Captain Alexander Hamilton's Epaulette
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CLR James and the Black Jacobins
Atlantic Studies Global Currents ISSN: (Print) (Online) Journal homepage: https://www.tandfonline.com/loi/rjas20 Unsilencing the Haitian Revolution: C. L. R. James and The Black Jacobins Rachel Douglas To cite this article: Rachel Douglas (2020): Unsilencing the Haitian Revolution: C. L. R. James and TheBlackJacobins , Atlantic Studies, DOI: 10.1080/14788810.2020.1839283 To link to this article: https://doi.org/10.1080/14788810.2020.1839283 © 2020 The Author(s). Published by Informa UK Limited, trading as Taylor & Francis Group Published online: 19 Nov 2020. Submit your article to this journal View related articles View Crossmark data Full Terms & Conditions of access and use can be found at https://www.tandfonline.com/action/journalInformation?journalCode=rjas20 ATLANTIC STUDIES https://doi.org/10.1080/14788810.2020.1839283 Unsilencing the Haitian Revolution: C. L. R. James and The Black Jacobins Rachel Douglas French and Comparative Literature, School of Modern Languages and Cultures, University of Glasgow, UK ABSTRACT KEYWORDS Exploring the genesis, transformation and afterlives of The Black Rewriting; Haitian Jacobins, this article follows the revision trail of James’s evolving Revolution; Toussaint interest in Toussaint Louverture. How does James “show” as Louverture; Caribbean; drama versus “tell” as history? Building on Michel-Rolph Trouillot’s theatre/drama; history from below idea of “silencing the past,” this article argues that James engages in an equally active and transitive reverse process of unsilencing the past. James’s own unsilencing of certain negative representations of the Haitian Revolution is evaluated, as is James’s move away from presenting the colonized as passive objects, instead turning them instead into active subjects. -
The Shadow of Napoleon Upon Lee at Gettysburg
Papers of the 2017 Gettysburg National Military Park Seminar The Shadow of Napoleon upon Lee at Gettysburg Charles Teague Every general commanding an army hopes to win the next battle. Some will dream that they might accomplish a decisive victory, and in this Robert E. Lee was no different. By the late spring of 1863 he already had notable successes in battlefield trials. But now, over two years into a devastating war, he was looking to destroy the military force that would again oppose him, thereby assuring an end to the war to the benefit of the Confederate States of America. In the late spring of 1863 he embarked upon an audacious plan that necessitated a huge vulnerability: uncovering the capital city of Richmond. His speculation, which proved prescient, was that the Union army that lay between the two capitals would be directed to pursue and block him as he advanced north Robert E. Lee, 1865 (LOC) of the Potomac River. He would thereby draw it out of entrenched defensive positions held along the Rappahannock River and into the open, stretched out by marching. He expected that force to risk a battle against his Army of Northern Virginia, one that could bring a Federal defeat such that the cities of Philadelphia, Baltimore, or Washington might succumb, morale in the North to continue the war would plummet, and the South could achieve its true independence. One of Lee’s major generals would later explain that Lee told him in the march to battle of his goal to destroy the Union army. -
Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature
Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature By Sarah Jessica Johnson A dissertation submitted in partial satisfaction of the requirements for the degree of Doctor of Philosophy in English in the Graduate Division of the University of California, Berkeley Committee in charge: Professor Stephen Best, Chair Professor Kathleen Donegan Professor Nadia Ellis Professor Karl Britto Spring 2018 1 Abstract Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature By Sarah Jessica Johnson Doctor of Philosophy in English University of California, Berkeley Professor Stephen Best, Chair My dissertation, “Outlyers: Maroons and Marronage in Eighteenth and Nineteenth-Century Literature,” foregrounds an archival pursuit in which recovery is deprioritized. Crucial to this study is an archival paradox: Maroons absented themselves from the printed record, eschewed the position of author, only to be figured and represented by others who, expectedly, struggled with the depiction of a practice they could not know firsthand. The intentional erasure of “traces” by maroons was necessary to the successful practice of marronage. The project is organized around four “maroon objects”—the portrait, the fetish, the epaulette, and the hatchet—that recur in historical representations concerning maroons. These maroon objects mediate maroon subject and text. My first chapter, “Maroon Portraits,” examines the circulating narratives of La Mulâtresse Solitude of Guadeloupe. Solitude sits for a portrait that is continuously painted, as artists insist on producing visual images in tension with the long textual record that precedes them. Chapter Two, “Maroon Fetishes,” reads the proliferation of fetishes in Le Macandal by Marie Augustin and other iterations of the story of Haitian Maroon leader François Macandal. -
My Dear Hamilton William Morrow Paperbacks by Stephanie Dray and Laura Kamoie ISBN: 9780062466167
Reading Guide My Dear Hamilton William Morrow Paperbacks By Stephanie Dray and Laura Kamoie ISBN: 9780062466167 Introduction From the New York Times bestselling authors of America’s First Daughter comes the epic story of Eliza Schuyler Hamilton—a revolutionary woman who, like her new nation, struggled to define herself in the wake of war, betrayal, and tragedy. Haunting, moving, and beautifully written, Dray and Kamoie used thousands of letters and original sources to tell Eliza’s story as it’s never been told before—not just as the wronged wife at the center of a political sex scandal—but also as a founding mother who shaped an American legacy in her own right. Coming of age on the perilous frontier of revolutionary New York, Elizabeth Schuyler champions the fight for independence. And when she meets Alexander Hamilton, Washington’s penniless but passionate aide-de-camp, she’s captivated by the young officer’s charisma and brilliance. They fall in love, despite Hamilton’s bastard birth and the uncertainties of war. But the union they create—in their marriage and the new nation—is far from perfect. From glittering inaugural balls to bloody street riots, the Hamiltons are at the center of it all—including the political treachery of America’s first sex scandal, which forces Eliza to struggle through heartbreak and betrayal to find forgiveness. When a duel destroys Eliza’s hard-won peace, the grieving widow fights her husband’s enemies to preserve Alexander’s legacy. But long-buried secrets threaten everything Eliza believes about her marriage and her own legacy. -
Alexander Hamilton and the Development of American Law
Alexander Hamilton and the Development of American Law Katherine Elizabeth Brown Amherst, New York Master of Arts in American History, University of Virginia, 2012 Master of Arts in American History, University at Buffalo, 2010 Bachelor of Science in Applied Economics and Management, Cornell University, 2004 A Dissertation presented to the Graduate Faculty of the University of Virginia in Candidacy for the Degree of Doctor of Philosophy Department of History University of Virginia May, 2015 This dissertation is dedicated to the memory of Matthew and Theresa Mytnik, my Rana and Boppa. i ABSTRACT ―Alexander Hamilton and the Development of American Law,‖ is the first comprehensive, scholarly analysis of Alexander Hamilton‘s influence on American jurisprudence, and it provides a new approach to our understanding of the growth of federal judicial and executive power in the new republic. By exploring Hamilton's policy objectives through the lens of the law, my dissertation argues that Hamilton should be understood and evaluated as a foundational lawmaker in the early republic. He used his preferred legal toolbox, the corpus of the English common law, to make lasting legal arguments about the nature of judicial and executive power in republican governments, the boundaries of national versus state power, and the durability of individual rights. Not only did Hamilton combine American and inherited English principles to accomplish and legitimate his statecraft, but, in doing so, Hamilton had a profound influence on the substance of American law, -
A Case Study of Hamilton: an American Musical to Understand the Effect of Engaging the Past in the Culture of Today
Southeastern University FireScholars Selected Honors Theses Spring 2018 WHO LIVES, WHO DIES, WHO TELLS YOUR STORY: A CASE STUDY OF HAMILTON: AN AMERICAN MUSICAL TO UNDERSTAND THE EFFECT OF ENGAGING THE PAST IN THE CULTURE OF TODAY Adrianna C. Halsey Southeastern University - Lakeland Follow this and additional works at: https://firescholars.seu.edu/honors Part of the United States History Commons Recommended Citation Halsey, Adrianna C., "WHO LIVES, WHO DIES, WHO TELLS YOUR STORY: A CASE STUDY OF HAMILTON: AN AMERICAN MUSICAL TO UNDERSTAND THE EFFECT OF ENGAGING THE PAST IN THE CULTURE OF TODAY" (2018). Selected Honors Theses. 120. https://firescholars.seu.edu/honors/120 This Thesis is brought to you for free and open access by FireScholars. It has been accepted for inclusion in Selected Honors Theses by an authorized administrator of FireScholars. For more information, please contact [email protected]. Halsey i WHO LIVES, WHO DIES, WHO TELLS YOUR STORY: A CASE STUDY OF HAMILTON: AN AMERICAN MUSICAL TO UNDERSTAND THE EFFECT OF ENGAGING THE PAST IN THE CULTURE OF TODAY by Adrianna Halsey Submitted to the Honors Program Committee in partial fulfillment of the requirements for University Honors Scholars Southeastern University 2018 Halsey ii Copyright by Adrianna Halsey 2018 Halsey iii This thesis is dedicated to my sister, Alexia. When I needed her most she was right on time. Halsey iv Abstract This thesis is a look into how Alexander Hamilton has been portrayed on stage in the musical Hamilton: An American Musical, written by Lin-Manuel Miranda. The goal of this research is to show that this musical is not history, but rather a commentary on current culture through one of America’s favorite stories (that of the Revolution.) In this show, past figures have been used to discuss the issues of modern America, and that is now being sold as history. -
2018 Catalog of US Military Uniforms Mexican War Period 1832-1854
Quartermaster Shop 2018 Catalog of US Military Uniforms Mexican War period 1832-1854 Web Site: www.quartermastershop.com Quartermaster Shop in Kimball, Michigan has been making quality historical reproduc- tion clothing for men since 1975. Every garment is hand made under the watchful eye of artisans dedicated to give you the best value for your money. Our Mexican War era (1832-1854) uniforms are all custom made for each order. Typical delivery is about eight weeks after we receive your order. Our policy is to use quality materials and construction methods which closely match original garments, yet strive to keep the price affordable. Our clothing and uniforms are accurate replicas, not costumes. They have been manufactured after careful study of original garments at various museums around the country. January 2018. All Rights Reserved. No text or photos may be copied without the express written permission of the Quartermaster Shop. Page 2 Welcome to the Quartermaster Shop! Our friendly staff is eager and ready to offer assistance if you need help choosing a historical reproduction garment. We want to assure you of our dedication to quality in every garment and delivery by the date we promise. With almost 40 years of experience making historical uniforms, we will do our best to make you feel you made the right decision by choosing Quartermaster Shop clothing! All our garments are Made in the USA! (L to R) Jeff, Gayle, Kay, Melissa, Judy and LuAnn In 1979, Gayle and I started setting up the Quartermaster Shop tent at various reenactments and skirmishes around the country. -
Let Me Be Part of the Narrative – the Schuyler Sisters 'Almost
10/22/2018 "Let me be part of the narrative" – The Schuyler Sisters 'almost' feminist? - Contemporary Theatre Review ABOUT JOURNAL INTERVENTIONS Search … “Let me be part of the narrative” – e Schuyler Sisters ‘almost’ feminist? Clare Chandler Lin Manuel Miranda’s Hamilton: An American Musical (Hamilton) (2015) has tapped into the current cultural moment, lauded as the ‘saviour of Broadway’.1 The show’s unique tour de force is the use of hip-hop to convey the story, reigniting the genre and attracting a new musical theatre audience. This musical idiom combined with Hamilton’s colour conscious casting has allowed Miranda to create ‘the story of America then told by America now’2 exposing to critical view the whitewashing of history and the more questionable legacies of the Founding Fathers of America. The show is inescapable, dominating social media through its innovative #Ham4Ham and #Hamildrop initiatives.3 Television shows are even cashing in on Hamilton’s cultural currency with references to the show appearing in Brooklyn Nine Nine, Grey’s Anatomy, and Gilmore Girls (amongst others) as well as talk shows such as e Late Show. With so much exposure it is hard not to get swept up in the hype surrounding the musical. L-R CLEVE SEPTEMBER (LAURENS), JAMAEL WESTMAN ( HAMILTON), JASON PENNYCOOKE (LAFAYETTE), AND TARINN CALLENDER (MULLIGAN). PHOTO: MATTHEW MURPHY. Hamilton is closely associated with happier political times in America. Lin Manuel Miranda premiered an early draft of the opening number at the White House in 2009 and the Obamas were keen supporters of the show, even going so far as to introduce Hamilton’s 2016 Tony Awards performance. -
Walking Tour of the Poughkeepsie Rural Cemetery
A Walking Tour of the Poughkeepsie Rural Cemetery A BRIEF EARLY HISTORY OF THE CEMETERY In the middle decades of the nineteenth century, a revolution took place in the manner in which Americans viewed death and burial. "Rural cemeteries" replaced church yards and family plots as the burial place of choice, and the Poughkeepsie Rural Cemetery was part of this revolution. Even though they were nearly always located near growing urban areas, these cemeteries were called "rural" because their carefully landscaped grounds embodied a respect for nature, and provided a respite from the chaotic bustle of the city. In December 1852, a committee was formed to seek land for a new cemetery for the city of Poughkeepsie, as it was evident that the local church yard burial grounds would soon be filled. Among the members of the committee was local brewer Matthew Vassar, who later founded Vassar College. The committee first considered °a parcel of fifty acres of land on the east side of Academy Street, which Vassar purchased for $8000, with the intent of then selling it to the subscribers of the cemetery. Not enough subscribers could be found for this land and the committee decided to look for another location. Vassar then built his summer home, named Springside and designed by landscape architect Andrew Jackson Downing, on this site. The cemetery committee finally decided on a fifty-four acre parcel of land located on the west side of Academy Street and South Avenue and belonging to the estate of Supreme Court Justice Smith Thompson. This land forms the nucleus of the present cemetery. -
Alexander Hamilton Papers
Alexander Hamilton Papers A Finding Aid to the Collection in the Library of Congress Manuscript Division, Library of Congress Washington, D.C. 2017 Revised 2017 July Contact information: http://hdl.loc.gov/loc.mss/mss.contact Additional search options available at: http://hdl.loc.gov/loc.mss/eadmss.ms003014 LC Online Catalog record: http://lccn.loc.gov/mm81024612 Prepared by Audrey Walker Revised by Margaret McAleer and Maurita Baldock Collection Summary Title: Alexander Hamilton Papers Span Dates: 1708-1917 Bulk Dates: (bulk 1777-1804) ID No.: MSS24612 Creator: Hamilton, Alexander, 1757-1804 Extent: 12,000 items ; 44 containers plus 3 oversize ; 22.4 linear feet ; 34 microfilm reels Language: Collection material in English Location: Manuscript Division, Library of Congress, Washington, D.C. Summary: Delegate from New York to the United States Continental Congress, United States secretary of the treasury, United States army officer, statesman, and lawyer. Correspondence, speeches and writings, legal and financial papers, printed matter, and other papers relating to Hamilton's personal life and public career, especially his service as an aide to George Washington during the Revolutionary War, his participation in the United States Continental Congress and the Constitutional Convention, his service as United States secretary of the treasury, his New York law practice, and his service as inspector general of the army. Selected Search Terms The following terms have been used to index the description of this collection in the Library's online catalog. They are grouped by name of person or organization, by subject or location, and by occupation and listed alphabetically therein. People Adams, John, 1735-1826--Correspondence. -
“Let Me Be Part of the Narrative” – the Schuyler Sisters ‘Almost’ Feminist?
“Let me be part of the narrative” – The Schuyler Sisters ‘almost’ feminist? Lin Manuel Miranda’s Hamilton: An American Musical (Hamilton) (2015) has tapped into the current cultural moment, lauded as the ‘saviour of Broadway’1. The show’s unique tour de force is the use of hip-hop to convey the story, reigniting the genre and attracting a new musical theatre audience. This musical idiom combined with Hamilton’s colour conscious casting has allowed Miranda to create ‘the story of America then told by America now’2 exposing to critical view the whitewashing of history and the more questionable legacies of the Founding Fathers of America. The show is inescapable, dominating social media through its innovative #Ham4Ham and #Hamildrop initiatives3. Television shows are even cashing in on Hamilton’s cultural currency with references to the show appearing in Brooklyn Nine Nine, Grey’s Anatomy, and Gilmore Girls (amongst others) as well as talk shows such as The Late Show. With so much exposure it is hard not to get swept up in the hype surrounding the musical. Hamilton is closely associated with happier political times in America. Lin Manuel Miranda premiered an early draft of the opening number at the White House in 2009 and the Obamas were keen supporters of the show, even going so far as to introduce Hamilton’s 2016 Tony Awards performance. As if that wasn’t recommendation enough, Donald Trump is most definitely not a fan. When Mike Pence attended a performance after the election and was met with an impassioned 1 Alexis Soloski, ‘Lin-Manuel Miranda: the bard behind Broadway's Hamilton', Guardian, 20 November 2016, https://www.theguardian.com/stage/2016/nov/20/lin-manuel-miranda-musicals-hamilton-broadway-disney-hiphop (accessed 21 May 2018). -
Alexander Hamilton and His Father Figures
Southern New Hampshire University In Search of a Father Alexander Hamilton and His Father Figures A Capstone Project Submitted to the College of Online and Continuing Education in Partial Fulfillment of the Master of Arts in History By Ashleigh M. Nash Eaton, New Hampshire December 2018 Copyright © 2018 by Ashleigh M. Nash All Rights Reserved ii Student: Ashleigh Marie Nash I certify that this student has met the requirements for formatting the capstone project and that this project is suitable for preservation in the University Archive. January 8, 2019 __________________________________________ _______________ Southern New Hampshire University Date College of Online and Continuing Education iii Abstract Alexander Hamilton has long been considered a controversial founder. His political and economic beliefs polarized a new nation. Due to his controversial nature, Hamilton’s childhood circumstances were brought to public attention by his adversaries. These childhood experiences would shape not only Hamilton’s political career but would also shape the relationships he built with prominent and influential men and how he interacted with them. This paper aims to reconstruct the relationships Alexander Hamilton had with George Washington, Philip Schuyler, and James Hamilton Sr. in order to deconstruct the impressions of a father/son relationship. This paper will review the impact childhood abandonment can have on adulthood relationships within the colonial context. iv Dedication For Mom and Dad v Table of Contents Abstract .........................................................................................................................................