WHO's WHO at POLYGRAM A&R Interview with D1ck
Total Page:16
File Type:pdf, Size:1020Kb
Load more
Recommended publications
-
Rhythmandblues
RHYTHMANDBLUES Black PDs Examine Reasons TOP 7514LBUMS For Lack Of R&B Airplay Weeks Weeks by Carita Spencer On On 12/24 Chart 12/24 Chart LOS ANGELES - The reasons sur- trend towards mellower is a "cop out," 1 ALL IN ALL 37 NEW HORIZON rounding the issue of the difficutly black stating that songs like Dorothy Moore's EARTH, WIND & FIRE ISAAC HAYES (Polydor PD -1-6120) 44 6 R&B singles are experiencing in receiving "With Pen In Hand," "You Are My Friend," (Columbia JC 34905) 1 5 by Patti LaBelle and the 38 COCOMOTION airplay from Top 40 stations and the subse- Blackbyrds' "Soft 2 LIVE! EL COCO (AVI 6012) 35 12 quent decline in the number of R&B singles And Easy" are all examples of "soft pretty THE COMMODORES on the pop are music" which is conducive to the formats of (Motown M9 -894A2) 2 8 charts varied, depending on CHIC these stations. "There seems a (Atlantic SD 5202) 58 4 who is responding. A number of program to be stigma 3 REACH FOR IT directors and one music director affiliated attached to R&B music," he said. GEORGE DUKE (Epic JE 34883) 3 12 40 HEADS with Los Angeles area black radio stations "Everything that comes out R&B is not a BOB JAMES 4 IN FULL BLOOM (Columbia/Tappan Zee JC 34896) 33 7 were given the opportunity to voice their disco -boogie number. Young white kids ROSE ROYCE (Whitfield/WB WH3074) 4 20 opinions concerning this matter in an effort are dancing and are into R&B music more t1 THE BELLE ALBUM to shed a than ever before. -
The Indiana Theatre
VOLUME f, NUMBER 32 MARCH 23,1177 2 Sagamore March 23, \VH PIP IS YOUR PRINTER YOUR PRINTER IS PIP Letter/ Heading for a ‘break-’ down CAMERA READY COPY PRINTED WHJLEU WAIT Dear Sagamore, last class before the ??????? allowed to take a real break. that my assignment was due The university should do away COMPLETE TYPESETTING AND For the last three years, I Monday if the library and COMPOSITION SERVICE with the fancy trapping and have been infuriated with the computer center were open. If eliminate the break or inform ALSO SELF SERVICE term Spring Break. Break not, it would be due the the professors of the meaning IBM PHOTOCOPIES— EACH 8* What? Spring Vacation, what following week. That meant, of the word. If it is done away is it? Where did it come from? distinctly, I had no break. with, you professors will have RESUMES • PAPERS What was or is its purpose? ALL KINDS OF PRINTING Other professors use the to work over the break just I can’t remember the last guise of papers assigned like me. time I had a break from before the break and due im How many other abused WESTSIDE-3S44 WEST 16TH ST. anything around IUPUI ex mediately after. You spend students are out there waiting M IDTOW N -3762 N. MERIDIAN cept humaness. One of the their break ip the halls of for that elusive break? N O R TH -4435 N. KEYSTONE favorite abuses of academia is research. Still Waiting to break the break. I destinct- I think it is high time the P.S. -
Hype Funk Score Avg. Hype Funk Score Funk Score Avg Funk Score Combined Funk 1 Flashlight
Barely Somewhat Extra Hella Response Hype Funk Avg. Hype Avg Funk Combined # answer options No Funky Funky Funky Funky Funky Da Bomb Count Score Funk Score Funk Score Score Funk 1 Flashlight - Parliament 0 0 0 2 0 5 14 21 108.00 5.14 136.00 6.48 11.62 Give Up The Funk (Tear the Roof Off the 2 Sucker) - Parliament 0 0 0 0 2 6 12 20 102.00 5.10 130.00 6.50 11.60 3 One Nation Under A Groove - Funcakelic 0 1 0 0 2 2 13 18 92.00 5.11 115.00 6.39 11.50 4 Atomic Dog - George Clinton 0 0 0 1 4 5 15 25 124.00 4.96 159.00 6.36 11.32 More Bounce To The Ounce - Zapp & 5 Roger 0 0 0 2 0 5 9 16 78.00 4.88 101.00 6.31 11.19 6 (Not Just) Knee Deep - Funkadelic 0 0 0 0 5 6 12 23 111.00 4.83 145.00 6.30 11.13 7 Mothership Connection - Parliament 0 0 0 0 3 6 8 17 81.00 4.76 107.00 6.29 11.06 8 Payback - James Brown 0 0 1 1 4 0 10 16 75.00 4.69 97.00 6.06 10.75 Get the Funk Out Ma Face - The Brothers 9 Johnson 0 0 0 1 4 4 8 17 78.00 4.59 104.00 6.12 10.71 10 Slide - Slave 0 0 0 1 1 6 5 13 59.00 4.54 80.00 6.15 10.69 11 Super Freak - Rick James 0 0 1 3 1 3 8 16 70.00 4.38 94.00 5.88 10.25 12 Pass the Peas - Fred Wesley and the JBs 0 0 1 1 2 2 5 11 47.00 4.27 64.00 5.82 10.09 13 The Jam - Graham Central Station 0 0 1 2 0 3 5 11 47.00 4.27 64.00 5.82 10.09 14 Jamaica Funk - Tom Browne 0 0 1 2 2 4 6 15 63.00 4.20 87.00 5.80 10.00 15 Fire - Ohio Players 0 0 0 2 7 3 7 19 79.00 4.16 110.00 5.79 9.95 16 Maggot Brain - Funkadelic 0 0 1 1 3 3 5 13 54.00 4.15 75.00 5.77 9.92 17 Dr. -
PLANNER PROJECT 2016... the 60S!
1 PLANNER PROJECT 2016... THE 60s! EDITOR’S NOTE: Listed below are the venues, performers, media, events, and specialty items including automobiles (when possible), highlighting 1961 and 1966 in Planner Project 2016! 1961! 1961 / FEATURED AREA MUSICAL VENUES FROM 1961 / (17) AREA JAZZ / BLUES VENUES / (4) Kornman’s Front Room / Leo’s Casino (4817 Central Ave.) / Theatrical Restaurant / Albert Anthony’s Welcome Inn AREA POP CULTURE VENUES / (13) Herman Pirchner’s Alpine Village / Aragon Ballroom / Cleveland Arena / the Copa (1710 Euclid) / Euclid Beach (hosts Coca-Cola Day) / Four Provinces Ballroom (free records for all attendees) / Hickory Grill / Homestead Ballroom / Keith’s 105th / Music Hall / Sachsenheim Ballroom / Severance Hall / Yorktown Lanes (Teen Age Rock ‘n Bowl’ night) 1961 / FEATURED ARTISTS / MUSICAL GRPS. PERFORMING HERE IN 1961 / [Individuals: (36) / Grps.: (19)] [(-) NO. OF TIMES LISTED] FEATURED JAZZ / BLUES ARTISTS PERFORMING HERE IN 1961 / (12) Gene Ammons / Art Blakely & the Jazz Messengers / John Coltrane / Harry ‘Sweets’ Edison / Ramsey Lewis / Jimmy McPartland / Shirley Scott / Jimmy Smith / Sonny Stitt / Stanley Turrentine / Joe Williams / Teddy Wilson POP CULTURE: FEATURED NORTHEAST OHIO / REGIONAL ARTISTS FROM 1961 / (6) Andrea Carroll / Ellie Frankel trio / Bobby Hanson’s Band / Dennis Warnock’s Combo / West Side Bandstand (with Jack Scott, Tom King & the Starfires) FEATURED NATIONAL ARTISTS PERFORMING HERE IN 1961 / [Individuals: (16) / Groups: (14)] Tony Bennett / Jerry Butler / Cab Calloway (with All-Star -
View the Full Song List
PARTY WITH THE PEOPLE 2020 Song List POPULAR SONGS & DANCE HITS ▪ Lizzo - Truth Hurts ▪ The Outfield - Your Love ▪ Tones And I - Dance Monkey ▪ Vanilla Ice - Ice Ice Baby ▪ Lil Nas X - Old Town Road ▪ Queen - We Will Rock You ▪ Walk The Moon - Shut Up And Dance ▪ Wilson Pickett - Midnight Hour ▪ Cardi B - Bodak Yellow, I Like It ▪ Eddie Floyd - Knock On Wood ▪ Chainsmokers - Closer ▪ Nelly - Hot In Here ▪ Shawn Mendes - Nothing Holding Me Back ▪ Lauryn Hill - That Thing ▪ Camila Cabello - Havana ▪ Spice Girls - Tell Me What You Want ▪ OMI - Cheerleader ▪ Guns & Roses - Paradise City ▪ Taylor Swift - Shake It Off ▪ Journey - Don’t Stop Believing, Anyway You Want It ▪ Daft Punk - Get Lucky ▪ Natalie Cole - This Will Be ▪ Pitbull - Fireball ▪ Barry White - My First My Last My Everything ▪ DJ Khaled - All I Do Is Win ▪ King Harvest - Dancing In The Moonlight ▪ Dr Dre, Queen Pen - No Diggity ▪ Isley Brothers - Shout ▪ House Of Pain - Jump Around ▪ 112 - Cupid ▪ Earth Wind & Fire - September, In The Stone, Boogie ▪ Tavares - Heaven Must Be Missing An Angel Wonderland ▪ Neil Diamond - Sweet Caroline ▪ DNCE - Cake By The Ocean ▪ Def Leppard - Pour Some Sugar On Me ▪ Liam Payne - Strip That Down ▪ O’Jay - Love Train ▪ The Romantics -Talking In Your Sleep ▪ Jackie Wilson - Higher And Higher ▪ Bryan Adams - Summer Of 69 ▪ Ashford & Simpson - Ain’t No Stopping Us Now ▪ Sir Mix-A-Lot – Baby Got Back ▪ Kenny Loggins - Footloose ▪ Faith Evans - Love Like This ▪ Cheryl Lynn - Got To Be Real ▪ Coldplay - Something Just Like This ▪ Emotions - Best Of My Love ▪ Calvin Harris - Feel So Close ▪ James Brown - I Feel Good, Sex Machine ▪ Lady Gaga - Poker Face, Just Dance ▪ Van Morrison - Brown Eyed Girl ▪ TLC - No Scrub ▪ Sly & The Family Stone - Dance To The Music, I Want ▪ Ginuwine - Pony To Take You Higher ▪ Montell Jordan - This Is How We Do It ▪ ABBA - Dancing Queen ▪ V.I.C. -
Funk Is Its Own Reward": an Analysis of Selected Lyrics In
ABSTRACT AFRICAN-AMERICAN STUDIES LACY, TRAVIS K. B.A. CALIFORNIA STATE UNIVERSITY DOMINGUEZ HILLS, 2000 "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s Advisor: Professor Daniel 0. Black Thesis dated July 2008 This research examined popular funk music as the social and political voice of African Americans during the era of the seventies. The objective of this research was to reveal the messages found in the lyrics as they commented on the climate of the times for African Americans of that era. A content analysis method was used to study the lyrics of popular funk music. This method allowed the researcher to scrutinize the lyrics in the context of their creation. When theories on the black vernacular and its historical roles found in African-American literature and music respectively were used in tandem with content analysis, it brought to light the voice of popular funk music of the seventies. This research will be useful in terms of using popular funk music as a tool to research the history of African Americans from the seventies to the present. The research herein concludes that popular funk music lyrics espoused the sentiments of the African-American community as it utilized a culturally familiar vernacular and prose to express the evolving sociopolitical themes amid the changing conditions of the seventies era. "FUNK IS ITS OWN REWARD": AN ANALYSIS OF SELECTED LYRICS IN POPULAR FUNK MUSIC OF THE 1970s A THESIS SUBMITTED TO THE FACULTY OF CLARK ATLANTA UNIVERSITY IN PARTIAL FULFILLMENT OF THE REQUIREMENTS FOR THEDEGREEOFMASTEROFARTS BY TRAVIS K. -
Exposing Corruption in Progressive Rock: a Semiotic Analysis of Gentle Giant’S the Power and the Glory
University of Kentucky UKnowledge Theses and Dissertations--Music Music 2019 EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY Robert Jacob Sivy University of Kentucky, [email protected] Digital Object Identifier: https://doi.org/10.13023/etd.2019.459 Right click to open a feedback form in a new tab to let us know how this document benefits ou.y Recommended Citation Sivy, Robert Jacob, "EXPOSING CORRUPTION IN PROGRESSIVE ROCK: A SEMIOTIC ANALYSIS OF GENTLE GIANT’S THE POWER AND THE GLORY" (2019). Theses and Dissertations--Music. 149. https://uknowledge.uky.edu/music_etds/149 This Doctoral Dissertation is brought to you for free and open access by the Music at UKnowledge. It has been accepted for inclusion in Theses and Dissertations--Music by an authorized administrator of UKnowledge. For more information, please contact [email protected]. STUDENT AGREEMENT: I represent that my thesis or dissertation and abstract are my original work. Proper attribution has been given to all outside sources. I understand that I am solely responsible for obtaining any needed copyright permissions. I have obtained needed written permission statement(s) from the owner(s) of each third-party copyrighted matter to be included in my work, allowing electronic distribution (if such use is not permitted by the fair use doctrine) which will be submitted to UKnowledge as Additional File. I hereby grant to The University of Kentucky and its agents the irrevocable, non-exclusive, and royalty-free license to archive and make accessible my work in whole or in part in all forms of media, now or hereafter known. -
Music Street Journal - Music News & Reviews
Music Street Journal - Music News & Reviews http://www.musicstreetjournal.com/cdreviews_display.cfm?id=100068 Artists | Issues | CD Reviews | Interviews | Concert Reviews | DVD/Video Reviews | Book Reviews | Who We Are | Staff | Home Progressive Rock CD Reviews More CD Reviews Metal/Prog Metal Gentle Giant Non-Prog Santa Monica 1975 Progressive Rock Review by Bill Knispel Gentle Giant just recently celebrated their 35th anniversary with a series of reissues of their classic studio output. Alongside this series of reissues, a number of live albums and compilations have been released, of varying quality and varying interest to both the hardcore Gentle Giant fan and the nouveau audient. Santa Monica 1975 is one of these archival live releases, recorded, as the title infers, in Santa Monica California on 1 January 1975. Two additional tracks have been included to fill out the set, taken from a performance in Dallas TX on 19 March 1977. The iteration of the band featured here is generally considered to be the classic line-up; Kerry Minnear (keys, cello, vocals), Derek Shulman (vocals, sax), Gary Green (guitar), John Weathers (drums) and Ray Shulman (bass, violin, vocals). Sound quality is a bit of an issue here from time to time, most heavily seen on the album’s opening track, which sounds as if it had been recorded by a poorly aligned cassette deck on tapes covered in grape jam and under 15 feet of rushing water. This does fairly quickly resolve itself, reaching the level of a decent, but heavily generated, analogue recording of this vintage. From a positive standpoint, Santa Monica 1975 showcases a band near the top of their musical powers, playing tight and complex progressive rock heavy on multiple vocal parts, counterpoint, and layers of instrumentation playing with and against each other. -
Bc. Karolína Zalabáková
NARATIVNÍ PRVKY VE VIDEOKLIPU Bc. Karolína Zalabáková Diplomová práce 2009 UTB ve Zlíně, Fakulta multimediálních komunikací 2 UTB ve Zlíně, Fakulta multimediálních komunikací 3 UTB ve Zlíně, Fakulta multimediálních komunikací 4 ABSTRAKT Práce se zabývá narativními prvky ve videoklipu. Snaží se odpově‐ dět na otázku, zda je videoklip divákovi schopen zprostředkovat zážitek založený na vyprávění příběhu. První část práce zkoumá vývoj žánru, fenomén hudební televize, propagační funkci videoklipu a po‐ sun videoklipu z nesamostatného žánru k primárnímu médiu. U vybraných videoklipů (Daft Punk: Revolution 909, 1998, režie: Ro‐ man Coppola. Cibo Matto: Sugar Water, 1996, režie: Michel Gondry. Pulp: Disco 2000, 1995, režie: Pedro Romhany 1995) budou analyzo‐ vány jejich narativní struktury a použité prostředky jejich formální stránky. Klíčová slova: videoklip, hudba, příběh, hudební televize, MTV, rekla‐ ma, propagace, scénář, režie. UTB ve Zlíně, Fakulta multimediálních komunikací 5 EXTRAIT DE LA THÈSE La thèse traite les éléments narratifs d’une band‐vidéo. Elle tente à donner des réponses à la question posée, si la bande‐vidéo est en mesure de traduire la chose vécue par l’intermédiaire de la narra‐ tion d’une histoire. La première partie de la thèse enquête sur l’évolution du genre, phénomène de la télévision musicale, fonc‐ tion promotionnelle de la bande‐vidéo ainsi que l’avancement de la bande‐vidéo en tant que genre dépendent vers le média primaire. Les structures narratives et mise en œuvre des moyens formels seront analysées chez les bandes‐vidéo selectionnées. (Daft Punk: Revolution 909, 1998, metteur en scène: Roman Coppola. Cibo Matto: Sugar Wa‐ ter, 1996, metteur en scène: Michel Gondry. -
5023 Hon. David E. Bonior Hon. Rick Lazio Hon. Harold E. Ford
March 18, 1999 EXTENSIONS OF REMARKS 5023 time when exports now account for 30% of Coast Guard and committee authorizers will only a paycheck can bring. They deserve to U.S. farm cash receipts and nearly 40% of all consider the import role the Coast Guard be in control of their lives and have the peace agricultural production. It is abundantly clear, plays in ice rescues and will work toward pro- of mind of independence and personal secu- that in addition to free trade, America must viding adequate resources to satellite stations, rity. The Work Incentives Improvement Act guarantee fair trade. like the one in St. Clair Shores, to fulfill their takes significant steps toward reforming Fed- The 1996 Freedom to Farm Act returned mission. I look forward to working with the eral disability programs, improving access to control of farming operations to producers in Coast Guard and the committees of jurisdic- needed services, and releasing the shackles exchange for sharp restrictions on the level of tion in this important matter. of dependency. government support. The goal was to provide f Look at today’s disability program: more U.S. farmers with the flexibility to run their op- than 7.5 million disabled Americans receive erations according to the marketplace. But in THE WORK INCENTIVES benefits from SSI and SSDI. Providing assist- exchange, the U.S. government has a clear IMPROVEMENT ACT ance to these individuals costs the Govern- responsibility to ensure that our farmers and ment $73 billion a year—making these dis- ranchers have the ability to compete fairly HON. -
Big Blast & the Party Masters
BIG BLAST & THE PARTY MASTERS 2018 Song List ● Aretha Franklin - Freeway of Love, Dr. Feelgood, Rock Steady, Chain of Fools, Respect, Hello CURRENT HITS Sunshine, Baby I Love You ● Average White Band - Pick Up the Pieces ● B-52's - Love Shack - KB & Valerie+A48 ● Beatles - I Want to Hold Your Hand, All You Need ● 5 Seconds of Summer - She Looks So Perfect is Love, Come Together, Birthday, In My Life, I ● Ariana Grande - Problem (feat. Iggy Azalea), Will Break Free ● Beyoncé & Destiny's Child - Crazy in Love, Déjà ● Aviici - Wake Me Up Vu, Survivor, Halo, Love On Top, Irreplaceable, ● Bruno Mars - Treasure, Locked Out of Heaven Single Ladies(Put a Ring On it) ● Capital Cities - Safe and Sound ● Black Eyed Peas - Let's Get it Started, Boom ● Ed Sheeran - Sing(feat. Pharrell Williams), Boom Pow, Hey Mama, Imma Be, I Gotta Feeling Thinking Out Loud ● The Bee Gees - Stayin' Alive, Emotions, How Deep ● Ellie Goulding - Burn Is You Love ● Fall Out Boy - Centuries ● Bill Withers - Use Me, Lovely Day ● J Lo - Dance Again (feat. Pitbull), On the Floor ● The Blues Brothers - Everybody Needs ● John Legend - All of Me Somebody, Minnie the Moocher, Jailhouse Rock, ● Iggy Azalea - I'm So Fancy Sweet Home Chicago, Gimme Some Lovin' ● Jessie J - Bang Bang(Ariana Grande, Nicki Minaj) ● Bobby Brown - My Prerogative ● Justin Timberlake - Suit and Tie ● Brass Construction - L-O-V-E - U ● Lil' Jon Z & DJ Snake - Turn Down for What ● The Brothers Johnson - Stomp! ● Lorde - Royals ● Brittany Spears - Slave 4 U, Till the World Ends, ● Macklemore and Ryan Lewis - Can't Hold Us Hit Me Baby One More Time ● Maroon 5 - Sugar, Animals ● Bruno Mars - Just the Way You Are ● Mark Ronson - Uptown Funk (feat. -
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-‐18, 2
2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES 7digital Amazon (cont’d) Paul Langworthy Rosie de la Mare CCO Sr. Content Program Mgr. James Priestley Dave Dederer VP, Business Development Head of Programming Jamie Ross Kristin Durie Head of Music Partnerships Sr. Label Relations Mgr. John Farrey All Media Supply AssoC. Label Relations Mgr. Robbie Defreitas Josh Fein VP Sr. Mgr., Marketing & ACquisition Todd Oenbrink Chris Graham Sales Dir. Sr. Artist Relations Mgr. Sean Hallarman Alliance Entertainment Music Editorial Mgr. MarC Bartlett Jessi Liang Sr. VP, Sales & Marketing Technical ACCount Mgr. Terri Borders Nicole Lund Talent Aquisition Sr. Label Relations Mgr. Jason Bright Dan Minamide VP, Walmart ACCount Exec. AssoC. Label Relations Mgr. Ken Glaser Lisa Nicholas-RitsCher VP, Sales Content Editor, Media & Movies Thuy Ngo Elizabeth O'Brien VP, Marketing DIRECT2U Publicist Bruce Ogilvie Beth O'Brien Chairman Public Relations Laura Provenzano Amy Penka Sr. VP, PurChasing & Marketing Ops. Mgr. Jeff Walker Aly Proctor CEO Music Vendor Mgr. Ryan Redington Amazon Dir., US Digital Music Natasha Bishop Jeff Reguilon Music Sales Mgr. Mgr., Content Programming Nathan BraCkett Elizabeth Reynolds Sr. Editorial Mgr. Brand Specialist, Music Jill Chapman Kelly Rich Digital Media Ops. Mgr. Sr. Label Relations Mgr. Cindy Charles Jack Rutledge Head of Business Development Sr. Mgr., Catalog & Selection Anthony Coorey Andrew Sexton Partner Marketing Mgr. Label Relations Mgr. *speaker 1 2017 Music Business Attendee List Renaissance Hotel, Nashville TN May 15-18, 2017 COMMERCE COMPANIES Amazon (cont’d) Apple Music (cont’d) Adam Steiner Gregory Mead Sr. Content ProduCer ProduCt Marketing David Stuart Karen Park Joh AssoC.