the societal issues that are both a cause subsections are preceded by introductory essays that serve as bian- and an effect of gang proliferation. While other studies of street nual evaluations of the literature and research underway in special- January 2017 | 6 x 9 inches | 322 pp. | $29.95 paperback gangs have focused on relatively distant countries such as Colombia, ized areas. Argentina, and Jamaica, Sonja Wolf’s research takes us to a country The subject categories for Number 71 are as follows: UT Press Controls All Rights closer to the United States, where forced deportation has brought • Anthropology October 2016 | 6 x 9∑ inches | with it US gang culture. Charting the limited success of NGOs in • Geography 720 pp. | $130.0 0 hardcover influencing El Salvador’s security policies, the book brings to light • Government and Politics key contextual aspects—including myopic media coverage and the • International Relations UT Press Controls All Rights ironic populist support for ARENA, despite the party’s protection of • Political Economy the elite at the expense of the greater society. • Sociology

88 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 89 | latin american studies | Pre-Columbian Archaeology, Art History, Anthropology “It is rare that a book completely changes our perspective on a major body of rock art. Yet that is what Carolyn A landmark in the study of rock art, this exten- Boyd’s The White Shaman Mural will do for the spec- sively illustrated volume reveals that prehistoric tacular Pecos River murals. Combining an impeccable hunter-gatherers in southwest Texas painted one of the earliest known pictorial creation narra- ethnological approach with hard data obtained via new tives in North America recording methods, this groundbreaking book is emi- nently readable despite the complexity of the concepts involved. It should appeal to lay readers as well as pro-

fessionals.” — J E A N C L O T T E S The White Shaman Mural Author of Cave Art An Enduring Creation Narrative in the Rock Art of the Lower Pecos

BY CAROLYN E. BOYD, WITH CONTRIBUTIONS BY KIM COX

The prehistoric hunter-gatherers of the Lower Pecos Canyonlands of Texas and Coahuila, Mexico, created some of the most spectacular rock art of the ancient world. Perhaps the great- CAROLYN E. BOYD est of these masterpieces is the White Shaman mural, an intricate Comstock, Texas painting that spans some twenty-six feet in length and thirteen feet Boyd is the author of Rock Art of in height on the wall of a shallow cave overlooking the Pecos River. the Lower Pecos. She founded the In The White Shaman Mural, Carolyn E. Boyd takes us on a journey Shumla Archaeological Research Top: Drawing of the White Shaman mural. Left: of discovery as she builds a convincing case that the mural tells a and Education Center, where she Pecos River–style anthropomorph at Halo Shelter. story of the birth of the sun and the beginning of time—making it spearheads efforts to document Middle: Nine-foot-long “panther” figure. Right: Four-foot-tall, white anthropomorph at Cedar Springs possibly the oldest pictorial creation narrative in North America. some of the oldest pictographic texts in North America. Unlike previous scholars who have viewed Pecos rock art as ran- “The White Shaman dom and indecipherable, Boyd demonstrates that the White Sha- The Linda Schele Series in Mural not only provides man mural was intentionally composed as a visual narrative, using Maya and Pre-Columbian a graphic vocabulary of images to communicate multiple levels of Studies a thorough demonstra- meaning. Drawing on twenty-five years of archaeological research November 2016 | 8∏ x 11 inches | tion of technique but and analysis, as well as insights from ethnohistory and art history, 224 pp. | 87 color photos, 108 color also raises provocative Boyd identifies patterns in the imagery that equate to the mytholo- illustrations | 3 maps, fold-out im- gies of Uto-Aztecan-speaking peoples, including the ancient Aztec age of mural | $65.00 hardcover issues regarding the his- and the present-day Huichol. This paradigm-shifting identification UT Press Controls All Rights of core Mesoamerican beliefs in the Pecos rock art reveals that a tory and cosmovision of shared ideological universe was already firmly established among Native America.” foragers living in the Lower Pecos region as long as four thousand years ago. —ALFREDO LÓPEZ AUSTIN Author of The Myth of Quetzalcoatl and emeritus researcher, UNAM

90 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 91 | latin american studies | Pre-Columbian Archaeology, Anthropology

This landmark, interdisciplinary volume on the excavation of one of the longest-occupied yet most enigmatic sites in human history sheds new light on how civilization began among farmers and fishermen some fourteen thousand years ago

Where the Land Meets the Sea Fourteen Millennia of Human History at Huaca Prieta, Peru

EDITED BY TOM D. DILLEHAY

Huaca Prieta—one the world’s best-known, yet least un- derstood, early maritime mound sites—and other Preceramic sites on the north coast of Peru bear witness to the beginnings of civiliza- tion in the Americas. Across more than fourteen millennia of human occupation, the coalescence of maritime, agricultural, and pastoral TOM D. DILLEHAY economies in the north coast settlements set in motion long-term Nashville, Tennessee biological and cultural transformations that led to increased social Dillehay is the Rebecca Webb Wilson complexity and food production, and later the emergence of pre- University Distinguished Profes- industrial states and urbanism. These developments make Huaca sor of Anthropology, Religion, and Prieta a site of global importance in world archaeology. Culture and Professor of Anthropol- ogy and Latin American Studies This landmark volume presents the findings of a major archaeo- at Vanderbilt University. He is the logical investigation carried out at Huaca Prieta, the nearby mound author, coauthor, or editor of twenty Paredones, and several Preceramic domestic sites in the lower Chi- books, including The Settlement of cama Valley between 2006 and 2013 by an interdisciplinary team the Americas: A New Prehistory. of more than fifty international specialists. The book’s contributors August 2017 | 8½ x 11 inches | report on and analyze the extensive material records from the sites, 520 pp. | 9 color and 98 b&w photos, including data on the architecture and spatial patterns; floral, fau- 33 b&w illustrations | 15 maps nal, and lithic remains; textiles; basketry; and more. Using this rich data, they build new models of the social, economic, and ontological UT Press Controls All Rights practices of these early peoples, who appear to have favored coop- eration and living in harmony with the environment over the accu- mulation of power and the development of ruling elites. This discov-

Two empty chamber tombs and evidence of a ery adds a crucial new dimension to our understanding of emergent burial, Huaca Prieta, Unit 10 social complexity, cosmology, and religion in the Neolithic period.

92 UNIVERSITY OF TEXAS PRESS | FALL 2016 UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 93 | latin american studies | Pre-Columbian Archaeology, Anthropology

The world’s leading authority on Inka khipus “This book will be read and cited for decades. presents a comprehensive overview of the types Urton’s work is absolutely brilliant.” of information recorded in these knotted strings, — S A B I N E H Y L A N D , I N K A University of St. Andrews, author of The Chankas and H I S T O R Y demonstrating how they can serve as primary the Priest: A Tale of Murder and Exile in Highland Peru I N K N O T S documents for a history of the Inka empire

Reading Khipus as Primary Sources

gary urton “No one else in the world Inka History in Knots is as well- Reading Khipus as Primary Sources informed or BY GARY URTON -positioned to Inka khipus—spun and plied cords that record informa- tion through intricate patterns of knots and colors—constitute the write on this only available primary sources on the Inka empire not mediated by the hands, minds, and motives of the conquering Europeans. As subject.”

such, they offer direct insight into the worldview of the Inka—a view —TERENCE N. D’ALTROY, that differs from European thought as much as khipus differ from Columbia University, author alphabetic writing, which the Inka did not possess. Scholars have of The Incas: Second Edition spent decades attempting to decipher the Inka khipus, and Gary Urton has become the world’s leading authority on these artifacts. In Inka History in Knots, Urton marshals a lifetime of study Joe R. and Teresa Lozano GARY URTON to offer a grand overview of the types of quantative information Long Series in Latin Cambridge, Massachusetts American and Latino Art recorded in khipus and to show how these records can be used as A recipient of both MacArthur and and Culture primary sources for an Inka history of the empire that focuses on Guggenheim fellowships, Urton is statistics, demography, and the “longue durée” social processes that the Dumbarton Oaks Professor of April 2017 | 6 x 9 inches | 306 pp. | characterize a civilization continuously adapting to and exploiting Pre-Columbian Studies and chair 13 color and 49 b&w photos, 12 b&w its environment. Whether the Inka khipu keepers were registering of the Department of Anthropol- illustrations | 10 maps | $27.95 ogy at Harvard University. He is paperback census data, recording tribute, or performing many other adminis- trative tasks, Urton asserts that they were key players in the organi- the author of numerous books and edited volumes on Andean/Quechua UT Press Controls All Rights zation and control of subject populations throughout the empire and cultures and Inka civilization, that khipu recordkeeping vitally contributed to the emergence of including Signs of the Inka Khipu: political complexity in the Andes. This new view of the importance Khipu UR9. Courtesy, Ethnologisches Museum, Staatli- Binary Coding in the Andean che Museen zu Berlin, Preussischer Kulturbesitz. of khipus promises to fundamentally reorient our understanding of Knotted-String Records. the development of the Inka state and the possibilities for writing its history.

94 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 95 | film, media, and popular culture | | film, media, and popular culture | Comics Comics, American Studies Uniting the perspectives of comics studies and Contrary to the idea that comics have naturally childhood studies, this pioneering collection is matured into respectability, Arresting Develop- the first book devoted to representations of child- ment offers a new understanding of comics’ his- hood in iconic US and international comics tory that connects the genre’s difficult past to its from the 1930s to the present unstable present and uncertain future

Arresting Development Picturing Childhood Comics at the Boundaries of Literature Youth in Transnational Comics

BY CHRISTOPHER PIZZINO EDITED BY MARK HEIMERMANN AND BRITTANY TULLIS Foreword by Frederick Aldama Mainstream narratives of the graphic novel’s develop- ment describe the form’s “coming of age,” its maturation from pulp Comics and childhood have had a richly intertwined infancy to literary adulthood. In Arresting Development, Christo- history for nearly a century. From Richard Outcault’s Yellow Kid, MARK HEIMERMANN pher Pizzino questions these established narratives, arguing that the Winsor McCay’s Little Nemo, and Harold Gray’s Little Orphan holds a PhD in English from the University of Wisconsin–Milwaukee. medium’s history of censorship and marginalization endures in the Annie to Hergé’s Tintin (Belgium), José Escobar’s Zipi and Zape CHRISTOPHER PIZZINO minds of its present-day readers and, crucially, its authors. Comics (Spain), and Wilhelm Busch’s Max and Moritz (Germany), iconic BRITTANY TULLIS Athens, Georgia and their writers remain burdened by the stigma of literary illegiti- child characters have given both kids and adults not only hours of is an assistant professor of Spanish Pizzino is an assistant professor of macy and the struggles for status that marked their earlier history. entertainment but also an important vehicle for exploring children’s and women and gender studies contemporary US literature at the Many graphic novelists are intensely aware of both the medium’s lives and the sometimes challenging realities that surround them. at St. Ambrose University in Davenport, Iowa. University of Georgia. troubled past and their own tenuous status in contemporary culture. Bringing together comic studies and childhood studies, this pio- Arresting Development presents case studies of four key works— neering collection of essays provides the first wide-ranging account World Comics and Graphic World Comics and Graphic Nonfiction Series Frank Miller’s Batman: The Dark Knight Returns, Alison Bechdel’s of how children and childhood, as well as the larger cultural forces Nonfiction Series Frederick Luis Aldama and Fun Home, Charles Burns’s Black Hole, and Gilbert Hernandez’s behind their representations, have been depicted in comics from Frederick Luis Aldama and Christopher González, editors Love and Rockets—exploring how their authors engage the problem the 1930s to the present. The authors address issues such as how Christopher González, Editors of comics’ cultural standing. Pizzino illuminates the separation of comics reflect a spectrum of cultural values concerning children, September 2016 | 6 x 9 inches | March 2017 | 6 x 9 inches | 290 pp. high and low culture, art and pulp, and sophisticated appreciation sometimes even resisting dominant cultural constructions of child- 248 pp. | 32 b&w illustrations | | 50 b&w illustrations | $27.95 $29.95 paperback and vulgar consumption as continual influences that determine the hood; how sensitive social issues, such as racial discrimination or paperback limits of literature, the status of readers, and the value of the very the construction and enforcement of gender roles, can be explored UT Press Controls All Rights act of reading. in comics through the use of child characters; and the ways in which UT Press Controls All Rights comics use children as metaphors for other issues or concerns. Spe- cific topics discussed in the book include diversity and inclusiveness in Little Audrey comics of the 1950s and 1960s, the fetishization of adolescent girls in Japanese manga, the use of children to build na- tional unity in Finnish wartime comics, and how the animal/child hybrids in Sweet Tooth act as a metaphor for commodification.

96 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 97 | film, media, and popular culture | Comics Announcing a New Series Tracing the rise of the Marvel Comics brand from the creation of the Fantastic Four to the devel- opment of the Marvel Cinematic Universe, this World Comics and volume of original essays considers how a comic book publisher became a transmedia empire Graphic Nonfiction Series FREDERICK LUIS ALDAMA AND CHRISTOPHER GONZÁLEZ, EDITORS

World Comics and Graphic Nonfiction Series includes Make Ours Marvel monographs and edited volumes that focus on the analysis and in- terpretation of comic books and graphic nonfiction from around the Media Convergence and a Comics Universe world. The books published in the series will bring analytical ap- proaches from such fields as literature, art history, cultural stud- EDITED BY MATT YOCKEY ies, communication studies, media studies, and film studies, among others, to help define the comic book studies field at a time of great The creation of the Fantastic Four effectively launched vitality and growth. the Marvel Comics brand in 1961. Within ten years, the introduction (or reintroduction) of characters such as Spider-Man, the Hulk, Iron MATT YOCKEY Man, Captain America, and the X-Men catapulted Marvel past its Now available Forthcoming in Toledo, Ohio primary rival, DC Comics, for domination of the comic book market. Yockey is an associate professor Since the 2000s, the company’s iconic characters have leaped from the series of film and media studies at the page to screens with the creation of the Marvel Cinematic Universe, University of Toledo. He is the au- which includes everything from live-action film franchises of Iron w thor of Batman, a volume in the TV Man and the Avengers to television and streaming media, including Milestones Series. Allan Austin and the critically acclaimed Netflix series Daredevil and Jessica Jones. Patrick Hamilton on World Comics and Graphic Marvel, now owned by Disney, has clearly found the key to trans- Nonfiction Series media success. a graphic history of Frederick Luis Aldama and Make Ours Marvel traces the rise of the Marvel brand and its race and the American Christopher González, editors transformation into a transmedia empire over the past fifty years. superhero June 2017 | 6 x 9 inches | 364 pp. | A dozen original essays range across topics such as how Marvel 52 b&w photos | $29.95 paper- expanded the notion of an all-star team book with The Avengers, back which provided a roadmap for the later films, to the company’s at- tempts to create lasting female characters and readerships, to its UT Press Controls All Rights Graphic Borders regular endeavors to reinvigorate its brand while still maintaining Latino Comic Books Past, Present, and Future the stability that fans crave. Demonstrating that the secret to Mar- edited by frederick luis aldama vel’s success comes from adeptly crossing media boundaries while and christopher gonzález inviting its audience to participate in creating Marvel’s narrative $29.95 paperback universe, this book shows why the company and its characters will UT Press Controls All Rights continue to influence storytelling and transmedia empire building for the foreseeable future.

98 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 99 | film, media, and popular culture | | film, media, and popular culture | Comics, Visual Culture, Latin America Latin America, Gender and Sexuality

The first study in English of Latin American Presenting a comprehensive overview of recent graphic narrative, this book explores the genre’s queer cinema in Latin America, this pathfind- Argentine and Brazilian traditions, illuminat- ing volume identifies a new vein of filmmaking ing the different social, political, and historical that promotes affective relationships between conditions from which they emerged viewers and homo/trans/intersexed characters

El Eternauta, Daytripper, New Maricón Cinema and Beyond Outing Latin American Film BY VINODH VENKATESH Graphic Narrative in Argentina and Brazil Recent critically and commercially acclaimed Latin BY DAVID WILLIAM FOSTER American films such as XXY, Contracorriente, and Plan B create an affective and bodily connection with viewers that elicits in them DAVID WILLIAM FOSTER “El Eternauta,” “Daytripper,” and Beyond examines the an emotive and empathic relationship with queer identities. Refer- Tempe, Arizona graphic narrative tradition in the two South American countries ring to these films as New Maricón Cinema, Vinodh Venkatesh ar- that have produced the medium’s most significant and copious out- gues that they represent a distinct break from what he terms Mar- Foster is Regents’ Professor of Span- ish and Women and Gender Studies put. Argentine graphic narrative emerged in the 1980s, awakened icón Cinema, or a cinema that deals with sex and gender difference by Héctor Oesterheld’s groundbreaking 1950s serial El Eternauta. through an ethically and visually disaffected position, exemplified at Arizona State University, where VINODH VENKATESH he also leads the Brazilian Studies After Oesterheld was “disappeared” under the military dictatorship, in films such as Fresa y chocolate, No se lo digas a nadie, and El Blacksburg, Virginia Program. El Eternauta became one of the most important cultural texts of lugar sin límites. Venkatesh is an associate professor turbulent mid-twentieth-century Argentina. Because of El Eter- Covering feature films from Argentina, Chile, Cuba, Ecuador, World Comics and Graphic of Spanish at Virginia Tech. He is Nonfiction Series nauta, graphic narrative became a major platform for the country’s Mexico, Peru, the United States, and Venezuela, New Maricón Cin- the author of The Body as Capital: Frederick Luis Aldama and cultural redemocratization. In contrast, Brazil, which returned to ema is the first study to contextualize and analyze recent homo-/ Masculinities in Contemporary Christopher González, editors democracy in 1985 after decades of dictatorship, produced consider- trans-/intersexed-themed cinema in Latin America within a broad- Latin American Fiction. ably less analysis of the period of repression in its graphic narratives. er historical and aesthetic genealogy. Working with theories of af- October 2016 | 6 x 9 inches | 182 September 2016 | 6 x 9 inches | In Brazil, serious graphic narratives such as Fábio Moon and Ga- fect, circulation, and orientations, Venkatesh examines key scenes pp. | 30 b&w photos | $24.95 256 pp. | 72 b&w photos | $29.95 paperback briel Bá’s Daytripper, which explores issues of modernity, globaliza- in the work of auteurs such as Marco Berger, Javier Fuentes-León, paperback tion, and cross-cultural identity, developed only in recent decades, and Julia Solomonoff and in films including Antes que anochezca UT Press Controls All Rights reflecting Brazilian society’s current and ongoing challenges. and Y tu mamá también to show how their use of an affective poet- UT Press Controls All Rights Besides discussing El Eternauta and Daytripper, David William ics situates and regenerates viewers in an ethically productive cin- Foster utilizes case studies of influential works—such as Alberto ematic space. He further demonstrates that New Maricón Cinema Breccia and Juan Sasturain’s Perramus series, Angélica Freitas and has encouraged the production of “gay friendly” commercial films Odyr Bernardi’s Guadalupe, and others—to compare the role of for popular audiences, which reflects wider sociocultural changes graphic narratives in the cultures of both countries, highlighting the regarding gender difference and civil rights that are occurring in importance of Argentina and Brazil as anchors of the production of Latin America. world-class graphic narrative.

100 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 101 | film, media, and popular culture | Genre | film, media, and popular culture | Genre

With articles by such luminaries as Susan Son- Analyzing hundreds of films, including classics tag, Dwight Macdonald, Siegfried Kracauer, such as You Can’t Take It With You, Rosemary’s James Agee, André Bazin, Robert Warshow, Baby, Grumpy Old Men, and Nebraska, this book and Claude Chabrol, this anthology is the only critiques Hollywood’s representations of aging single-volume source for important early writ- and the elderly from the silent era to the present ing on genre films

Notions of Genre Fade to Gray Writings on Popular Film before Genre Theory Aging in American Cinema

EDITED BY BARRY KEITH GRANT AND MALISA KURTZ BY TIMOTHY SHARY AND NANCY MCVITTIE

Much of the writing in film studies published today can Americans are living longer and reinventing both work TIMOTHY SHARY BARRY KEITH GRANT be understood as genre criticism, broadly speaking. And even before and retirement, but Hollywood movies barely hint at this reality Millsboro, Delaware St. Catharines, Ontario, film studies emerged as an academic discipline in the 1970s, cul- of contemporary society. In many popular films, older characters Shary is the author or editor of Canada tural observers within and beyond the academy were writing about fade into irrelevance, inactivity, or absurdity, or else they stay in the several books on the representa- Grant is a professor in the Depart- genre films and making fascinating attempts to understand their background as wise elders while younger characters provide the ac- tional politics of age and gender, ment of Communications, Popular conventions and how they speak to, for, and about the culture that tion. Most American films do not attempt to portray the rich variety including Generation Multiplex: Culture, and Film at Brock produces them. While this early writing on genre film was often un- of experiences or the sensitive aging issues that people confront in The Image of Youth in American University. Cinema Since 1980 systematic, impressionistic, journalistic, and judgmental, it none- the years beyond fifty. . MALISA KURTZ theless produced insights that remain relevant and valuable today. Fade to Gray offers one of the first extended studies of the por- NANCY MCVITTIE St. Catharines, Ontario, Notions of Genre gathers the most important early writing on trayal of older people in American cinema from the silent era to Chicago, Illinois Canada film genre and genre films published between 1945 and 1969. It the present. Writing in an accessible style for both general audi- McVittie is an instructor in the Kurtz received her PhD from Brock includes articles by such notable critics as Susan Sontag, Dwight ences and scholars, Timothy Shary and Nancy McVittie examine Department of Communication, University in Interdisciplinary Macdonald, Siegfried Kracauer, James Agee, André Bazin, Rob- social attitudes toward aging through an analysis of hundreds of Media, and Theatre at Northeastern Humanities. ert Warshow, and Claude Chabrol, as well as essays by scholars in individual films, including such classics as You Can’t Take It With Illinois University. academic disciplines such as history, sociology, and theater. Their You (1938), Rosemary’s Baby (1968), Grumpy Old Men (1993), and November 2016 | 6 x 9 inches | September 2016 | 6 x 9 inches | writings address major issues in genre studies, including definition, Nebraska (2013). They show how representations of the aging process 296 pp. | 57 b&w photos | $27.95 288 pp. | 39 b&w photos | $29.95 paperback representation, ideology, audiences, and industry practices, across and depictions of older people embracing or enduring the various ex- paperback genres ranging from comedy and westerns to horror, science fiction, periences of longer lives have evolved over the past century, as well UT Press Controls All Rights fantasy, gangster films, and thrillers. The only single-volume source as how film industry practices have both reflected and influenced UT Press Controls All Rights for this early writing on genre films, Notions of Genre will be an in- perceptions of aging in American society. Exposing the social and valuable resource for scholars and students of film genre, film his- political motivations for negative cinematic portrayals of the elderly, tory, film theory, cultural studies, and popular culture. Fade to Gray also gives visibility to films that provide opportunities for better understanding and appreciation of the aged and the ag- ing process.

102 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 103 | film, media, and popular culture | Global Film, Genre | film, media, and popular culture | Industry & Production

The first wide-ranging look at horror and the Drawing on Cormac McCarthy’s recently opened supernatural in Bollywood films made since archive, as well as interviews with several of his 1949, this interdisciplinary study explores how collaborators, this book presents the first com- gender and genre intersect in cinematic tales of prehensive overview of McCarthy’s writing for unproductive love, abominable creatures, and film and theater, as well as film adaptations of unspeakable appetites his novels

Haunting Bollywood Cormac McCarthy and Gender, Genre, and the Supernatural in Performance Hindi Commercial Cinema Page, Stage, Screen BY MEHELI SEN BY STACEY PEEBLES Haunting Bollywood is a pioneering, interdisciplinary inquiry into the supernatural in Hindi cinema that draws from Cormac McCarthy is renowned as the author of popular literary criticism, postcolonial studies, queer theory, history, and and acclaimed novels such as Blood Meridian, All the Pretty Horses, cultural studies. Hindi commercial cinema has been invested in and The Road. Throughout his career, however, McCarthy has also STACEY PEEBLES MEHELI SEN the supernatural since its earliest days, but only a small segment of invested deeply in writing for film and theater, an engagement with Danville, Kentucky Piscataway, New Jersey these films have been adequately explored in scholarly work; this other forms of storytelling that is often overlooked. He is the author of Peebles is an associate professor of Sen is an assistant professor in the book addresses this gap by focusing on some of Hindi cinema’s least five screenplays and two plays, and he has been significantly involved English and director of film studies Department of African, Middle explored genres. with three of the seven film adaptations of his work. In this book, at Centre College. She is vice- Eastern, and South Asian Lan- president of the Cormac McCarthy From Gothic ghost films of the 1950s to snake films of the 1970s Stacey Peebles offers the first extensive overview of this relatively un- guages and Literatures (AMESALL) Society, editor of the Cormac and the Cinema Studies Program at and 1980s to today’s globally influenced zombie and vampire films, Me- known aspect of McCarthy’s writing life, including the ways in which McCarthy Journal, and author of Rutgers University. She is the coedi- heli Sen delves into what the supernatural is and the varied modalities other artists have interpreted his work for the stage and screen. Welcome to the Suck: Narrating the tor of Figurations in Indian Film. through which it raises questions of film form, history, modernity, and Drawing on many primary sources in McCarthy’s recently American Soldier’s Experience in Iraq. gender in South Asian public cultures. Arguing that the supernatural is opened archive, as well as interviews, Peebles covers the 1977 tele- March 2017 | 6 x 9 inches | 292 June 2017 | 6 x 9 inches | 280 pp. | dispersed among multiple genres and constantly in conversation with vised film The Gardener’s Son; McCarthy’s unpublished screenplays pp. | 30 b&w photos | $27.95 15 b&w photos | $29.95 paperback paperback global cinematic forms, she demonstrates that it is an especially mal- from the 1980s that became the foundation for his Border Trilogy leable impulse that routinely pushes Hindi film into new formal and novels and No Country for Old Men; various successful and unsuc- UT Press Controls All Rights UT Press Controls All Rights stylistic territories. Sen also argues that gender is a particularly accom- cessful productions of his two plays; and all seven film adaptations modating stage on which the supernatural rehearses its most basic of his work, including John Hillcoat’s The Road (2009) and the Coen compulsions; thus, the interface between gender and genre provides brothers’ Oscar-winning No Country for Old Men (2007). Emerging an exceptionally productive lens into Hindi cinema’s negotiation of from this narrative is the central importance of tragedy—the rich the modern and the global. Haunting Bollywood reveals that the su- and varied portrayals of violence and suffering and the human re- pernatural’s unruly energies continually resist containment, even as sponses to them—in all of McCarthy’s work, but especially his writ- they partake of and sometimes subvert Hindi cinema’s most enduring ing for theater and film. pleasures, from songs and stars to myth and melodrama.

104 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 105 | film, media, and popular culture | Directors & Stars

Exploring the body politics surrounding stars Melissa McCarthy, Gabourey Sidibe, Peter Dinklage, Danny Trejo, Betty White, and La- verne Cox, this book reveals how non-normative celebrity bodies address cultural anxieties about pressing social and political issues

Rebellious Bodies Stardom, Citizenship, and the New Body Politics

BY RUSSELL MEEUF

Celebrity culture today teems with stars who chal- lenge long-held ideas about a “normal” body. Plus-size and older ac- tresses are rebelling against the cultural obsession with slender bod- ies and youth. Physically disabled actors and actresses are moving beyond the stock roles and stereotypes that once constrained their opportunities. Stars of various races and ethnicities are crafting new RUSSELL MEEUF narratives about cultural belonging, while transgender performers Moscow, Idaho are challenging our culture’s assumptions about gender and iden- Meeuf is an assistant professor in tity. But do these new players in contemporary entertainment media the School of Journalism and Mass truly signal a new acceptance of body diversity in popular culture? Media at the University of Idaho. Focusing on six key examples—Melissa McCarthy, Gabourey March 2017 | 6 x 9 inches | 286 Sidibe, Peter Dinklage, Danny Trejo, Betty White, and Laverne pp. | 29 b&w photos | $29.95 Cox—Rebellious Bodies examines the new body politics of stardom, paperback situating each star against a prominent cultural anxiety about bod- ies and inclusion, evoking issues ranging from the obesity epidemic UT Press Controls All Rights and the rise of postracial rhetoric to disability rights, Latino/a immigration, an aging population, and transgender activism. Us- ing a wide variety of sources featuring these celebrities—films, TV shows, entertainment journalism, and more—to analyze each one’s media persona, Russell Meeuf demonstrates that while these stars are promoted as examples of a supposedly more inclusive industry, the reality is far more complex. Revealing how their bodies have be- come sites for negotiating the still-contested boundaries of cultural citizenship, he uncovers the stark limitations of inclusion in a deeply unequal world.

Top to bottom: Gabourey Sidibe as Claireece Precious Jones in Precious (Lee Daniels Entertainment, 2009); Melissa McCarthy as Megan with Kristen Wiig in Bridesmaids (Apatow Productions, 2011); Patricia Clarkson as Olivia Harris, Peter Dinklage as Finbar McBride, and Bobby Cannavale as Joe Oramas in The Station Agent (Miramax, 2003) 106 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 107 | film, media, and popular culture | | film, media, and popular culture | Theater and Drama Global Film, Jewish Studies, Middle Eastern Studies

The first study of its kind, Directed by God ana- This substantially updated edition of the classic lyzes several representations of Jewish religiosity anthology of plays for young audiences presents in Israeli film and television that challenge secu- contemporary plays that treat more mature, lar Zionism in contemporary Israeli society realistic themes while still encouraging youth to embrace life and follow their dreams

Directed by God Theatre for Youth II Jewishness in Contemporary Israeli Film More Plays with Mature Themes and Television EDITED BY COLEMAN A. JENNINGS AND GRETTA BERGHAMMER

BY YARON PELEG When Theatre for Youth: Twelve Plays with Mature Themes was published in 1986, it met a need for plays that could As part of its effort to forge a new secular Jewish na- help young people deal with some of the more difficult realities of tion, the nascent Israeli state tried to limit Jewish religiosity. How- life. Responding to the sweeping changes in society over the suc- YARON PELEG ever, with the steady growth of the ultraorthodox community and ceeding thirty years, Coleman A. Jennings and Gretta Berghammer COLEMAN A. JENNINGS Cambridge, England the expansion of the settler community, Israeli society is becoming have assembled a new collection of plays that reflects not only on Austin, Texas Peleg is the Kennedy-Leigh Lecturer increasingly religious. Although the arrival of religious discourse in themes such as aging, death and dying, friendship, courage, confor- Jennings is professor emeritus in in modern Hebrew studies at the Israeli politics has long been noticed, its cultural development has mity, maturation, sexuality, and struggles with moral judgment but the area of drama and theatre for University of Cambridge, where he rarely been addressed. Directed by God explores how the country’s also on gender identity, poverty, diversity, and discrimination. youth and communities at the Uni- teaches modern Hebrew literature popular media, principally film and television, reflect this transfor- Theatre for Youth II: More Plays with Mature Themes presents versity of Texas at Austin. and Israeli culture. He is the author mation. In doing so, it examines the changing nature of Zionism and twelve plays, nine of them new to this anthology, that offer a rich va- of Israeli Culture between the Two GRETTA BERGHAMMER Intifadas: A Brief Romance and the place of Judaism within it. riety of original stories (The Tomato Plant Girl, The Arkansaw Bear, Cedar Falls, Iowa coeditor of Israeli Cinema: Identi- Once the purview of secular culture, Israel’s media initially pro- Super Cowgirl and Mighty Miracle), compelling adaptations (The Berghammer is a professor of youth ties in Motion. moted alternatives to traditional religious expression; however, us- Afternoon of the Elves, Broken Hearts, Courage!), historical drama theatre/drama education at the ing films such as Kadosh, Waltz with Bashir, and Eyes Wide Open, (Mother Hicks, Johnny Tremain), diverse themes (La Ofrenda, The University of Northern Iowa. September 2016 | 6 x 9 inches | 200 pp. | 15 b&w photos | $27.95 Yaron Peleg shows how Israel’s contemporary film and television Transition of Doodle Pequeño), friendship (The Selfish Giant), and Louann Atkins Temple paperback programs have been shaped by new religious trends and how secular future societies (With Two Wings). As these plays explore some of Women & Culture Series Israeli culture has processed and reflected on its religious heritage. the most challenging themes for today’s youth, including the diffi- UT Press Controls All Rights He investigates how shifting cinematic visions of Jewish masculin- culties of single parenthood, divorce, race relations, sexuality, and November 2016 | 6 x 9 inches | ity and gender track transformations in the nation’s religious dis- gender discrimination, they share messages fundamental to us all: 488 pp. | 2 b&w photos | $29.95 course. Moving beyond the secular/religious divide, Directed by God open your imagination and dare to dream; embrace life; honor your paperback explores changing film and television representations of different personal passion, beliefs, and creativity; take a risk; and love with UT Press Controls All Rights Jewish religious groups, assessing what these representations may all your heart. mean for the future of Israeli society.

108 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 109 | film, media, and popular culture | Race, American Studies | film, media, and popular culture | Genre, Jewish Studies

With insightful analyses of the contributions Explicating one of the most potent and recurring of jazz composers such as Miles Davis, Duke mass-culture fantasies, this book explores Jewish- Ellington and Billy Strayhorn, Chico Hamilton, Christian couplings across a century of popular and John Lewis, this book explores the complex American literature, theater, film, and television roles of jazz and race in classic film noir

Jazz and Cocktails Why Harry Met Sally Rethinking Race and the Sound of Film Noir Subversive Jewishness, Anglo-Christian Power, BY JANS B. WAGER and the Rhetoric of Modern Love

Film noir showcased hard-boiled men and dangerous BY JOSHUA LOUIS MOSS femmes fatales, rain-slicked city streets, pools of inky darkness cut by shards of light, and, occasionally, jazz. Jazz served as a shorthand From immigrant ghetto love stories such as The Cohens JOSHUA LOUIS MOSS JANS B. WAGER for the seduction and risks of the mean streets in early film noir. As and the Kellys (1926), through romantic comedies including Meet Chico, California Salt Lake City, Utah working jazz musicians began to compose the scores for and appear the Parents (2000) and Knocked Up (2007), to television series such Moss is an assistant professor of Wager coordinates cinema studies in noir films of the 1950s, black musicians found a unique way of as- as Transparent (2014–), Jewish-Christian couplings have been a sta- screenwriting and media studies at and is a professor of English and serting their right to participate fully in American life. ple of popular culture for over a century. In these pairings, Joshua California State University, Chico. literature at Utah Valley Univer- He has also worked as a show creator, Jazz and Cocktails explores the use of jazz in film noir, from its Louis Moss argues, the unruly screen Jew is the privileged represen- sity. Her previous books are Dames writer, producer, and executive pro- in the Driver’s Seat: Rereading early function as a signifier of danger, sexuality, and otherness to the tative of progressivism, secular modernism, and the cosmopolitan ducer in the entertainment industry. Film Noir and Dangerous Dames: complex role it plays in film scores in which jazz invites the spectator sensibilities of the mass-media age. But his/her unruliness is nearly Women and Representation in the into the narrative while simultaneously transcending the film and always contained through romantic union with the Anglo-Christian Exploring Jewish Arts Weimar Street Film and Film Noir. reminding viewers of the world outside the movie theater. Jans B. partner. This Jewish-Christian meta-narrative has recurred time and Culture Robert H. Abzug, Series Editor Wager looks at the work of jazz composers such as Miles Davis, Duke and again as one of the most powerful and enduring, although un- March 2017 | 6 x 9 inches | 176 pp. | Director of the Schsterman 51 b&w photos | $24.95 paperback Ellington and Billy Strayhorn, Chico Hamilton, and John Lewis as recognized, mass-culture fantasies. Center for Jewish Studies she analyzes films including Sweet Smell of Success, Elevator to the Using the innovative framework of coupling theory, Why Harry UT Press Controls All Rights Gallows, Anatomy of a Murder, Odds Against Tomorrow, and con- Met Sally surveys three major waves of Jewish-Christian couplings July 2017 | 6 x 9 inches | 400 pp. | siders the neonoir American Hustle. Wager demonstrates how the in popular American literature, theater, film, and television. Moss 29 b&w photos | $29.95 paper- back evolving role of jazz in film noir reflected cultural changes instigated explores how first-wave European and American creators in the by black social activism during and after World War II and altered early twentieth century used such couplings as an extension of mod- UT Press Controls All Rights Hollywood representations of race and music. ernist sensibilities and the American “melting pot.” He then looks at how New Hollywood of the late 1960s revived these couplings as a sexually provocative response to the political conservatism and rep- resentational absences of postwar America. Finally, Moss identifies the third wave as emerging in television sitcoms, Broadway musi- cals, and “gross-out” film comedies to grapple with the impact of American economic globalism since the 1990s.

110 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 111 | middle eastern studies | Art and Architecture, Classical Archaeology | middle eastern studies | History

about antiquities

politics of archaeology in the ottoman empire Masterfully examining the competing claims and This book presents key moments from the lives of

zeynep çelik aspirations of museums, government officials, mavericks in the Muslim Mediterranean world archaeologists, and excavation laborers, this book at the turn of the twentieth century, showing sheds new light on the role of archaeology in empire- how their nonconformity forced those around building around the turn of the twentieth century them to rethink basic values and mores

About Antiquities Subversives and Mavericks in Politics of Archaeology in the Ottoman Empire the Muslim Mediterranean BY ZEYNEP ÇELIK A Subaltern History Antiquities have been pawns in empire-building and global rivalries; power struggles; assertions of national and cultural EDITED BY ODILE MOREAU AND STUART SCHAAR identities; and cross-cultural exchanges, cooperation, abuses, and Preface by Edmund Burke III ZEYNEP ÇELIK New York, New York misunderstandings—all with the underlying element of financial gain. Indeed, “who owns antiquity?” is a contentious question in Subaltern studies, the study of non-elite or underrep- ODILE MOREAU Çelik is a distinguished professor many of today’s international conflicts. resented people, have revolutionized the writing of Middle Eastern Montpellier, France of architecture at the New Jersey Institute of Technology and the About Antiquities offers an interdisciplinary study of the re- history. Subversives and Mavericks in the Muslim Mediterranean Moreau is an associate professor of Federated Department of History lationship between archaeology and empire-building around the represents the next step in this transformation. The book explores history at the University of Mont- at the NJIT and Rutgers-Newark. turn of the twentieth century. Starting at Istanbul and focusing the lives of eleven nonconformists who became agents of political pellier in France and a researcher at the French National Research Her award-winning publications on antiquities from the Ottoman territories, Zeynep Çelik exam- and social change, actively organizing new forms of resistance— include Empire, Architecture, and Center (CNRS), Institut des Mondes ines the popular discourse surrounding claims to the past in Lon- against either colonial European regimes or the traditional societies the City: French-Ottoman Encoun- Africains (IMAF), Paris. ters, 1830–1914 and The Remaking don, Paris, Berlin, and New York. She compares and contrasts the in which they lived—that disrupted the status quo, in some cases, of Istanbul: Portrait of an Ottoman experiences of two museums—Istanbul’s Imperial Museum and with dramatic results. These case studies highlight cross-border STUART SCHAAR City in the Nineteenth Century. the Metropolitan Museum of Art—that aspired to emulate Euro- connections in the Mediterranean world, exploring how these chan- Rabat, Morocco pean collections and gain the prestige and power of owning the nels were navigated. Schaar taught history at the November 2016 | 6 x 9 inches | material fragments of ancient history. Going beyond institutions, Chapters in the book examine the lives of subversives and maver- University of Wisconsin-Madison 296 pp. | 12 color and 89 b&w pho- and at Brooklyn College (CUNY) for Çelik also unravels the complicated interactions among individu- icks, such as Tawhida ben Shaykh, the first Arab woman to receive a tos | 6 maps | $27.95 paperback nearly forty years. als—Westerners, Ottoman decision makers and officials, and local medical degree; Mokhtar al-Ayari, a radical Tunisian labor leader; UT Press Controls All Rights laborers—and their competing stakes in antiquities from such leg- and Nazli Hanem, Kmar Bayya, and Khiriya bin Ayyad, three ar- December 2016 | 6 x 9 inches | endary sites as Ephesus, Pergamon, and Babylon. istocractic women who resisted the patriarchal structures of their 230 pp. | 10 b&w photos | 1 map | Recovering perspectives that have been lost in histories of archae- societies by organizing and participating in intellectual salons for $55.00 hardcover ology, particularly those of the excavation laborers whose voices have men and women and advocating social reform. Although based on UT Press Controls All Rights never been heard, About Antiquities provides important historical individual and local perspectives, Subversives and Mavericks in the context for current controversies surrounding nation-building and Muslim Mediterranean reveals new and unrecognized trans-local the ownership of the past. connections across the Muslim world, illuminating our understand- ing of these societies beyond narrow elite circles.

112 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 113 | middle eastern studies | | middle eastern studies | History History, Gender & Sexuality, North Africa

With fascinating glimpses into the lives of This comprehensive history traces the complex working-class men and women, this study of the development of Kurdish distinctiveness from the urbanization of a provincial Egyptian factory beginnings of Islam through the decline of the town reveals how industrialization transformed Ottoman Empire and the emergence of Kurdish masculine and feminine identities, sexualities, nationalism after World War I and public morality

Industrial Sexuality A People Without a State Gender, Urbanization, and Social The Kurds from the Rise of Islam to the Transformation in Egypt Dawn of Nationalism

BY HANAN HAMMAD BY MICHAEL EPPEL

Millions of Egyptian men, women, and children first expe- Numbering between 25 and 35 million worldwide, the rienced industrial work, urban life, and the transition from peasant- Kurds are among the largest culturally and ethnically distinct peo- based and handcraft cultures to factory organization and hierarchy in ple to remain stateless. A People Without a State offers an in-depth the years between the two world wars. Their struggles to live in new survey of an identity that has often been ignored in mainstream places, inhabit new customs, and establish and abide by new urban historiographies of the Middle East and brings to life the histori- MICHAEL EPPEL norms and moral and gender orders underlie the story of the making cal, social, and political developments in Kurdistani society over the Haifa, Israel of modern urban life—a story that has not been previously told from past millennium. Eppel is professor emeritus at the HANAN HAMMAD the perspective of Egypt’s working class. Michael Eppel begins with the myths and realities of the origins University of Haifa and Oranim Fort Worth, Texas Reconstructing the ordinary urban experiences of workers of the Kurds, describes the effect upon them of medieval Muslim College of Education. He is the au- Hammad is an assistant professor of in al-Mahalla al-Kubra, home of the largest and most successful states under Arab, Persian, and Turkish dominance, and recounts thor of The Palestine Conflict in the the Middle East and Islamic world Egyptian textile factory, Industrial Sexuality investigates how the the emergence of tribal-feudal dynasties. He explores in detail the History of Modern Iraq and Iraq at Texas Christian University. industrial urbanization of Egypt transformed masculine and femi- subsequent rise of Kurdish emirates, as well as this people’s literary from Monarchy to Tyranny. nine identities, sexualities, and public morality. Basing her account and linguistic developments, particularly the flourishing of poetry. November 2016 | 6 x 9 inches | September 2016 | 6 x 9 inches | on archival sources that no researcher has previously used, Hanan The turning tides of the nineteenth century, including Ottoman 292 pp. | 5 b&w photos | 2 maps | 194 pp. | 4 maps | $24.95 paper- $27.95 paperback Hammad describes how coercive industrial organization and hier- reforms and fluctuating Russian influence after the Crimean War, back archy concentrated thousands of men, women, and children at work set in motion an early Kurdish nationalism that further expressed UT Press Controls All Rights and at home under the authority of unfamiliar men, thus intensify- a distinct cultural identity. Stateless, but rooted in the region, the UT Press Controls All Rights ing sexual harassment, child molestation, prostitution, and public Kurds never achieved independence because of geopolitical condi- exposure of private heterosexual and homosexual relationships. By tions, tribal rivalries, and obstacles on the way to modernization. A juxtaposing these social experiences of daily life with national mod- People Without a State captures the developments that nonetheless ernist discourses, Hammad demonstrates that ordinary industrial forged a vast sociopolitical system. workers, handloom weavers, street vendors, lower-class landladies, and prostitutes—no less than the middle and upper classes—played a key role in shaping the Egyptian experience of modernity.

114 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 115 | middle eastern studies | History, American Studies | middle eastern studies | Israel and Palestine, History, Jewish Studies

Practicing Transnationalism explores the chal- Surveying the initiatives of more than five hun- lenges of teaching American studies in the dred groups across the past century, this timely Middle East during a time of tension and con- book reveals how thousands of ordinary Israelis flict between the United States and the region and Palestinians have worked together to end vio- lence and forge connections between their peoples

Practicing Transnationalism Connecting with the Enemy American Studies in the Middle East A Century of Palestinian-Israeli Joint EDITED BY EILEEN T. LUNDY AND EDWARD J. LUNDY Nonviolence

In the first decade of the twenty-first century, Ameri- BY SHEILA H. KATZ can studies programs began to spread in the Middle East. During a time of rising anti-American sentiment, ten major programs were Thousands of ordinary people in Israel and Palestine EILEEN T. LUNDY AND EDWARD J. LUNDY established in the region. What impulses propelled universities in have engaged in a dazzling array of daring and visionary joint non- Austin, Texas the Middle East to establish these centers and programs? What mo- violent initiatives for more than a century. They have endured despite Eileen T. Lundy is professor emerita tivated students to take courses and pursue degrees in American condemnation by their own societies, repetitive failures of diplomacy, of English at the University of Texas studies? In part, American studies programs developed as a way to harsh inequalities, and endemic cycles of violence. at San Antonio and former profes- “know the enemy,” to better understand America’s ubiquitous influ- Connecting with the Enemy presents the first comprehensive SHEILA H. KATZ sor of American studies at the Uni- ence in foreign relations, technology, and culture; however, some history of unprecedented grassroots efforts to forge nonviolent al- Boston, Massachusetts versity of Jordan. Edward J. Lundy programs grew because residents admired the ideals set forth as ternatives to the lethal collision of the two national movements. is a former professor of humani- Katz is a professor of Middle East ties at Austin Community College American, including democracy and free speech. Bringing to light the work of over five hundred groups, Sheila H. history in the multidisciplinary and former visiting professor of Practicing Transnationalism investigates these issues and oth- Katz describes how Arabs and Jews, children and elders, artists and Liberal Arts Department at Berklee American studies at the University ers, using the experiences and research of the editors and contribu- activists, educators and students, garage mechanics and physicists, College of Music. She is the author of of Jordan. tors, who worked either directly in these programs or as adjunct and lawyers and prisoners have spoken truth to power, protected the Women and Gender in Early Jewish to them. These scholars seek to understand what American power environment, demonstrated peacefully, mourned together, stood in and Palestinian Nationalism. September 2016 | 6 x 9 inches | 288 pp. | 7 b&w photos | $27.95 means to people in the Middle East. They examine the challenge resistance and solidarity, and advocated for justice and security. She November 2016 | 6 x 9 inches | 284 paperback of developing American studies programs in a transnational para- also critiques and assesses the significance of their work and ex- pp. | 5 maps | $27.95 paperback digm, striving to build programs that are separate from and critical plores why these good-will efforts have not yet managed to end the UT Press Controls All Rights of American imperialism without simply becoming anti-American. conflict or occupation. This previously untold story of Palestinian- UT Press Controls All Rights The contributors offer views of cultural interactions and classroom Israeli joint nonviolence will challenge the mainstream narratives of situations, demonstrating the problems instructors faced and how terror and despair, monsters and heroes, that help to perpetuate the they worked to address them. conflict. It will also inspire and encourage anyone grappling with social change, peace and war, oppression and inequality, and grass- roots activism anywhere in the world.

116 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 117 | middle eastern studies | Art and Architecture, Popular Culture | middle eastern studies | History

Bringing together the perspectives of ethnomusi- The leading authority on slavery and the cology, Islamic studies, art history, and architec- African diaspora in modern Iran presents ture, this edited collection investigates how sound the first history of slavery in this key Middle production in built environments is central to Eastern country and shows how slavery helped Muslim religious and cultural expression to shape the nation’s unique character

Music, Sound, and Architecture A History of Slavery and in Islam Emancipation in Iran, 1800–1929

EDITED BY MICHAEL FRISHKOPF AND FEDERICO SPINETTI BY BEHNAZ A. MIRZAI Foreword by Ali Asani Slavery in the Middle East is a growing field of study, Tracing the connections between music making and but the history of slavery in a key country, Iran, has never before BEHNAZ A. MIRZAI MICHAEL FRISHKOPF built space in both historical and contemporary times, Music, been written. This history extends to Africa in the west and India St. Catharines, Ontario Edmonton, Alberta, Sound, and Architecture in Islam brings together domains of in- in the east, to Russia and Turkmenistan in the north, and to the Canada Mirzai is an associate professor of tellectual reflection that have rarely been in dialogue to promote a Arab states in the south. As the slave trade between Iran and these Middle Eastern history at Brock Frishkopf is a professor of music and greater understanding of the centrality of sound production in con- regions shifted over time, it transformed the nation and helped forge University in Canada. She is a Director of the Canadian Centre for structed environments in Muslim religious and cultural expression. its unique culture and identity. Thus, a history of Iranian slavery is co-coordinator and member of the Ethnomusicology at the University Representing the fields of ethnomusicology, anthropology, art crucial to understanding the character of the modern nation. preparatory committee for the Slave of Alberta. Trade Route project, UNESCO, and history, architecture, history of architecture, religious studies, and Drawing on extensive archival research in Iran, Tanzania, Eng- the founder of the website Brock/ FEDERICO SPINETTI Islamic studies, the volume’s contributors consider sonic perfor- land, and France, as well as fieldwork and interviews in Iran, Behnaz UNESCO Project for the Study of Cologne, Germany mances ranging from poetry recitation to art, folk, popular, and A. Mirzai offers the first history of slavery in modern Iran from the the Slave Trade and Slavery in the Spinetti is a professor of ethnomusi- ritual musics—as well as religious expressions that are not usu- early nineteenth century to emancipation in the mid-twentieth cen- Mediterranean, Middle East, and cology at the University of Cologne. ally labeled as “music” from an Islamic perspective—in relation to tury. She investigates how foreign military incursion, frontier inse- Indian Ocean. monumental, vernacular, ephemeral, and landscape architectures; curity, political instability, and economic crisis altered the patterns June 2017 | 6 x 9 inches | 446 pp. May 2017 | 6 x 9 inches | 356 pp. | interior design; decoration and furniture; urban planning; and of enslavement, as well as the ethnicity of the slaves themselves. | 19 color and 90 b&w photos | 14 b&w photos | 4 maps | $34.95 $29.95 paperback geography. Underscoring the intimate relationship between tra- Mirzai’s interdisciplinary analysis illuminates the complex issues paperback ditional Muslim sonic performances, such as the recitation of the surrounding the history of the slave trade and the process of eman- UT Press Controls All Rights Qur’an or devotional songs, and conventional Muslim architectural cipation in Iran, while also giving voice to social groups that have UT Press Controls All Rights spaces, from mosques and Sufi shrines to historic aristocratic villas, never been studied—enslaved Africans and Iranians. Her research gardens, and gymnasiums, the book reveals Islam as an ideal site builds a clear case that the trade in slaves was inexorably linked to for investigating the relationship between sound and architecture, the authority of the state. During periods of greater decentraliza- which in turn proves to be an innovative and significant angle from tion, slave trading increased, while periods of greater governmental which to explore Muslim cultures. autonomy saw more freedom and peace.

118 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 119 | classics | Law and Oratory | classics | Literature and Language

Using examples from all of the Athenian orators, This major overview of how classical texts were this innovative book explores forensic speeches preserved across millennia addresses both the pro- as one of the premier performance genres of cess of transmission and the issue of reception, as Classical Athens, in which vision and visuality well as the key reference works and online profes- played a central role in convincing a jury sional tools for studying literary transmission

The Rhetoric of Seeing in Attic Classics from Papyrus to the Internet Forensic Oratory An Introduction to Transmission and Reception BY JEFFREY M. HUNT, R. ALDEN SMITH, AND FABIO STOK BY PETER A. O’CONNELL Foreword by Craig W. Kallendorf

In ancient Athenian courts of law, litigants presented Writing down the epic tales of the Trojan War and the their cases before juries of several hundred citizens. Their speeches wanderings of Odysseus in texts that became the Iliad and the Od- JEFFREY M. HUNT is a senior effectively constituted performances that used the speakers’ appear- yssey was a defining moment in the intellectual history of the West, lecturer in the Department of ances, gestures, tones of voice, and emotional appeals as much as a moment from which many current conventions and attitudes Classics at Baylor University in their words to persuade the jury. Today, all that remains of Attic fo- toward books can be traced. But how did texts originally written Waco, Texas. rensic speeches from the fifth and fourth centuries BCE are written on papyrus in perhaps the eighth century BC survive across nearly texts, but, as Peter A. O’Connell convincingly demonstrates in this three millennia, so that today people can read them electronically R. ALDEN SMITH is a profes- sor of classics at Baylor University. innovative book, a careful study of the speeches’ rhetoric of seeing on a smartphone? can bring their performative aspect to life. Classics from Papyrus to the Internet provides a fresh, authori- PETER A. O’CONNELL FABIO STOK is a professor Offering new interpretations of a wide range of Athenian foren- tative overview of the transmission and reception of classical texts Athens, Georgia of Latin literature and classical sic speeches, including detailed discussions of Demosthenes’ On the from antiquity to the present. The authors begin with a discussion of tradition at the University of Rome O’Connell is an assistant profes- False Embassy, Aeschines’ Against Ktesiphon, and Lysias’ Against ancient literacy, book production, papyrology, epigraphy, and schol- Tor Vergata. sor of classics and communication Andocides, O’Connell shows how litigants turned the jurors’ scru- arship, and then examine how classical texts were transmitted from studies at the University of Georgia. Ashley and Peter Larkin tiny to their advantage by manipulating their sense of sight. He ana- the medieval period through the Renaissance and the Enlighten- Series in Greek Ashley and Peter Larkin lyzes how the litigants’ words work together with their movements ment to the modern era. They also address the question of reception, and Roman Culture Series in Greek and Roman and physical appearance, how they exploit the Athenian preference looking at how succeeding generations responded to classical texts, Culture for visual evidence through the language of seeing and showing, and preserving some but not others. This sheds light on the origins of nu- July 2017 | 6 x 9 inches | 412 pp. | 29 b&w photos | $29.95 paper- how they plant images in their jurors’ minds. These findings, which merous scholarly disciplines that continue to shape our understand- March 2017 | 6 x 9 inches | 292 pp. back | $55.00 hardcover draw on ancient rhetorical theories about performance, seeing, and ing of the past, as well as the determined effort required to keep knowledge as well as modern legal discourse analysis, deepen our the literary tradition alive. As a resource for students and scholars * Not for sale in Italy UT Press Controls All Rights understanding of Athenian notions of visuality. They also uncover in fields such as classics, medieval studies, comparative literature, UT Press Controls All Rights parallels among forensic, medical, sophistic, and historiographic paleography, papyrology, and Egyptology, Classics from Papyrus to discourses that reflect a shared concern with how listeners come to the Internet presents and discusses the major reference works and know what they have not seen. online professional tools for studying literary transmission.

120 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 121 | latina/o studies | Art, Chicana/o Studies | latina/o studies | Border Studies, Texas History, Chicana/o Studies

Now thoroughly revised and updated, this classic The first book-length study of the Royal Chicano account of life on the Texas-Mexico border reveals Air Force maps the history of this vanguard how the borderlands have been transformed by Chicano/a arts collective, which used art and NAFTA, population growth and immigration cultural production as sociopolitical activism crises, and increased drug violence

Flying under the Radar with Batos, Bolillos, Pochos, and Pelados the Royal Chicano Air Force Class and Culture on the South Texas Border Mapping a Chicano/a Art History Revised Edition

BY ELLA MARIA DIAZ The Royal Chicano Air Force produced major works of BY CHAD RICHARDSON AND MICHAEL J. PISANI visual art, poetry, prose, music, and performance during the second half of the twentieth century and first decades of the twenty-first. CHAD RICHARDSON A classic account of life on the Texas-Mexico border, ELLA MARIA DIAZ Austin, Texas Ithaca, New York Materializing in Sacramento, California, in 1969 and established Batos, Bolillos, Pochos, and Pelados offers the fullest portrait cur- between 1970 and 1972, the RCAF helped redefine the meaning of Richardson is professor emeritus of rently available of the people of the South Texas/Northern Mexico Diaz is an assistant professor of artistic production and artwork to include community engage- sociology at the University of Texas borderlands. First published in 1999, the book is now extensively English and Latino/a Studies Rio Grande Valley. at Cornell University. She has ment projects such as breakfast programs, community art classes, revised and updated throughout to cover developments since 2000, published in Aztlán: The Journal of and, political and labor activism. The collective’s work has con- MICHAEL J. PISANI including undocumented immigration, the drug wars, race rela- Chicano Studies, Chicana/Latina tributed significantly to both Chicano/a civil rights activism and to Mt. Pleasant, Michigan tions, growing social inequality, and the socioeconomic gap between Studies: The Journal of Mujeres Chicano/a art history, literature, and culture. Latinos and the rest of American society—issues of vital and con- Activas en Letras y Cambio Social, Pisani is a professor of interna- Blending RCAF members’ biographies and accounts of their tinuing national importance. and U.C. Santa Barbara’s Imagin- tional business at Central Michigan arte e-publications. artistic production with art historical, cultural, and literary schol- University. An outgrowth of the Borderlife Research Project conducted at arship, Flying under the Radar with the Royal Chicano Air Force the University of Texas Rio Grande Valley, Batos, Bolillos, Pochos, April 2017 | 6 x 9 inches | 386 pp. is the first in-depth study of this vanguard Chicano/a arts col- Jack and Doris Smothers Series in and Pelados uses the voices of several hundred Valley residents, col- Texas History, Life, and Culture | 30 color and 62 b&w photos | lective and activist group. Ella Maria Diaz investigates how the lected by embedded student researchers and backed by the findings $29.95 paperback RCAF questioned and countered conventions of Western art, from July 2017 | 6 x 9 inches | 438 pp. | of sociological surveys, to describe the lives of migrant farmworkers, UT Press Controls All Rights the canon taught in US institutions to Mexican national art his- 13 b&w photos, 24 b&w illustrations colonia residents, undocumented domestic servants, maquiladora tory, while advancing a Chicano/a historical consciousness in the | 2 maps | $29.95 paperback workers, and Mexican street children. Likewise, it explores social, cultural borderlands. In particular, she demonstrates how women racial, and ethnic relations in South Texas among groups such as UT Press Controls All Rights significantly contributed to the collective’s output, navigating and Latinos, Mexican immigrants, wealthy Mexican visitors, Anglo challenging the overarching patriarchal cultural norms of the Chi- residents or tourists, and Asian and African American residents of cano Movement and their manifestations in the RCAF. Diaz also South Texas. With this firsthand material and an explanatory fo- shows how the RCAF’s verbal and visual architecture—a literal and cus that utilizes and applies social-science theoretical concepts, the figurative construction of Chicano/a signs, symbols, and texts—es- book thoroughly addresses the future composition and integration tablished the groundwork for numerous theoretical interventions of Latinos into the society and culture of the United States. made by key scholars in the 1990s andtwenty-first century.

122 UNIVERSITY OF TEXAS PRESS | [email protected] UNIVERSITY OF TEXAS PRESS | 2016-2017 RIGHTS CATALOG 123 Award winners Race on the QT The Death of Aztec Tenochtitlan, Blackness and the Films of Quentin Tarantino the Life of Mexico City BY ADILIFU NAMA

BY BARBARA E. MUNDY 2016 Ray & Pat Browne Award for Best Reference/Primary Source Work in Popular Culture and American Culture, Popular Culture Association/American Culture Association

$22.95 paperback UT Press Controls All Rights

Border Contraband 2016 Arvey Foundation Book Award, A History of Smuggling across the Rio Grande BY GEORGE T. DÍAZ Best Scholarly Book on the Art of Latin America, Association of Latin American Art History 2016 NACCS Tejas Foco Nonfiction Best Book in Colonial Studies, Latin American Book Award, National Association Studies Association for Chicana and Chicano Studies

$75.00 hardcover UT Press Controls All Rights $24.95 paperback UT Press Controls All Rights

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Adams, Hersh, Pizzino, University of Texas Press Eddie Adams ...... 48–50 Don’t Suck, Don’t Die Arresting Development ...... 96 (512) 471-7233 • fax (512) 232-7178 • isbn prefixes 978-0-292- and 978-1-4773- Aguirre & Drinot, (new in paper) ...... 12 Rayo & Neece, Peculiar Revolution...... 87 Hersh, The Tacos of Texas ...... 102–105 Visit us online at www.utexaspress.com Austin Film Festival, Toby Snax ...... 60 Rexroth, sales and customer service On Story—Screenwriters Holley, Iowa...... 34–37 director’s office design and production and Filmmakers on A Perfectly Good Guitar...56–59 Richardson & Pisani, Gianna LaMorte Batos, Their Iconic Films...... 14 –15 Hunt,Smith, Stock, Bolilos, Pochos, and David Hamrick Ellen McKie Assistant Director and Berney, Classics from Papyrus to the Pelados ...... 123 Director Design and Production Sales Manager Learning from Bogotá..... 68–69 Internet ...... 121 Sachs, Allison Faust Manager Bob Barnett Boyd, The White Jennings & Berghammer, T Bone Burnett ...... 8–9 Shaman Mural...... 90–91 Theatre for Youth II ...... 109 Assistant to the Director Derek George, Lindsay Starr Regional Sales Manager Sadlier, The Portuguese- Çelik, Katz, Speaking Diaspora ...... 70–71 Victoria Corcoran Designers Brenda Jo Hoggatt About Antiquities...... 112 Connecting with the Enemy...117 Schenck, Development Officer tba Order Processing/Customer Christensen, Lear, The Recurring Dream . . . . . 26–29 Production Coordinator Service Supervisor acquisitions The Teabo Manuscript ...... 73 Picturing the Proletariat ...... 81 Sen, Andy Sieverman Dawn Bishop Christenson, Legrás, Haunting Bollywood ...... 104 Robert Devens Production Assistant Order Processing/Customer The Burden of the Ancients.....74 Culture and Revolution...... 76 Shary & McVittie, Editor-in-Chief Service Assistant Conine, The Republic Lundy & Lundy, Practicing Fade to Gray ...... 103 marketing of Football ...... 106–109 Transnationalism ...... 116 Jim Burr, Kerry Webb Smith, business Becoming Belafonte Senior Editors Brady Dyer Correa-Cabrera, Macor, Learning from Bogotá...... 85 Rewrite Man...... 53 (new in paper) ...... 18–19 E. Casey Kittrell Marketing and Joyce Lewandowski Cosminsky, McCann & North, Smith & Brimberry, Sponsoring Editor Communications Manager Assistant Director and Midwives and Mothers...... 83 Handbook of Latin American Flatbed Press at 25 ...... 30–31 Angelica Lopez-Torres, Nancy Lavender Bryan Financial Officer Crouser, Studies, No. 71 ...... 89 Sobsey, Sarah McGavick Assistant Marketing Kristin Duvall Mountain Ranch ...... 44–47 McNeely, The Making of Chrissie Hynde...... 54–55 Editorial Assistants Manager Royalties Accountant Davis, Hillary Clinton ...... 6–7 Spencer, This Land...... 32–33 Colleen Devine Ellis Linda Ramirez It Starts with Trouble Meeuf, rights and permissions (new in paper) ...... 20–21 Rebellious Bodies ...... 106–107 Strom, Senior Publicist Accounts Payable Diaz, Mirzai, A History of Houston on the Move ...... 40–43 For rights inquiries, contact Christopher Farmer Allie Lambert Flying Under the Radar with the Emancipation and Slavery in Urton, [email protected] Advertising and Exhibits Accounts Receivable Royal Chicano Air Force ...... 124 Iran, 1800-1929...... 119 Inka History in Knots .....94–95 Manager Roger Rocha, Jr. Dillehay, Where the Land Morán, Venkatesh, Inés ter Horst Lena Moses-Schmitt Warehouse Supervisor Meets the Sea...... 92–93 Sacred Consumption ...... 72 New Maricón Cinema ...... 101 International Rights Manager Publicist and Marketing Paul Guerra, Rey Renteria Emanuel, Moreau & Schaar, Voigt, One More Warbler ...... 52 Subversives and Mavericks in Spectacular Wealth ...... 75 Peggy Gough Associate Warehouse Staff Eppel, the Muslim Mediterranean ...113 Wager, Rights & Permissions Leyla Aksu journals A People Without a State...... 115 Morgan, Jazz and Cocktails ...... 110 Assistant Marketing and Copyediting Foster, Frankie and Johnny ...... 66–67 Wilcox, Fellow, 2016–2017 Sue Hausmann El Eternauta, Daytripper, Moss, Cattle in the Backlands ...... 82 copyediting Assistant Director and and Beyond ...... 100 Why Harry Met Sally...... 111 Wittliff, information systems Robert Kimzey Journals Manager Friedman, The American Nemser, The Devil’s Sinkhole ...... 22–25 Idea of Home ...... 38–39 Infrastructures of Race ...... 86 Managing Editor William Bishel Karen Broyles, Stacey Salling Wolf, Frishkopf, Music, Sound, O’Connell, The Rhetoric of Mano Dura...... 88 Bruce Bethell, Lynne Chapman, Information & Business Production Coordinators and Architecture in Islam . . . . .118 Seeing in Attic Forensic Yockey, Victoria Davis Systems Analyst Sheila L. 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