Alexander Hamilton and the Development of American Law
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Five-Mile Visual Ape Architectural Resource Survey
FIVE-MILE VISUAL APE ARCHITECTURAL RESOURCE SURVEY Northeast Branch FOR THE PROPOSED DEER RIVER WIND FARM, 2390 Clinton Street Buffalo, NY 14227 Tel: (716) 821-1650 TOWNS OF PINCKNEY, HARRISBURG, AND Fax: (716) 821-1607 Southeast Branch 2301 Paul Bryant Drive MONTAGUE, LEWIS COUNTY, NEW YORK Tuscaloosa, AL 35401 Tel: (205) 556-3096 Fax: (205) 556-1144 NEW YORK STATE HISTORIC PRESERVATION OFFICE Mid-South Branch 91 Tillman Street #17PR05791 Memphis, TN 38111 Tel: (901) 454-4733 Fax: (901) 454-4736 Corporate Headquarters P.O. Box 20884 Tuscaloosa, AL 35402 Prepared for: Tel: (205) 248-8767 Fax: (205) 248-8739 STANTEC 30 Park Drive Topsham, Maine 04086 Prepared by: PANAMERICAN CONSULTANTS, INC. Buffalo Branch Office 2390 Clinton Street Buffalo, NY 14227 (716) 821-1650 December 2018 FIVE-MILE VISUAL APE ARCHITECTURAL RESOURCE SURVEY FOR THE PROPOSED DEER RIVER WIND FARM, TOWNS OF PINCKNEY, HARRISBURG, AND MONTAGUE, LEWIS COUNTY, NEW YORK New York State Historic Preservation Office #17PR05791 Prepared for: STANTEC 30 Park Drive Topsham, Maine 04086 Prepared by: Christine M. Longiaru, M.A., Senior Architectural Historian/Principal Investigator Mark A. Steinback, M.A., Senior Historian Michael A. Cinquino, Ph.D., RPA, Project Director PANAMERICAN CONSULTANTS, INC. Buffalo Branch Office 2390 Clinton Street Buffalo, New York 14227 (716) 821-1650 December 2018 Management Summary SHPO Project Review Number: #17PR05791 Involved Federal and State Agencies: U.S. Army Corps of Engineers, New York State Department of Environmental Conservation, Public -
My Dear Hamilton William Morrow Paperbacks by Stephanie Dray and Laura Kamoie ISBN: 9780062466167
Reading Guide My Dear Hamilton William Morrow Paperbacks By Stephanie Dray and Laura Kamoie ISBN: 9780062466167 Introduction From the New York Times bestselling authors of America’s First Daughter comes the epic story of Eliza Schuyler Hamilton—a revolutionary woman who, like her new nation, struggled to define herself in the wake of war, betrayal, and tragedy. Haunting, moving, and beautifully written, Dray and Kamoie used thousands of letters and original sources to tell Eliza’s story as it’s never been told before—not just as the wronged wife at the center of a political sex scandal—but also as a founding mother who shaped an American legacy in her own right. Coming of age on the perilous frontier of revolutionary New York, Elizabeth Schuyler champions the fight for independence. And when she meets Alexander Hamilton, Washington’s penniless but passionate aide-de-camp, she’s captivated by the young officer’s charisma and brilliance. They fall in love, despite Hamilton’s bastard birth and the uncertainties of war. But the union they create—in their marriage and the new nation—is far from perfect. From glittering inaugural balls to bloody street riots, the Hamiltons are at the center of it all—including the political treachery of America’s first sex scandal, which forces Eliza to struggle through heartbreak and betrayal to find forgiveness. When a duel destroys Eliza’s hard-won peace, the grieving widow fights her husband’s enemies to preserve Alexander’s legacy. But long-buried secrets threaten everything Eliza believes about her marriage and her own legacy. -
American Book-Plates, a Guide to Their Study with Examples;
BOOK PLATE G i ? Y A 5 A-HZl BOUGHT WITH THE INCOME PROM THE SAGE ENDOWMENT "FUND THE GIFT OF Weuru m* Sage 1891 /un^x umtim 1969 MB MAR 2 6 79 Q^tJL Cornell University Library Z994.A5 A42 American book-plates, a guide to their s 3 1924 029 546 540 olin Cornell University Library The original of this book is in the Cornell University Library. There are no known copyright restrictions in the United States on the use of the text. http://www.archive.org/details/cu31924029546540 AMERICAN BOOK-PLATES (EX-LIBRIS) j&m. American Book-Plates A Guide to their Study with Examples By Charles Dexter Allen Member Ex-Libris Society London • Member Grolier Club New York Member Connecticut Historical Society Hartford With a Bibliography by Eben Newell Hewins Member Ex-Libris Society Illustrated with many reproductions of rare and interesting book-plates and in the finer editions with many prints from the original coppers both old and recent * ^XSU-- 1 New York • Macmillan and Co. • London Mdcccxciv All rights reserved : A-77<*0T Copyright, 1894, By MACMILLAN AND CO. NotfoootJ JSrniB — Berwick Smith. J. S. Cushing & Co. & Boston, Mass., U.S.A. PREFACE. a ^ew ears Book-plate i, ^ litera- II , i|i|lW|lfl|||| Y ture w*^ ^ ave a ace n tne iiSill illllll P^ ' mWnmi i&lfflBH catalogues of the Libraries, as it now has in those of the dealers in books. The works of the Hon. J. Leicester Warren (Lord de Tabley), Mr. Egerton Castle, and Mr. W. J. Hardy on the English plates, Mr. -
A Case Study of Hamilton: an American Musical to Understand the Effect of Engaging the Past in the Culture of Today
Southeastern University FireScholars Selected Honors Theses Spring 2018 WHO LIVES, WHO DIES, WHO TELLS YOUR STORY: A CASE STUDY OF HAMILTON: AN AMERICAN MUSICAL TO UNDERSTAND THE EFFECT OF ENGAGING THE PAST IN THE CULTURE OF TODAY Adrianna C. Halsey Southeastern University - Lakeland Follow this and additional works at: https://firescholars.seu.edu/honors Part of the United States History Commons Recommended Citation Halsey, Adrianna C., "WHO LIVES, WHO DIES, WHO TELLS YOUR STORY: A CASE STUDY OF HAMILTON: AN AMERICAN MUSICAL TO UNDERSTAND THE EFFECT OF ENGAGING THE PAST IN THE CULTURE OF TODAY" (2018). Selected Honors Theses. 120. https://firescholars.seu.edu/honors/120 This Thesis is brought to you for free and open access by FireScholars. It has been accepted for inclusion in Selected Honors Theses by an authorized administrator of FireScholars. For more information, please contact [email protected]. Halsey i WHO LIVES, WHO DIES, WHO TELLS YOUR STORY: A CASE STUDY OF HAMILTON: AN AMERICAN MUSICAL TO UNDERSTAND THE EFFECT OF ENGAGING THE PAST IN THE CULTURE OF TODAY by Adrianna Halsey Submitted to the Honors Program Committee in partial fulfillment of the requirements for University Honors Scholars Southeastern University 2018 Halsey ii Copyright by Adrianna Halsey 2018 Halsey iii This thesis is dedicated to my sister, Alexia. When I needed her most she was right on time. Halsey iv Abstract This thesis is a look into how Alexander Hamilton has been portrayed on stage in the musical Hamilton: An American Musical, written by Lin-Manuel Miranda. The goal of this research is to show that this musical is not history, but rather a commentary on current culture through one of America’s favorite stories (that of the Revolution.) In this show, past figures have been used to discuss the issues of modern America, and that is now being sold as history. -
Freedom of the Press: Croswell's Case
Fordham Law Review Volume 33 Issue 3 Article 3 1965 Freedom of the Press: Croswell's Case Morris D. Forkosch Follow this and additional works at: https://ir.lawnet.fordham.edu/flr Part of the Law Commons Recommended Citation Morris D. Forkosch, Freedom of the Press: Croswell's Case, 33 Fordham L. Rev. 415 (1965). Available at: https://ir.lawnet.fordham.edu/flr/vol33/iss3/3 This Article is brought to you for free and open access by FLASH: The Fordham Law Archive of Scholarship and History. It has been accepted for inclusion in Fordham Law Review by an authorized editor of FLASH: The Fordham Law Archive of Scholarship and History. For more information, please contact [email protected]. Freedom of the Press: Croswell's Case Cover Page Footnote The instant study was initiated by Professor Vincent C. Hopkins, S.J., of the Department of History, Fordham University, during 1963. In the spring of 1964 be died, leaving an incomplete draft; completion necessitated research, correction, and re-writing almost entirely, to the point where it became an entirly new paper, and the manuscript was ready for printing when the first olumev of Professor Goebel's, The Law Practice of Alexander Hamilton (1964), appeared. At pages 775-SO6 Goebel gives the background of the Croswell case and, because of many details and references there appearing, the present article has been slimmed down considerably. However, the point of view adopted by Goebel is to give the background so that Hamilton's participation and argument can be understood. The purpose of the present article is to disclose the place occupied by this case (and its participants) in the stream of American libertarian principles, and ezpzdally those legal concepts which prevented freedom of the press from becoming an everyday actuality until the legislatures changed the common law. -
Open Dissertation Final.Pdf
The Pennsylvania State University The Graduate School College of the Liberal Arts “BREAKING OVER THE BOUNDARIES OF THE PARTY:” THE ROLE OF PARTY NEWSPAPERS IN DEMOCRATIC FACTIONALISM IN THE ANTEBELLUM NORTH, 1845-1852 A Dissertation in History by Matthew Isham © 2010 Matthew Isham Submitted in Partial Fulfillment of the Requirements for the Degree of Doctor of Philosophy August 2010 The dissertation of Matthew Isham was reviewed and approved* by the following: Mark E. Neely, Jr. McCabe-Greer Professor in the American Civil War Era Dissertation Advisor Chair of Committee Anthony E. Kaye Associate Professor of History Matthew Restall Edwin Earle Sparks Professor of Colonial Latin American History, Anthropology and Women‟s Studies J. Ford Risley Associate Professor of Communications Carol Reardon Director of Graduate Studies George Winfree Professor of American History *Signatures are on file in the Graduate School. ii ABSTRACT In the first half of the nineteenth century partisan newspapers performed a crucial function in the creation and maintenance of the Democratic Party. Partisan newspapers sprang up rapidly throughout the country in large cities and small towns, coastal ports and western settlements. For many of their readers, these newspapers embodied the party itself. The papers introduced readers to the leaders of their parties, disseminated party principles and creeds, and informed them of the seemingly nefarious machinations of their foes in other parties. They provided a common set of political ideals and a common political language that linked like- minded residents of distant communities, otherwise unknown to each other, in a cohesive organization. In the North, the focus of this dissertation, these newspapers interpreted regional economic development and local political issues within the context of their partisan ideals, providing guidance to readers as they confronted the parochial issues of their community. -
GABRIEL" Llldlo'w the Lmmisran\ Ancestor
GABRIEL" LllDLO'W 1663-1736 The lmmisran\ Ancestor GABRIEL LUDLOW 1663-1736 AND HIS DESCENDANTS [Reprinted from the New York Genealogical and Biographical Record.] GABRIEL2 LUDLOW (1663-1736) AND HIS DESCENDANTS. BY WILLIAM SETON GORDON, Member of the New York Genealogical dlld Biographical Society. I. Gabriel2 Ludlow ( son of Gabriel1 Ludlow and his wife Mar tha--, of .Frome, County Somerset, England), born Nov. 2, 1663, at Castle Cary, County Somerset, England, and baptized there Dec. r, 1663; died --, 1736; married April 5, 1697, to Sarah Hanmer (daughter of Rev. Joseph and Martha (Eddowes) Hanmer), born --, at --; died --, at --. The following is a copy of the entry in the Register of Baptisms for the Parish of Castle Cary in the County of Somerset, England ( certified March ro, 1883, by Rev. A. W. Grafton, Vicar) : "Christenings in Y eare 1663 December The first day of this Moneth Gabriell, the sonne of Gabriell Ludlow of ffrome and of Martha his wife, was christened." This entry records the baptism of Gabriel2 Ludlow, who in 1694 settled in New York. His grandfather, Thomas Ludlow, was a younger brother of the Gabriel Ludlow who was Receiver of the Duchy of Lancaster during the reign of Charles I, and of Roger Ludlow who became Deputy-Governor of The Massachusetts Bay Colony in 1634, and married Mary Endicott, sister of Governor John Endicott. His father was cousin to Cromwell's general, Sir Edmund Ludlow, who was one of King· Charles l's judges and who, at the Restoration, had to flee from England. He was born at Castle Cary, Somerset, Nov. -
New-York Historical Society I Quarterly Bulletin
1 THE NEW-YORK HISTORICAL SOCIETY I QUARTERLY BULLETIN VOL. XX OCTOBER, 1936 No. 4 HUDSON RIVER STEAMBOAT SARATOGA Built in 1877 for the Citizens Night Line, of Troy, N Y. Painted by James Bard, New York, 1881 (Purchased by the Society, 1936) PUBLISHED BY THE SOCIETY AND ISSUED TO MEMBERS NEW YORK: 170 CENTRAL PARK WEST THE NEW-YORK HISTORICAL SOCIETY, 170 CENTRAL PARK WEST (Erected by the Society 1908) Wings to be erected on the 76th and 77th Street corners OFFICERS OF THE SOCIETY Until January 4, 1938 PRESIDENT FOREIGN CORRESPONDING SECRETARY JOHN ABEEL WEEKES ARCHER MILTON HUNTINGTON FIRST VICE-PRESIDENT DOMESTIC CORRESPONDING SECRETARY R. HORACE GALLATIN ERSKINE HEWITT SECOND VICE-PRESIDENT RECORDING SECRETARY ROBERT E. DOWLING DEWITT M. LOCKMAN THIRD VICE-PRESIDENT TREASURER B. W. B. BROWN GEORGE A. ZABRISKIE FOURTH VICE-PRESIDENT LIBRARIAN AUGUSTUS C. HONE ALEXANDER J. WALL The New York Historical Society is not responsible for statements in signed articles. THE RAMAGE MINIATURES OF GEORGE WASHINGTON By JOHN HILL MORGAN William Dunlap, to whose book we look as the foundation for our knowledge concerning our early artists, has little to say regard ing John Ramage. In fact, he dismisses this interesting painter with less than a page of text, and did not mention, if he knew, that Ramage had painted at least one portrait of President Washington from life. Yet, Dunlap's page I contained most of our knowledge concerning Ramage until the discovery, a few years ago, of a number of letters, documents and other data concerning Ramage, including his work desk, still in the possession of a descendant. -
Let Me Be Part of the Narrative – the Schuyler Sisters 'Almost
10/22/2018 "Let me be part of the narrative" – The Schuyler Sisters 'almost' feminist? - Contemporary Theatre Review ABOUT JOURNAL INTERVENTIONS Search … “Let me be part of the narrative” – e Schuyler Sisters ‘almost’ feminist? Clare Chandler Lin Manuel Miranda’s Hamilton: An American Musical (Hamilton) (2015) has tapped into the current cultural moment, lauded as the ‘saviour of Broadway’.1 The show’s unique tour de force is the use of hip-hop to convey the story, reigniting the genre and attracting a new musical theatre audience. This musical idiom combined with Hamilton’s colour conscious casting has allowed Miranda to create ‘the story of America then told by America now’2 exposing to critical view the whitewashing of history and the more questionable legacies of the Founding Fathers of America. The show is inescapable, dominating social media through its innovative #Ham4Ham and #Hamildrop initiatives.3 Television shows are even cashing in on Hamilton’s cultural currency with references to the show appearing in Brooklyn Nine Nine, Grey’s Anatomy, and Gilmore Girls (amongst others) as well as talk shows such as e Late Show. With so much exposure it is hard not to get swept up in the hype surrounding the musical. L-R CLEVE SEPTEMBER (LAURENS), JAMAEL WESTMAN ( HAMILTON), JASON PENNYCOOKE (LAFAYETTE), AND TARINN CALLENDER (MULLIGAN). PHOTO: MATTHEW MURPHY. Hamilton is closely associated with happier political times in America. Lin Manuel Miranda premiered an early draft of the opening number at the White House in 2009 and the Obamas were keen supporters of the show, even going so far as to introduce Hamilton’s 2016 Tony Awards performance. -
Walking Tour of the Poughkeepsie Rural Cemetery
A Walking Tour of the Poughkeepsie Rural Cemetery A BRIEF EARLY HISTORY OF THE CEMETERY In the middle decades of the nineteenth century, a revolution took place in the manner in which Americans viewed death and burial. "Rural cemeteries" replaced church yards and family plots as the burial place of choice, and the Poughkeepsie Rural Cemetery was part of this revolution. Even though they were nearly always located near growing urban areas, these cemeteries were called "rural" because their carefully landscaped grounds embodied a respect for nature, and provided a respite from the chaotic bustle of the city. In December 1852, a committee was formed to seek land for a new cemetery for the city of Poughkeepsie, as it was evident that the local church yard burial grounds would soon be filled. Among the members of the committee was local brewer Matthew Vassar, who later founded Vassar College. The committee first considered °a parcel of fifty acres of land on the east side of Academy Street, which Vassar purchased for $8000, with the intent of then selling it to the subscribers of the cemetery. Not enough subscribers could be found for this land and the committee decided to look for another location. Vassar then built his summer home, named Springside and designed by landscape architect Andrew Jackson Downing, on this site. The cemetery committee finally decided on a fifty-four acre parcel of land located on the west side of Academy Street and South Avenue and belonging to the estate of Supreme Court Justice Smith Thompson. This land forms the nucleus of the present cemetery. -
Columbia County
History of Columbia County Bench and Bar Helen E. Freedman Contents I. County Origins 2 a. General Narrative 2 b. Legal and Social Beginnings 3 c. Timeline 4 II. County Courts and Courthouses 6 III. The Bench and The Bar 10 a. Judges and Justices 10 b. Attorneys and District Attorneys 19 c. Columbia County Bar Association 24 IV. Notable Cases 25 V. County Resources and References 28 a. Bibliography 28 b. County Legal Records and their Location 28 c. County History Contacts 29 i. Town and Village Historians 30 ii. Local Historical Societies 31 iii. County, Town & Village Clerks 32 1 08/13/2019 I. County Origins a. General Narrative In September of 1609, Henry Hudson, an Englishman sailing under the auspices of the Dutch East India Company, set foot in what was to become Columbia County. When he stepped off his vessel, the Half Moon, he was the first European to arrive and was greeted by natives from the Mohican tribes who had settled in what is Stockport today.1 Starting in about 1620, Dutch immigrants settled the area along the Hudson River and extending east to the Massachusetts border, pursuant to land patents issued by the Dutch West India Company. Large manorial tracts were granted to the Van Rensselaer family, mostly in the northern part of the county and further north, starting in 1629. Kiliaen Van Rensselaer, a dia- mond and pearl merchant from Amsterdam and a director of the Dutch West India Company, founded the Manor of Rensselaerswyck in 1630, which included what is now the Capital District and Rensselaer and part of Columbia Counties. -
The Bar of the City of New York
YALE LAW JOURNAL VOL. VII MAY, 1898 No. 8 THE BAR OF THE CITY OF NEW YORK. The New York City Bar was a strong one even before the Revolution, but it was not until after the achievement of inde- -pendence that Alexander Hamilton and Aaron Burr became conspicuous in this island for their genius as advocates and their power and learning as lawyers. Both had been liberally edu- cated and both had been thoroughly grounded in the common law. Probably Hamilton had the wider and more comprehen- sive intellect; Burr the more perceptive and subtle. True it is. that they were pitted against each other in almost every great cause before the courts in the State of New York for many years after the evacuation of the city by the British armies. Hamilton, I have been told, was born in the West Indies. He came to America when quite a youth and became the mili- tary Secretary and Aid-de-camp of General Washington. It was while in attendance upon the "Father of his country" that he became acquainted with Miss Elizabeth Schuyler of Albany, the daughter of General Schuyler. Miss Schuyler became Mrs. General Hamilton. These two rivals-Hamilton and Burr-cordially hated each other and however exalted the character of Hamilton he was capable of the feeling of vindictiveness. It is claimed, and with some force of authority, that Hamilton had secretly slandered Burr in the columns of a Federalist newspaper for many years; that he had secretly, insidiously and yet effectively thwarted Burr's ambition, and when the secret was revealed that his sup- posed friend had been his concealed foe and had been more or less the architect of his political ruin, then, undoubtedly, rose in the soul of Burr a determination to destroy his adversary.