Siberian Identity in the Historical Perspective and at Present
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Ivan Vladislavovich Zholtovskii and His Influence on the Soviet Avant-Gavde
87T" ACSA ANNUAL MEETING 125 Ivan Vladislavovich Zholtovskii and His Influence on the Soviet Avant-Gavde ELIZABETH C. ENGLISH University of Pennsylvania THE CONTEXT OF THE DEBATES BETWEEN Gogol and Nikolai Nadezhdin looked for ways for architecture to THE WESTERNIZERS AND THE SLAVOPHILES achieve unity out of diverse elements, such that it expressed the character of the nation and the spirit of its people (nnrodnost'). In the teaching of Modernism in architecture schools in the West, the Theories of art became inseparably linked to the hotly-debated historical canon has tended to ignore the influence ofprerevolutionary socio-political issues of nationalism, ethnicity and class in Russia. Russian culture on Soviet avant-garde architecture in favor of a "The history of any nation's architecture is tied in the closest manner heroic-reductionist perspective which attributes Russian theories to to the history of their own philosophy," wrote Mikhail Bykovskii, the reworking of western European precedents. In their written and Nikolai Dmitriev propounded Russia's equivalent of Laugier's manifestos, didn't the avantgarde artists and architects acknowledge primitive hut theory based on the izba, the Russian peasant's log hut. the influence of Italian Futurism and French Cubism? Imbued with Such writers as Apollinari Krasovskii, Pave1 Salmanovich and "revolutionary" fervor, hadn't they publicly rejected both the bour- Nikolai Sultanov called for "the transformation. of the useful into geois values of their predecessors and their own bourgeois pasts? the beautiful" in ways which could serve as a vehicle for social Until recently, such writings have beenacceptedlargelyat face value progress as well as satisfy a society's "spiritual requirements".' by Western architectural historians and theorists. -
The Inextricable Link Between Literature and Music in 19Th
COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA A Thesis Presented to The Graduate Faculty of The University of Akron In Partial Fulfillment Of the Requirements for the Degree Master of Music Ashley Shank December 2010 COMPOSERS AS STORYTELLERS: THE INEXTRICABLE LINK BETWEEN LITERATURE AND MUSIC IN 19TH CENTURY RUSSIA Ashley Shank Thesis Approved: Accepted: _______________________________ _______________________________ Advisor Interim Dean of the College Dr. Brooks Toliver Dr. Dudley Turner _______________________________ _______________________________ Faculty Reader Dean of the Graduate School Mr. George Pope Dr. George R. Newkome _______________________________ _______________________________ School Director Date Dr. William Guegold ii TABLE OF CONTENTS Page CHAPTER I. OVERVIEW OF THE DEVELOPMENT OF SECULAR ART MUSIC IN RUSSIA……..………………………………………………..……………….1 Introduction……………………..…………………………………………………1 The Introduction of Secular High Art………………………………………..……3 Nicholas I and the Rise of the Noble Dilettantes…………………..………….....10 The Rise of the Russian School and Musical Professionalism……..……………19 Nationalism…………………………..………………………………………..…23 Arts Policies and Censorship………………………..…………………………...25 II. MUSIC AND LITERATURE AS A CULTURAL DUET………………..…32 Cross-Pollination……………………………………………………………...…32 The Russian Soul in Literature and Music………………..……………………...38 Music in Poetry: Sound and Form…………………………..……………...……44 III. STORIES IN MUSIC…………………………………………………… ….51 iii Opera……………………………………………………………………………..57 -
Musically Russian: Nationalism in the Nineteenth Century Joshua J
Cedarville University DigitalCommons@Cedarville The Research and Scholarship Symposium The 2016 yS mposium Apr 20th, 3:40 PM - 4:00 PM Musically Russian: Nationalism in the Nineteenth Century Joshua J. Taylor Cedarville University, [email protected] Follow this and additional works at: http://digitalcommons.cedarville.edu/ research_scholarship_symposium Part of the Musicology Commons Taylor, Joshua J., "Musically Russian: Nationalism in the Nineteenth Century" (2016). The Research and Scholarship Symposium. 4. http://digitalcommons.cedarville.edu/research_scholarship_symposium/2016/podium_presentations/4 This Podium Presentation is brought to you for free and open access by DigitalCommons@Cedarville, a service of the Centennial Library. It has been accepted for inclusion in The Research and Scholarship Symposium by an authorized administrator of DigitalCommons@Cedarville. For more information, please contact [email protected]. Musically Russian: Nationalism in the Nineteenth Century What does it mean to be Russian? In the eighteenth and early nineteenth centuries, Russian nobility was engrossed with French culture. According to Dr. Marina Soraka and Dr. Charles Ruud, “Russian nobility [had a] weakness for the fruits of French civilization.”1 When Peter the Great came into power in 1682-1725, he forced Western ideals and culture into the very way of life of the aristocracy. “He wanted to Westernize and modernize all of the Russian government, society, life, and culture… .Countries of the West served as the emperor’s model; but the Russian ruler also tried to adapt a variety of Western institutions to Russian needs and possibilities.”2 However, when Napoleon Bonaparte invaded Russia in 1812, he threw the pro- French aristocracy in Russia into an identity crisis. -
Siberia Hot and Cold: Reconstructing the Image Of
BETWEEN HEAVEN AND HELL The Myth of Siberia in Russian Culture Edited By Galya Diment and Yuri Slezkine II - ~ St. Martin's Press New York 226 Between Heaven and Helf ParkService(March 15, 1991),p. 31f. My thanks to JohnTichotsky for sharing with me his encyclopedic knowledge of the Chukchi. 7. Vladimir Sangi, head of the Association of the Peoples of the North, has since } 1961 collected, studied, and published the legends and myths of the Nivkh peoples (Nivkhskie legendy [Iuzhno-Sakhalinsk: Sakhalinskoe knizhnoe izdatel'stvo, 1961] and Legendy Ykh-Mifa [Moscow: Sovetskaia Rossiia, 13 1967]). In his novel Zhenit' ba Kevongov (Moscow: Sovetskii pisatel', 1975) Sangi explores the historical genealogy of his people and theirnotions of what constitutes biography. Sangi has been among the most ardent defenders of the peoples of the north and has voiced his concern overtheiriiterary fate now that the All-Union Writers' Union no longer exists. See "Union of Soviet Writers Is Also Breaking Apart," New York Times, Sept. 14, 1991, p. 13. 8. YuriRytkheu,Magicheskie chis la (Leningrad: Sovetskii pisatel', 1986), pp. 16-17. Siberia Hot and Cold: Reconstructing the 9. Waldemar Bogoraz, "Chukchee Mythology," in Franz Boaz, ed., The Jesup Image of Siberian Indigenous Peoples North Pacific Expedition (New York: AMS Press, 1975), vol. 8, pp. 138, 141. 10. Ibid, p. 141. 11. Rytkheu, Reborn to a Full Life, pp. 16-18. Bruce Grant 12. Rytkheu's retelling of the whale legend appeared in "When Whales Leave," Soviet Literature 12 (1977): 3-73. 13. See Radio Liberty Research Bulletin, March 8, 1988, p. -
Russian Culture and Putin's National Governance Model
CORE Metadata, citation and similar papers at core.ac.uk Provided by CSCanada.net: E-Journals (Canadian Academy of Oriental and Occidental Culture, Canadian Research & Development Center of Sciences and Cultures) ISSN 1712-8358[Print] Cross-Cultural Communication ISSN 1923-6700[Online] Vol. 15, No. 1, 2019, pp. 34-37 www.cscanada.net DOI:10.3968/10809 www.cscanada.org Russian Culture and Putin’s National Governance Model AN Zhaozhen[a],* [a]Vice director, professor.Institute of Russian Studies,Heilongjiang the subtle integration of authoritarianism, state supremacy Provincial Academy of Social Sciences, China. and anarchism in Russians; indulgence, cruelty, violence *Corresponding author. and kindness, humanity, supple symbiosis; conservative Received 15 November 2018; accepted 25 February 2019 religion of the ritual coexists with pursuit of truth, Published online 26 March 2019 individualism, collectivism, and nationalism. Influenced by Russian traditional culture, Putin has established a new model of national governance with the characteristics of Abstract the times since he took office. Russian culture has both Eastern and Western cultural characteristics, and the internal structure of culture has distinct polarities. The main factors in the formation of 1. MAIN FEATURES OF RUSSIAN Russian authoritarian culture are mainly the Russian economic system and ideological concepts. It is CULTURE impossible to understand Russia with reason, cannot be Russian culture is a historical and multi-faceted concept measured by general standards, and there is something that includes facts, processes, trends, and has experienced special there. During the Putin periods, the president’s long and complex developments in different geospatial power was further strengthened and “Sovereign and historical periods. -
Russian Literature and Culture 1
Russian Literature and Culture 1 cultures). In each major, students may count related courses in other RUSSIAN LITERATURE AND departments among their electives. CULTURE In addition to its majors, the department offers five concentrations. Three are analogous to the major tracks (Russian Language and Culture, Departmental Office: 708 Hamilton; 212-854-3941 Russian Literature and Culture, and Slavic Studies). There is also a http://www.columbia.edu/cu/slavic/ concentration in Russian Literature that does not require language study and another concentration in Slavic Cultures that allows students to Director of Undergraduate Studies: focus on a Slavic language and culture other than Russian. Prof. Jessica Merrill, 715 Hamilton Hall; 2120854-3941; [email protected] Motivated seniors are encouraged but not required to write a senior thesis. Those who write a thesis enroll in the Senior Seminar in the fall Russian Language Program Director: term and work individually with a thesis adviser. Students have written on Prof. Alla Smyslova, 708 Hamilton; 212-854-8155; [email protected] a wide range of topics in literature, culture, media, and politics. The Department of Slavic Languages and Literatures is devoted to the study of the cultures, literatures, and languages of Russia and other Slavic Culture at Columbia Outside of the Slavic peoples and lands. We approach our study and teaching of these Classroom cultures with an eye to their specificity and attention to their interaction All interested students are welcome to take part in departmental with other cultures, in history and in the contemporary global context. activities, such as conversation hours, Slavic student organizations, We focus not only on the rich literary tradition, but also on the film, the department's various film series (Russian, East Central European, theater, politics, art, music, media, religious thought, critical theory, Central Asian, and Ukrainian), and the country's first undergraduate and intellectual history of Russians and other Slavs. -
The 'Adaptability' of the Balalaika: an Ethnomusicological Investigation Of
University of Vermont ScholarWorks @ UVM UVM College of Arts and Sciences College Honors Theses Undergraduate Theses 2015 The ‘Adaptability’ of the Balalaika: An Ethnomusicological Investigation of the Russian Traditional Folk Instrument Nicolas Chlebak University of Vermont Follow this and additional works at: https://scholarworks.uvm.edu/castheses Recommended Citation Chlebak, Nicolas, "The ‘Adaptability’ of the Balalaika: An Ethnomusicological Investigation of the Russian Traditional Folk Instrument" (2015). UVM College of Arts and Sciences College Honors Theses. 14. https://scholarworks.uvm.edu/castheses/14 This Undergraduate Thesis is brought to you for free and open access by the Undergraduate Theses at ScholarWorks @ UVM. It has been accepted for inclusion in UVM College of Arts and Sciences College Honors Theses by an authorized administrator of ScholarWorks @ UVM. For more information, please contact [email protected]. !1 of !71 The ‘Adaptability’ of the Balalaika: An Ethnomusicological Investigation of the Russian Traditional Folk Instrument Nicolas Chlebak The University of Vermont’s German and Russian Department Thesis Advisor: Kevin McKenna !2 of !71 INTRODUCTION According to the Hornbostel-Sachs system of characterizing instruments, the balalaika is considered a three stringed, triangular lute, meaning its strings are supported by a neck and a bridge that rest over a resonating bout or chamber, like a guitar or violin.1 Many relegate the balalaika solely to its position as the quintessential icon of traditional Russian music. Indeed, whether in proverbs, music, history, painting or any number of other Russian cultural elements, the balalaika remains a singular feature of popular recognition. Pity the student trying to find a Russian tale that doesn’t include a balalaika-playing character. -
Historical Culture: Russia in Search of Itself
Russian Culture Center for Democratic Culture 2012 Historical Culture: Russia in Search of Itself Boris Paramonov Follow this and additional works at: https://digitalscholarship.unlv.edu/russian_culture Part of the Asian History Commons, European History Commons, Other Languages, Societies, and Cultures Commons, Political History Commons, Slavic Languages and Societies Commons, and the Social History Commons Repository Citation Paramonov, B. (2012). Historical Culture: Russia in Search of Itself. In Dmitri N. Shalin, 1-30. Available at: https://digitalscholarship.unlv.edu/russian_culture/2 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Scholarship@UNLV with permission from the rights-holder(s). You are free to use this Article in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This Article has been accepted for inclusion in Russian Culture by an authorized administrator of Digital Scholarship@UNLV. For more information, please contact [email protected]. Historical Culture: Russia in Search of Itself Boris Paramonov Russia's 75 year-long experiment with communism is over, but the question persists as to whether the Soviet regime was a historical aberration or an expression of the country's destiny. This question is as old as the Bolshevik revolution. It has produced a voluminous literature and will no doubt continue to attract attention in the near future. -
Russian Strategic Intentions
APPROVED FOR PUBLIC RELEASE Russian Strategic Intentions A Strategic Multilayer Assessment (SMA) White Paper May 2019 Contributing Authors: Dr. John Arquilla (Naval Postgraduate School), Ms. Anna Borshchevskaya (The Washington Institute for Near East Policy), Dr. Belinda Bragg (NSI, Inc.), Mr. Pavel Devyatkin (The Arctic Institute), MAJ Adam Dyet (U.S. Army, J5-Policy USCENTCOM), Dr. R. Evan Ellis (U.S. Army War College Strategic Studies Institute), Mr. Daniel J. Flynn (Office of the Director of National Intelligence (ODNI)), Dr. Daniel Goure (Lexington Institute), Ms. Abigail C. Kamp (National Consortium for the Study of Terrorism and Responses to Terrorism (START)), Dr. Roger Kangas (National Defense University), Dr. Mark N. Katz (George Mason University, Schar School of Policy and Government), Dr. Barnett S. Koven (National Consortium for the Study of Terrorism and Responses to Terrorism (START)), Dr. Jeremy W. Lamoreaux (Brigham Young University- Idaho), Dr. Marlene Laruelle (George Washington University), Dr. Christopher Marsh (Special Operations Research Association), Dr. Robert Person (United States Military Academy, West Point), Mr. Roman “Comrade” Pyatkov (HAF/A3K CHECKMATE), Dr. John Schindler (The Locarno Group), Ms. Malin Severin (UK Ministry of Defence Development, Concepts and Doctrine Centre (DCDC)), Dr. Thomas Sherlock (United States Military Academy, West Point), Dr. Joseph Siegle (Africa Center for Strategic Studies, National Defense University), Dr. Robert Spalding III (U.S. Air Force), Dr. Richard Weitz (Center for Political-Military Analysis at the Hudson Institute), Mr. Jason Werchan (USEUCOM Strategy Division & Russia Strategic Initiative (RSI)) Prefaces Provided By: RDML Jeffrey J. Czerewko (Joint Staff, J39), Mr. Jason Werchan (USEUCOM Strategy Division & Russia Strategic Initiative (RSI)) Editor: Ms. -
Land, Community, and the State in the North Caucasus: Kabardino-Balkaria, 1763-1991
Land, Community, and the State in the North Caucasus: Kabardino-Balkaria, 1763-1991 DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University By Ian Thomas Lanzillotti Graduate Program in History The Ohio State University 2014 Dissertation Committee: Professor Nicholas Breyfogle, Advisor Professor Theodora Dragostinova Professor David Hoffmann Professor Scott Levi Copyright by Ian Thomas Lanzillotti 2014 Abstract The Caucasus mountain region in southern Russia has witnessed many of post- Soviet Eurasia’s most violent inter-communal conflicts. From Abkhazia to Chechnya, the region fractured ferociously and neighboring communities took up arms against each other in the name of ethnicity and religion. In the midst of some of the worst conflict in Europe since 1945, the semiautonomous, multiethnic Kabardino-Balkar Republic in the North Caucasus remained a relative oasis of peace. This is not to say there were no tensions—there is no love lost between Kabardians, Balkars, and Russians, Kabardino- Balkaria’s principal communities. But, why did these communities, despite the agitation of ethno-political entrepreneurs, not resort to force to solve their grievances, while many neighboring ones did? What institutions and practices have facilitated this peace? What role have state officials and state structures played in, on the one hand, producing inter- communal conflict, and, on the other hand, mediating and defusing such conflict? And why has land played such a crucial rule in inter-communal relations in the region over the longue durée? More than enhancing our knowledge of a poorly-understood yet strategically important region, the questions I ask of Kabardino-Balkaria are windows on larger issues of enduring global relevance. -
The Duality of Soviet Culture: Manufactured and Organic Cultures
Illinois Wesleyan University Digital Commons @ IWU Honors Projects Russian Studies 1995 The Duality of Soviet Culture: Manufactured and Organic Cultures Mark Thomas Fletcher '95 Illinois Wesleyan University Follow this and additional works at: https://digitalcommons.iwu.edu/russian_honproj Part of the Other Languages, Societies, and Cultures Commons Recommended Citation Fletcher '95, Mark Thomas, "The Duality of Soviet Culture: Manufactured and Organic Cultures" (1995). Honors Projects. 1. https://digitalcommons.iwu.edu/russian_honproj/1 This Article is protected by copyright and/or related rights. It has been brought to you by Digital Commons @ IWU with permission from the rights-holder(s). You are free to use this material in any way that is permitted by the copyright and related rights legislation that applies to your use. For other uses you need to obtain permission from the rights-holder(s) directly, unless additional rights are indicated by a Creative Commons license in the record and/ or on the work itself. This material has been accepted for inclusion by faculty at Illinois Wesleyan University. For more information, please contact [email protected]. ©Copyright is owned by the author of this document. • THE DUALITY OF SOVIET CULTURE: Manufactured And Organic Cultures Mark Thomas Fletcher Research Honors Project Prof. Marina Balina, Advisor • In place of what actually existed - a still industrializing country with very many workers living in privation, a peasantry in a new enserfment, a huge caste of slave laborers in concentration -
Russian Federation
II. PARTNER COUNTRY PROFILES – RUSSIAN FEDERATION Russian Federation Tourism in the economy In 2014 Russia recorded 32.4 million international arrivals. This is 5% more international visitors than in 2013. The total number of people visiting Russia for leisure related tourism purposes decreased by 3%, but visits for business purposes increased by 8%. At the same time, there was a significant decrease in outbound tourism from Russia in 2014, falling by 15.1% on the previous year. Tourism directly employed 500 900 people working in hotel, travel agency and reservation services in 2014. The total contribution of travel and tourism to GDP in 2014 was estimated to be RUB 4 357 billion, approximately 6% of total GDP. The sector is estimated to directly and indirectly support 3.9 million jobs (5.6% of total employment), with tourism exports estimated to be worth RUB 735.4 billion (3.5% of total exports) and investment to be RUB 369 billion (2.7% of total investment) (WTTC). Russia’s Federal State Statistics Service (Rosstat) and Federal Agency for Tourism (Rustourism) are working towards the production of a Tourism Satellite Account for Russia. The activities classified as tourism were approved by the Ministry of Culture in 2014 and will be used in pilot calculations on the contribution of tourism to the economy. Tourism governance and funding Responsibility for tourism rests with the Ministry of Culture, which covers laws and regulations and general policy. Operational activity is the responsibility of the Federal Agency for Tourism (Rustourism), which is an agency of the Ministry. Rustourism performs a range of functions including global and domestic marketing, education and training, data analysis, business support and various management and supervisory activities.