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Know Your Body Know Your Style
KNOW YOUR BODY KNOW YOUR STYLE Our bodies are classified according to certain specific types of silhouettes. You will learn about your body type, the clothes that favor each silhouette and those that should definitely be avoided. Your body shape may have traits of two types of silhouettes. Stand in front of a full-length mirror in your underwear and carefully study your body shape. Regardless of whether you are slim or plump, your body will tend to predominantly conform to one of the body types described below. Knowing your silhouette, you will be able to know what type of outfits that will make you look great, and which ones you should avoid as they throw the shape of your body off balance. 2020 Playfication Learning, LLC © PagePage 1 of 1 8 of 8 HOURGLASS SHAPE This type of female figure is typically considered the perfect figure because it is the most proportionate. It is the most versatile body shape and practically everything that women with this figure wear looks good on them. However, you should avoid falling into exaggerations that unbalance your body. You have an hourglass figure, when your shoulders and hips measure the same, and your waist is narrower. You have a balanced and symmetrical body. Clothes that lengthen your body will accentuate your figure and make you look great. What to wear: 1. Wrap dresses and “A” shaped skirts 2. Dresses with a defined waist and knee-length skirts highlighting your curves 3. Solid colors 4. Two-piece dresses 5. Shirt dresses with a waist belt 6. -
Glossary of Sewing Terms
Glossary of Sewing Terms Judith Christensen Professional Patternmaker ClothingPatterns101 Why Do You Need to Know Sewing Terms? There are quite a few sewing terms that you’ll need to know to be able to properly follow pattern instructions. If you’ve been sewing for a long time, you’ll probably know many of these terms – or at least, you know the technique, but might not know what it’s called. You’ll run across terms like “shirring”, “ease”, and “blousing”, and will need to be able to identify center front and the right side of the fabric. This brief glossary of sewing terms is designed to help you navigate your pattern, whether it’s one you purchased at a fabric store or downloaded from an online designer. You’ll find links within the glossary to “how-to” videos or more information at ClothingPatterns101.com Don’t worry – there’s no homework and no test! Just keep this glossary handy for reference when you need it! 2 A – Appliqué – A method of surface decoration made by cutting a decorative shape from fabric and stitching it to the surface of the piece being decorated. The stitching can be by hand (blanket stitch) or machine (zigzag or a decorative stitch). Armhole – The portion of the garment through which the arm extends, or a sleeve is sewn. Armholes come in many shapes and configurations, and can be an interesting part of a design. B - Backtack or backstitch – Stitches used at the beginning and end of a seam to secure the threads. To backstitch, stitch 2 or 3 stitches forward, then 2 or 3 stitches in reverse; then proceed to stitch the seam and repeat the backstitch at the end of the seam. -
Church and Liturgical Objects and Terms
Church and Liturgical Objects and Terms Liturgical Objects Used in Church The chalice: The The paten: The vessel which golden “plate” that holds the wine holds the bread that that becomes the becomes the Sacred Precious Blood of Body of Christ. Christ. The ciborium: A The pyx: golden vessel A small, closing with a lid that is golden vessel that is used for the used to bring the distribution and Blessed Sacrament to reservation of those who cannot Hosts. come to the church. The purificator is The cruets hold the a small wine and the water rectangular cloth that are used at used for wiping Mass. the chalice. The lavabo towel, The lavabo and which the priest pitcher: used for dries his hands after washing the washing them during priest's hands. the Mass. The corporal is a square cloth placed The altar cloth: A on the altar beneath rectangular white the chalice and cloth that covers paten. It is folded so the altar for the as to catch any celebration of particles of the Host Mass. that may accidentally fall The altar A new Paschal candles: Mass candle is prepared must be and blessed every celebrated with year at the Easter natural candles Vigil. This light stands (more than 51% near the altar during bees wax), which the Easter Season signify the and near the presence of baptismal font Christ, our light. during the rest of the year. It may also stand near the casket during the funeral rites. The sanctuary lamp: Bells, rung during A candle, often red, the calling down that burns near the of the Holy Spirit tabernacle when the to consecrate the Blessed Sacrament is bread and wine present there. -
Robert Vintage Pajamas Classic Styles Also Matter When You Put Little Ones to Bed
1-800-543-6915 www.childrenscornerpatterns.com Robert Vintage Pajamas Classic styles also matter when you put little ones to bed. Now that our Robert pattern is available in a wider range of sizes, you can make these vintage pajamas for all your little ladies and gents. Supplies Robert Children’s Corner pattern Piping – 3 yards Tracing Paper Notions per the pattern Fabric Requirements (in yards) Sizes 6m-24mo 3-6 7-8 10-14 7 1 3 45" wide 1 /8 2 /4 3 3 /8 7 1 5 3 54/60" wide 1 /8 2 /4 2 /8 2 /4 Cutting Instructions 1. Trace shirt front using tracing paper starting and stopping at placket fold line. Measure ¼” over from the fold line toward the facing, and draw a line parallel to the fold line. Connect this line to the neckline and the hem. This is your new shirt front pattern piece. Cutting Layout aamas old ine old 45/54 wide sizes 6mo-6} Fold hirt ac ollar ocet odiied ants ront asitand ocet Cuff odiied hirt ront hirt Cuff on leee ants Cuff odiied ants ac acin Selvae 45 wide sizes -14} 2. Place tracing paper on the original shirt front again, Fold ocet ollar acin and measure ¼” from the fold line toward the shirt hirt ac odiied asitand hirt ront ocet front. Draw a line parallel to the fold line. Continue Cuff ants Cuff on leee tracing the front facing. This piece should be 1 ½” hirt Cuff odiied ants ront wide. This is your new facing piece. -
Price List Best Cleaners 03-18.Xlsx
Price List Pants, Skirts & Suits Shirts & Blouses Pants Plain…………………………………………… 10.20 Business Shirt Laundered and Machine Pants, Silk/Linen…………………………………… . 12.30 Pressed (Men’s & Women’s)…… 3.60 Pants, Rayon/Velvet………………………………… 11.80 Pants Shorts………………………………………. 10.20 Chamois Shirt…………………………………………… 5.35 Skirts, Plain………………………………………… . 10.20 Lab Smock, Karate Top………………………………… . 7.30 Skirts, Silk, Linen………………………………….. 12.30 Polo, Flannel Shirt……………………………………… .. 5.35 Skirts, Rayon Velvet……………………………… .. 11.80 Sweat Shirt……………………………………………… . 5.70 Skirts Fully Pleated………………………………. 20.95 T-Shirt…………………………………………………… .. 4.60 Skirts Accordion Pleated………………………… . 20.95 Tuxedo Shirt……………………………………………… . 6.10 Suit 2 pc. (Pants or Skirt and Blazer)……………… 22.40.. Wool Shirt………………………………………………… . 5.35 Suit 3 pc. (Pants or Skirt Blazer & Vest)……………… 27.75. Suit, body suit………………………………………… 10.60. Blouse/Shirt, Cotton, Poly…………………………………… 9.50.. Suit, Jumpsuit…………………………………… 25.10 Blouse/Shirt, Rayon, Velvet………………………………… 11.10.. Sport Jacket, Blazer……………………………… .. 12.20 Blouse/Shirt, Silk, Linen……………………………………… 11.60 Tuxedo……………………………………………… . 22.95 Blouse/Shirt, Sleeveless……………………………………… 7.80 Vest………………………………………………… . 5.35 Dresses Outerwear Dress, Plain, Cotton, Wool, Poly, Terry, Denim…….. 19.00 Blazer, Sport Jacket……………………………… . 12.20 Dress,Silk, Linen …….………………………………. 23.20 Bomber Jacket………………………………….. 16.20 Dress,Rayon,Velvet …………………………………. 22.20 Canvas Field Coat………………………………… 16.20 Dress, 2-Piece, Dress & Sleeveless Jkt……………………… 27.60 Canvas Barn Jacket……………………………… -
Rescuetec PFD | USER's MANUAL
RescueTec PFD | USER’S MANUAL RescueTec PFD SPECIFICATIONS The RescueTec PFD is designed for the special requirements of a trained rescue professional. ENVIRONMENTS: This RescueTec PFD can be used in all river, lake, and ocean environments including: » Aerated moving water » Flood waters » Surf CERTIFICATION: USCG Type V Professional Rescue PFD FLOTATION: Minimum 22 lbs (10 kg) 2 SIZES: S/M for chest size 28” - 40” (71-102 cm) and L/XL for chest size 40”-52” (102-132 cm) FEATURES » Integrated 1.8 inch Mil Spec nylon webbing over shoulder strap with 6000 lb breaking strength. » High Tenacity 420 denier fabric. » 100% Nylon webbing for maximum wear resistance. » Many webbing loops to attach optional front pockets and other equipment. » Two inch Quick Release Rescue Belt with fast pull cam buckle and Stainless Steel hardware. » Soft, fl exible closed-cell foam. » Optional (detachable) Front (Molle) pockets for Rescue Swimming, (one with internal radio holster, one with internal multipurpose equipment attachment loops). » Knife / scissors and strobe light attachments on both sides /shoulders. » Handle on back to assist in pulling the rescuer to safety. » Refl ective tape front and back and on both detachable front pockets. » Inside quick drainage mesh. » Elastic loops to hold all excess webbing. » Over the shoulder anodized aluminum adjustment buckles. » Adjustable compression straps across front to protect the zipper (at top and bottom) » Three part adjustable 1.5” waistbelt for maximum fi t adjustment. » Waistbelt sleeves have sticky neoprene to hold the PFD in the best position for fi t. » Vertical waistbelt adjustment on L/XL size to fi t larger individuals. -
Vestments and Sacred Vessels Used at Mass
Vestments and Sacred Vessels used at Mass Amice (optional) This is a rectangular piece of cloth with two long ribbons attached to the top corners. The priest puts it over his shoulders, tucking it in around the neck to hide his cassock and collar. It is worn whenever the alb does not completely cover the ordinary clothing at the neck (GI 297). It is then tied around the waist. It symbolises a helmet of salvation and a sign of resistance against temptation. 11 Alb This long, white, vestment reaching to the ankles and is worn when celebrating Mass. Its name comes from the Latin ‘albus’ meaning ‘white.’ This garment symbolises purity of heart. Worn by priest, deacon and in many places by the altar servers. Cincture (optional) This is a long cord used for fastening some albs at the waist. It is worn over the alb by those who wear an alb. It is a symbol of chastity. It is usually white in colour. Stole A stole is a long cloth, often ornately decorated, of the same colour and style as the chasuble. A stole traditionally stands for the power of the priesthood and symbolises obedience. The priest wears it around the neck, letting it hang down the front. A deacon wears it over his right shoulder and fastened at his left side like a sash. Chasuble The chasuble is the sleeveless outer vestment, slipped over the head, hanging down from the shoulders and covering the stole and alb. It is the proper Mass vestment of the priest and its colour varies according to the feast. -
What They Wear the Observer | FEBRUARY 2020 | 1 in the Habit
SPECIAL SECTION FEBRUARY 2020 Inside Poor Clare Colettines ....... 2 Benedictines of Marmion Abbey What .............................. 4 Everyday Wear for Priests ......... 6 Priests’ Vestments ...... 8 Deacons’ Attire .......................... 10 Monsignors’ They Attire .............. 12 Bishops’ Attire ........................... 14 — Text and photos by Amanda Hudson, news editor; design by Sharon Boehlefeld, features editor Wear Learn the names of the everyday and liturgical attire worn by bishops, monsignors, priests, deacons and religious in the Rockford Diocese. And learn what each piece of clothing means in the lives of those who have given themselves to the service of God. What They Wear The Observer | FEBRUARY 2020 | 1 In the Habit Mother Habits Span Centuries Dominica Stein, PCC he wearing n The hood — of habits in humility; religious com- n The belt — purity; munities goes and Tback to the early 300s. n The scapular — The Armenian manual labor. monks founded by For women, a veil Eustatius in 318 was part of the habit, were the first to originating from the have their entire rite of consecrated community virgins as a bride of dress alike. Belt placement Christ. Using a veil was Having “the members an adaptation of the societal practice (dress) the same,” says where married women covered their Mother Dominica Stein, hair when in public. Poor Clare Colettines, “was a Putting on the habit was an symbol of unity. The wearing of outward sign of profession in a the habit was a symbol of leaving religious order. Early on, those the secular life to give oneself to joining an order were clothed in the God.” order’s habit almost immediately. -
Embellishments of the Alaska Native Gut Parka
University of Nebraska - Lincoln DigitalCommons@University of Nebraska - Lincoln Textile Society of America Symposium Proceedings Textile Society of America 2008 Embellishments of the Alaska Native Gut Parka Fran Reed [email protected] Follow this and additional works at: https://digitalcommons.unl.edu/tsaconf Part of the Art and Design Commons Reed, Fran, "Embellishments of the Alaska Native Gut Parka" (2008). Textile Society of America Symposium Proceedings. 127. https://digitalcommons.unl.edu/tsaconf/127 This Article is brought to you for free and open access by the Textile Society of America at DigitalCommons@University of Nebraska - Lincoln. It has been accepted for inclusion in Textile Society of America Symposium Proceedings by an authorized administrator of DigitalCommons@University of Nebraska - Lincoln. Embellishments of the Alaska Native Gut Parka Fran Reed (1943 - 2008) [email protected] Dealing with the various and extreme weather conditions in Alaska is a serious matter. Coastal Native Alaskans have been surviving in these severe environments for millennia. Without a local general store in which to buy a nice rain slicker, one must be resourceful with what is available. Between the hot summers and frigid winters are the transition seasons when it rains. Bird skins and fish skins were used extensively to make raincoats but it is the gut skin parka that proved so universal along the coast of Alaska (Fig. 1). From village to village different preparations, stitching methods and artistic styles are apparent and expressed in the embellishments that define the region, the culture and the function of these beautiful outer garments. For hundreds of years the indigenous people of the circumpolar region survived extreme conditions on their ingenuity and creativity. -
May 8, 1928. 1,668,745 F
May 8, 1928. 1,668,745 F. W., TULLY COLLAR AND CUFF Filed Sept. 2, 192l Patented May 8, 1928. 1,668,745 UNITED STATES PATENT of FICE. FRANCIS W. TULLY, OF BROOKLINE, MASSACEUSETTS, COLLAR AND CUFF. Application filed September 2, 1921. serial No. 497,891. This invention relates to collars and cuffs, damage by wear during laundry operations which may be of the kind attached to the is excessive, the average garment being ca garment with which they are worn per pable of being worn only a few times before manently by sewing, or of the kind attached the cleansing operation destroys it. replaceably by buttons or other fasteners, The imitation-fabric collars and cuffs are 60 and to the method of making them. not really deceptive, and their use is associ The prior art as heretofore practised has ated in the public mind with careless per provided garments of the class referred to sonal habits. intended to be worn in a soft state without 0 It is therefore highly desirable satis laundry starching; garments intended to be factorily to replace the limp soft collar and 65 starched; and imitation garments of the cuff and the heavily starched stiff collar and stiff type, made of a fabric and additions of cuff with textile-fabric or genuine articles of one sort or another, such as heavy coatings this sort which shall be cleanly, of good ap 5 of white pigments and binders of celluloid, perance and not subject to rapid damage in rubber and other hard calendered substances, use, and capable of being refreshed in a 70 which sometimes have been embossed to take simpler way than the laundry operations re the appearance of the cloth they are sup quired for a stiff collar. -
Stole, Maniple, Amice, Pallium, Ecclesiastical Girdle, Humeral Veil
CHAPTER 8 Minor Vestments: Stole, Maniple, Amice, Pallium, Ecclesiastical Girdle, Humeral Veil Introduction vestment of a pope, and of such bishops as were granted it by the pope as a sign of their metropolitan status.4 The term ‘minor vestments’ is used here to signify a Mostly, but not exclusively, the pallium was granted by number of smaller items which are not primary dress, the pope to archbishops – but they had to request it for- in the sense that albs, chasubles, copes and dalmatics mally, the request accompanied by a profession of faith are dress, but are nevertheless insignia of diaconal and (now an oath of allegiance). It seems to have been con- priestly (sometimes specifically episcopal) office, given sidered from early times as a liturgical vestment which at the appropriate service of ordination or investiture. could be used only in church and during mass, and, in- Other insignia are considered in other sections: the mitre creasingly, only on certain festivals. In the sixth century (Chapter 1); ecclesiastical shoes, buskins and stockings it took the form of a wide white band with a red or black (Chapters 7 and 9), and liturgical gloves (Chapter 10). cross at its end, draped around the neck and shoulders The girdle, pallium, stole and maniple all have the in such a way that it formed a V in the front, with the form of long narrow bands. The girdle was recognised ends hanging over the left shoulder, one at the front and as part of ecclesiastical dress from the ninth century at one at the back. -
1 the Methodist Church of Southern Africa Doctrine
Disclaimer: Please note that this paper does not represent the views of the Methodist Church of Southern Africa or DEWCOM, unless specified otherwise. Status of paper: Adopted by DEWCOM URL: http://mcsadewcom.blogspot.com THE METHODIST CHURCH OF SOUTHERN AFRICA DOCTRINE, ETHICS AND WORSHIP COMMITTEE GUIDELINES FOR THE USE OF CLERICAL VESTMENTS AND FORMAL METHODIST ECCLESIASTICAL ATTIRE. What are Clerical Vestments and why do Ministers and Preachers wear them? • The distinctive clothes normally worn by Ministers and Preachers in the course of conducting Services of Worship. • It is not the purpose of distinctive clerical and liturgical clothing to give the impression of superior status to the Minister or Preacher. Ministers and Preachers, when conducting Services of Worship, presiding over the Sacraments and preaching, do not do so as individuals. While individuality, talent and skill enhance the Minister or Preacher’s proclamation of God’s grace, the individuality of the Minister or Preacher is of secondary importance to the Church’s proclamation of the gospel of grace. • Ministers and Preachers represent the Church of Christ in all places and all ages, drawing the authority of their message from the gracious call of God upon their lives, their dependence upon the leading of the Holy Spirit, their subjection to the tradition of the Apostles and the Holy Scriptures. • It is the purpose of Clerical vestments to mask the individuality of the Minister or Preacher and demonstrate that the Minister or Preacher is a servant of Jesus Christ and the whole Church in all places and all ages. • The Methodist tradition follows the practice of John Wesley who, although he was an Anglican priest, chose the “plainness” of the Puritan pattern of clerical vestment.