DOCSLIB.ORG

Who's Who in A&R in the U.S.A

Total Page：16

File Type：pdf, Size：1020Kb

Download full-text PDF Read full-text
Who's Who in A&R in the U.S.A WHO'S WHO IN A&R IN THE U.S.A A & R DIRECTORS SECRETARIES AND/OR ASSISTANT A&R DIRECTORS SECRETARIES AND/OR ASSISTANT ASM £-(212)826-0477 W-(213)469-2411 DE-LITE (POLYGRAM) (212)757-6770 East - Hernando Courtright II Laurie Lehrman Stan Price Annette Parker West - Jordan Harris Sheri Hunt DISNEYLAND-VISTA (213)840-1000 Jerome Gaspar Karen Smoot Jymn Magon Deborah Watson Barry Korkin Lisa Robertson ECM (W.B.) £-(212)888-1122 W-(213)846-9090 David Anderle Ellen Vogt Bob Hurwitz Steve Roland Stacy Valis EMI-AMERICA-LIBERTY £-(212)757,7470 W-( 21 3)461 -91.41 Arron Jacoves East - Bob Currie Barb Cesiro ARISTA £-(212)489-7400 W-(213)553-1777 West - Gary Gersh Judith Haenel East - Bob Feiden Gail Adinolsi Kathy Keep Julie Pado Jerry Griffith Letithia Tolson Mavis Brody Marci Drexler ELEKTRA-ASYLUM £-(212)355-7610 W-(213)655-8280 Michael Barackman East - Maxanne Sartori Ginger McCloud West - Bud Scoppa West - Tom Werman (Unconfirmed At Print Time) ATCO (212)484-6000 Carol Thompson Judy Close Reen Nalli Joey Averback " ATLANTIC £-(212)484-6000 W-(213)278-9230 EMERGENCY (212)947-2791 East - Richard Steinberg Cindy Rosenthal Sergio Cossa Aziz Goksel EPIC £-(212)975-4321 W-(213)556-4700 Jason Flom East - Craig Geller Katie Litchman West - Paul Cooper Bruce Harris Diane Stout BWI (202)783-3336 Dick Wingate Lynn Andel/Laurence Singer/ Doreen Reilly Nick Koumoutseas Cecil Holmes Liz Gangemi BACKSTREET (MCA) (213)508-5490 West - Frank Rand Danny Bramson Larry Hamby Joanne Grandados BANG (CBS) (404)394-2264 John Boy Ian Ilene Berns EXTRAN (813)472-1805 BARKING PUMPKIN (CBS) (213)851-5461 FANTASY (415)549-2500 Frank Zappa Phil Jones BEARSVILLE (W.B.) (914)679-7303 41_5_ (CBS) (415)621-3415 or 3416 Ian Kimmet Howard Klein BELIEVE IN A DREAM (CBS) (202)347-7836 Chris Knab Russell Timmons FULL MOON (213)859-1900 BESERKLEY (415)848-6701 Irv Asoff Matthew Kaufman GRP (ARISTA) (212)245-7033 BEVERLY GLEN (213)469-1246 David Grusin Otis Smith Larry Rosen BLUE SKY (212)751-3400 GEFFEN £-(212)484-7170 W-(213)278-9010 Teddy Slatus Carole Childs BOARDWALK £-(212)765-5103 W-(213)656-2840 John Kalodner East Irv Biegel Vicki Rubin GORDY (SEE MOTOWN) West Bruce Bird Jeanean Bodwell GRUNT (RCA) (415)668-2326 BOULEVARD (213)705-1994 HANDSHAKE (212)245-3600 BUDDAH-SUTRA/BECKETT (212)582-6900 Ron Alexenberg Art Kass Joanne Zinn Cordero HIGHRISE (213)274-8629 Chuck Walz Charlene Bracco Mark Kreiner CAPITOL £-(212)757-7470 W-(213)462-6252 Mike Lushka East Bruce Garfield Bettelynn Mcllvain IRS (SEE A&M) West Don Grierson Blue Murphey ISLAND £-(212)355-6550 W-(213)469-1285 Bobby Colomby Susan Gilman East Mark Kamins Varnel Johnson Cheryl| Dickerson West Lionel Conway Steve Buckley JET (CBS) (213)553-6801 John Carter Sharon Sabbag Larry Ross CAROUSEL (MCA) (213)851-3550 JIVE (ARISTA) (212)410-4774 Rick Frio KAT FAMILY (404)252-5800 CARRERE (ATLANTIC) (212)772-2475 Mike Sullivan Jean Luis Detry KELLY ARTS (312)943-0307 CASABLANCA (SEE POLYGRAM) Carl Davis CHALET (213)467-5022 Otis Leavill Tom Hayden KIRSHNER (212)688-6940 CHRYSALIS £-(212)935-8750 W-(213)550-0171 KNOLLT212)343-8500 East Jeff Aldrich Paul Zacher Brendon Bourke LARC (213)460-6325 West Steve Moir Stu Love COLUMBIA £-(212)975-4321 W-(213)556-4700 LAX (213)874-1300 East Mickey Eichner Celia Cabo Lauren Leffler Steve Gold Don DeVito Denis Gato Jerry Goldstein George Butler Genvieve Stewart LONDON (212)399-7000 Rick Chertoff Deborah Carter MCA £-(212)888-9700 W-(213)508-4000 Howard Thompson East Steve Leeds Loren Karasyk Joe McEwen Diane Luisi/Lauren Leffler West Joe Wissert Beverly Klingsick West - Michael Dilbeck Bobbi Stevens MERCURY (SEE POLYGRAM) Terry Powell Judy Ross MILLENNIUM (RCA) (212)974-0200 Denny Diante Bobi Kiger/Jo-Anne McGettrick Jimmy lenner Ron Oberman Marilyn Barret Don lenner Peter Phi'Ibin Lark Hackshaw MIRAGE (ATLANTIC) £-(212)484-6000 W-(213)278-6350 Warren Williams East Jerry Greenberg Arlene Mizrahi Larken Arnold Karen Mouton Jim Delehant " CHURCHILL (MCA) (316)331-0301 West Bob Greenberg Linda Murdock David Webb MIRUS-VINTAGE (216)241-0892 COAST-TO-COAST (CBS) (212)751-7078 Ron Schafer Nancy Ruehs Ron lafornaro CONSTELLATION (SEE SOLAR) Gary Doberstyn COTILLION (ATLANTIC) (212)484-6000 MODERN £-(212)840-6011 W-(213)465-5144 Henry Allen Pat Jones Danny Goldberg CREAM (213)655-0944 East PhTTSkaff West Paul Fishkin WHO'S WHO IN A&R IN THE U.S.A. A&R DIRECTORS SECRETARIES AND/OR ASSISTANT A&R DIRECTORS SECRETARIES AND/OR ASSISTANT MONTAGE (213)933-7401 SWEET CITY (216)464-5990 Rick Williams Carl Maduri MOTOWN (213)468-3500 Mike Belkin Steve Barri Gail Pierson Chris Maduri Eddie Lambert TABY (213)276-0523 Brenda Boyce Clarence Avant Susan DeChristofaro TAMLA (SEE MOTOWN) Panel a Plant TAPESTRY (213)454-0693 Raynoma Singleton Dolores Petersen TAPPAN ZEE (212)787-6120 Georgia Ward Bob James MUSCLESTONE (213)277-5156 T-NECK (SEE EPIC-CBS) NEMPERQR (212)541-6210 TOMMY BOY (212)348-4700 Patrick Clifford Tom Silverman TOTAL EXPERIENCE (POLYGRAM) (213)462-6585 NETWORK (ELEKTRA-ASYLUM) (213)859-1220 TOWNHOUSE/ACCORD (212)838-6565 Al Coury Patti Angel Michael Gusick PARADE-PETER PAN (201)344-4214 21 RECORDS (POLYGRAM) (212)664-7900 Vince Fusco UNICORN(213)458-1661 PASHA (213)466-3507 Daphna Edwards Spencer Proffer UNLIMITED GOLD (213)550-0676 PAVILLION (212)247-6854 Barry White John Luongo VENTURE (201)559-5110 PHILADELPHIA INT'L. (215)985-0900 Tony Cami11o Ken Gamble VIRGIN (WARNER BROS.) Eng. 01-727-8070 Leon Huff VIVA (WARNER BROS. (213)467-2181 PLANET (RCA) (213)464-4757 Snuff Garrett Richard Perry WARNER BROTHERS £-(212)832-0950 W-(213)846-9090 PLATEAU RECORDS (212)541-7640 East - Jerry Wexler Karen Rooney Eddie O'Loughlin Mara Freedman Karen Berg Mary Melia Lou DeBiase Gary Katz POLYGRAM (CASABLANCA, MERCURY, PHONOGRAM, POLYDOR) West - Lenny Waronker Vicki Fortson £-(212)399-7100 W-(213)277-1412 Ted Tempieman Joan Vallejo East - Chip Taylor Donna Fetchko Rus Titleman Kim Boyce Stu Fine. Karen Dumont Michael Omaritan Yvonne Garcia Ted Daryll Tom Whalley Barbara Schur Rena Tempiesman-Speisman Steve Baker Peter Lubin Kathryn Radcliffe Felix Chamberlain JoAnn Tominaga West - John Stanze Michael Ostin Shannon Crockett Tommy Li Puma Jan Abbazia PORTRAIT (CBS) (212)975-4321 WEST END (212)757-0695 Lenny Petze Linda Broderick Mel Cheren PRECISION (212)265-1576 WHITFIELD (WARNER BROS.) (213)846-9090 Tom Cossie/Chuck Cossie Norman Whitfield PRELUDE (212)974-0360 Francois Kevorkian PROFILE (212)582-3555 Cory Robbins QWEST (WARNER BROS) (213)934-4508 Quincy Jones RCA £-(212)930-4000 W-(213)468-4039 (212) 242-2100 East - Dan Loggins Rica Fujihira Ethel Gabriel Dale Ashmun Nancy Jefferies David Carpen Nancy Berke & Lynn Bongiorno Walter Alshuk Regis Silas West - Paul Atkinson Margret Tominaro Teri Muench Ron Fair RFC (212)246-1352 Ray Caviano RSO (POLYGRAM) (212)975-0700 REGENCY (213)276-9999 REPRISE (SEE WARNER BROS.) ROLLING STONES (ATLANTIC) (212)484-6000 ROUNDER[6T7T354-0700 Ken Irwin SALSOUL (212)889-7340 Ken Cayre Bernadette Ryan SCOTTI BROS. (213)450-3193 Nick Testa SESAME STREET (212)874-2700 Geri VanRess SIRE (WARNER BROS) (212)832-0950 Seymour Stein SLASH (213)937-4660 Chris D. SOLAR (213)859-1717 Dick Griffey SOURCE (213)731-0693 Logan Westbrooks SPRING (POLYGRAM) (212)581-5398 Roy Rifkind RPM Sound Studios Inc. SUGARHILL (201)569-5170 Sylvia Robinson 12 East 12th Street SWAN SONG (ATLANTIC) (212)752-1330 Mark Weinberg New York City 1OOO3.
Load more

Recommended publications
  • Bc. Karolína Zalabáková
    NARATIVNÍ PRVKY VE VIDEOKLIPU Bc. Karolína Zalabáková Diplomová práce 2009 UTB ve Zlíně, Fakulta multimediálních komunikací 2 UTB ve Zlíně, Fakulta multimediálních komunikací 3 UTB ve Zlíně, Fakulta multimediálních komunikací 4 ABSTRAKT Práce se zabývá narativními prvky ve videoklipu. Snaží se odpově‐ dět na otázku, zda je videoklip divákovi schopen zprostředkovat zážitek založený na vyprávění příběhu. První část práce zkoumá vývoj žánru, fenomén hudební televize, propagační funkci videoklipu a po‐ sun videoklipu z nesamostatného žánru k primárnímu médiu. U vybraných videoklipů (Daft Punk: Revolution 909, 1998, režie: Ro‐ man Coppola. Cibo Matto: Sugar Water, 1996, režie: Michel Gondry. Pulp: Disco 2000, 1995, režie: Pedro Romhany 1995) budou analyzo‐ vány jejich narativní struktury a použité prostředky jejich formální stránky. Klíčová slova: videoklip, hudba, příběh, hudební televize, MTV, rekla‐ ma, propagace, scénář, režie. UTB ve Zlíně, Fakulta multimediálních komunikací 5 EXTRAIT DE LA THÈSE La thèse traite les éléments narratifs d’une band‐vidéo. Elle tente à donner des réponses à la question posée, si la bande‐vidéo est en mesure de traduire la chose vécue par l’intermédiaire de la narra‐ tion d’une histoire. La première partie de la thèse enquête sur l’évolution du genre, phénomène de la télévision musicale, fonc‐ tion promotionnelle de la bande‐vidéo ainsi que l’avancement de la bande‐vidéo en tant que genre dépendent vers le média primaire. Les structures narratives et mise en œuvre des moyens formels seront analysées chez les bandes‐vidéo selectionnées. (Daft Punk: Revolution 909, 1998, metteur en scène: Roman Coppola. Cibo Matto: Sugar Wa‐ ter, 1996, metteur en scène: Michel Gondry.
    [Show full text]
  • 2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-‐18, 2
    2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7digital Amazon (cont’d) Paul Langworthy Rosie de la Mare CCO Sr. Content Program Mgr. James Priestley Dave Dederer VP, Business Development Head of Programming Jamie Ross Kristin Durie Head of Music Partnerships Sr. Label Relations Mgr. John Farrey All Media Supply AssoC. Label Relations Mgr. Robbie Defreitas Josh Fein VP Sr. Mgr., Marketing & ACquisition Todd Oenbrink Chris Graham Sales Dir. Sr. Artist Relations Mgr. Sean Hallarman Alliance Entertainment Music Editorial Mgr. MarC Bartlett Jessi Liang Sr. VP, Sales & Marketing Technical ACCount Mgr. Terri Borders Nicole Lund Talent Aquisition Sr. Label Relations Mgr. Jason Bright Dan Minamide VP, Walmart ACCount Exec. AssoC. Label Relations Mgr. Ken Glaser Lisa Nicholas-RitsCher VP, Sales Content Editor, Media & Movies Thuy Ngo Elizabeth O'Brien VP, Marketing DIRECT2U Publicist Bruce Ogilvie Beth O'Brien Chairman Public Relations Laura Provenzano Amy Penka Sr. VP, PurChasing & Marketing Ops. Mgr. Jeff Walker Aly Proctor CEO Music Vendor Mgr. Ryan Redington Amazon Dir., US Digital Music Natasha Bishop Jeff Reguilon Music Sales Mgr. Mgr., Content Programming Nathan BraCkett Elizabeth Reynolds Sr. Editorial Mgr. Brand Specialist, Music Jill Chapman Kelly Rich Digital Media Ops. Mgr. Sr. Label Relations Mgr. Cindy Charles Jack Rutledge Head of Business Development Sr. Mgr., Catalog & Selection Anthony Coorey Andrew Sexton Partner Marketing Mgr. Label Relations Mgr. *speaker 1 2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Adam Steiner Gregory Mead Sr. Content ProduCer ProduCt Marketing David Stuart Karen Park Joh AssoC.
    [Show full text]
  • 2017 Music Business Attendee List As of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017
    2017 Music Business Attendee List as of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7Digital Amazon (cont’d) James Priestley Dave Dederer VP, Business Development Head of Programming Jamie Ross Kristin Durie Head of Music Partnerships Sr. Label Relations Mgr. John Farrey All Media Supply Assoc. Label Relations Mgr. Robbie Defreitas Josh Fein VP Sr. Mgr. Marketing & Acquisition Todd Oenbrink Chris Graham Sales Dir. Sr. Artist Relations Mgr. Sean Hallarman Alliance Entertainment Music Editorial Mgr. Marc Bartlett Alex Luke Sr. VP, Sales & Marketing Dir., Global Content Programming Terri Borders Nicole Lund Talent Aquisition Sr. Label Relations Mgr. Jason Bright Dan Minamide VP, Walmart Account Exec. Assoc. Label Relations Mgr. Ken Glaser Rob Morse VP, Sales Operations Mgr. Thuy Ngo Lisa Nicholas-Ritscher VP, Marketing DIRECT2U Content Editor, Media & Movies Bruce Ogilvie Aly Proctor Chairman Music Vendor Mgr. Laura Provenzano Ryan Redington Sr. VP, Purchasing & Marketing Dir., US Digital Music Jeff Walker Jeff Reguilon CEO Mgr., Content Programming Elizabeth Reynolds Amazon Brand Specialist, Music Natasha Bishop Jack Rutledge Music Sales Mgr. Sr. Mgr., Catalog & Selection Nathan Brackett Andrew Sexton Sr. Editorial Mgr. Label Relations Mgr. Jill Chapman Adam Steiner Digital Media Operations Mgr. Sr. Content Producer Cindy Charles David Stuart Head of Business Development Assoc. Label Relations Mgr. Anthony Coorey Mary Tastet Partner Marketing Mgr. Sr. Content Program Mgr. Rosie de la Mare Laura Tulli Sr. Content Program Mgr. Music Marketing Mgr. 1 2017 Music Business Attendee List as of April 27, 2017 Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Elan Wang Brian Pesaturo Head of Music Vendor Management Label Relations Cody Wescott Matthew Plotnik Brand Specialist, Music Head, Music Marketing Brandon Reese AMPED Technical Product Mgr.
    [Show full text]
  • On Record Royalty in Chicago, KILT in Houston and Utors Screening Dealer Returns with the Hour Show -"Hitbound
    08120 NEWSPAPER DIII $_ A Billboard Publication The International Musicoar -Record -Tape Newsweekly August 2, 1975 $1.50 New Disks Previewed Returns Via Fresh Faces Spark On Billboard Program 1 -Stop Buys Hearings LOS ANGELES -A new syndi- Lundy, a nationally -known air per- Irk Distribs By House cated radio show aimed at exposing sonality who has worked at such ra- By IS HOROWITZ new recorded product -specifically dio stations as WNBC in New York NEW new releases -has been launched by and other major markets like WLS YORK -Heightened activ- Billboard. ity by national one -stops has distrib- On Record Royalty in Chicago, KILT in Houston and utors screening dealer returns with The hour show -"Hitbound ... KFRC in San Francisco. In 1974 new By MILDRED HALL From Billboard " -is being offered to Lundy won an award as Major Mar- and often skeptical attention. Indie distributors, especially, are Electronics Show stations now, reports Lee Zhito, edi- ket Air Personality of the Year, WASHINGTON -For the first reporting that a significant number tor -in -chief and publisher. It is presented at Billboard's Inter- time in a 10 -year legislative battle of retailers are returning more prod- being marketed by Audio /Video national Radio Programming Fo- Scores In Russia between the record industry and uct than their purchases might indi- Programming, Los Angeles, for a rum, Plaza Hotel, New York. By VADIM YURCHENKOV broadcasters over the issue of per- cate as reasonable. What's happen- September debut. Among the first stations in the formance royalty for sound record- ing, they say, is that stores are MOSCOW -The recent Commu- The show is hosted by Steve (Continued on page 10) ings, there were new faces and a dra- returning to authorized wholesalers nication '75 (SVJAZ '75) was prob- matic shift in emphasis at a House unsold quantities of records and ably the largest showcase of inter- subcommittee hearing on the record tapes purchased originally from national consumer electronics ever royalty last week.
    [Show full text]
  • Keeps Q011ing 'Tri N Kepta Rcxlin',"/E >S V\'Th Is on the G
    WITH THEI.?N=W SINGLE, KEEPS Q011ING 'TRI N KEPTA RCXLIN',"/E >S V\'TH IS ON THE G. ROA?'NG AC.;C SS THE AEROSMITH. COUNTRY TO STAI\'JING-ROOMr-ONLY THE NEW GENERATION A JDIENCES. I-LEADL! \' ING CEf 7PAL PARK, OF ROCK 'N' ROLL IS HERE. COLUMB'JS, DETROIT ATLANTA. Ci-IICAGO, AI^:RON,.AN\II\ ARBOR, CII.ICJNATT!, PHILADELIA,B.A.LTIMDRE.FBABTP+H BECOMING / * AEROSM(TH rovR,,,,ter wiwres ',N' P, DLLERS G THE MOSTIPP! A JDED ROCK - /Same Old Sosia And 9 rcer/U7a an Of The World s. as. Too Bad)/Seaso s Of Wither A GI?C'WING BUZZ -HAT'S TURNING IN i O rain Kept A Rodin' A TUMULTUOUS CRcSCFN:O. THE /1.4OST KC 32847* REQUESTED SING IN CITY ,a ETE4 CIT" IS THE DYNAN IC SINGLE, KEPT ROLLIN' «e "TRAIN A 3-X34 ON COLUMBIA RECORDS 157a CBi Ic THE INTERNATIONAL MUSIC -RECORD WEEKLY BQX CASHXXXVI VOLUME - NUMBER 28 - December 7. 1974 President and Publisher MARTY OSTROW Executive Vice President ch box editorial IRV LICHTMAN Vice President ED ADLUM Managing Editor Editorial `Timely' & `Timeless': New York MICHAEL DAVID Today's Dilemma STEVE MARKS BARRY TAYLOR An undercurrent philosophy that runs through the fabric of musical Hollywood creativity is whether what has been achieved is "timely" or "timeless." Many in DAVID BUDGE the world music JACK BRESCHARD of would like to believe - realistically or not - that what they TIM HOGAN have BERT BOGASH created is something beyond today and will stand the test of time. Of course, there are some who give little thought to such futures, and prefer to Research MIKE MARTUCCI settle for "timely" success -"time and time" again, we may add.
    S V\'Th Is on the G" class="panel-rg color-a">[Show full text]
  • Download Book / Springsteen: Saint in the City: 1949-1974
    ODDCYKFB9AEP \ Book \ Springsteen: Saint In The City: 1949-1974 Springsteen: Saint In The City: 1949-1974 Filesize: 6.96 MB Reviews Absolutely essential go through book. It is actually loaded with knowledge and wisdom You can expect to like the way the blogger compose this pdf. (Pascale Bernhard) DISCLAIMER | DMCA SYUNFDQI2NPQ « Book // Springsteen: Saint In The City: 1949-1974 SPRINGSTEEN: SAINT IN THE CITY: 1949-1974 To get Springsteen: Saint In The City: 1949-1974 eBook, remember to access the web link listed below and save the file or get access to additional information which are highly relevant to SPRINGSTEEN: SAINT IN THE CITY: 1949-1974 ebook. Soundcheck Books LLP, 2013. Book Condition: New. Brand New, Unread Copy in Perfect Condition. A+ Customer Service! Summary: To fully understand the Boss's music, you need to understand his formative yearsIncludes an 8 page colour plates section There have been plenty of books written about Bruce Springsteen, but this is the first to concentrate solely on his early years. The author believes that to fully understand Springsteen's recorded work it is necessary to understand the formative years that shaped him. It covers:* The genealogy of the Springsteen family from earliest times.* Relationships with his managers - how whenever success beckoned he would move in a new direction.* The development of his drive to sound like Van Morrison and Joe Cocker (in the Bruce Springsteen Band).* The importance of his booking agent, Sam Keith.* The fight to get support from Columbia Records. * How a Brown University student saved his career.* How the musicians changed the rules to all-night Monopoly sessions.
    [Show full text]
  • Digital Music Forum East February 25-26, 2009
    2009 Speakers Exclusive Keynotes Dalton Caldwell, Founder/CEO, imeem Music-focused online social network imeem has raised over $50 million in funding from investors including Sequoia Capital and Warner Music Group, according to reports. The company, which counts 30 million registered users, has licenses from all four major labels and many independents to offer free, ad-supported streaming music. While many see social networks as a crucial component in helping indie musicians and record labels win fans and launch careers in the Web 2.0 era, some are skeptical about the company's future. In this rare opportunity to meet imeem's 28-year-old founder, recently featured in BusinessWeek.com's up-and- comers under 30 story, you will get a view of the current inner workings of the digital music industry and what role he would like imeem and other social networks and streaming services to play in the music eco-system of the future. Jim Griffin, Warner Music Advisor/President, Choruss For the past year, Jim Griffin has advised Warner Music Group on digital distribution and licensing models with the goal of bringing an end to the litigation that has put a wedge between the major labels and their customers and replacing it with a regular flow of income for right holders. The project known as Choruss, which is being incubated at Warner and is planned to be rolled out as a non-profit with Griffin at the helm, proposes to build a small music-royalty fee into university tuition payments received from students, and, if successful, could be expanded to make ISPs the collector of the fees.
    [Show full text]
  • The Following Articles Were Authored Over the Past Two Decades
    The following articles were authored over the past two decades. Although some of the details have become irrelevant, the thrust of the articles continues to be germane. “BACK IN THE U.S.S.R.: (OR THAT Tired: what we have been doing for the past Unfortunately, publishing editors find type on I’ve never liked labels. Constructivism has cer- UKRAINE TYPE REALLY KNOCKS ME OUT)” five years an angle very difficult to read. This means that tainly had an enormous impact on the way I de- Originally published in the AIGA Journal of Too weird: what we will be doing in five years a good Constructivist design is usually killed in sign, but so has nearly every other movement Graphic Design, Volume 4, Number 1, 1984 Too ugly: what we will be doing in ten years favor of something “less complicated.” Another in art history at different times. It’s funny the way something suddenly looks editorial complaint is that it doesn’t look “seri- It’s 1983. I still think El Lissitzky is great, ous” enough. I confess that I don’t understand though sometimes I think he’s merely nice. I good. I was recently shocked to find that a cou- It is no coincidence that around the time that this complaint. They were dead serious in 1917. think I only have one year left in the U.S.S.R. ple of terrific El Lissitzky and Rodchenko posters I said “That’s great!” to El Lissitzky, two Rodch- In four years and after umpteen attempts, grace the pages of moldy art history books from enko books were published, followed by a big I’ve had only three constructivist designs reach “BACK TO SHOW AND TELL” my college days.
    [Show full text]
  • The Digital Music Trialogue: Balancing The
    CACPS UNDERGRADUATE THESIS # 2, SPRING 2001 The Digital Music Trialogue: Balancing the Interests of Users, Artists and Copyright Owners by Sue H. Rhee April 2001 2 A Senior Thesis presented to the Faculty of the Woodrow Wilson School of Public and International Affairs in partial fulfillment of the requirements for the degree of Bachelor of Arts. Introduction 3 Introduction The emergence of digital music technology has called to attention the need to reexamine our current copyright regime. Digital music technology enables mass copying and distribution of songs that are not authorized for such use. The resulting piracy has record companies clamoring to find ways to reduce piracy while simultaneously developing legitimate digital distribution models. In establishing copyrights, the drafters of the Constitution sought to perpetuate innovation and creation by granting copyright owners limited exclusive rights. Through implementing a system of incentives, creators were encouraged to continue production. But the underlying goal of providing incentives was to foster new ideas and creations for the benefit of the public. Copyright thus fashions a careful balance between the interests of the public and the interests of creators. Recent amendments to copyright law have exhibited a trend of expanding copyrights at the expense of users’ rights. Technology may provide copyright owners with further control over their works, but may also empower users to circumvent those control measures. What results is a copyright system in which law and technology must work together to maintain a balance between the rights of users and copyright owners. In the music industry, this balance is complicated by the fact that artists themselves are usually not the copyright owners of their work.
    [Show full text]
  • View: a Survey of Residents in the Six-State Mid-Atlantic Region; Life on the Mid-Atlantic Coast 2017: a Five-State Survey of Coastal Community Residents
    THE MAGAZINE OF MONMOUTH UNIVERSITY » SPRING 2018 No. 128 ...and other rarities and artifacts in the Springsteen Collection page 34 * A ticket to show 128 of the Born in the U.S.A. Tour—closing night of the European leg—is one of many treasures in the collection. Contents Features | Spring 2018 BACKSTORY » After struggling to communicate with her daughter, Lisa, who was born with Rett syndrome, Professor Theresa Bartolotta set out on a path to improve communica- tions strategies for all persons with Rett and their families. Story, p. 28. Paul Corliss (left) and Nick Carlascio ’18, the first recipient of the Richard Corliss Memorial Endowed Scholarship. “I don’t think I would have been able to afford this great opportunity if it wasn’t for scholarships,” says Carlascio. The Power of Endowed Scholarships To honor his late brother, Paul Corliss wants to make a Monmouth education possible for a new generation of students. He’s already made a difference in the life of one Hawk. hen Trustee Paul Corliss established a distin- to foster academic excellence and help Monmouth W guished endowed scholarship in remembrance University students achieve the same professional of his late brother, noted film critic Richard Corliss, he heights as Richard. Wanted to ensure it would have an immediate impact on students. So Paul fully funded the scholarship Distinguished endowed scholarships can be with a gift of $100,000. That foresight and generosity established at Monmouth University with a gift of helped make a Monmouth education possible for $50,000, while endowed scholarships can be created Nick Carlascio ’18, the first recipient of the Richard with a gift of $25,000.
    [Show full text]
  • Titles in Comicbase 9 2002 Tokyopop Manga Sampler 2010
    Titles in ComicBase 9 2002 Tokyopop Manga Sampler 2010 2020 Visions Titles in blue are new to this edition. 2024 Please see the title notes at the bottom 2099 A.D. of this document for a list of titles that 2099 A.D. Apocalypse have been changed since the previous 2099 A.D. Genesis version. 2099: Manifest Destiny 2099 Special: The World of Doom 100% 2099 Unlimited 1,001 Nights of Bacchus, The 2099: World of Tomorrow 1001 Nights of Sheherazade, The 20 Nude Dancers 20 Year One Poster 100 Bullets Book 100 Degrees in the Shade 20 Nude Dancers 20 Year Two 100 Greatest Marvels of All Time, The 20th Century Eightball 100% Guaranteed How-To Manual 21 for Getting Anyone to Read Comic 2112 (John Byrne’s…) Books!!! (Christa Shermot’s…) 21 Down 100 Pages of Comics 22 Brides 100% True? 24 101 Other Uses For a Condom 2 Fun Flip Book 101 Ways to End the Clone Saga 2-Headed Giant 10th Muse 2 Hot Girls on a Hot Summer Night 10th Muse (Vol. 2) 2 Live Crew Comics 10th Muse/Demonslayer 2 To the Chest 10th Muse Gallery 300 1111 303 13: Assassin Comics Module 30 Days of Night 13 Days of Christmas, The: A Tale of 30 Days of Night: Return to Barrow the Lost Lunar Bestiary 32 Pages 13th of Never, The .357! 1963 39 Screams, The 1984 Magazine 3-D Adventure Comics 1994 Magazine 3-D Alien Terror 1st Folio 3-D Batman 2000 A.D. 3-D-ell 2000 A.D. Extreme Edition 3-D Exotic Beauties 2000 A.D.
    [Show full text]
  • Re-Engineering and Enterprise Resource Planning Systems Mary Sumner 17 3
    https://t.me/PrMaB Pearson New International Edition Enterprise Resource Planning Mary Sumner First Edition https://t.me/PrMaB International_PCL_TP.indd 1 7/29/13 11:23 AM ISBN 10: 1-292-03980-9 ISBN 13: 978-1-292-03980-0 Pearson Education Limited Edinburgh Gate Harlow Essex CM20 2JE England and Associated Companies throughout the world Visit us on the World Wide Web at: www.pearsoned.co.uk © Pearson Education Limited 2014 All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without either the prior written permission of the publisher or a licence permitting restricted copying in the United Kingdom issued by the Copyright Licensing Agency Ltd, Saffron House, 6–10 Kirby Street, London EC1N 8TS. All trademarks used herein are the property of their respective owners. The use of any trademark in this text does not vest in the author or publisher any trademark ownership rights in such trademarks, nor does the use of such trademarks imply any affi liation with or endorsement of this book by such owners. ISBN 10: 1-292-03980-9 ISBN 10: 1-269-37450-8 ISBN 13: 978-1-292-03980-0 ISBN 13: 978-1-269-37450-7 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library Printed in the United States of America https://t.me/PrMaB Copyright_Pg_7_24.indd 1 7/29/13 11:28 AM 10711914117395975911 PEARSON C U S T OM LIBRAR Y Table of Contents 1.
    [Show full text]