U DTFG Papers of Tony F. Griffin C.1940S-2016
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False Accusation Delays Election
False Accusation Delays Election By JIM DOUGHERTY candidates), referred to Harry Temple, AS3, as "the principal A false charge by one of senator" at an SGA meeting the candidates has resulted in responsible for approving $7 4 a postponement of the for the Prisoner's Solidarity College Councils election Committee of Delaware. until Monday. The charge, part of a OPPOSITION prepared statement published Temple, it was learned, in Tuesday's Review, was not at the meeting in concerned two of the question until after the issue candidates running for had been voted on. This was president of the College in direct opposition to the Councils. charge made earlier by Ajit George, AS4, in that George. statement (which was a A special closed spssion of response to a Review the SGA elections' committPe questionnaire sent to all the was then called Tuesday afternoon to resolve what seemed to be becoming a I . major issue. HUNDREDS of students made the best of a 'hot situation' on Tuesday. while waiting to sign-up Democrats for apartments in the Christiana Towers. See photos and text on page 9. POSTPONEMENT The Democratic At that meeting, the Committee for the 25th nature and the harm of Lhe Representative district (in charge was discussed, and it tatistics Fail to Show Strength Newark), will hold a public was decided to postponE:> the meeting at 8 p.m. Monday at entire' College Councils Downes Elementary School election until Monday. According to Barb Dail, f Delaware Republican arty on Casho Mill Road. The chairwoman of thP Plections' Editor's Note: This is the first Representative Harris B. -
Historical Record of Fish Related Issues on the Skagit River
HISTORICAL RECORD OF FISH RELATED ISSUES ON THE SKAGIT RIVER SKAGIT COUNTY, WASHINGTON 1897 THROUGH 1969 By Larry Kunzler June 4, 2005 Updated and republished June 2008 www.skagitriverhistory.com Historical Record of Fish Related Issues On The Skagit River Table of Contents Table of Contents............................................................................................................................ 2 PREFACE....................................................................................................................................... 4 Levees and Fish Discussed Early in Skagit History ....................................................................... 5 Flood Control Projects Impacted Fish Runs ................................................................................... 5 Fish Hatchery At Baker Lake Stops Work For Winter................................................................... 6 Seattle To Build State Hatchery On Upper River........................................................................... 6 Forest Service To Survey Road From Here To Baker Lake........................................................... 7 O’malley Is Appointed As Fish Commissioner.............................................................................. 7 Fish Hatchery Man Has Exciting Trip To Lake.............................................................................. 7 Preliminary Work On Baker Lake Road Started This Week.......................................................... 8 Power Company To Continue -
University Hikes Tuition; Increase in Board Likely Tuition and Fee Increases Guidelines
VOL. 94 NO. 26 UNIVERSITY OF DELAWARE, NEWARK, DELAWARE FRIDAY, DECEMBER 10, 1971 University Hikes Tuition; Increase In Board likely Tuition and fee increases guidelines. However, they debt incurred on these for the 1972-73 academic have been unsuccessful, and buildings. Some buildings, year, were approved last week there is no indication when a such as North and South by university trustees. ruling will be forthcoming. campus, are debt free. Others, The increases for full-time Not knowing how much such as the Dickinson dorms, students are as follows: $75 the university can raise still have to be paid off. for resident undergraduates tuition, nor what it will and graduates, $400 for receive from the state, makes Each time a new non-resident undergraduates, it quite difficult to prepare a dormitory is erected and $600 for nonresident budget for 1972-73, on campus, the cost of that building is bornE' equally by graduates. According to according to Becker. Should all students by an Jncrease in university Treasurer Paul E. the delay in getting guidelines room rates. The building of Becker Jr., these are all take much longer, the maximum figures and the Pencader complex and university will ask for a the Christiana Towers increases are still subject to special ruling from the Price federal government price change5 the situation. Commission on its tuition Since these new compiPxes guidelines. and room and board In addition, students can are more expensive and offer increases. better facilities than thp othpr expect room and board Becker wants to emphasize increases by the next summer dormitories. -
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Kent Academic Repository Full text document (pdf) Citation for published version Walters, Rosemary Anne (2020) Zig Zag: Cultures in Common and the Poetry of Charles Causley. Doctor of Philosophy (PhD) thesis, University of Kent, University of Kent. DOI Link to record in KAR https://kar.kent.ac.uk/81342/ Document Version UNSPECIFIED Copyright & reuse Content in the Kent Academic Repository is made available for research purposes. Unless otherwise stated all content is protected by copyright and in the absence of an open licence (eg Creative Commons), permissions for further reuse of content should be sought from the publisher, author or other copyright holder. Versions of research The version in the Kent Academic Repository may differ from the final published version. Users are advised to check http://kar.kent.ac.uk for the status of the paper. Users should always cite the published version of record. Enquiries For any further enquiries regarding the licence status of this document, please contact: [email protected] If you believe this document infringes copyright then please contact the KAR admin team with the take-down information provided at http://kar.kent.ac.uk/contact.html ZIG ZAG: ‘CULTURES IN COMMON’ AND THE POETRY OF CHARLES CAUSLEY Doctor of Philosophy: University of Kent Revised April 2020 Rosemary Anne Walters (Student ID: 15909337) Word Count: 82,402 1 Copyright Statement This thesis is © 2020 Dr Rosemary Walters and is licensed under a Creative Commons Attribution Non Commercial 4.0 International Licence “Quotations from the letters from Charles Causley © 2020 Bruce Hunter” Causley’s work is © of his literary estate. -
Yorkshire Poetry, 1954-2019: Language, Identity, Crisis
YORKSHIRE POETRY, 1954-2019: LANGUAGE, IDENTITY, CRISIS Kyra Leigh Piperides Jaques, BA (Hons) and MA, (Hull) PhD University of York English & Related Literature October 2019 This work was supported by the Arts & Humanities Research Council (grant number AH/L503848/1) through the White Rose College of the Arts & Humanities. ABSTRACT This thesis explores the writing of a large selection of twentieth- and twenty-first- century East and West Yorkshire poets, making a case for Yorkshire as a poetic place. The study begins with Philip Larkin and Ted Hughes, and concludes with Simon Armitage, Sean O’Brien and Matt Abbott’s contemporary responses to the EU Referendum. Aside from arguing the significance of Yorkshire poetry within the British literary landscape, it presents poetry as a central form for the region’s writers to represent their place, with a particular focus on Yorkshire’s languages, its identities and its crises. Among its original points of analysis, this thesis redefines the narrative position of Larkin and scrutinizes the linguistic choices of Hughes; at the same time, it identifies and explains the roots and parameters of a fascinating new subgenre that is emerging in contemporary West Yorkshire poetry. This study situates its poems in place whilst identifying the distinct physical and social geographies that exist, in different ways, throughout East and West Yorkshire poetry. Of course, it interrogates the overarching themes that unite the two regions too, with emphasis on the political and historic events that affected the region and its poets, alongside the recurring insistence of social class throughout many of the poems studied here. -
The Sirens Call Ezine, Following Where the Lost Ones Dwell (Issue #11), the Shadowman (Issue #22) and Playground (Issue # 39)
1 Table of Contents pg. 04 - Melissa | Jeffrey Durkin pg. 97 - Dark Temptation | S. E. Cyborski pg. 06 - Sustenance | Naching T. Kassa pg. 98 - Voice | S. E. Cyborski pg. 07 - Slaughter Hill | R.J. Meldrum pg. 98 - Reflection | S. E. Cyborski pg. 10 - Elysium | Tawny Kipphorn pg. 100 - Uncanny Spirit World | George Lee Grimsley pg. 12 - Black Robe | Courtney Leigh pg. 101 - The Dark Trail of Red | Linda Lee Rice pg. 14 - Trenton Lane | Patrick Winters pg. 101 - Lost in Insanity | Linda Lee Rice pg. 17 - Sprinkled in with the Sugar | Michael D. Davis pg. 102 - Moonlight Madness | Linda Lee Rice pg. 17 - Tethered to a Chatterbox | Michael D. Davis pg. 102 - The Monster | Linda Lee Rice pg. 17 - To Make and Care for A Teddy Bear | Michael D. Davis pg. 103 - The Window Behind Me | Linda Lee Rice pg. 17 - Staring is Caring | Michael D. Davis pg. 104 - Some Advice | Eddie Fogler pg. 19 - Five-fingered Lover | Alex Woolf pg. 105 - The World at Your Fingertips | K.T. Slattery pg. 22 - The Dinner Rush | Holly Rae Garcia pg. 105 - A Siren with No Need for a Voice | K.T. Slattery pg. 25 - Big Mouth | Gabriella Balcom pg. 107 - Lily | Ken Poyner pg. 27 - Some like it in the Dark | Alisa Willemse pg. 108 - Only One of the Many Ways | Ken Poyner pg. 28 - The Amulet | Greg Fewer pg. 109 - As I Must | Jack Wolfe Frost pg. 29 - The House on the Hill | Roger Ley pg. 111 - pining for carrion | Eliana Vanessa pg. 31 - Living Will |Roger Ley pg. 111 - fay-bloom | Eliana Vanessa pg. -
Wilfred Owen's Missing Folio
APPENDIX: WILFRED OWEN'S MISSING FOLIO On or about 20 l\lay 1918, having juSt returned from a visit to Robert Ross in London, Wilfred Owen wrotc to his mother from Ripon, having undertaken there a major revision of all his work to that date. Significantly, he said in that letter, 'The upshot is that I am to have my work typed at once, and send it to Heinemann, who is certain 10 send it to Ross to read for him!!' No such folio of typed script has been discovered, but it is inconcei .... able that he failed to compile this for typing, particularly as the only presently known manuscripts of so many poems are of unfinished drafts, most particularly in the instance of 'Strange Meeting'. This poem's surviving manuscripts clearly demonstrate its unfinished state; they themselves comprise the prime evidence that they do not give us a fair copy of a,lintJliseti text. Those that survive have amendarions which are arguably alterna/it'( or additional, rather than ./inal. Further, there is strong evidence that the generally acknowledged version's 44 lines are far short of what Owen actually wrote. In a pre-publication list he tabulated between J\lay and July "1918, 'Strange J\[eeting' is, most importantly, listed as categorically finished and, as such, comprised/our pages of text in its./inished state. These facts are specifically and very methodically noted by Wilfred Owen in this handwritten list. None of the surviving manuscripts gives us the poem's text on more than two pages. It is therefore the case that either the whole of a./Qur page manuscript has been lost or, at the very least. -
British Writers, V. 7
Edited under the auspices of the British Council IAN SCOTT-KILVERT General Editor VOLUME VII SEAN O'CASEY TO POETS OF WORLD WAR 11 CHARLES SCRIBNER'S SONS / NEW YORK Copyright © 1984 The British Council Library of Congress Cataloging in Publication Data (Revised) Main entry under title: British writers. Includes bibliographies and index. CONTENTS: v. 1. William Langland to the English Bible- v. 7. Sean O'Casey to Poets of World War n. 1. English literature-History and criticism. 2. English literature-Bio-bibliography. 3. Authors, English-Biography. 1. Scott-Kilvert, Ian. n. Great Britain. British Council. PR85.B688 820'.9 78-23483 ISBN 0-684-15798-5 (v. 1) ISBN 0-684-16636-4 (v. 5) ISBN 0-684-16407-8 (v. 2) ISBN 0-684-16637-2 (v. 6) ISBN 0-684-16408-6 (v. 3) ISBN 0-684-16638-0 (v. 7) ISBN 0-684-16635-6 (v. 4) This book published simultaneously in the United States of America and in Canada Copyright under the Berne Convention. All rights reserved. No part of this book may be reproduced in any form without the permission of Charles Scribner's Sons. 1 3 5 7 9 11 13 15 17 19 V IC 20 18 16 1412 108 6 4 2 PRINTED IN THE UNITED STATES OF AMERICA The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council on Library Resources. Acknowledgment is gratefully made to those publishers "Edith Sitwell" and individuals who have permitted the use of the follow From The Collected Poems of Edith Sitwell. -
Graves and Resurrections
The Gryphon P»TOM „ 1895 D> ™ “ 1948 THE JOURNAL OF THE UNIVERSITY OF LEEDS Contents page ,6 On B e in g a St u d e n t 11 Hamlet and the Critics Donald Austin Jazz Past and Present S* ^ 14 p W. Platten 19 ^hkistm\s Eve at Grannie’s Bill Moody 24 WrEkin r . A. Hodge* 25 About M yself Harry Ward 27 M.H. 29 ERRATA. 30-36 r Article Weaver tn W 38 forward to next issue! “ “ Carfied 43 Read 46 N.U.S. Arts Supplement, pp. 29 to 36. 47 T he N e w W aste L a n d J The Origins of Leeds u p B „ k e , 51 54 t _ J T. Boorman Lope de V e g a Reviews : Graves and R esurrections ^ 57 The Free Mind Margaret Allen ^ A rt M .H. Charles Groves on Sibelius and wicz 60 THE S e v e n S y m p h o n i e s k . U . 6 1 -6 2 L etter s to th e E ditoh iVofes on some of our Contributors < DONALD AUSTIN is a So; Education Department an e x S ^ n<W in the ° f the ° otre F ar Niente Snd P res»len t ALDRED F. BARKER, Textil c .1884-1888, a constant eo n l ”* at this U™ ity friend of the University. " t0 this and DENNIS BROWN is a 4th Y „ * »«* cw »„ david haw is A,tl"ic’ c~» C»»,” l“ u. I PHILIP MITCHFt r „ " ‘ tends to teach. -
Poetry in the Natural World
Year 9 Poetry Anthology (Summer 2018 onwards) Poetry in the natural world Brookvale Groby Learning Campus: Faculty of English, Media & Literacy ABE Summer 2018 Poetry in the natural world 'Poetry is what in a poem makes you laugh, cry, prickle, be silent, makes your toe nails twinkle, makes you want to do this or that or nothing, makes you know that you are alone in the unknown world, that your bliss and suffering is forever shared and forever all your own.' – Dylan Thomas The theme of nature and the natural world has been recurring inspiration for poets ever since the first poems were written thousands of years ago. The Greek poet Theocritus began writing about rural life in his ‘idylls’ (a poem or piece of short prose about rustic life) in the third century BCE. No matter what country or era, the changes in landscape, weather, seasons and natural phenomenon have been an inescapable part of the history of poetry. How do I read a poem? 'There are three things, after all, that a poem must reach: the eye, the ear, and what we may call the heart or the mind. It is most important of all to reach the heart of the reader.' – Robert Frost The very first thing that a poem will do is to make you feel something. That ‘something’ may be joy, sadness, frustration, pity – even confusion – but the important thing is that it makes a connection. It may take several readings to make that connection, but that’s OK. The results we get from spending time with a poem is worth the hard work. -
THE DEATH and BIRTH of a HERO: the Search for Heroism in British World War One Literature
THE DEATH AND BIRTH OF A HERO: The Search for Heroism in British World War One Literature Cristina Pividori Ph.D. Thesis supervised by Professor Andrew Monnickendam Departament de Filologia Anglesa i Germanística Facultat de Filosofia i Lletres Universitat Autònoma de Barcelona 2012 Acknowledgments I am heartily thankful to my supervisor, Professor Andrew Monnickendam, who has supported me throughout this thesis with his patience and knowledge while giving me the space to develop my own ideas. One simply could not wish for a better supervisor. I would also like to express my thanks to Professor Debra Kelly of the Group for War and Culture Studies for her generosity in allowing me to spend time at the University of Westminster while developing my research and for her kind and constructive encouragement. Many thanks, too, go to Professor Jay Winter for his insightful, witty remarks. I also owe my gratitude to Dr Jessica Meyer, Dr Santanu Das and the International Society for First World War Studies for patiently replying to my enquiries. For access to World War One original documents, published items and digital resources, I would like to thank the staff of the Humanities Reading Room at the British Library and Mr. Roderick Suddaby and his staff, of the Department of Documents, Imperial War Museum. This research project would not have been possible without the financial support of Generalitat de Catalunya (AGAUR, grants FI-DGR 2007-2010 B-00639 and BE- DGR 2010 A-00870), and the Spanish Ministry of Education and Science (grants DCB2005-0181 and TME2009-00547). I am also grateful to my friend Fiona Kelso for her help in proof-reading and for her enthusiastic support. -
'Out in the Dark'
111111111111111111111111111111111111111111111111111111111111 3703791732 'Out in the dark' An exploration of and creative response to the process of poetic composition with reference to Edward Thomas and a self-reflexive study Judy Kendall A thesis submitted to the University of Gloucestershire in accordance with the requirements of the degree of Doctor of Philosophy in the Faculty of Humanities September 2005 Abstract Research through practice into the actual process of composing, such as William James on automatic writing and thought processes, or Sigmund Freud on creative writing and the unconscious, is rare, and needs extension and updating. This study builds a new theoretical framework for critical and practical work on imaginative composition by investigation of Edward Thomas's composing processes and complementary analysis of the processes of writing my own poetry collection. Thomas's emphasis on fragmentation of thought, hesitancy and silence in the content and form of his poetry, positioning him on the borders of Modernism, reflects essential aspects of his composing processes, as documented in his notes, letters, prose and poetry. The creating and revisiting of my own works-in-progress and final collection, in the light of the study of Thomas and in dialogue with readers, reveals further insights into poetic composition. Chapter One examines the point at which poems emerge and the influence of external writing conditions. Chapters Two and Three look at absence in the composing process in ellipses, aporia, gaps and unfinishedness, and in the art of submission as it is used in composing. Chapter Four investigates distraction, non-logical connections and physical and temporal disturbances in composing.