Centri Convenzionati Aggiornato Al Settembre 2016 ABRUZZO
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30Years 1953-1983
30Years 1953-1983 Group of the European People's Party (Christian -Demoeratie Group) 30Years 1953-1983 Group of the European People's Party (Christian -Demoeratie Group) Foreword . 3 Constitution declaration of the Christian-Democratic Group (1953 and 1958) . 4 The beginnings ............ ·~:.................................................. 9 From the Common Assembly to the European Parliament ........................... 12 The Community takes shape; consolidation within, recognition without . 15 A new impetus: consolidation, expansion, political cooperation ........................................................... 19 On the road to European Union .................................................. 23 On the threshold of direct elections and of a second enlargement .................................................... 26 The elected Parliament - Symbol of the sovereignty of the European people .......... 31 List of members of the Christian-Democratic Group ................................ 49 2 Foreword On 23 June 1953 the Christian-Democratic Political Group officially came into being within the then Common Assembly of the European Coal and Steel Community. The Christian Democrats in the original six Community countries thus expressed their conscious and firm resolve to rise above a blinkered vision of egoistically determined national interests and forge a common, supranational consciousness in the service of all our peoples. From that moment our Group, whose tMrtieth anniversary we are now celebrating together with thirty years of political -
Andrea Solari Oil Paintings
Andrea Solari Oil Paintings Andrea Solari [Italian Renaissance painter, 1460-1524] Charles d'Amboise canvas painting, 48244-Solari, Andrea-Charles d'Amboise.jpg Oil Painting ID: 48244 | Order the painting Ecce Homo canvas painting, 48245-Solari, Andrea-Ecce Homo.jpg Oil Painting ID: 48245 | Order the painting Man with a Pink Carnation canvas painting, 48246-Solari, Andrea-Man with a Pink Carnation.jpg Oil Painting ID: 48246 | Order the painting Portrait of a Man canvas painting, 48247-Solari, Andrea-Portrait of a Man.jpg Oil Painting ID: 48247 | Order the painting The Lute Player canvas painting, 48248-Solari, Andrea-The Lute Player.jpg Oil Painting ID: 48248 | Order the painting 1/2 Virgin of the Green Cushion canvas painting, 48249-Solari, Andrea-Virgin of the Green Cushion.jpg Oil Painting ID: 48249 | Order the painting Total 1 page, [1] Solari, Andrea (Nationality : Italian Renaissance painter, 1460-1524) Andrea Solari (also Solario) (1460 in Milano - 1524) was an Italian Renaissance painter. Initially named Andre del Gobbo, he was one of the most important followers of Leonardo da Vinci, and brother of Cristoforo Solari, who gave him his first training. His paintings can be seen in Venice, Milan, The Louvre and the Château de Gaillon (Normandie, France). One of his better known paintings is the Virgin of the Green Cushion (c. 1507) in the Louvre (illustrated here). • We provide hand painted reproductions of old master paintings. You will be amazed at their accuracy. • If you can't find what you are looking for? Please Click Here for upload images for quote. -
Italia Bajo Craxi: ¿Una República Con Gobierno?
ITALIA BAJO CRAXI: ¿UNA REPÚBLICA CON GOBIERNO? Por WOLFGANG MERKEL SUMARIO I. ¿ES INESTABLE EL SISTEMA DE GOBIERNO ITALIANO?—II. «ESTABILIDAD» Y «DEBILIDAD» («FRAGILIDAD») DEL GOBIERNO CRAXI I. III. LA POLÍTICA PRESUPUESTARIA Y FINANCIERA.—IV. POLÍTICA LABORAL Y DE EMPLEO.— V. CONCLUSIÓN. I. ¿ES INESTABLE EL SISTEMA DE GOBIERNO ITALIANO? Sin duda alguna, los tópicos son duraderos. Teniendo su base a menudo en conceptos provocativamente agudos, éstos van perdiendo el estimulante in- telectual de la provocación en un ritual de monótonas repeticiones, hasta que acaban convirtiéndose en sentencias aburridas y sin valor —precisamente en tópicos—. La investigación sobre Italia no representa ninguna excepción al respecto. Fundados en la presunta inestabilidad del sistema político y en la frecuencia de los cambios de gobierno, los lugares comunes que se refie- ren a la ingobernabilidad o, mejor dicho, a la «malgobernabilidad» gozan de una publicidad y una longevidad especiales (1). Aun elaborando un análisis matizado, Percy A. Allum (1973) y Giuseppe di Palma (1977) no vacilaron (1) PERCY A. ALLUM: Italy • Republic Without Government, New York, 1973; GIUSEPPE DI PALMA: Surviving Without Goveming. The Italian Parties in Parliament, Berkeley-London, 1977; MICHAEL LEEDEN: «Italy in Crisis», en The Washington Papers, núm. 43, Beverly Hills-London, 1977; LUIGI GRAZIANO/SIDNEY TARROW (eds.): La crisi italiana, 2." ed., Turin, 1979; GIANFRANCO PASQUINO: Crisi dei partiti e governabilitá, Bologna, 1980; THEODOR WIESER/FREDERIC SPOTTS: Der Fall Italien. Dauerkrise einer schwierigen Demokratie, Frankfurt, 1983. 155 Revista de Estudios Políticos (Nueva Época) Núm. 59. Enero-Marzo 1988 WOLFGANG MERKEL en sintetizar el espíritu de la época (Zeitgeist), calificando a tlalia como «A Republic Without Government» o no viendo en el sistema político nada más que un «Surviving Without Governing». -
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79 The Idea of Europe at the Origins of the European People’s Party. The Making of the European Manifesto and of the EPP’s Political Programme Jacopo CELLINI The history of an idea. European Christian Democracy and the idea of Europe after the Second World War After the Second World War, Christian Democratic parties (hereinafter, CD parties) of Western Europe had no institutionalized form of party cooperation.1 The frail transnational organisation Secrétariat International des Partis Démocrates d’Inspira- tion Chrétienne (SIPDIC), created in the 1920s, had been dismantled in the early 1930s, when most of its members were forbidden from doing political activity by authoritarian regimes in their home countries. Contacts between Christian Demo- cratic representatives were mostly maintained on a personal and informal level, often by personalities who were forced to live in exile.2 After the war, when political freedom was restored in Western Europe, a new or- ganisation had to be built from scratch. Thanks to the initiative of the Swiss Katholisch- Konservative Partei der Schweiz, the first official meeting between CD parties took place in Lucerne in 1947. Here two main lines confronted each other: the Swiss party, the Italian Democrazia Cristiana (DC) and the Austrian Österreichische Volkspartei (ÖVP) pushed for the creation of a strong International, ideologically consistent and institutionally formalized, while the French Mouvement Républicain Populaire (MRP) and the Belgian Christelijke Volkspartij-Parti Social Chrétien (CVP-PSC) pre- ferred a looser network, impervious to accusations of confessionalism. The second line prevailed, leading to the creation of the Nouvelles Équipes Internationales (NEI), which consisted of individuals or groups (and also political parties) that shared some general principles like a personalist and communitarian view of society, and the pursuit of peace and international cooperation, especially in Europe. -
Ceriani Rowan University Email: [email protected]
Nineteenth-Century Music Review, 14 (2017), pp 211–242. © Cambridge University Press, 2016 doi:10.1017/S1479409816000082 First published online 8 September 2016 Romantic Nostalgia and Wagnerismo During the Age of Verismo: The Case of Alberto Franchetti* Davide Ceriani Rowan University Email: [email protected] The world premiere of Pietro Mascagni’s Cavalleria rusticana on 17 May 1890 immediately became a central event in Italy’s recent operatic history. As contemporary music critic and composer, Francesco D’Arcais, wrote: Maybe for the first time, at least in quite a while, learned people, the audience and the press shared the same opinion on an opera. [Composers] called upon to choose the works to be staged, among those presented for the Sonzogno [opera] competition, immediately picked Mascagni’s Cavalleria rusticana as one of the best; the audience awarded this composer triumphal honours, and the press 1 unanimously praised it to the heavens. D’Arcais acknowledged Mascagni’smeritsbut,inthesamearticle,alsourgedcaution in too enthusiastically festooning the work with critical laurels: the dangers of excessive adulation had already become alarmingly apparent in numerous ill-starred precedents. In the two decades prior to its premiere, several other Italian composers similarly attained outstanding critical and popular success with a single work, but were later unable to emulate their earlier achievements. Among these composers were Filippo Marchetti (Ruy Blas, 1869), Stefano Gobatti (IGoti, 1873), Arrigo Boito (with the revised version of Mefistofele, 1875), Amilcare Ponchielli (La Gioconda, 1876) and Giovanni Bottesini (Ero e Leandro, 1879). Once again, and more than a decade after Bottesini’s one-hit wonder, D’Arcais found himself wondering whether in Mascagni ‘We [Italians] have finally [found] … the legitimate successor to [our] great composers, the person 2 who will perpetuate our musical glory?’ This hoary nationalist interrogative returned in 1890 like an old-fashioned curse. -
Redalyc.Universidad Y Un Nuevo Orden Espiritual: El Caso De La FUCI
Teología y Vida ISSN: 0049-3449 [email protected] Pontificia Universidad Católica de Chile Chile Dagnino Jiménez, Jorge Universidad y un nuevo orden espiritual: el caso de la FUCI 1933-1939 Teología y Vida, vol. LI, núm. 3, 2010, pp. 387-411 Pontificia Universidad Católica de Chile Santiago, Chile Disponible en: http://www.redalyc.org/articulo.oa?id=32216729005 Cómo citar el artículo Número completo Sistema de Información Científica Más información del artículo Red de Revistas Científicas de América Latina, el Caribe, España y Portugal Página de la revista en redalyc.org Proyecto académico sin fines de lucro, desarrollado bajo la iniciativa de acceso abierto ($#^&^593KK&_`j 387 Universidad y un nuevo orden espiritual: el caso de la FUCI 1933-1939 INSTITUTO DE HISTORIA PONTIFICIA UNIVERSIDAD CATÓLICA DE CHILE Introducción ]- "#- ración de un nuevo orden espiritual, basado en una nueva concepción de $#%&%% %% total, en el esfuerzo, por parte de esta federación, de elaborar un sentido de modernidad católica, aspecto que ha tendido a ser descuidado por los investigadores que se han concentrado en la formación de futura clase dirigente democrata cristiana.1 El artículo parte examinando lo que estos católicos entendían por catolicismo totalitario & revisar la fundamental importancia de la construcción de la personalidad $&% %#- 1 Aldo Moro, Giulio Andreotti, Amintore Fanfani, Guido Gonella, Mario Scelba, Paolo %(&)*%&%$&++%#- dos en la asociación. Además, Giovanni Battista Montini, el futuro Papa Pablo VI fue /+34#567& "7)& &8%&)595 PARONETTO VALIER, , (Roma, 2002); M.C. GIUNTELLA, (Roma, 2000); R.J. WOLFF, &?@J&K# R. MORO, , (Bolonia, 1979). Los años que van de 1933 a 1939 son bastante desconocidos. -
Biglietterie/Ticket Offices
1a edizione Valido fino al / Valid until ORARI INVERNALI/WINTER TIMETABLE scoprite tutti i collegamenti 19/06/2020 PARTENZE GIORNALIERE/DAILY DEPARTURES con le isole EOLIE EOLIE BIGLIETTERIE/TICKET OFFICES nel nostro calendario giornaliero delle partenze MESSINA MILAZZO discover all the connections Molo d’imbarco Rizzo Via Luigi Rizzo - 98057 (ME) with the AEOLIAN islands Via Luigi Rizzo Tel. +39 340.9023731 Tel. +39 090 364044 +39 090.9224193 in our daily calendar of departures PALERMO REGGIO CALABRIA Ag. Navi Service Stazione Marittima Molo Crispi 2 e 3 Banchina Margottini Tel. +39 091.324255 Tel. +39 0965.29568 EOLIE ALICUDI FILICUDI LIPARI Scaldati Francesco - Porto AG. Santamaria Giuseppe Tel. +39 090 9812448 Tel. +39 090 9148353 Tel. +39 090 9889975 Info: +39 328 0318861 Info: +39 328 6559228 info: 0039 335.6070670 SALINA RINELLA STROMBOLI VULCANO molo d’imbarco aliscafi Molo d’imbarco - Molo di Scari Via Porto di Levante Tel.+39 090 9809170 Tel. +39 090 986003 Tel. +39 090 9852230 Info: +39 327.4123089 Info: +39 340 9028012 Info: +39 340 9024427 S.M.SALINA PANAREA PORTO GINOSTRA Molo d’Imbarco Aliscafi Via Comunale Mare S. Pietro 98050 Ginostra di Lipari Tel. +39 090.9843003 Tel. +39 090 983344 Tel. + 39 090 9813161 Info: +39 340.9028559 + 39 090 9812880 www.libertylines.it [email protected] tel.: +39 0923 022022 ORARI INVERNALI/WINTER TIMETABLE EOLIE PARTENZE GIORNALIERE/DAILY DEPARTURES da/from ALICUDI per/to da/from LIPARI per/to da/from MESSINA per/to da/from PANAREA per/to da/from SALINA per/to da/from VULCANO per/to FILICUDI 06:35* 09:55 16:25 ALICUDI 05:30* 08:15 14:45 LIPARI 14:10^ GINOSTRA 09:45 12:45 15:30 16:55 ALICUDI 08:40 15:10 ALICUDI 07:55 14:25 LIPARI 06:35* 09:55 16:25 FILICUDI 05:30* 06:00| 08:15 14:45 RINELLA 14:10^ LIPARI 08:00 12:25 16:45 18:10 FILICUDI 08:40 15:10 FILICUDI 07:55 14:25 MILAZZO 06:35 09:55 16:25 GINOSTRA 08:30 11:40 15:00 16:25 SALINA S.M. -
Elenco Dei Governi Italiani
Elenco dei Governi Italiani Questo è un elenco dei Governi Italiani e dei relativi Presidenti del Consiglio dei Ministri. Le Istituzioni in Italia Le istituzioni della Repubblica Italiana Costituzione Parlamento o Camera dei deputati o Senato della Repubblica o Legislature Presidente della Repubblica Governo (categoria) o Consiglio dei Ministri o Presidente del Consiglio dei Ministri o Governi Magistratura Consiglio Superiore della Magistratura (CSM) Consiglio di Stato Corte dei Conti Governo locale (Suddivisioni) o Regioni o Province o Comuni Corte costituzionale Unione Europea Relazioni internazionali Partiti e politici Leggi e Regolamenti parlamentari Elezioni e Calendario Referendum modifica Categorie: Politica, Diritto e Stato Portale Italia Portale Politica Indice [nascondi] 1 Regno d'Italia 2 Repubblica Italiana 3 Sigle e abbreviazioni 4 Politici con maggior numero di Governi della Repubblica Italiana 5 Voci correlate Regno d'Italia Periodo Nome del Governo Primo Ministro 23 marzo 1861 - 12 giugno 1861 Governo Cavour Camillo Benso Conte di Cavour[1] 12 giugno 1861 - 3 marzo 1862 Governo Ricasoli I Bettino Ricasoli 3 marzo 1862 - 8 dicembre 1862 Governo Rattazzi I Urbano Rattazzi 8 dicembre 1862 - 24 marzo 1863 Governo Farini Luigi Carlo Farini 24 marzo 1863 - 28 settembre 1864 Governo Minghetti I Marco Minghetti 28 settembre 1864 - 31 dicembre Governo La Marmora Alfonso La Marmora 1865 I Governo La Marmora 31 dicembre 1865 - 20 giugno 1866 Alfonso La Marmora II 20 giugno 1866 - 10 aprile 1867 Governo Ricasoli -
The Art of the Metropolitan Museum of New York
tCbe Hrt of tbe flftetiopoUtan fIDuseum 3Bg tbe Same Butbor 2L XTbe art of tbe IRetberlanb (Balleriea Being a History of the Dutch School of Painting Illuminated and Demonstrated by Critical Descriptions of the Great Paintings in the many Galleries With 48 Illustrations. Price, $2.00 net £ L. C. PAGE & COMPANY New England Building, Boston, Mass. GIBBS - C HANNING PORTRAIT OF GEORGE WASHINGTON. By Gilbert Stuart. (See page 287) fje gtrt of iWetcopolitany 3*1 it scnut of 3Ul” Motfe & Giving a descriptive and critical account of its treasures, which represent the arts and crafts from remote antiquity to the present time. ^ By David C. Preyer, M. A. Author of “ The Art of the Netherland Galleries,” etc. Illustrated Boston L. C. Page & Company MDCCCC1 X Copyright, 1909 By L. C. Page & Company (incorporated) All rights reservea First Impression, November, 1909 Electrotyped and Printed at THE COLONIAL PRESS C.H . Simonas Sr Co., Boston U.S.A. , preface A visit to a museum with a guide book is not inspiring. Works of art when viewed should con- vey their own message, and leave their own im- pression. And yet, the deeper this impression, the more inspiring this message, the more anxious we will be for some further information than that conveyed by the attached tablet, or the catalogue reference. The aim of this book is to gratify this desire, to enable us to have a better understanding of the works of art exhibited in the Metropolitan Museum, to point out their corelation, and thus increase our appreciation of the treasures we have seen and admired. -
Giovan Antonio Bazzi (Il Sodoma) Pittore Vercellese Del Secolo
C. FACCIO V tf GiOVAN ? ^ »» ANTON IO SAZZI ' > I L SO DO /A A f» ^ ^ * ’tIv ."> -)|^ ^ -9|f -^ -^ 9K“ -7 -^ )!(* *)|f ^ -)i^ ^ ^ ^ -^ ^ ^ ' ^ ^ ^ -yf: ^ r' ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ' " ^ ^ ^ )|^ -yf: ^ ^ ^ ^ ^ **^**^*^%*^********^ ~ ^ -7^ '"7F ?|^ -^ ^ -7^ -^r ^ ' ~ 9|f )!( z)!^ ^ ^ ^ ^ ^ ^ , *M*M44*M*!*M*M*!+!4*Ì^ ~ -^, -)|^ "4^ -)|f ")|^ '^. '^ ^ si/^J.^viv’^vi-'^U^'^^l.'^^l.^si/ si/ - nÌ/ si/ si/ si/ \|/ si/ si/ si/ si/ :4/ >1/ si/ \U -Tjt ^ ^ ^ Tfr •#: ^ si/ / si/ si/ si/ si/ si/ si/ si/ si/ si/ si/ si/ si/ si/ N^ si/ si/ \L> ’ sy •y . w jk- Sr w y w w ^ w j; ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ ^ -)k ^ /TV. /TS. /fS /^ ^ /fv /7\ /T\ /^ /|\ /JS .TS . /Tv .^?TV. si/ si/ - si/ si/ si/ s^ si/ S^ si/ si/ si/ ^ si/ si/ si/ sL- - - ^ ."^^-7^'^:?|t,-^'^ 'Jjt if: , -ifr if^- ^ ^ ’k -i :% T'^ - •<•% '• t. • \ ,y' i t » ’S iiS s V \ À'.àLs' : ' Digitized by thè Internet Archive in 2016 with funding from Getty Research Institute https://archive.org/details/giovanantoniobazOOfacc GIOVAN ANTONIO BAZZI PITTORE VERCELLESE DEL SECCÌUÌ XVI Protome di Giovai! Antonio Pazzi dello scultore Cav. Francesco Porzio donata al Municipio di Vercelli dnll’avv, Antonio borgogna. (Fot. Masoero, Vercelli). CESARE FACCIO GIOVAN ANTONIO BAZZI (IL SODOMA) PITTORE VERCELLESE DEL SECOLO XVI VERGEI. LI GALLARDI & UGO - EDITORI 1902. Proprietà Letteraria VERCELLI PREMIATA TIPO-LITOGRAFIA GALLARLI E UGO 1902 THE J. PAUL GETTY fwUSEUM LIBRARY ALLA CITTÀ IX CUI XAC(^UE QUESTO STUDIO IL QUALE ATTESTA E DIMOSrRA COME NOX IXOXOKATO SUOXASSE NEL SECOLO PIU LU.AIIXOSO DELL’ ARTE ITALIAXA IL XOME DI VERCELLI E ]>ER MERITO DELLA SCUOLA DI PITTURA AI.LORA IX ESSA FIORl-;XTE E PER l’cJPERA ILLUS'PRE DEL ORAXDISSLAIO ARTEFICE XATO E CRESCIUTO ALL’oMPRA DELLE SUE TORRI l’ autore COX AFFETTO DI FIGLIUOLO AMOROSISSIMO D. -
Information to Users
INFORMATION TO USERS This manuscript has been reproduced from the microfilm master. UMI films the text directly from the original or copy submitted. Thus, some thesis and dissertation copies are in typewriter face, while others may be from any type of computer printer. The quality of this reproduction is dependent upon the quality of the copy subm itted. Broken or indistinct print, colored or poor quality illustrations and photographs, print bleedthrough, substandard margins, and improper alignment can adversely affect reproduction. In the unlikely event that the author did not send UMI a complete manuscript and there are missing pages, these will be noted. Also, if unauthorized copyright material had to be removed, a note will indicate the deletion. Oversize materials (e.g., maps, drawings, charts) are reproduced by sectioning the original, beginning at the upper left-hand comer and continuing from left to right in equal sections with small overlaps. Photographs included in the original manuscript have been reproduced xerographically in this copy. Higher quality 6’ x 9" black and white photographic prints are available for any photographs or illustrations appearing in this copy for an additional charge. Contact UMI directly to order. ProQuest Information and Learning 300 North Zeeb Road. Ann Arbor, Ml 48106-1346 USA 800-521-0600 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. NOTE TO USERS Copyrighted materials in this document have not been filmed at the request of the author. They are available for consultation at the author’s university library. -
Punti Vendita Aderenti All'iniziativa
PUNTI VENDITA ADERENTI ALL’INIZIATIVA REGIONE PROVINCIA INDIRIZZO MARCHE ANCONA Via Flaminia, 41/B MARCHE ANCONA Via Giordano Bruno, 85 MARCHE ANCONA Via B. Buozzi, 21 MARCHE ANCONA Via Cristoforo Colombo, 79/81 MARCHE ANCONA Via Gramsci, 22/24/26 MARCHE ANCONA Via CHe Guevara s.n. MARCHE ANCONA Via Lamberto Corsi n°1 MARCHE ANCONA Via Guglielmo Marconi s.n. MARCHE ANCONA Viale Don Minzoni, 11 MARCHE ANCONA Largo S. Allende 9/e MARCHE ANCONA Via Gallodoro, 78/A MARCHE ANCONA Via Pizzardeto s.n. MARCHE ANCONA Via Emilia Romagna, 1 MARCHE ANCONA Via della Sbrozzola, 28 MARCHE ANCONA Via Montefanese MARCHE ANCONA Via Giuseppe Verdi 104 MARCHE ANCONA Piazzale MicHelangelo, snc MARCHE ASCOLI PICENO Via Augusto Murri, 23 MARCHE ASCOLI PICENO Via Dino Angelini, 67/69 MARCHE ASCOLI PICENO Loc. Monticelli, Largo 435, 3 MARCHE ASCOLI PICENO Via Paliotti ang. Via Semproni s.n. MARCHE ASCOLI PICENO Via mutilati e invalidi del lavoro, 120 MARCHE ASCOLI PICENO Via Fratelli Rosselli, 17/19/21 - MARCHE ASCOLI PICENO Via San Francesco, 20 ang. Via Colleoni - MARCHE ASCOLI PICENO Via Volturno, 15 MARCHE ASCOLI PICENO Via Abruzzi, 16 MARCHE ASCOLI PICENO Fraz. Pagliare del Tronto Via Salaria, 41 LOMBARDIA BERGAMO Via Pietro Spino,15/B - Bergamo LOMBARDIA BERGAMO Via Vittore GHislandi, 79 LOMBARDIA BERGAMO Via Borgo Palazzo, 110 LOMBARDIA BERGAMO Viale Papa Giovanni XXIII, n°4 LOMBARDIA BERGAMO Via Bergamo, 35 - LOMBARDIA BERGAMO Via Maestro Mino Bordignon, 2 REGIONE PROVINCIA INDIRIZZO LOMBARDIA BERGAMO Via degli Alpini, 4 LOMBARDIA BERGAMO Viale Sandro Pertini, snc LOMBARDIA BERGAMO via Monsignor Aldo Nicoli 1-3 LOMBARDIA BERGAMO Via Milano n°9 int.8 -24046- LOMBARDIA BERGAMO Via San Giovanni Bosco 69 - LOMBARDIA BERGAMO Via Vittorio Veneto, 20 - 24060 - LOMBARDIA BERGAMO S.S.