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The Changing Role of Leah Hirsig in Aleister Crowley's Thelema, 1919
Aries – Journal for the Study of Western Esotericism 21 (2021) 69–93 ARIES brill.com/arie Proximal Authority The Changing Role of Leah Hirsig in Aleister Crowley’s Thelema, 1919–1930 Manon Hedenborg White Södertörn University, Stockholm, Sweden [email protected] Abstract In 1920, the Swiss-American music teacher and occultist Leah Hirsig (1883–1975) was appointed ‘Scarlet Woman’ by the British occultist Aleister Crowley (1875–1947), founder of the religion Thelema. In this role, Hirsig was Crowley’s right-hand woman during a formative period in the Thelemic movement, but her position shifted when Crowley found a new Scarlet Woman in 1924. Hirsig’s importance in Thelema gradually declined, and she distanced herself from the movement in the late 1920s. The article analyses Hirsig’s changing status in Thelema 1919–1930, proposing the term proximal authority as an auxiliary category to MaxWeber’s tripartite typology.Proximal authority is defined as authority ascribed to or enacted by a person based on their real or per- ceived relational closeness to a leader. The article briefly draws on two parallel cases so as to demonstrate the broader applicability of the term in highlighting how relational closeness to a leadership figure can entail considerable yet precarious power. Keywords Aleister Crowley – Leah Hirsig – Max Weber – proximal authority – Thelema 1 Introduction During the reign of Queen Anne of Great Britain (1665–1714), Sarah Churchill, Duchess of Marlborough (1660–1744), was the second most powerful woman in the kingdom. As the queen’s favourite, the Duchess overcame many restrictions hampering women of the time. -
Acknowledgments P. Xi Encountering the Scarlet Goddess P. 1 Western Esotericism, Occultism, and Magic P
Acknowledgments p. xi Encountering the Scarlet Goddess p. 1 Western Esotericism, Occultism, and Magic p. 6 Notes on Methodology p. 8 Technicalities and Demarcations p. 10 Outline of the Book p. 12 Divine Women, Femmes, and Whores: The Theorization of Multiple Femininities p. 17 Feminism and Sex: Passion, Prostitution, and Pleasure p. 18 Difference, Divinity, and Multiple Femininities p. 19 Fem(me)ininity and Vulnerable Subversion p. 23 "The Sex That Is Not One": The Concept of Plural Femininities p. 26 The Scarlet Goddess and the Wine of Her Fornications: Crowley, Babalon, and the Femmep. 35 Fatale 1898-1909 Good, Bad, and Scarlet: Femininities of the Fin-de-Siècle p. 36 Scripture and Scourging: The King James Bible and Pariah Femininities before Babalon p. 39 "Fresh Blossoms from the Heart of Hell": Jezebel and the Influence of Decadence p. 39 "The Work of Wickedness": The Scarlet Woman in Liber AL vel Legis (1904) p. 43 "Into Unguessed Abysses": Lola of the Infernal Bliss p. 46 "I Was Really Being Married": Pain and Erotic Submission in Crowley's Early Work p. 49 The Dancing God and the Pyramid Gateway: Babalon in The Vision and the Voice p. 51 Dancers, Bulls, and Amphoras: Babalon below the Abyss p. 52 Enter the Mother of Abominations: Babalon above the Abyss p. 55 The Daughter and the Blasphemy: Babalon beyond the City of the Pyramids p. 58 Enthroned in Eternity: Babalon in the 2nd Aethyr p. 63 Erotic Destruction and Pariah Femininities: Blood, Receptivity, and Reframed p. 65 Whoredom Yielding Peaches and Women with Whips: Babalon, Crowley, and Magical Systematizationp. -
Thesis Full 24.06.15
From Ancient Rome to Instagram: Magical Writing Practices in Contemporary Digital Culture Rose Rowson 10620400 rMA Media Studies University of Amsterdam June 2015 Supervisor: Niels van Doorn Second Reader: Bernhard Rieder Third Reader: Esther Peeren !1 Table of Contents List of Figures………………………………………………………………………………………………… 3 Introduction…………………………………………………………………………………………………… 4 Chapter 1: What is Magic?……………………………………………………………………………………. 6 Chapter 1.1 Magic, Religion, Science………………………………………………………………………… 6 Chapter 1.2 Performance vs. Magic: Where There’s a Will, There’s a Way………………………………… 10 Chapter 1.3 Do You Believe in Magic?……………………………………………………………………… 12 Chapter1.4 Conclusion: Materiality, Labour, Community…….…………………………………………… 14 Chapter 2: What is Writing?……………………………………………………………………………….… 15 Chapter 2.1 Writing from Above: Foundations of the Written Word …………..…………………………… 16 Chapter 2.2 Curses! The Transitional Written Word as Magical …………………………………………… 18 Chapter 2.3 Printer’s Devils………………………………………………………………………….……… 21 Chapter 2.4 The Problem with Phonetics: A Shift to Computation………………………………………..…23 Chapter 2.5 Conclusion: The Writing’s on the Wall ..…….………………………………………………… 27 Chapter 3: (pre)Cyberspace Era Perspectives on Information Technologies……….……..………………… 29 Chapter 3.1 Programming High Priests: Magic as Hierarchies of Power ……………..…………………… 30 Chapter 3.2 Time Will Tell: Journalistic Perspectives on Computers and Magi ………….….…..…………. 32 Chapter 3.3 “cyber-candles will do fine”: Computers and/as Magic…………………………………………35 Chapter 3.4 Conclusion……………………………………………………………………………………….37 -
The Complete System of Thelemic Magick
Thelemic Qabalah Volume I Publication in Class C by Frater Apollonius 4°=7□ ATAT Fable Once upon a time there was a Great Wild Beast whose mighty roar could be heard all over a sleepy kingdom. In this kingdom there were many lovely maidens. Each Maiden lived in a wonderful cottage by a lake or a stream or by the ocean or by an echoing valley. The Children of this kingdom knew no mother or father but rather sought sustenance and comfort in the house of one of the many Maidens. Each Maiden gathered about herself all of the beautiful Children that she came in contact with and taught them by the L.V.X. of Her Soul. Each Maiden could hear the roar of the Great Wild Beast and knew that with each roar, new Children would come seeking sustenance and shelter and knowledge. The maidens would leave on porch lights to guide the children to them for the Kingdom was enveloped in eternal darkness save in the presence of a Maiden. If a Child learned well, they became a Maiden and left the cottage, with a light of their own to build and light a cottage of their own. At intervals, a Great Wild Beast would be born and roar for a time. Each Great Wild Beast, nearing the time of His passing, would teach a Maiden how to roar like them and instruct them to pass the roar on until they heard another Great Wild Beast. One day, the Great Wild Beast died and his roar was not heard in the Kingdom for many a year. -
Babalon Rising: Jack Parsons’ Witchcraft Prophecy
Babalon Rising: JaCk parsons’ WitChCraFt propheCy Erik Davis In the forty yearS or so following the death of John Whiteside Parsons in 1952, his name—Jack Parsons from here on out—circulated principally among magic folk, critics of Scientology, and historians of modern rock- etry. In the new century, however, the tale of the SoCal rocket scientist- cum-sex magician has proven a hot commodity, told and retold in a series of articles, biographies, graphic novels, movie scripts, and reality tv shows that have transformed Parsons into one of the most storied figures in the history of American occulture. The superficial reasons are easy to see: with its charismatic blend of sex, sorcery, technology and death, Parsons’ story haunts a dark crossroads of the Southern California mindscape, scrawling a prophetic glyph in the wet pavement of postwar America. Indeed, his tale is so outrageous that if it did not exist, it would need—as they say—to be invented. But if it were invented—that is, if his life were presented as the fiction it in so many ways resembles—it would be hard to believe, even as a fiction. The narrative would seem overly contrived, at once too pulp and too poetic, too rich with allegorical synchronicity to stage the necessary suspension of disbelief. In this essay, I want to explore an unremarked aspect of Jack Parsons’ life and thought, what I will call his magickal feminism. In his 1946 text Free- 165 166 Erik Davis dom is a Two-Edged Sword, Parsons issued a call for women to take up the spiritual, sexual, and political sword—a cry for female autonomy that also eerily anticipated the militant witchcraft that would find historical expres- sion in California over twenty years later. -
THE EQUINOX No
THE EQUINOX No. IV. will contain in its 400 pages VARIOUS OFFICIAL INSTRUCTIONS of the A\ A\ THE ELEMENTAL CALLS OR KEYS, WITH THE GREAT WATCH TOWERS OF THE UNI- VERSE and their explanation. A complete treatise, fully illustrated, upon the Spirits of the Elements, their names and offices, with the method of calling them forth and controlling them. With an account of the Heptarchicall Mystery. The Thirty Aethyrs or Aires with “The Vision and the Voice,” being the Cries of the Angels of the Aethyrs, a revalation of the highest truths pertaining to the grade of Magister Templi, and many other matters. Fully illustrated. THE CONTINUATION OF THE HERB DAN- GEROUS. Selection from H. G. Ludlow, “The Hashish- Eater.” MR. TODD: A Morality, by the author of “Rosa Mundi.” THE DAUGHTER OF THE HORSELEECH, by ETHEL RAMSAY. THE TEMPLE OF SOLOMON THE KING. [Continuation. FRATER P.’S EXPERIENCES IN THE EAST. A complete account of the various kinds of Yoga. DIANA OF THE INLET. By KATHERINE S. PRITCHARD. Fully Illustrated. ACROSS THE GULF: An adept’s memory of his incarnation in Egypt under the 26th dynasty; with an account of the Passing of the Equinox of Isis. &c. &c. &c Crown 8vo, Scarlet Buckram, pp. 64. This Edition strictly limited to 500 Copies. PRICE 10s A\ A\ PUBLICATION IN CLASS B. ========== BOOK 777 HIS book contains in concise tabulated form a comparative view of all the symbols of the great Treligions of the world; the perfect attributions of the Taro, so long kept secret by the Rosicrucians, are now for the first time published; also the complete secret magical correspondences of the G\ D\ and R. -
[Aleister] Crowley
A REEVALUATION OF TI-IE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY A Thesis Presented to The School of Graduate Studies Drake University In Partial Fulfillment of the Requirements for the Degree Master of Arts by Charles Nicholas Serra II April 1991 A REEVALUATION OF THE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY by Charles Nicholas Serra Il Approved by Committee: ~~.;.,. Dean of the School of Graduate Studies Dedicated to four instrumental people: For Aleister Crowley, who quested after "the light that never shone on land or sea"; for B. H. who provided patronage and patience; for Grace Eckley, who managed to nurse me through; and for L. L., "my Gitana, my Saliya," who has all the answers I lack, now in the ineffable. Unpublished Copyright. all rights reserved. 1991 1 A REEVALVATION OF THE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY Table of Contents Page Abstract ., . ............. ..... ... .......... u Section One: Yeats and the Golden Dawn . Section Two: Augoeides, Maturity and Mysticism. ...... .. ..... 17 Section Three: Literary Decline, the War Years 36 Works Consulted. ...... ...... .. ........................... 44 Notes. .......... ....... ............ 49 Textual Appendix. ......................................... IA 11 A REEVALVAnON OF THE LITERARY WORKS OF EDWARD ALEXANDER [ALEISTER] CROWLEY Abstract For the last fifty years the poetry and prose of Edward Alexander [Aleister] Crowley (1875-1947) has been systematically ignored by scholars and critics on the narrow grounds that it deals with the occult sciences, is pornographic, or simply because detractors did not agree with Crowley's personal philosophy or life. Since the mid 1970's, however, academics have become increasingly interested in the mystical and occult content of William Butler Yeats's poetry, praising it for the same characteristics which have always been labeled "defects" in Crowley's work. -
The Black Lodge of Santa Cruz Bysatyr Tex Rii Bag Zaa Des VTI the Kaos-Babalon Press London Copyright © 2002 the Satyrikon All Rights Reserved
the black lodge of santa cruz bySatyr tex rii bag zaa des VTI The Kaos-Babalon Press London Copyright © 2002 The Satyrikon All rights reserved Citation: Satyr. “The Black Lodge of Santa Cruz.” In: Biroco, Joel (ed). KAOS 14: Supplement [pdf edition]. London: The Kaos-Babalon Press, 2002. I “Jacques de Molay was not roasted alive so we could put a Holy King on the throne.” Fr Spartacus In the spring of 1990, an ashlar was ripped from the foundation of the Caliphate Ordo Templi Orientis, heaved into the trunk of a Chevy Nova, taken by a steep and precipitous route to the California coast, and there for a time brought to rest. It was an ominous moment, the kind that though significant only to a handful, nonetheless spawned rumor, hearsay, and the balance of that from which myth and legend are born. One such rumor is that the person responsible—or persons responsible, as some might object—was a renegade “Wandering Bishop”, acting under the auspices of the Black Lodge of Santa Cruz, a clandestine initiatory body that had formed near the heart of the Caliphate and now threatened its very existence. Personally, I felt such speculation was mere fodder for foolish assumption, and am surprised to find it persists to this day. It is for this reason that I have found myself compelled to step forward, and present the truth of the matter as best I can. I can assure you that when I, the witness of these events, first came into contact with the Caliphate, becoming embroiled in an insane plot to break away from that celebrated body was the farthest thing from my intent. -
WHAT YOU SHOULD KNOW ABOUT the GOLDEN DAWN Copyright © 1983 by the Israel Regardie Foundation
WHAT YOU SHOULD KNOW ABOUT THE GOLDEN DAWN Copyright © 1983 by The Israel Regardie Foundation All rights reserved. No part of this book, in part or in whole, may be reproduced, transmitted or utilized, in any form or by any means, electronic or mechanical, including photocopying, recording, or by any information storage and retrieval system, without permission in writing from the publisher, except for brief quotations in critical articles and reviews. International Standard Book Number: 0-941404-15-3 Library of Congress Catalog Card Number: 83-81663 First Edition 1936 Second Edition 1971 Third Edition, revised 1983 Falcon Press, 3660 N. 3rd. St. Phoenix, Arizona 85012 (602) 246-3546 Manufactured in the United States of America CONTENTS Foreword VII Introduction XIII The Golden Dawn 7 Scandal 27 Light 56 Darkness 94 Light in Extension 120 Some Modern Critics 141 Suster's answer to Howe Mathers' Manifesto 181 LIST OF ERRATA Page 15. 4th line from the bottom, last word "with" should be "within" 39. 3rd. Delete "s" from "Obligations". 28th. First word should be plural "poseurs". 31st. "dubions" not "budious". 56. 28th. Subsititue comma for period. Delete "And" after origin and insert "then". 58. 4th line from bottom. Delete last "e" in employes. 68. 17th. Delete "one of". 72. 3rd. "Portal" not "portal". 32nd. "Commit" not "comit". 82. 25th. "animo" should be "anima". 83. 14th. "Tipharath" should be "Tiphareth". 87. 11th. "Offiice" should be "office". 88. 10th. "are" should be "were". 99. 15th. "about" should be "above". 102. 24th. "indentical" should be "identical". 107. 17th."was" should be "is". 109. -
Sweetness and Light B» CHARMS E
A Newspaper Devoted To the Community Interest Presented Fairly, dearly Full Local Coverage And Impartially Each Week Complete News Pictures vol.. "XXXVIII-NO. 44 {Jarteret CARTERET, N. J., FRIDAY, FEBRUARY 12, I960 Kntrrn) u 2nd Clui* Mil] At P. 0., Cirtcnt, N. J. PRICE TEN CENTS Indicate Our Lady of Lourdes Grotto at Holy Fankily (Talk On B.ofE. Jrotto C o p p e r Sweetness and Light B» CHARMS E. GREGORY Organizes iunday Industry When clouds started to gather over tho ad- Monday •njrrl Gift of ministration of Amlimt, College by President, (tirncy Tells 0} Many Huh Socifty Alexander Meiklejohn. a student asked the late, 'Mint Slmrkey, Mrs. the Parish "Firsti' Instituted great Albert Parker Fitch if the President was Hila to Take Their it V.S.M.R. Plant an aetheist. I; I •\i. i l-.uKT — The Grotto Posts on the Hoard ,,iy uf Umrdes erected CARTERET — Speaking be- i ,-nimncr of the Holy fore the rcKiilar weekly meet- i CARTERET — The Board Ot Church In Ementon iiiE of the Carteret Lions Club "Dr. Meiklejohn," he replied, "has the great- I Education will meet Monday 1 j night at 8 o'clock in the High • A ill he dedicated Btin- Tuesday nifihl, at the Gypsy est faith of anyone I have ever known ' Dr. !School for Its organization ses- i. -.; nary 14 at 3 P.M. Rev. Ciimp, Joseph I,. Carney, Direc- Fitch was then head of the English Department .ston. \ Knnopkft, pastor Of the nr of Industrial Relations at :i .innOlinced. the United States Motals Re- at Amherst and was one of the, distinguished ' At tlmt time, two new mem- . -
Real Magic Words! 24
1 / 2 Real-magic-words Aug 15, 2014 — Magic Words. When Jonathan Goldstein was a kid, his father gave him a book that promised to teach you how to shoot mental laser beams, win .... Jan 14, 2009 — There are profound truths in that old cliché of a magician pulling a rabbit out of an empty hat with the magic word abracadabra. Almost everyone .... The performance of magic involves words (e.g, spells, incantations, or charms) and symbolic numbers that are thought to have innate power, natural or .... True Love Never Dies # love spells, Johannesburg. A spell to make someone obsessed with you is very powerful. These are magic words that will bring lots of .... My cousin tells me that, while I fool people into belief in magic, you possess the real thing.” “I wouldn't call it magic, exactly, professor. Just a little present from .... Dec 10, 2020 — What Are the 5 Golden Words? How to Teach Magic Words to Children. Speaking softly and using polite words is a quality that is appreciated by .... Apr 12, 2015 — How to Manifest Miracles with The Real Magic Words! 24. 0. Dearest you,. I recently had an interesting conversation with someone who “ knew .... Apr 13, 2007 — Then I tell them that the real magic words are "Please and Thank You. ... They may not be "Christian words" like "Hallelujah" or "Praise God," .... Aug 24, 2019 — Magic words are simple words used while interacting with others that portray good manners and leaves everyone with a pleasant feeling, says .... Years of experience as a magician taught Tim David that real magic came from the words we use to communicate with one another. -
Table of Contents Pagan Songs and Chants Listed Alphabetically By
Vella Rose’s Pagan Song Book August 2014 Edition This is collection of songs and chants has been created for educational purposes for pagan communities. I did my best to include the name of the artists who created the music and where the songs have been recorded (please forgive me for any errors). This is a work in progress, started over 12 years ago, a labor of love, that has no end. There are and have been many wonderful artists who have created music for our community. Please honor them by acknowledging them if you include their songs in your rituals or song circles. Many of the songs are available on the web, some additional resources are included in Appendix A to help you find them. Blessings and thanks to all. NOTE: Page numbers only works to 170 – then something went wrong and I can’t figure it out, sorry. Table of Contents Pagan Songs and Chants Listed Alphabetically By Title p. 2 - 160 Appendix A – Additional Resources p. 161 Appendix B – Song lists from select albums p. 163 Appendix C – Songs and Chants for Moons and Sabbats Appendix D – Songs and Chants for Winter and Yule Appendix E – Songs for Goddesses Index – Alphabetical listings by First Lines (verses and chorus) 1 Vella Rose’s Pagan Song Book August 2014 Alphabetical Listing of Songs by Title A Circle is Cast By Anna Dempska, Recorded on “A Circle is Cast” by Libana (1988). A circle is cast, again, and again, and again, and again. (repeats) ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** ***** Air Flies to the Fire Recorded on “Good Where We Been” by Shemmaho.