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[Aleister] Crowley
A REEVALUATION OF TI-IE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY A Thesis Presented to The School of Graduate Studies Drake University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Charles Nicholas Serra II April 1991 A REEVALUATION OF THE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY by Charles Nicholas Serra Il Approved by Committee: ~~.;.,. Dean of the School of Graduate Studies Dedicated to four instrumental people: For Aleister Crowley, who quested after "the light that never shone on land or sea"; for B. H. who provided patronage and patience; for Grace Eckley, who managed to nurse me through; and for L. L., "my Gitana, my Saliya," who has all the answers I lack, now in the ineffable. Unpublished Copyright. all rights reserved. 1991 1 A REEVALVATION OF THE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY Table of Contents Page Abstract ., . ............. ..... ... .......... u Section One: Yeats and the Golden Dawn . Section Two: Augoeides, Maturity and Mysticism. ...... .. ..... 17 Section Three: Literary Decline, the War Years 36 Works Consulted. ...... ...... .. ........................... 44 Notes. .......... ....... ............ 49 Textual Appendix. ......................................... IA 11 A REEVALVAnON OF THE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY Abstract For the last fifty years the poetry and prose of Edward Alexander [Aleister] Crowley (1875-1947) has been systematically ignored by scholars and critics on the narrow grounds that it deals with the occult sciences, is pornographic, or simply because detractors did not agree with Crowley's personal philosophy or life. Since the mid 1970's, however, academics have become increasingly interested in the mystical and occult content of William Butler Yeats's poetry, praising it for the same characteristics which have always been labeled "defects" in Crowley's work. -
WHAT YOU SHOULD KNOW ABOUT the GOLDEN DAWN Copyright © 1983 by the Israel Regardie Foundation
WHAT YOU SHOULD KNOW ABOUT THE GOLDEN DAWN Copyright © 1983 by The Israel Regardie Foundation All rights reserved. No part of this book, in part or in whole, may be reproduced, transmitted or utilized, in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher, except for brief quotations in critical articles and reviews. International Standard Book Number: 0-941404-15-3 Library of Congress Catalog Card Number: 83-81663 First Edition 1936 Second Edition 1971 Third Edition, revised 1983 Falcon Press, 3660 N. 3rd. St. Phoenix, Arizona 85012 (602) 246-3546 Manufactured in the United States of America CONTENTS Foreword VII Introduction XIII The Golden Dawn 7 Scandal 27 Light 56 Darkness 94 Light in Extension 120 Some Modern Critics 141 Suster's answer to Howe Mathers' Manifesto 181 LIST OF ERRATA Page 15. 4th line from the bottom, last word "with" should be "within" 39. 3rd. Delete "s" from "Obligations". 28th. First word should be plural "poseurs". 31st. "dubions" not "budious". 56. 28th. Subsititue comma for period. Delete "And" after origin and insert "then". 58. 4th line from bottom. Delete last "e" in employes. 68. 17th. Delete "one of". 72. 3rd. "Portal" not "portal". 32nd. "Commit" not "comit". 82. 25th. "animo" should be "anima". 83. 14th. "Tipharath" should be "Tiphareth". 87. 11th. "Offiice" should be "office". 88. 10th. "are" should be "were". 99. 15th. "about" should be "above". 102. 24th. "indentical" should be "identical". 107. 17th."was" should be "is". 109. -
Table of Contents Pagan Songs and Chants Listed Alphabetically By
Vella Rose’s Pagan Song Book August 2014 Edition This is collection of songs and chants has been created for educational purposes for pagan communities. I did my best to include the name of the artists who created the music and where the songs have been recorded (please forgive me for any errors). This is a work in progress, started over 12 years ago, a labor of love, that has no end. There are and have been many wonderful artists who have created music for our community. Please honor them by acknowledging them if you include their songs in your rituals or song circles. Many of the songs are available on the web, some additional resources are included in Appendix A to help you find them. Blessings and thanks to all. NOTE: Page numbers only works to 170 – then something went wrong and I can’t figure it out, sorry. Table of Contents Pagan Songs and Chants Listed Alphabetically By Title p. 2 - 160 Appendix A – Additional Resources p. 161 Appendix B – Song lists from select albums p. 163 Appendix C – Songs and Chants for Moons and Sabbats Appendix D – Songs and Chants for Winter and Yule Appendix E – Songs for Goddesses Index – Alphabetical listings by First Lines (verses and chorus) 1 Vella Rose’s Pagan Song Book August 2014 Alphabetical Listing of Songs by Title A Circle is Cast By Anna Dempska, Recorded on “A Circle is Cast” by Libana (1988). A circle is cast, again, and again, and again, and again. (repeats) ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** Air Flies to the Fire Recorded on “Good Where We Been” by Shemmaho. -
Chapter Five ROSALEEN NORTON's MAGICAL PRACTICE
Chapter Five ROSALEEN NORTON’S MAGICAL PRACTICE Details of Norton’s approach to ritual magic can be gleaned from a range of magazine articles published, for the most part, during the 1950s and 1960s, several of them autobiographical, others written by journalists fascinated by Norton’s persona as ‘the Witch of Kings Cross’.1 There is also data from court hearings and police interviews associated with controversial photographs seized by NSW Vice Squad police in 1955 which showed Norton and Greenlees engaged in what were claimed to be ceremonial rites dedicated to Pan. In addition, there is a small amount of television documentary material2 and photographic documentation (both published and unpublished) to supplement the data provided by Norton herself, both in interviews and autobiographical articles.3 Finally, and not insignificantly, copies of extant unpublished letters written by the distinguished musician Eugene Goossens to Rosaleen Norton describe their shared interest in sex magic and paganism and provide important insights into the activities of Norton’s inner magical circle. The various aspects of Norton’s magical practice can be summarised as follows: a) Individual trance-magic episodes during which Norton sought to venture forth on the ‘astral planes’ in a state of mental dissociation induced by self- hypnosis. It was while on these trance journeys that Norton claimed to encounter the ‘god-forms’ of the principal deities in her magical pantheon. b) Sex magic activities with members of her magical coven, based substantially on practices derived from the magical writings of Aleister Crowley. c) Ritual magic invocations and other ceremonial activities which included improvised elements from Kundalini Yoga, Left-Hand Path Tantra and voodoo. -
County Reaffirms Decision on 3-Year Extension on Altamont Turbines Alameda County Su- the Vote at the Board's Its Earlier Decision
VOLUME LII, NUMBER 19 Your Local News Source Since 1963 SERVING DUBLIN • LIVERMORE • PLEASANTON • SUNOL THURSDAY, MAY 7, 2015 County Reaffirms Decision on 3-year Extension on Altamont Turbines Alameda County Su- The vote at the board's its earlier decision. The bers at nearby Brushy Peak, merous other studies pervisors reaffirmed their meeting May 5 was 3-2 with requests pointed to the nega- Morgan Territory, Ohlone The motion on May 5 was earlier voted to grant Al- Supervisors Scott Haggerty, tive impact on birds. The and other regional parks, the second reading of the Find Out What's tamont Winds Inc. (AWI) a Nate Miley and Richard newer turbines are more effi- and feast on the plethora of March 26 decision. As part permit extension to continue Valle in the majority. Keith cient. In addition, the newer- ground squirrels and jack of the approval on March Happening operation of 828 old-style Carson and Wilma Chan dis- model turbines – which are rabbits in the area. 26, supervisors asked the turbines in the Altamont sented. It was the same vote larger but have fewer blades EBRPD pointed out in its staff to write findings that Check Out Section A over the next three years. cast at the board's meeting - kill up to 70 percent fewer appeal for the supervisors were part of the hearing, and Section A is filled with At the end of the period March 26. birds than older turbines, not to grant the permit ex- insert them into the approval information about arts, in 2018, the towers are ex- Supervisors had been according to several studies. -
Theatre Magick: Aleister Crowley and the Rites of Eleusis
THEATRE MAGICK: ALEISTER CROWLEY AND THE RITES OF ELEUSIS DISSERTATION Presented in Partial Fulfillment of the Requirements for the Degree Doctor of Philosophy in the Graduate School of The Ohio State University by Tracy W. Tupman, M.A. * * * * * The Ohio State University 2003 Dissertation Committee: Approved by Dr. Joy H. Reilly, Advisor Dr. Alan Woods ________________________________ Advisor Dr. Lesley Ferris Theatre Graduate Program ABSTRACT In October and November of 1910 seven one-act plays were produced at Caxton Hall, Westminster, London, under the collective title The Rites of Eleusis. These public productions were as much an experiment in audience and performer psychology as they were an exotic entertainment. Written, produced and directed by leading cast member, Aleister Crowley, The Rites of Eleusis attempted to present a contemporary interpretation of an ancient myth in order to reignite the role and importance of mysticism in modern society. Through exposing the audience to a variety of sensory stimuli such as incense, rhythmic music, dance, and poetry, it attempted to create within the audience itself an altered state of consciousness which would make them co-celebrants within the performance/ritual. As Crowley stated in the original broadsheet advertisements for the productions, the Rites were intended “to illustrate the magical methods followed by a mystical society which seeks for illumination by ecstasy.” But Crowley intended much more: he hoped the audience would not merely view an “illustration,” but experience an -
Views I Conducted with Clinton and Members of P-Funk While Following Them on Tour in July Of
University of Alberta ―Ready to Spread‖: P-Funk and the Politics of Signifyin(g) by Benjamin Grant Doleac A thesis submitted to the Faculty of Graduate Studies and Research in partial fulfillment of the requirements for the degree of Master of Arts in Ethnomusicology Department of Music ©Benjamin Grant Doleac Fall 2011 Edmonton, Alberta Permission is hereby granted to the University of Alberta Libraries to reproduce single copies of this thesis and to lend or sell such copies for private, scholarly or scientific research purposes only. Where the thesis is converted to, or otherwise made available in digital form, the University of Alberta will advise potential users of the thesis of these terms. The author reserves all other publication and other rights in association with the copyright in the thesis and, except as herein before provided, neither the thesis nor any substantial portion thereof may be printed or otherwise reproduced in any material form whatsoever without the author's prior written permission. ABSTRACT: The practice of appropriating a sign, icon or trope with an already-established meaning and investing it with a new meaning to produce a sign that retains both original and revised meanings is one example of what scholar Henry Louis Gates calls ―Signifyin(g)‖. I argue herein that musician George Clinton and his band P-Funk encode a subversive political program and a philosophy of life – a radically hybrid vision of cosmic liberation which I will call ―heteroglossic utopia‖ – in their music, lyrics, visual iconography, stage performances and indeed their entire underlying social formation through the practice of Signifyin(g). -
THE EQUINOX No
THE EQUINOX No. IV. will contain in its 400 pages VARIOUS OFFICIAL INSTRUCTIONS of the A\ A\ THE ELEMENTAL CALLS OR KEYS, WITH THE GREAT WATCH TOWERS OF THE UNI- VERSE and their explanation. A complete treatise, fully illustrated, upon the Spirits of the Elements, their names and offices, with the method of calling them forth and controlling them. With an account of the Heptarchicall Mystery. The Thirty Aethyrs or Aires with “The Vision and the Voice,” being the Cries of the Angels of the Aethyrs, a revalation of the highest truths pertaining to the grade of Magister Templi, and many other matters. Fully illustrated. THE CONTINUATION OF THE HERB DAN- GEROUS. Selection from H. G. Ludlow, “The Hashish- Eater.” MR. TODD: A Morality, by the author of “Rosa Mundi.” THE DAUGHTER OF THE HORSELEECH, by ETHEL RAMSAY. THE TEMPLE OF SOLOMON THE KING. [Continuation. FRATER P.’S EXPERIENCES IN THE EAST. A complete account of the various kinds of Yoga. DIANA OF THE INLET. By KATHERINE S. PRITCHARD. Fully Illustrated. ACROSS THE GULF: An adept’s memory of his incarnation in Egypt under the 26th dynasty; with an account of the Passing of the Equinox of Isis. &c. &c. &c Crown 8vo, Scarlet Buckram, pp. 64. This Edition strictly limited to 500 Copies. PRICE 10s A\ A\ PUBLICATION IN CLASS B. ========== BOOK 777 HIS book contains in concise tabulated form a comparative view of all the symbols of the great Treligions of the world; the perfect attributions of the Taro, so long kept secret by the Rosicrucians, are now for the first time published; also the complete secret magical correspondences of the G\ D\ and R. -
45 GRAVE School's out 12” (Enigma USA) – 30 801 (Featuring Phil
45 GRAVE School’s out 12” (Enigma USA) – 30 801 (featuring Phil Manzenera, Eno…) Live (Polydor ITA) – 35 ABACUS Archives – news from the 80ies – 20 ABATON Same (Sirius GRE) – 40 ABBOT Between our past and future lives Black Vinyl – 20 ABBOT Between our past and future lives Blue Vinyl Limited Edition - 25 ABIOGENESI Il giocoscuro (Black Widow ITA – with poster) – 100 ABIOGENESI Impetus insectorum – orange vinyl – 20 ABIOGENESI Same (Black Widow ITA) - 100 ABYSMAL GRIEF / EPITAPH Split 12” - 15 ABYSMAL GRIEF Feretri – 20 ABYSMAL GRIEF Misfortune – 20 ABYSMAL GRIEF Misfortune – white vinyl ltd edit. – 23 ABYSMAL GRIEF Mors eleison - 70 AC/DC The ultimate live rarities 1981 – 1988 Limited Edition 333 numbered copies – 30 AC/DC High Voltage RE Red Vinyl - 25 AC/DC One last ride on the highway to hell 2LP – newcastle the mayfair 25/01/1980 colored vinyls – 45 AC/DC The ultimate live rarities 1981 – 1988 333 Numbered Copies – 30 ACEIUM Wicked metal – 15 ACHE De homine urbano (Philips FRA) – 90 ACHE De homine urbano RE – 20 ACHE Green man RE - 20 ACID MOTHER TEMPLE & THE MELTING PARAISO U.F.O. 41st century splendid man picture disc (Tumult USA) – 35 ACINTYA La citè des dieux oublies RE Musea – 25 ACQUA FRAGILE Same RE – 25 ADMIRAL SIR CLOUDESLEY SHOVELL Don’t hear it…fear it! (Rise Above) – 30 ADRIAN WAGNER Instincts (Charisma UK) – 35 ADVERTS – Singles Compilation (Get Back ITA) m/m - 20 ADVERTS The peel sessions (Strange Fruit UK) – 20 ADVERTS The singles compilation (Get Back ITA) - 20 AF URSIN De overkant – 50 AF URSIN Trois memoires discretes -
Teemu Mäki. List of Albums in My CD Collection, 28.8.2021
Sivu 1 / 261 Musiikki 65078 kappaletta, 257,5 päivää, 2,14 Tt Artisti Albumi Kappalemäärä Kesto A-Trak Vs. DJ Q-Bert Buck Tooth Wizards (1997, A-Trak Vs. DJ Q-Bert) 1 1:02:17 Aapo Häkkinen William Byrd: Music For The Virginals (rec.1999, Aapo Häkkinen) 15 1:10:51 Aaron Parks Invisible Cinema (20.–22.1.2008, Aaron Parks & Mike Moreno, Matt Penma… 10 55:01 Abbey Lincoln Abbey Lincoln Sings Billie Holiday, Vol. 1 (6.–7.11.1987) 10 57:07 Abbey Lincoln Abbey Lincoln Sings Billie Holiday, Vol. 2 (6.–7.11.1987) 7 40:19 Abbey Lincoln Abbey Sings Abbey (Lincoln, 25.–27.9 & 17.11.2006) 12 59:43 Abbey Lincoln Devil's Got Your Tongue (24.–25.2.1992, Abbey Lincoln) 11 1:10:00 Abbey Lincoln It's Magic (8/1958, Abbey Lincoln) 10 37:09 Abbey Lincoln It's Me (2002—2003, Abbey Lincoln) 11 52:49 Abbey Lincoln Over The Years (18.–21.2.2000, Abbey Lincoln) 10 51:03 Abbey Lincoln Painted Lady (30.5.1987, Abbey Lincoln feat. Archie Shepp) 6 44:49 Abbey Lincoln Talking To The Sun (25.–26.11.1983, Abbey Lincoln & S.Coleman/J.Weidm… 5 30:14 Abbey Lincoln A Turtle's Dream (May-Nov.1994, Abbey Lincoln) 11 1:09:10 Abbey Lincoln Who Used To Dance (5.–7.4. & 19.5.1996, Abbey Lincoln) 9 1:01:29 Abbey Lincoln Wholly Earth (3.–5.6.1998, Abbey Lincoln) 10 1:07:32 Abbey Lincoln The World Is Falling Down (21.–27.2.1990, Abbey Lincoln & C.Terry/J.McLe… 8 49:23 Abbey Lincoln You Gotta Pay the Band (2/1991, Abbey Lincoln & S.Getz/H.Jones/C.Hade… 10 58:31 Abbey Lincoln & Hank Jones When There Is Love (4.–6.10.1992, Abbey Lincoln & Hank Jones) 14 1:03:58 Abdullah Ibrahim Abdullah -
82841 Songs, 378.7 Days, 3,270.34 GB
Page 1 of 181 Music 82841 songs, 378.7 days, 3,270.34 GB Artist Album # Items Total Time a-ha Hunting High and Low 10 37:18 AC/DC Highway To Hell 10 41:43 Afroman The Good Times 1 3:19 Al Green Anthology 61 3:51:24 Al Green Love & Happiness (Box Set) 59 3:37:24 Al Green Tokyo Live 14 1:15:38 Alan Civil, Neville Marriner & The Academy of St… Mozart Horn Concertos **24bit** 12 59:35 Alan Parsons Project Pyramid 16 1:03:40 Alban Berg Quartet Mozart String Quartet No.14 in G, K.387 "Haydn… 4 29:26 Alban Berg Quartet Mozart String Quartet No.15 in Dm, K.421 "Hayd… 4 26:01 Alban Berg Quartet Mozart String Quartet No.16 in E♭, K.428 "Hay… 4 25:27 Alban Berg Quartet Mozart String Quartet No.17 in B♭, K.458 "Hay… 4 27:27 Alban Berg Quartet Mozart String Quartet No.18 in A, K.464 "Haydn… 4 30:28 Alban Berg Quartet Mozart String Quartet No.19 in C, K.465 "Haydn… 4 29:43 Alban Berg Quartet Mozart String Quartet No.20 in D, K.499 "Hoffme… 4 23:31 Alban Berg Quartet Mozart String Quartet No.21 in D, K. 575 (Berg) 4 23:41 Alban Berg Quartet Mozart String Quartet No.22 in B, K. 589 (Berg) 4 24:41 Alban Berg Quartet Mozart String Quartet No.23 in F-Dur, K. 590 (B… 4 24:57 Albert King Born Under a Bad Sign 11 34:42 Albert King Live Wire/Blues Power **24bit** 6 38:15 Albert King with Stevie Ray Vaughan In Session **24bit** 11 1:03:57 Alexander Dmitriev & The St. -
The Temple of Solomon the King
THE TEMPLE OF SOLOMON THE KING A A Publication in Class B Issued by Order : D.D.S. 7° = 4° Præmonstrator O.S.V. 6° = 5° Imperator N.S.F. 5° = 6° Cancellarius Book II, continued THE SORCERER BEFORE we can discuss the Operation of the Sacred Magic of Abramelin, commenced by P. in the autumn of 1899, it is first necessary that we should briefly explain the meaning and value of Ceremonial Magic; and secondly, by somewhat retracing our footsteps, disclose to the reader the various methods and workings P. had undertaken before he set out to accomplish this supreme one. For over a year now he had been living perdu in the heart of London, strenuously applying himself to the various branches of secret knowledge that his initiations in the Order of the Golden Dawn had dis- closed to him. Up to the present we have only dealt with these initiations, and his methods of Travelling in the Spirit Vision, and Rising on the Planes; but there still remain to be shown the Ceremonial methods he adopted; however, before we enter upon these, we must return to our first point, namely—the mean- ing and value of Ceremonial Magic. Ceremonial Magic, as a means to attainment, has in common with all other methods, Western or Eastern, one supreme object in view—identification with the Godhead; and it matters not if the Aspirant be Theist or Atheist, Pantheist or Auto-theist, Christian or Jew, or whether he name the goal of his at- tainment God, Zeus, Christ, Matter, Nature, Spirit, Heaven, Reason, Nirvana, Asgard, No-Thing or No- God, so long as he has a goal in view, and a goal he is striving to attain.