Fake Memory - Please Do Not Copy Or Cite Without Authors’ Permission
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
A Genealogist Reveals the Painful Truth About Three Holocaust Memoirs: They’Re Fiction
discrepancies among names and dates in different translations helped to reveal the author’s true identity. A genealogist reveals the painful truth about three Holocaust memoirs: they’re fiction Untrue Stories BY cAleB dAniloff Detractors have called Sharon Sergeant a witch-hunter, a Holocaust denier, and even a Nazi. 32 BOSTONIA Summer 2009 PHOTograph by vernon doucette Summer 2009 BOSTONIA 33 In her 1997 autobiography, Misha: A Memoire The tools of her profession include photographic timelines and data- of the Holocaust Years, Belgian-born Misha bases — vital records, census reports, Defonseca claimed to have trekked war- property deeds, maps, newspaper interviews, obituaries, phone direc- pocked Europe for four years, starting at the tories — and living relatives. Skype, online records, and blogs have also age of seven, in search of her deported Jewish broadened her reach, and DNA testing parents. Along the way, she wrote, she took up is an option if she needs it. “The generic view of genealogy with a pack of wolves, slipped in and out of the is that it is about tracing relatives, the ‘begats,’” says Sergeant, a board Warsaw Ghetto, and killed a Nazi soldier. member and former programs director with the Massachusetts Genealogical In Europe, the book was a smash, court’s decision by proving the author Council. “It’s evolved.” translated into eighteen languages was a fraud. But her involvement in cracking and made into a hit film. In the It was there online, one day in open three Holocaust hoaxes is about United States, however, it had sold December 2007, that Sharon Sergeant more than an interest in the latest poorly — so poorly that Defonseca (MET’83), now an adjunct faculty technology. -
Diplomarbeit FINAL!
DIPLOMARBEIT Titel der Diplomarbeit „The ‘Third Reich’ memoir in the light of postmodern philosophy: historical representability and the gate- keeper’s task of ‘poetry after Auschwitz’“ Verfasserin Christine Schranz angestrebter akademischer Grad Magistra der Philosophie (Mag.phil.) Wien, 2010 Studienkennzahl lt. Studienblatt: A 343 Studienrichtung lt. Studienblatt: Anglistik und Amerikanistik Betreuerin: Univ.-Prof. Dr. Margarete Rubik Declaration of Authenticity I confirm to have conceived and written this paper in English all by myself. Quotation from sources are all clearly marked and acknowledged in the bibliographical references either in the footnotes or within the text. Any ideas borrowed and/or passages paraphrased from the works of other authors are truthfully acknowledged and identified in the footnotes. Christine Schranz Hinweis Diese Diplomarbeit hat nachgewiesen, dass die betreffende Kandidatin befähigt ist, wissenschaftliche Themen selbstständig sowie inhaltlich und methodisch vertretbar zu bearbeiten. Da die Korrekturen der Beurteilenden nicht eingetragen sind und das Gutachten nicht beiliegt, ist daher nicht erkenntlich, mit welcher Note diese Arbeit abgeschlossen wurde. Das Spektrum reicht von sehr gut bis genügend. Es wird gebeten, diesen Hinweis bei der Lektüre zu beachten. Acknowledgments Writing this thesis has been challenging and rewarding, and along the way I have been fortunate enough to have the help of friends and mentors. I would like to thank the following people for their contributions: Professor Rubik for trusting me on an “outside the box” topic, for pointing me in the right direction, for her editing and for many helpful suggestions. Doron Rabinovici for sharing his thoughts and research on history and fiction with me in an inspiring interview. -
Un Marks the Holocaust Remembrance
Vol. 35-No.3 ISSN 0892-1571 January/February 2009-Shevat/Adar- I 5769 UN MARKS THE HOLOCAUST REMEMBRANCE DAY ver six decades after 6 million the fourth since the General Assembly insti- intolerance and for relationships that Holocaust, not because of the numbers, OJews, nearly a third of the total, and tuted the annual commemoration. replace “us and them” with “we and ours.” the gas chambers but because of the sys- countless other minorities were butchered “But we can and must do more if we are Also about unlearned lessons of the tematic quest to liquidate a nation. First in the Nazi German Holocaust, it is more to make that hope a reality,” he stressed. Holocaust was the speech of Rabbi Israel Hitler declared it in his work “Mein Kampf.” vital than ever to learn from the tragedy to “We must uphold the standards and laws Meir Lau, Chairman of the Yad Vashem Years later came Nuremberg Laws that prevent further atrocities, United Nations that the United Nations has put in place to Council. Here are some excerpts from his declared that Jews have no rights to pos- Secretary-General Ban Ki-moon warned protect people and fight impunity for geno- very moving speech delivered at the UN sessions, to freedom, not to life. Years in his speech on January 27. cide, war crimes and crimes against headquarters in New York. later came the Kristallnacht, when 1500 humanity. Our world continues n April 11, 1995 50 years to the synagogues were burned and 30,000 to be plagued by ruthless vio- “Oday of liberation of the concentra- Jews sent to the concentration camps. -
Rethinking Holocaust Families
PRISM •AN INTERDISCIPLINARY JOURNAL FOR HOLOCAUST EDUCATORS AN INTERDISCIPLINARY JOURNAL FOR HOLOCAUST EDUCATORS • A ROTHMAN FOUNDATION PUBLICATION AN INTERDISCIPLINARY JOURNAL FOR HOLOCAUST EDUCATORS EDITORS: DR. KAREN SHAWN, Yeshiva University, New York, NY DR. JEFFREY GLANZ, Yeshiva University, New York, NY EDITORIAL BOARD: DR. ADEN BAR-TURA, Bar-Ilan University, Israel YESHIVA UNIVERSITY • AZRIELI GRADUATE SCHOOL OF JEWISH EDUCATION AND ADMINISTRATION DARRYLE CLOTT, Viterbo University, La Crosse, WI DR. KEREN GOLDFRAD, Bar-Ilan University, Israel BRANA GUREWITSCH, Museum of Jewish Heritage– A Living Memorial to the Holocaust, New York, NY DR. DENNIS KLEIN, Kean University, Union, NJ DR. MARCIA SACHS LITTELL, School of Graduate Studies, The Richard Stockton College of New Jersey, Pomona SPRING 2011 CARSON PHILLIPS, York University, Toronto, Canada VOLUME 3 DR. ROBERT ROZETT, Yad Vashem, Jerusalem, Israel ISSN 1949-2707 DR. DAVID SCHNALL, Yeshiva University, New York, NY DR. WILLIAM SHULMAN, President, Association of Holocaust Organizations, New York, NY DR. SAMUEL TOTTEN, University of Arkansas, Fayetteville DR. WILLIAM YOUNGLOVE, California State University, Long Beach ART EDITOR: DR. PNINA ROSENBERG, Technion–Israel Institute of Technology, Haifa POETRY EDITOR: DR. CHARLES ADÈS FISHMAN, Emeritus Distinguished Professor, State University of New York ADVISORY BOARD: STEPHEN FEINBERG, United States Holocaust Memorial Museum, Washington, DC DR. LEO GOLDBERGER, Professor Emeritus, New York University, NY DR. YAACOV LOZOWICK, Historian, Jerusalem, Israel YITZCHAK MAIS, Historian, Museum Consultant, Jerusalem, Israel RABBI DR. BERNHARD ROSENBERG, Congregation Beth-El, Edison, NJ MARK SARNA, Second Generation, Real Estate Developer, Attorney, Englewood, NJ DR. DAVID SILBERKLANG, Yad Vashem, Jerusalem, Israel SIMCHA STEIN, Historian, Upper Galilee, Israel DR. EFRAIM ZUROFF, Simon Wiesenthal Center, Jerusalem, Israel AZRIELI GRADUATE SCHOOL DEPARTMENT EDITORS: DR. -
Impostures: Subjectivity, Memory, and Untruth in the Contemporary Memoir
Impostures: Subjectivity, Memory, and Untruth in the Contemporary Memoir by Miriam Hannah Novick A thesis submitted in conformity with the requirements for the degree of Doctor of Philosophy Department of English University of Toronto © Copyright by Miriam Hannah Novick, 2015 Impostures: Subjectivity, Memory, and Untruth in the Contemporary Memoir Miriam Hannah Novick Doctor of Philosophy Department of English University of Toronto 2015 Abstract The memoir boom of the last two decades has seen record numbers of writers, readers, and critics engaging with forms of life narrative. At the same time, we have witnessed several cases of imposture, which Susanna Egan defines as “a serious disconnect between the author as a person alive in the world, pre-text, before any story emerges, and the written life…[Impostors] claim lives they have not lived, experiences they have not had, and identities that belong to other people” (3). I argue that impostures cannot simply be read as fiction upon their exposure: the referential claim persists in elements of the text itself, particularly in the (invented) name that authorizes the autobiographical truth claim. Thus, I frame imposture both as a genre of life narrative and in relation to the source genres it appropriates. Further, I identify the element of extratextual performance (the assumption of the imposturous persona in public venues such as readings and interviews) as crucial to contemporary imposture, connected to the critical and commercial demands of twenty-first century authorship. My first chapter revisits poststructuralism’s pronunciation of the author’s death and rereads Barthes and Foucault in conjunction with autobiographical theory to locate an author-figure produced by and within the autobiographical text, using Genette’s concept of the paratext as a threshold to position the ii author’s name as the hinge between text and world. -
The Truth Will Out
14 藝文新聞 F E A T U R E S THURSDAY, FEBRUARY 19, 2009 • TAIPEI TIMES The truth will out Herman Rosenblat survived a Nazi death camp. Fifty years on, he told Oprah of the little girl who had thrown food over the fence and kept him alive. Years later they married. But, as he prepared to publish his sensational memoir, the truth emerged BY ELIZabeth Day THE OBSERVER, LONDON Above: Herman and Roma Rosenblat pose for a photo in their North Miami Beach home. Below: The cover of Angel at the Fence: The True Story of a Love That Survived, by Herman Rosenblat. PHOTOS: AP AND NY TIMES NEWS SERVICE erman Rosenblat knew how to tell a story. know it is them. When I say I would like to give strappy silver heels and sepia sunglasses, at a making reference to meeting Herman by throwing At family occasions, he was the one who them a letter, it is Herman who softens. He takes coffee house in Fort Lauderdale. Moskovitz, a him apples over a concentration camp fence. H would spin fantastic yarns with only a a few steps forward and gestures with his hands journalist for the Miami Herald, reported the “I knew graphically then that the story had kernel of truth. He was the clown, the joker, the for Roma to open the screen. She takes the letter Rosenblat story as it unfolded in the normally to be false because she was nowhere near the raconteur whose tales had to be taken with a and closes the door. -
Thesis Final Corrections 180609
Reading Acts of Narrative Appropriation: Four Instances of Fraudulent Memoir Amber Laine Baillie PhD Thesis Queen Mary, University of London Abstract This thesis examines acts of narrative appropriation, the telling of purportedly ‘authentic’ life stories by those for whom the stories are not theirs to tell. This misuse or subversion of genre - the discipline of historical writing and the category of autobiography - becomes a means for cultural, social and political dissimulation, and the analysis focuses both on the act: the event, trespass, or ‘theft’ of another’s life story, and on the cultural meaning that this event reveals. These narrative acts are approached theoretically through discussions of what it means to be an author, a reader, and through the consideration of literary and social genre, category and form. In exploring identities at particular risk of appropriation, this thesis shows how fraudulent appropriated narratives affect our reading of the world, and in turn influence our perception of already marginalized social groups. My primary examples include prostitution ‘narratives’, Native North American ‘memoir,’ and fraudulent Holocaust survivor ‘testimony,’ with each text providing decoded evidence of ‘genre-bending’ exhibiting a social and political intent. These works seek to be read as authentic personal narratives, as autobiography, and that is how they have been presented to the reader. However, they are imposters – fictional tales desiring the elevated status of historical authenticity and willing to bend the rules and contracts of genre to achieve their end. Here the appearance of authenticity is achieved through the use of cultural and social ‘myth,’ or perceptions of cultural identity, and as such its fraudulent construction is first and foremost a social act, with a social and economic motivation. -
The Holocaust and the Maternal Body: an Exploration of The
The Holocaust and the Maternal Body: An Exploration of the Diverse Deployment of the Symbolic Maternal Body as a Discursive Trope in Holocaust Literature and its Impact on the Construction and Proliferation of Collective Memory. By Carmelle Margaret Stephens Doctoral Thesis Presented to The School of English University of Sheffield Tuesday 31st of July 2018 Dedicated to the memory of Myrtle Wooldridge Table of Contents Table of Contents.......................................................................................................................3 Abstract......................................................................................................................................4 Introduction................................................................................................................................6 Chapter One: The Angel Behind the Fence..............................................................................31 Olga Lengyel, Five Chimneys.............................................................................................38 Isabella Leitner, Fragments of Isabella................................................................................63 Penelope Holt, The Apple...................................................................................................75 Chapter Two: Nationalism, Motherhood and Abjection..........................................................95 Chapter Three: Projective Identification: The Maternal Body and the Ethnic Self...............136 Chapter Four: