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Know Your Body Know Your Style
KNOW YOUR BODY KNOW YOUR STYLE Our bodies are classified according to certain specific types of silhouettes. You will learn about your body type, the clothes that favor each silhouette and those that should definitely be avoided. Your body shape may have traits of two types of silhouettes. Stand in front of a full-length mirror in your underwear and carefully study your body shape. Regardless of whether you are slim or plump, your body will tend to predominantly conform to one of the body types described below. Knowing your silhouette, you will be able to know what type of outfits that will make you look great, and which ones you should avoid as they throw the shape of your body off balance. 2020 Playfication Learning, LLC © PagePage 1 of 1 8 of 8 HOURGLASS SHAPE This type of female figure is typically considered the perfect figure because it is the most proportionate. It is the most versatile body shape and practically everything that women with this figure wear looks good on them. However, you should avoid falling into exaggerations that unbalance your body. You have an hourglass figure, when your shoulders and hips measure the same, and your waist is narrower. You have a balanced and symmetrical body. Clothes that lengthen your body will accentuate your figure and make you look great. What to wear: 1. Wrap dresses and “A” shaped skirts 2. Dresses with a defined waist and knee-length skirts highlighting your curves 3. Solid colors 4. Two-piece dresses 5. Shirt dresses with a waist belt 6. -
Glossary of Sewing Terms
Glossary of Sewing Terms Judith Christensen Professional Patternmaker ClothingPatterns101 Why Do You Need to Know Sewing Terms? There are quite a few sewing terms that you’ll need to know to be able to properly follow pattern instructions. If you’ve been sewing for a long time, you’ll probably know many of these terms – or at least, you know the technique, but might not know what it’s called. You’ll run across terms like “shirring”, “ease”, and “blousing”, and will need to be able to identify center front and the right side of the fabric. This brief glossary of sewing terms is designed to help you navigate your pattern, whether it’s one you purchased at a fabric store or downloaded from an online designer. You’ll find links within the glossary to “how-to” videos or more information at ClothingPatterns101.com Don’t worry – there’s no homework and no test! Just keep this glossary handy for reference when you need it! 2 A – Appliqué – A method of surface decoration made by cutting a decorative shape from fabric and stitching it to the surface of the piece being decorated. The stitching can be by hand (blanket stitch) or machine (zigzag or a decorative stitch). Armhole – The portion of the garment through which the arm extends, or a sleeve is sewn. Armholes come in many shapes and configurations, and can be an interesting part of a design. B - Backtack or backstitch – Stitches used at the beginning and end of a seam to secure the threads. To backstitch, stitch 2 or 3 stitches forward, then 2 or 3 stitches in reverse; then proceed to stitch the seam and repeat the backstitch at the end of the seam. -
BOND-X-Ymyl-Black-Lookbook
BOND X YMYL TECHNICAL MANUAL + TACTICAL GEAR Enclosed is a system of modular accessories. This collection focuses on two primary items - the 3-Pocket Holster and the 3-Pocket Belt. Accessories to the primary pieces are available for added function. THE IMPERATIVE OF RESPONSIBILITY © 2017 .,, 3-POCKET HOLSTER ITEM unisex black matte leather holster with 2 fixed pockets and 1 modular pocket that slides on and off for custom styling. PRICE msrp | $295 INCLUDES Oversized Key Ring. FIT adjustable shoulder straps with chrome-finished studs, one size. FEATURES chrome-finished hardware: d-rings for attachment options, textured snap closures on pockets, embossed logo. HOLDS fixed pockets fit passport and tech items like iPhone 7+, Galaxy S8, + other items. detachable slide-on pocket will fit cigarette case + other items. DIMENSIONS fixed pockets: h: 7” x w: 6” x d: 0.5” removable pocket: h: 4.5” x w: 2.75” x d: 1” ATTACHMENTS includes Oversized Key Ring. Tech Pocket, , D-Ring Strap, and Key Cover options. sold separately. 3-POCKET BELT ITEM unisex black matte leather belt with 3 modular pockets that slide on and off for custom pocket placement and styling. PRICE msrp | $295 INCLUDES Pocket A Pocket B - -up to iPhone 7+ and other items. will fit lighter + other items. size: h: 6.75” x w: 3.5” x d: 1” size: h: 3.5” x w: 1.5” x d: 1” Pocket C - Strap D - cigarette case + other items. to attach keychain + other items. size: h: 4.5” x w: 2.75” x d: 1” size: h: 3.5” x d: 1” FIT may be worn around the waist or crossbody. -
Dressing Aids F Are Available Through Specialtyretailers
The War Amps For Your Information Tel.: 1 877 622-2472 Fax: 1 855 860-5595 [email protected] Dressing Aids rom buttons, buckles, zippers and laces, these Fsimple fasteners can pose difficulties in an amputee’s daily activities. Featured below are various Velcro tabs dressing aids that can make many of these tasks easier. Some can be made using household items and others are available through specialty retailers. Hassle-free Fasteners • Velcro tabs under shirt or blouse buttons instead of conventional button holes. • A Velcro strip instead of a zipper in the fly of trousers. • Velcro on jacket cuffs. • Toggle buttons on outer wear which are easier to manage than stiff, flat buttons. Elastic cufflink • Cuff links made of elastic thread between two buttons keep cuffs looking tidy while letting you slide your hand in and out without undoing the button. • Some button-up shirts can be put on without being fully unbuttoned, simply leave enough buttons undone to allow room for your head, and then A C fasten the rest later. B D Button Hooks To assist the amputee with buttoning clothing, various button hooks are available including the regular handle(A), rubber handle(B), cuff handle(C), and ball or knob handle(D). Prosthetic Limbs and Devices Prosthetic A button hook has a small wire loop that slips over the button and when pulled, guides the button through the buttonhole. Zipper Pull Rings For those who have difficulty holding onto and pulling the regular zipper tabs, a variety of zipper pull rings are available which attach to the regular zipper tab and which can be grasped more easily by artificial limbs. -
Talabartero Collection Catalog
TALABARTERO COLLECTION The leather poufs and pillows in this collection are inspired by the equestrian heritage of Colombia’s coffee growing region. Talabartero translates as ‘master saddler,’ and the collection draws upon the expert craftsmanship and fine detailing—the stitching, the braiding, the embroidery, and the hand tooling— that characterize the best of vintage saddles from the area. We’ve partnered with master craftsman Edgar Beltran Jaramillo and the skilled team in his Bogotá-based workshop to bring this collection to life. Each piece is crafted from a saturated jewel-toned color palette that draws on the works of Colombian artist Fernando Botero. TALABARTERO | LEATHER POUFS ALMENDRA POUF NEGRO POUF PALMA POUF Natural grain leather Natural grain leather Natural grain leather Hidden bottom zipper closure Hidden bottom zipper closure Hidden bottom zipper closure Cast iron buckle, pewter finish Cast iron buckle, pewter finish Cast iron buckle, pewter finish Fiber wrapped high density foam filler Fiber wrapped high density foam filler Fiber wrapped high density foam filler SIZE A SIZE A SIZE A 22” L x 22” W x 12” H 22” L x 22” W x 12” H 22” L x 22” W x 12” H $1,525 $1,525 $1,525 SIZE B SIZE B SIZE B 25” L x 25” W x 14” H 25” L x 25” W x 14” H 25” L x 25” W x 14” H $1,765 $1,765 $1,765 TALABARTERO | LEATHER POUFS COBALTO POUF MORA POUF Natural grain leather Natural grain leather Hidden bottom zipper closure Hidden bottom zipper closure Cast iron buckle, pewter finish Cast iron buckle, pewter finish Fiber wrapped high density foam -
Shirt, Flame-Resistant Aramid
5100-91K April 28, 2020 Supersedes 5100-91J February 24, 2011 U.S. DEPARTMENT OF AGRICULTURE FOREST SERVICE SPECIFICATION FOR SHIRT, FLAME RESISTANT ARAMID Beneficial comments (recommendations, additions, deletions) and any pertinent data that may be used in improving this document should be addressed: via electronic mail <[email protected]> or U.S. mail to the U.S. Department of Agriculture, Forest Service, National Technology and Development Program, 5785 Highway 10 West, MT 59808. Distribution Statement A: Approved for public release; distribution is unlimited. FSC 8415 5100-91K CONTENTS 1. SCOPE AND CLASSIFICATION ............................................................................................ 4 1.1. Scope. This specification covers the requirements for flame resistant aramid shirts. .......................... 4 1.2. Classification. The shirt shall be of one type in the following sizes (see 6.2): ...................................... 4 1.3. Interpretations and Definitions. ............................................................................................................ 4 2. APPLICABLE DOCUMENTS ..................................................................................................................... 4 2.1. Government documents. ..................................................................................................................... 4 2.2. Non-Government publications. ........................................................................................................... -
Instruction Book
INSTRUCTION BOOK IMPORTANT SAFETY INSTRUCTIONS When using an electrical appliance, basic safety precautions should always be followed, including the followings: Read all instructions before using this appliance. DANGER— To reduce the risk of electric shock: 1. An appliance should never be left unattended when plugged in. Always unplug this sewing machine from the electric outlet immediately after using and before cleaning. WARNING— To reduce the risk of burns, fire, electric shock, or injury to persons: 1. Do not allow children to play with the machine. The machine is not intended for use by children or infirmed persons without proper supervision. Do not allow to be used as a toy. Close attention is necessary when this sewing machine is used by or near children. 2. Use this appliance only for its intended use as described in this owner’s manual. Use only attachments recommended by the manufacturer as contained in this owner’s manual. 3. Never operate this sewing machine if it has a damaged cord or plug, if it is not working properly, if it has been dropped or damaged, or dropped into water. Return this sewing machine to the nearest authorized dealer or service center for examination, repair, electrical or mechanical adjustment. 4. Never operate the appliance with any air opening blocked. Keep ventilation openings of this sewing machine and foot controller free from accumulation of lint, dust and loose cloth. 5. Never drop or insert any object into any opening. 6. Do not use outdoors. 7. Do not operate where aerosol (spray) products are being used or where oxygen is being administered. -
Tailoring Series TECHNIQUES for TAILORING UNDERLINING a TAILORED GARMENT—Underlining Is a Second Layer of Fabric. It Is Cut By
tailoring series TECHNIQUES FOR TAILORING UNDERLINING A TAILORED GARMENT—Underlining is a second layer of fabric. It is cut by the garment pattern pieces and staystitched to the wrong side of the corresponding outer sections before any seams are joined. The two layers are then handled as one. As a general guide, most suit jackets and coats look more pro- fessional when underlined. Underlining is especially recommended for lightweight wool materials, loosely woven materials and light- colored materials. For additional information on selecting fabrics for underlining and applying the underlining, see Lining a Shirt 01' Dress HE 72, N. C. Agricultural Extension Service. STAYSTITCHING—Staystitch all outer garment pieces before construction begins. If garment is underlined, stays-titching is done when the two layers of fabric are sewn together. Staystitch 1/3 in. outside seamline (on the seam allowance). Stay- stitch “ with matching cotton thread on all curved *areas that may stretch during construction such as necklines, side seams, shoulder seams, armholes, and side seams of skirt. Use directional stitching always to prevent stretching of fabric and to prevent one layer of fabric from riding. The direction to stitch is indicated by small arrows on the pattern on the seamlines. INTERFACINGS—Select a high quality hair canvas for the front and collar of coats and jackets. The percentage of wool indicates the quality—the higher the wool content of the canvas the better the quality. Since a high percentage of wool makes the hair canvas fairly dark in color, it cannot be used successfully under light-colored fabrics. In these cases use an interfacing lighter in color and lower in wool content. -
Robert Vintage Pajamas Classic Styles Also Matter When You Put Little Ones to Bed
1-800-543-6915 www.childrenscornerpatterns.com Robert Vintage Pajamas Classic styles also matter when you put little ones to bed. Now that our Robert pattern is available in a wider range of sizes, you can make these vintage pajamas for all your little ladies and gents. Supplies Robert Children’s Corner pattern Piping – 3 yards Tracing Paper Notions per the pattern Fabric Requirements (in yards) Sizes 6m-24mo 3-6 7-8 10-14 7 1 3 45" wide 1 /8 2 /4 3 3 /8 7 1 5 3 54/60" wide 1 /8 2 /4 2 /8 2 /4 Cutting Instructions 1. Trace shirt front using tracing paper starting and stopping at placket fold line. Measure ¼” over from the fold line toward the facing, and draw a line parallel to the fold line. Connect this line to the neckline and the hem. This is your new shirt front pattern piece. Cutting Layout aamas old ine old 45/54 wide sizes 6mo-6} Fold hirt ac ollar ocet odiied ants ront asitand ocet Cuff odiied hirt ront hirt Cuff on leee ants Cuff odiied ants ac acin Selvae 45 wide sizes -14} 2. Place tracing paper on the original shirt front again, Fold ocet ollar acin and measure ¼” from the fold line toward the shirt hirt ac odiied asitand hirt ront ocet front. Draw a line parallel to the fold line. Continue Cuff ants Cuff on leee tracing the front facing. This piece should be 1 ½” hirt Cuff odiied ants ront wide. This is your new facing piece. -
Price List Best Cleaners 03-18.Xlsx
Price List Pants, Skirts & Suits Shirts & Blouses Pants Plain…………………………………………… 10.20 Business Shirt Laundered and Machine Pants, Silk/Linen…………………………………… . 12.30 Pressed (Men’s & Women’s)…… 3.60 Pants, Rayon/Velvet………………………………… 11.80 Pants Shorts………………………………………. 10.20 Chamois Shirt…………………………………………… 5.35 Skirts, Plain………………………………………… . 10.20 Lab Smock, Karate Top………………………………… . 7.30 Skirts, Silk, Linen………………………………….. 12.30 Polo, Flannel Shirt……………………………………… .. 5.35 Skirts, Rayon Velvet……………………………… .. 11.80 Sweat Shirt……………………………………………… . 5.70 Skirts Fully Pleated………………………………. 20.95 T-Shirt…………………………………………………… .. 4.60 Skirts Accordion Pleated………………………… . 20.95 Tuxedo Shirt……………………………………………… . 6.10 Suit 2 pc. (Pants or Skirt and Blazer)……………… 22.40.. Wool Shirt………………………………………………… . 5.35 Suit 3 pc. (Pants or Skirt Blazer & Vest)……………… 27.75. Suit, body suit………………………………………… 10.60. Blouse/Shirt, Cotton, Poly…………………………………… 9.50.. Suit, Jumpsuit…………………………………… 25.10 Blouse/Shirt, Rayon, Velvet………………………………… 11.10.. Sport Jacket, Blazer……………………………… .. 12.20 Blouse/Shirt, Silk, Linen……………………………………… 11.60 Tuxedo……………………………………………… . 22.95 Blouse/Shirt, Sleeveless……………………………………… 7.80 Vest………………………………………………… . 5.35 Dresses Outerwear Dress, Plain, Cotton, Wool, Poly, Terry, Denim…….. 19.00 Blazer, Sport Jacket……………………………… . 12.20 Dress,Silk, Linen …….………………………………. 23.20 Bomber Jacket………………………………….. 16.20 Dress,Rayon,Velvet …………………………………. 22.20 Canvas Field Coat………………………………… 16.20 Dress, 2-Piece, Dress & Sleeveless Jkt……………………… 27.60 Canvas Barn Jacket……………………………… -
Lapped Zipper Lapped Zippers Are Often Found on Skirts at the Waistband
Sewing Technique: Lapped Zipper Lapped zippers are often found on skirts at the waistband. A lapped zipper is constructed so that the zipper is not visible. The zipper will remain closed throughout the process of inserting the zipper. All sewing is done on the inside of the garment except for topstitching. Remember to always keep the needle positioned between the zipper foot and the zipper teeth when sewing. NOTE: Throughout this tutorial, the term “placket” will be used. A placket is the fabric that surrounds and reinforces fasteners in a garment. In this instance, the fastener referred to in this tutorial is a zipper. STEP 1: On the wrong side of the fabric, measure and mark the placket opening BASTING where the zipper STITCH will be placed. Do this by measuring from the top of the garment down along the seam to the zipper bottom stop. Take into consideration the REGULAR composition of garment and if there will be a waistband or MACHINE STITCH any other special feature at the top of the zipper. Mark the placement of the bottom stop with a marking pencil. STEP 2: While sewing the seam, machine stitch the seam closed until the marked point of the bottom of the zipper, backstitch, then switch to a basting stitch for the distance of the placket seam. Press seam allowance open. $-05)*/( CONSTRUCTION 6UBI4UBUFJTBOBóSNBUJWFBDUJPOFRVBMPQQPSUVOJUZJOTUJUVUJPO STEP 3: Replace sewing machine foot with a zipper foot. Place zipper face down with the teeth centered on the pressed open seam on the inside of the garment, matching top and bottom stops with marks. -
Bucklepage 9 – Part Nine 17Th-18Th Century
Home C J’s Metal detecting pages Coin galleries BUCKLES BUCKLEPAGE 05/09/2013 BY NMS Having already looked at some buckle types of the 17th century we again start in that period but with buckles that are technically of a different form of construction. These are distinguished from all other types by having a double-loop frame (as Types IIIA-IIID) but with the frame drilled to take a separate pin or spindle. These I have classified as Type V. They were generally made to be removable and so the previously common ‘sandwich’ type buckle-plate used for attachment to straps and belts is replaced by a chape that attaches the buckle by a stud, a hook, or a spike. When used for the shoe these buckles were attached across the instep by two straps called latchets. The buckle was attached to one latchet by the chape. The second latchet was then pulled through the buckle frame to the required tension for securing the shoe and then fastened by the spike of the tongue. See fig.9: xix for the terms used to describe the parts of these buckles. Strictly speaking the chape constitutes all the moving parts within the buckle frame but the term is used here to describe the type of fastening employed to attach the buckle to the shoe. Although shoe buckles had been used in previous times, by the late 1500′s they had been replaced by rosettes and ribbon ties and these continued in use through most of the 17thc. However it is clear that by 1660 buckles were again being used for fastening shoes, at least by the upper classes, and that they were of this removable type: ‘This day I began to put on buckles to my shoes’ - the diary of Samuel Pepys – entry for January 22nd, 1660.